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Pritzker Architecture Prize Laureate
For publication on or after Monday, March 29, 2010 Media Kit announcing the 2010 PritzKer architecture Prize Laureate This media kit consists of two booklets: one with text providing details of the laureate announcement, and a second booklet of photographs that are linked to downloadable high resolution images that may be used for printing in connection with the announcement of the Pritzker Architecture Prize. The photos of the Laureates and their works provided do not rep- resent a complete catalogue of their work, but rather a small sampling. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2010 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About the Works of SANAA ...............................................................8-10 Fact Summary .....................................................................................11-17 About the Pritzker Medal ........................................................................18 2010 Ceremony Venue ......................................................................19-21 History of the Pritzker Prize ...............................................................22-24 Media contact The Hyatt Foundation phone: 310-273-8696 or Media Information Office 310-278-7372 Attn: Keith H. Walker fax: 310-273-6134 8802 Ashcroft Avenue e-mail: [email protected] Los Angeles, CA 90048-2402 http:/www.pritzkerprize.com 1 P r e v i o u s L a u r e a t e s 1979 1995 Philip Johnson of the United States of America Tadao Ando of Japan presented at Dumbarton Oaks, Washington, D.C. presented at the Grand Trianon and the Palace of Versailles, France 1996 1980 Luis Barragán of Mexico Rafael Moneo of Spain presented at the construction site of The Getty Center, presented at Dumbarton Oaks, Washington, D.C. -
Hans-Peter Feldmann Named Winner
Guggenheim and AMO / Rem Koolhaas Announce Research Project Culminating in February 2020 Exhibition Countryside: Future of the World to Examine Radical Changes Transforming the Nonurban Landscape (NEW YORK, NY—November 29, 2017)—The Solomon R. Guggenheim Museum, architect and urbanist Rem Koolhaas, and AMO, the think tank of the Office for Metropolitan Architecture (OMA), will collaborate on a project exploring radical changes in the countryside, the vast nonurban areas of Earth. The project extends work underway by AMO / Koolhaas and students at the Harvard Graduate School of Design and will culminate in a rotunda exhibition at the Guggenheim Museum in February 2020. Organized by Guggenheim Curator of Architecture and Digital Initiatives Troy Conrad Therrien, Founding Partner of OMA Rem Koolhaas, and AMO Director Samir Bantal, Countryside: Future of the World (working title) will present speculations about tomorrow through insights into the countryside of today. The exhibition will explore artificial intelligence and automation, the effects of genetic experimentation, political radicalization, mass and micro migration, large-scale territorial management, human-animal ecosystems, subsidies and tax incentives, the impact of the digital on the physical world, and other developments that are altering landscapes across the globe. “The Guggenheim has an appetite for experimentation and a founding belief in the transformative potential of art and architecture,” said Richard Armstrong, Director of the Solomon R. Guggenheim Museum and Foundation. -
Bloomberg Center Design Fact Sheet
