China Gallery Artifacts List 2 020211.Xls Detail 1 of 13 BOWERS MUSEUM Artifacts in the Ancient China Gallery - Detailed Description As Of: February 02, 2011

Total Page:16

File Type:pdf, Size:1020Kb

China Gallery Artifacts List 2 020211.Xls Detail 1 of 13 BOWERS MUSEUM Artifacts in the Ancient China Gallery - Detailed Description As Of: February 02, 2011 BOWERS MUSEUM Artifacts in the Ancient China Gallery - Detailed Description As of: February 02, 2011 # Image Data from artifacts' current labels or Bowers' 'China's Object List' ~ NEOLITHIC PERIOD Description: Pottery Jar Period / Dynasty: Neolithic Period Date: (ca. 7000 - 1500 BC) 1 Base Material: Clay and paint ID #: BMCA 97.119 Description: Polychrome Pottery Jar Period / Dynasty: Neolithic Period Date: (ca. 7000 - 1500 BC) 2 Material: Ceramic and paint ID #: 99.54.1 Description: Polychrome Pottery Jar Period / Dynasty: Neolithic Period Date: (ca. 7000 - 1500 BC) 3 Material: Ceramic and paint ID #: 91.48.5 Description: Jade Cong Period / Dynasty: Neolithic Period Date: (ca. 7000 - 1500 BC) 4 Material: Jade ID #: BMCA 97.140.8 Description: Nephrite Pig-dragon (Zhulong) Period / Dynasty: Neolithic Period Date: (ca. 7000 - 1500 BC) 5 Material: Jade ID #: BMCA 97.143.3 Description: Pendant Period / Dynasty: Neolithic Period Date: (ca. 7000 - 1500 BC) 6 Material: Jade ID #: BMCA 97.143.1 D:\Daniel\Bowers\Education\China Gallery Artifacts List _2_020211.xls Detail 1 of 13 BOWERS MUSEUM Artifacts in the Ancient China Gallery - Detailed Description As of: February 02, 2011 # Image Data from artifacts' current labels or Bowers' 'China's Object List' Description: Pendant Period / Dynasty: Neolithic Period Date: (ca. 7000 - 1500 BC) 7 Material: Jade ID #: BMCA 97.140.10 Description: Polychrome Pottery Bowl Period / Dynasty: Mid Neolithic Period Date: Yangshao (4000 - 2500 BC) 8 Material: Clay with paint ID #: 90.5.64 Description: Bi Period / Dynasty: Neolithic Period Date: (ca. 7000 - 1500 BC) 9 Material: Jade ID #: 97.140.1 Description: Stone Blade Period / Dynasty: Neolithic Period Date: (ca. 7000 - 1500 BC) 10 Material: Abrased stone ID #: BMCA 96.40.1.1 Description: Polychrome Jar Period / Dynasty: Neolithic Age Date: (2300 - 2000 B.C.) 11 Material: Ceramic and paint ID #: 2000.39.1 Description: Bowl Period / Dynasty: Late Neolithic - Machang Phase Date: (c. 2300 - 2000 B.C.) 12 Material: Earthenware and paint ID #: 90.5.64 D:\Daniel\Bowers\Education\China Gallery Artifacts List _2_020211.xls Detail 2 of 13 BOWERS MUSEUM Artifacts in the Ancient China Gallery - Detailed Description As of: February 02, 2011 # Image Data from artifacts' current labels or Bowers' 'China's Object List' ~ ZHOU DYNASTY (EASTERN) Description: Lidded Vessel (Ding) Period / Dynasty: Eastern Zhou Dynasty Date: (770 B.C. - 256 B.C.) 13 Material: Bronze ID #: 2010.24.1a, b Description: Pair of Wine Vessels (Hu) Period / Dynasty: Eastern Zhou Dynasty Date: (770 B.C. - 256 B.C.) 14 Material: Bronze ID #: 2010.24.2a,b Description: Set of Bells (Zhong) Period / Dynasty: Eastern Zhou Dynasty Date: (770 B.C. - 256 B.C.) 15 Material: Bronze ID #: 2010.24.3a-g Description: Vessel Period / Dynasty: Eastern Zhou Dynasty Date: (770 B.C. - 256 B.C.) 16 Material: Bronze ID #: 2010.24.4 ~ ZHOU DYNASTY (WESTERN & WARRING STATES) Description: Pendant Period / Dynasty: Warring States Period Date: (481 - 221 B.C.) 17 Material: Jade ID #: 97.141.1 D:\Daniel\Bowers\Education\China Gallery Artifacts List _2_020211.xls Detail 3 of 13 BOWERS MUSEUM Artifacts in the Ancient China Gallery - Detailed Description As of: February 02, 2011 # Image Data from artifacts' current labels or Bowers' 'China's Object List' Description: Pottery Ding Tripod Vessel Period / Dynasty: Warring States Period Date: (ca. 475 - 221 BC) 18 Material: Clay ID #: BMCA 94.48.4 Description: Tomb Demon Period / Dynasty: Warring States to Western Han Dynasty Date: (475 B.C. - 9 A.D.) 19 Material: Wood and paint ID #: BMCA 97.122.1-.2 Description: Black Pottery Amphora Period / Dynasty: Warring States, Jin, or Western Han Date: (Fourth to Fifth Centuries BC) 20 Material: Ceramic and paint ID #: 97.63.1 Description: Bronze Spearhead Period / Dynasty: Warring States Period Date: (475 - 221 B.C.) 21 Material: Bronze ID #: 2000.50.4 Description: Mirror Period / Dynasty: Warring States Period Date: (475 - 221 B.C.) 22 Material: Bronze ID #: 2000.65.5 Description: Bronze Ding Period / Dynasty: Warring States Period Date: (c. 475 - 221 B.C.) 23 Material: Bronze ID #: 2005.11.1 D:\Daniel\Bowers\Education\China Gallery Artifacts List _2_020211.xls Detail 4 of 13 BOWERS MUSEUM Artifacts in the Ancient China Gallery - Detailed Description As of: February 02, 2011 # Image Data from artifacts' current labels or Bowers' 'China's Object List' Description: Wine Vessel (Hu) Period / Dynasty: Warring States Period Date: (480 B.C. - 222 B.C.) 24 Material: Bronze ID #: 2010.24.5 ~ HAN DYNASTY Description: Tomb Figurine Period / Dynasty: Han Dynasty Date: (206 B.C. - 220 A.D.) 25 Material: Ceramic ID #: 2001.9.1 Description: Green Glazed boshanlu Incense Burner Period / Dynasty: Han Dynasty Date: (206 B.C. - 220 A.D.) 26 Material: Ceramic and glaze ID #: 97.2.2.1 Description: Female Dancer Period / Dynasty: Han Dynasty Date: (206 BC - 220 AD) 27 Material: Clay and pigment ID #: 2005.18.1 Description: Pottery Statue Period / Dynasty: Han Dynasty Date: (206 B.C. - 220 A.D.) 28 Material: Ceramic and paint ID #: 99.76.160 Description: Mirror Period / Dynasty: Han Dynasty Date: (206 B.C. - 220 A.D.) 29 Material: Bronze ID #: 2003.38.26 D:\Daniel\Bowers\Education\China Gallery Artifacts List _2_020211.xls Detail 5 of 13 BOWERS MUSEUM Artifacts in the Ancient China Gallery - Detailed Description As of: February 02, 2011 # Image Data from artifacts' current labels or Bowers' 'China's Object List' Description: Mirror Period / Dynasty: Han Dynasty Date: (206 BC - 220 AD) 30 Material: Bronze ID #: 2000.65.7 Description: Bronze Fang (square) Hu Period / Dynasty: Qin or Western Han Dynasty Date: (221 - 206 BC) or (206 BC - 8 AD) 31 Material: Bronze ID #: BMCA L. 2007.17.1 Description: Mirror Period / Dynasty: Western Han Dynasty Date: (206 BC - 8 AD) 32 Material: Bronze ID #: 2005.35.1 Description: Bronze Li with Cover and Ring Handles Period / Dynasty: Western Han Dynasty Date: (206 BC - 8 AD) 33 Material: Bronze ID #: Not Available On loan Description: Yue-ware Spirit Jar Period / Dynasty: Western Jin Dynasty Date: (265 - 317) 34 Material: Ceramic ID #: 2000.65.2 ~ TANG DYNASTY Description: Pottery Camel and Rider Period / Dynasty: Pre-Tang Dynasty Date: Not Available 35 Material: Clay ID #: Snukal Collection 35 On Loan D:\Daniel\Bowers\Education\China Gallery Artifacts List _2_020211.xls Detail 6 of 13 BOWERS MUSEUM Artifacts in the Ancient China Gallery - Detailed Description As of: February 02, 2011 # Image Data from artifacts' current labels or Bowers' 'China's Object List' Description: Camel and Rider Period / Dynasty: Tang Dynasty Date: (618 - 906) 36 Material: Pottery with Traces of Paint ID #: BMCA 2002.8.2 Description: Warrior Figurine Period / Dynasty: Tang Dynasty Date: (618 - 907 B.C.) 37 Material: Ceramic and paint ID #: 2001.58.4.1 Description: Gold over Silver Core Vase Period / Dynasty: Tang Dynasty Date: (618 - 906) 38 Material: Silverware, Gold ID #: 2006.13.1 On loan Description: Three-Color Ware Jar Period / Dynasty: Tang Dynasty Date: (618 - 906) 39 Material: Clay, glaze, and paint ID #: BMCA 2004.52.1a & b Description: Mirror Period / Dynasty: Tang Dynasty Date: (618 - 906) 40 Material: Bronze ID #: BMCA 2000.64.4 Description: Mirror Period / Dynasty: Tang Dynasty Date: (618 - 907 A.D.) 41 Material: Bronze ID #: 2005.34.1 D:\Daniel\Bowers\Education\China Gallery Artifacts