SEPTEMBER 13, 2017 Bloomberg Center Design Fact Sheet 02 PRESS RELEASE 05 ABOUT MORPHOSIS 06 BIOGRAPHY OF THOM MAYNE 07 ABOUT CORNELL TECH 08 PROJECT INFORMATION 09 PROJECT CREDITS 11 PROJECT PHOTOS 13 CONTACT 1 Bloomberg Center Press Release// The Bloomberg Center at Cornell Tech Designed by Morphosis Celebrates Formal Opening Innovative Building is Academic Hub of New Applied Science Campus with Aspiration to Be First Net Zero University Building in New York City NEW YORK, September 13, 2017 – Morphosis Architects today marked the official opening of The Emma and Georgina Bloomberg Center, the academic hub of the new Cornell Tech campus on Roosevelt Island. With the goal of becoming a net zero building, The Bloomberg Center, designed by the global architecture and design firm, forms the heart of the campus, bridging academia and industry while pioneering new standards in environmental sustainability through state-of- the-art design. Spearheaded by Morphosis’ Pritzker Prize-winning founder Thom Mayne and principal Ung-Joo Scott Lee, The Bloomberg Center is the intellectual nerve center of the campus, reflecting the school’s joint goals of creativity and excellence by providing academic spaces that foster collective enterprise and collaboration. “The aim of Cornell Tech to create an urban center for interdisciplinary research and innovation is very much in line with our vision at Morphosis, where we are constantly developing new ways to achieve ever-more-sustainable buildings and to spark greater connections among the people who use our buildings. With the Bloomberg Center, we’ve pushed the boundaries of current energy efficiency practices and set a new standard for building development in New York City,” said Morphosis founder and design director Thom Mayne. -
Designing the Experience City - the Role of Hybrid Cultural Projects
Designing the Experience City - The role of Hybrid Cultural Projects Gitte Marling, Ole B. Jensen & Hans Kiib Nordic Journal of Architectural Research Volume 20, No 1, 2008, 18 pages Nordic Association for Architectural Research Gitte Marling, Ole B. Jensen and Hans Kiib Department of Architecture and Design, Aalborg University, Denmark TOPIC: DESIGNING THE EXPERIENCE CITY Abstract: This article takes its point of departure in the improvement of social interaction, performance pressure of the experience economy on and cultural exchange. The article contains two European cities - a pressure which in recent sections. In section one, we present the main years has found its expression in a number of theoretical concepts and framings that will comprehensive transformations of the physical guide the understanding and the analysis of the and architectural environments, and new archi- experience city. In section two, we focus on the tectural eventscapes related to fun and cultural design of the Danish experience city and pre- experience are emerging. The physical, cultural sent the first findings of our ongoing research and architectural perspectives of this develop- project. We analyse 15 Danish cases, which are ment as well as the problems and the new opp- represented in relation to their strategic and ortunities with which the ‘Experience city’ is urban design importance, their social and cultu- faced are discussed in the paper. The article ral content, their architectural representation focuses on the design of the Danish Experience and the programmes they contain. The article City with special emphasis on hybrid cultural ends with a short discussion of some of these projects and on performative urban spaces. -
Venice & the Common Ground
COVER Magazine No 02 Venice & the Common Ground Magazine No 02 | Venice & the Common Ground | Page 01 TABLE OF CONTENTS Part 01 of 02 EDITORIAL 04 STATEMENTS 25 - 29 EDITORIAL Re: COMMON GROUND Reflections and reactions on the main exhibition By Pedro Gadanho, Steven Holl, Andres Lepik, Beatrice Galilee a.o. VIDEO INTERVIew 06 REPORT 30 - 31 WHAT IS »COMMON GROUND«? THE GOLDEN LIONS David Chipperfield on his curatorial concept Who won what and why Text: Florian Heilmeyer Text: Jessica Bridger PHOTO ESSAY 07 - 21 INTERVIew 32 - 39 EXCAVATING THE COMMON GROUND STIMULATORS AND MODERATORS Our highlights from the two main exhibitions Jury member Kristin Feireiss about this year’s awards Interview: Florian Heilmeyer ESSAY 22 - 24 REVIEW 40 - 41 ARCHITECTURE OBSERVES ITSELF GUERILLA URBANISM David Chipperfield’s Biennale misses social and From ad-hoc to DIY in the US Pavilion political topics – and voices from outside Europe Text: Jessica Bridger Text: Florian Heilmeyer Magazine No 02 | Venice & the Common Ground | Page 02 TABLE OF CONTENTS Part 02 of 02 ReVIEW 42 REVIEW 51 REDUCE REUSE RECYCLE AND NOW THE ENSEMBLE!!! Germany’s Pavilion dwells in re-uses the existing On Melancholy in the Swiss Pavilion Text: Rob Wilson Text: Rob Wilson ESSAY 43 - 46 ReVIEW 52 - 54 OLD BUILDINGS, New LIFE THE WAY OF ENTHUSIASTS On the theme of re-use and renovation across the An exhibition that’s worth the boat ride biennale Text: Elvia Wilk Text: Rob Wilson ReVIEW 47 ESSAY 55 - 60 CULTURE UNDER CONSTRUCTION DARK SIDE CLUB 2012 Mexico’s church pavilion The Dark Side of Debate Text: Rob Wilson Text: Norman Kietzman ESSAY 48 - 50 NEXT 61 ARCHITECTURE, WITH LOVE MANUELLE GAUTRAND Greece and Spain address economic turmoil Text: Jessica Bridger Magazine No 02 | Venice & the Common Ground | Page 03 EDITORIAL Inside uncube No.2 you’ll find our selections from the 13th Architecture Biennale in Venice. -
Theorie De L'architecture
COURS 08 -sem 6 -UE1 17 mai 2006 COURS INAUGURAL SÉRIE 1 : « enquêtes » (Philippe Villien) 1,1 - ARNE JACOBSEN - ACIER - L’ESCALIER DE LA MAIRIE DE RODOVRE 1,2 - CARLO SCARPA - BÉTON - LE CIMETIÈRE BRION-VEGA À SAN VITO D’ALTIVOLE 1,3 - PETER ZUMTHOR - PIERRE - LES THERMES DE VALS 1,4 - SWERE FEHN - BOIS - MAISONS SÉRIE 2 : « paysage et édifice» (Dominique Hernandez) 2,1 - CULTURE DU REGARD (limites, seuils, topographie) 2,2 - LE PAYSAGE ENVELOPPE DE L’EDIFICE (composition dedans - dehors) 2,3 - LES TEMPS DU VIVANT (orientation, lumières, végétal) SÉRIE 3 : « représenter le concept » (Philippe Villien et Delphine Desert) 3,1 - LES OUTILS DE LA CONCEPTION ARCHITECTURALE 3,2 - DIFFUSION D’UNE PENSEE THEORIQUE : REM KOOLHAAS Ecole d’architecture de Paris-Belleville_cycle Licence_3e année_2e semestre THEORIE DE L’ARCHITECTURE Représenter le concept D elphine D E S E R T 2006 Ecole d’architecture de Paris-Belleville_cycle Licence_3e année_2e semestre THEORIE DE L’ARCHITECTURE R e p rése nter le concept 2re partie Diffusion d’une pensée théorique Ecole d’architecture de Paris-Belleville_cycle Licence_3e année_2e semestre R e présenter le co n cept Diffusion d’une pensée théorique Sommaire Ecole d’architecture de Paris-Belleville_cycle Licence_3e année_2e semestre L e s outils de la représentation sommaire 1. Prése ntation des acteurs • Re m Koolhaas • OMA • OMA/AMO • Réalisations pleïomorphes 2. Image et com m u nication • Communication du projet • Le discours • L'écriture • L’image 3. Approches théoriques Koolhaassienne • « Paranoiac Critical -
Claes Oldenburg Proposal for Colossal Structure in the Form of a Sink Faucet for Lake Union, Seattle, Washington 1972
Claes Oldenburg Proposal for Colossal Structure in the Form of a Sink Faucet for Lake Union, Seattle, Washington 1972 City Gallery Wellington Resource Card Demented Architecture About the Exhibition Pre/Post visit suggestions Demented Architecture brings together work by contemporary artists 1. Colossal structures that explores the role of architecture and the mythology of the architect Think about the relationship between art and architecture using the work of from a contemporary art perspective. The exhibition includes video, Claus Oldenburg as a starting point: drawings, prints and sculpture from around the world. Represented in the show are Olafur Eliasson, Edgar Roy Brewster, Brodsky and Utkin, Claes Oldenburg Jasmina Cibic, Henry Coombes, Zbigniew Libera, Kirsty Lillico and Proposal for Colossal Structure in Claes Oldenburg. the Form of a Sink Faucet for Lake Union, Seattle, Washington 1972 Selected works Pop artist, Claes Oldenburg made sculpture versions of everyday Olafur Eliasson The Cubic Structural Evolution Project 2004 objects, often ludicrously enlarged. These eventually The Cubic Structural Evolution Project consists of thousands of pieces became proposals for ‘colossal of white Lego laid out on a large table. The audience is invited to monuments’, This lithograph ‘become’ an architect and participate in the work’s construction, depicts a proposal for an modification, destruction and re-construction. Over time structures unrealised Civic Cathedral in emerge from the rubble and fall back into it, suggesting a city in Seattle in the shape of a tap fed by constant renewal and transformation. More than a simple invitation to a hand crank that both extracts play, Eliasson explores the power of architecture to determine and shoots water back into Lake experience and maintain social order. -