List _2_020211.xls Detail 7 of 13 BOWERS MUSEUM Artifacts in the Ancient China Gallery - Detailed Description As of: February 02, 2011 # Image Data from artifacts' current labels or Bowers' 'China's Object List' Description: Wine Warmer (jiaodou) Period / Dynasty: Tang Dynasty Date: (618 - 906 AD) 42 Material: Bronze ID #: 2005.14.1 Description: Gold Hairpins Period / Dynasty: Liao Dynasty Date: (907 - 1125) 43 Material: Gold ID #: BMCA L. 2007.12.2.3 ~ SONG DYNASTY Description: Chrysanthemum Petal Bowl Period / Dynasty: Song Dynasty Date: (960-1279 AD) 44 Material: Ceramic and glaze ID #: BMCA 91.48.2 Description: Yaozhou Ware Dish Period / Dynasty: Song Dynasty Date: (906 - 1279) 45 Material: Stoneware, glaze ID #: BMCA L.2007.8.1 Description: Cizhou Sgrafitto Meiping Vase Period / Dynasty: Northern Song Date: (960 - 1127) 46 Material: Stoneware, glaze ID #: Snukal Collection 39 Description: Celedon (qingbai) Bowl Period / Dynasty: Southern Song Dynasty Date: (1127-1279 A.D.) 47 Material: Ceramic and glaze ID #: 2005.42.1 D:\Daniel\Bowers\Education\China Gallery Artifacts List _2_020211.xls Detail 8 of 13 BOWERS MUSEUM Artifacts in the Ancient China Gallery - Detailed Description As of: February 02, 2011 # Image Data from artifacts' current labels or Bowers' 'China's Object List' Description: Terra Cotta Horses Period / Dynasty: Song – early Ming Dynasty Date: (960 - c.1460) 48 Material: Terracotta ID #: 2001.6.1.1-.3 ~ YUAN DYNASTY Description: Jar with Running Horse Period / Dynasty: Yuan to Ming Dynasty Date: (1279 - 1368 / 1368 - 1644) 49 Material: Ceramic and glaze ID #: 2000.64.3 Description: Underglaze Pear-Shaped Vase Period / Dynasty: Yuan Dynasty Date: (1279 - 1360) 50 Material: Ceramic, glaze ID #: Snukal Collection 290 On loan ~ MING DYNASTY Description: Blue & White Jar with Fish Period / Dynasty: Early Ming Dynasty Date: Xuande Period (15th Century) 51 Material: Ceramic, glaze, and paint ID #: BMCA L.2007. 11.6 On loan Description: Blue & White Porcelain Dish w/ 3 Friends Design Period / Dynasty: Early Ming Dynasty Date: Xuande Period (15th Century) 52 Material: Ceramic, glaze, and paint ID #: Snukal Collection 296 On loan D:\Daniel\Bowers\Education\China
Recommended publications
  • From the Lands of Asia
    Education Programs 2 3 TABLE OF CONTENTS Preparing students in advance p. 4 Vocabulary and pronunciation guide pp. 5–8 About the exhibition p. 9 The following thematic sections include selected objects, discussion questions, and additional resources. I. Costumes and Customs pp. 10–12 II. An Ocean of Porcelain pp. 13–15 III. A Thousand Years of Buddhism pp. 16–19 IV. The Magic of Jade pp. 20–23 Artwork reproductions pp. 24–32 4 PREPARING STUDENTS IN ADVANCE We look forward to welcoming your school group to the Museum. Here are a few suggestions for teachers to help to ensure a successful, productive learning experience at the Museum. LOOK, DISCUSS, CREATE Use this resource to lead classroom discussions and related activities prior to the visit. (Suggested activities may also be used after the visit.) REVIEW MUSEUM GUIDELINES For students: • Touch the works of art only with your eyes, never with your hands. • Walk in the museum—do not run. • Use a quiet voice when sharing your ideas. • No flash photography is permitted in special exhibitions or permanent collection galleries. • Write and draw only with pencils—no pens or markers, please. Additional information for teachers: • Please review the bus parking information provided with your tour confirmation. • Backpacks, umbrellas, or other bulky items are not allowed in the galleries. Free parcel check is available. • Seeing-eye dogs and other service animals assisting people with disabilities are the only animals allowed in the Museum. • Unscheduled lecturing to groups is not permitted. • No food, drinks, or water bottles are allowed in any galleries.