Architecture on Display: on the History of the Venice Biennale of Architecture
archITECTURE ON DIspLAY: ON THE HISTORY OF THE VENICE BIENNALE OF archITECTURE Aaron Levy and William Menking in conversation with: Vittorio Gregotti Paolo Portoghesi Francesco Dal Co Hans Hollein Massimiliano Fuksas Deyan Sudjic Kurt W Forster Richard Burdett Aaron Betsky Kazuyo Sejima Paolo Baratta archITECTUraL assOCIATION LONDON ArchITECTURE ON DIspLAY Architecture on Display: On the History of the Venice Biennale of Architecture ARCHITECTURAL ASSOCIATION LONDON Contents 7 Preface by Brett Steele 11 Introduction by Aaron Levy Interviews 21 Vittorio Gregotti 35 Paolo Portoghesi 49 Francesco Dal Co 65 Hans Hollein 79 Massimiliano Fuksas 93 Deyan Sudjic 105 Kurt W Forster 127 Richard Burdett 141 Aaron Betsky 165 Kazuyo Sejima 181 Paolo Baratta 203 Afterword by William Menking 5 Preface Brett Steele The Venice Biennale of Architecture is an integral part of contemporary architectural culture. And not only for its arrival, like clockwork, every 730 days (every other August) as the rolling index of curatorial (much more than material, social or spatial) instincts within the world of architecture. The biennale’s importance today lies in its vital dual presence as both register and infrastructure, recording the impulses that guide not only architec- ture but also the increasingly international audienc- es created by (and so often today, nearly subservient to) contemporary architectures of display. As the title of this elegant book suggests, ‘architecture on display’ is indeed the larger cultural condition serving as context for the popular success and 30- year evolution of this remarkable event. To look past its most prosaic features as an architectural gathering measured by crowd size and exhibitor prowess, the biennale has become something much more than merely a regularly scheduled (if at times unpredictably organised) survey of architectural experimentation: it is now the key global embodiment of the curatorial bias of not only contemporary culture but also architectural life, or at least of how we imagine, represent and display that life. -
Six Canonical Projects by Rem Koolhaas
5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript -
Tobias Armborst – the Dream of a Lifestyle: Marketing Master Planned Communities in America • Kenny Cupers – Cities in Search of the User
program 1 Thursday November 11 2010 De Nieuwe Bibliotheek Almere (Public Library of Almere) Stadhuisplein 101, 1315 XC Almere, the Netherlands 09h00 doors open, registration & coffee 09h30 introduction by Michelle Provoost, director INTI opening by René Peeters, alderman City of Almere 10h15 theme 1: Participation and Community Power moderator Michelle Provoost • Tobias Armborst – The Dream of a Lifestyle: Marketing Master Planned Communities in America • Kenny Cupers – Cities in search of the user 11h45 theme 2: The Architect and the Process • Kieran Long (Evening Standard) interviews Kees Christiaanse (KCAP) and Nathalie de Vries (MVRDV) on the role of the Architect in the development of New Towns in Russia and Asia 13h00 lunch at Centre for Architecture CASLa, Weerwaterplein 3, 1324 EE Almere 14h30 theme 3: New Towns as Political Instrument moderator: Wouter Vanstiphout • Zvi Efrat – About Politics and Architecture of New Towns in Israel • Azadeh Mashayekhi – Revisiting Iranian New Towns • Dan Handel – Grid and Revelation: Cities of Zion in the American West • Vincent Lacovara – Specific Flexibility in Place-making - or - The Law of Unforseen Planning 17h00 drinks and dinner at restaurant Waterfront Esplanade 10, 1315 TA Almere (Schouwburg of Almere) 2 Friday 12 November 2010 Schouwburg of Almere (Theatre of Almere) Esplanade 10, 1315 TA Almere, the Netherlands 09h00 doors open, registration & coffee 09h30 Introduction by Michelle Provoost, director INTI 09h40 theme 4: Left and Right in Urban Planning moderator Felix Rottenberg • Adri -
New Trends En El Mundo
1 NEW TRENDS EN EL MUNDO La cuarta edición del New Trends of Architecture comenzó en Patras, Grecia, Capital europea de la Cultura 2006, en Junio de ese mismo año. La inauguración fue el día 2 de Junio del 2006. New Trends of Architecture fue fundada en el 2001 por un grupo de consejeros japoneses de la cultura y los medios de comunicación, de quince estados miembros de la Unión Europea, Instituciones Culturales europeas y de la Delegación de la Comisión Europea en Japón. El objetivo es crear una plataforma que constituya una oportunidad para compartir ideas y experiencias entre Europa y Asia Pacífico, a través de exposiciones anuales y simposiums para arquitectos emergentes europeos, japoneses y de otros países del Pacífico que tendrán lugar en Japón y otras capitales europeas. El proyecto fue reconocido no solo por el mundo de la arquitectura sino también por el mundo diplomático. El antiguo director de la comisión europea, Romano Prodi y, el primer ministro de Japón, Junichiro Koizumi, mencionaron este proyecto especialmente como un programa de intercambio importante durante la cumbre euro japonesa en Julio 2002. En el año 2004, coincidiendo con la ampliación de la Unión Europea, la tercera edición de New Trends of Architecture fue presentada como una nueva iniciativa: un proyecto para las regiones de Europa y el Pacífico asiático. La exposición, acompañada de un simposium, fue organizada en Lille, Hong-Kong, Tokio, Cork, Melbourne y Anyang. En cada ciudad resultó ser una fuente de encuentros e intercambios enriquecedores. El concepto básico de este proyecto fue inspirado por la idea europea de la Capital Europea de la Cultura. -
Beijing Moscow
NEW YORK + STUDIO x CITY GLOBAL METROPOLIS PROGRAM GSAPP COLUMBIA UNIVERSITY APP Colum k GS bia U yor niv w ers ne ity studio x city g n paris ji i moscow e b tokyo amman mumbai istanbul rio de janeiro johannesburg “IF WE DON’T THINK ABOUT THE FUTURE IN AND WITH ALL THE TRANSFORMATIVE REGIONS OF THE WORLD, THEN WE ARE NOT THINKING ABOUT THE FUTURE” MARK WIGLEY, DEAN GSAPP G L suggested PROGRAM STRUCTURE M E T R P O L I S B A L NEW YORK + STUDIO x CITY 01. SUMMER TERM RUS 1. Design Studio I 2. Global New York Seminar + > 3. Tools for Global Practice (on computation) > 4. Open elective presentation US 02. FALL TERM + { + } + RUS thesis proposal research advisor Moscow + > + > presentation + US day 20- studio project studio critic workshop 03. SPRING TERM + { } studiox - Rio studiox - Beijing + studiox - Mumbai RUS thesis submission research advisor thesis publication studiox - Johannesburg + > + > + day trip studiox - Amman 7- + US studiox - Moscow studio critic group exhibition studio project studiox - Istanbul presentation studiox - New York PROGRAM DESCRIPTION ADMISSION REQUIREMENTS GLOBAL METROPOLIS PROGRAM A class of highly selected students with above average design and theoretical skills is anticipated for each year. All applicants for admission to the Global Metropolis Program must apply for the MSAAD program on-line. Degree: Columbia University Master of Science in Advanced Architectural Design Students can contact the Office of Admissions and Student Affairs at GSAPP for information. Admission will be based on an evaluation of applicants’ academic records, professional experience and samples of their work. A joint program of the Graduate School of Architecture, Planning and Preservation, Columbia University (GSAPP) Please follow the instructions and requirements for how to apply to the MSAAD program: and Global Institutes http://www.arch.columbia.edu/school/admissions/how-apply Program Committee: Applicants are required to submit the following documents in English: Markus Dochantschi, Director Phu Hoang, Studio Critic 1.