    [Show full text]
  • Karbury's Auction House
    Karbury's Auction House Antiques Estates & Collection Sale Saturday - September 8, 2018 Antiques Estates & Collection Sale 307: A Chinese Gilt Bronze Buddhist Figure USD 300 - 500 308: A Set of Four Bronze Cups USD 200 - 300 309: A Song Style Jizhou Tortoiseshell-Glazed Tea Bowl USD 1,000 - 2,000 310: A Bronze Snake Sculpture USD 100 - 200 311: A Wood Pillow with Bone Inlaid USD 100 - 200 312: A Carved Ink Stone USD 200 - 300 313: A Stone Carved Head of Buddha USD 100 - 200 314: A Doucai Chicken Cup with Yongzheng Mark USD 500 - 700 Bid Live Online at LiveAuctioneers.com Page 1 Antiques Estates & Collection Sale 315: A Jian Ware Tea Bowl in Silver Hare Fur Streak USD 800 - 1,500 316: A Celadon Glazed Double Gourd Vase USD 400 - 600 317: Three Porcelain Dog Figurines USD 200 - 400 318: A Jun ware flower Pot USD 1,500 - 2,000 319: A Pair of Famille Rose Jars with Cover USD 800 - 1,200 320: A Blanc-De-Chine Figure of Seated Guanyin USD 1,500 - 2,000 321: A Pair of Vintage Porcelain Lamps USD 200 - 300 322: A Chicken Head Spout Ewer USD 800 - 1,200 Bid Live Online at LiveAuctioneers.com Page 2 Antiques Estates & Collection Sale 323: Two sancai figures and a ceramic cat-motif pillow USD 200 - 300 324: A Teadust Glazed Vase with Qianlong Mark USD 500 - 800 325: A Rosewood Tabletop Curio Display Stand USD 300 - 500 326: A Blue and White Celadon Glazed Vase USD 300 - 500 327: A Wucai Dragon Jar with Cover USD 300 - 500 328: A Green and Aubergine-Enameled Yellow-Ground Vase USD 200 - 300 329: A Celadon Square Sectioned Dragon Vase USD 200 - 300
    [Show full text]
  • Ceramic's Influence on Chinese Bronze Development
    Ceramic’s Influence on Chinese Bronze Development Behzad Bavarian and Lisa Reiner Dept. of MSEM College of Engineering and Computer Science September 2007 Photos on cover page Jue from late Shang period decorated with Painted clay gang with bird, fish and axe whorl and thunder patterns and taotie design from the Neolithic Yangshao creatures, H: 20.3 cm [34]. culture, H: 47 cm [14]. Flat-based jue from early Shang culture Pou vessel from late Shang period decorated decorated with taotie beasts. This vessel with taotie creatures and thunder patterns, H: is characteristic of the Erligang period, 24.5 cm [34]. H: 14 cm [34]. ii Table of Contents Abstract Approximate timeline 1 Introduction 2 Map of Chinese Provinces 3 Neolithic culture 4 Bronze Development 10 Clay Mold Production at Houma Foundry 15 Coins 16 Mining and Smelting at Tonglushan 18 China’s First Emperor 19 Conclusion 21 References 22 iii The transition from the Neolithic pottery making to the emergence of metalworking around 2000 BC held significant importance for the Chinese metal workers. Chinese techniques sharply contrasted with the Middle Eastern and European bronze development that relied on annealing, cold working and hammering. The bronze alloys were difficult to shape by hammering due to the alloy combination of the natural ores found in China. Furthermore, China had an abundance of clay and loess materials and the Chinese had spent the Neolithic period working with and mastering clay, to the point that it has been said that bronze casting was made possible only because the bronze makers had access to superior ceramic technology.
    [Show full text]
  • Cambridge University Press 978-1-108-49995-8 — the City of Blue and White Anne Gerritsen Index More Information
    Cambridge University Press 978-1-108-49995-8 — The City of Blue and White Anne Gerritsen Index More Information 321 Index Note: Page numbers in bold refer to fi gures, and those in italics refer to maps. Abbasid Caliphate (750–1258), trade in, 1 – 2 introduction of, 15 Abu- Lughod, Janet, 44 – 46 , 45 , 47 , 55 Jingdezhen emergence of, 61 , 68 Ackerman- Lieberman, Phillip, 59 Jingdezhen global production of, 5 Africa, porcelain trade in, 59 in Joseon Korea, 125 , 125 , 126 animal patterns, 198 Kessler on dating of, 64 in Jizhou ceramics, 82 – 83 , 93 – 94 , 95 Linjiang kilns and, 102 – 103 see also deer ; dragon in ritual texts, 127 – 128 archaeologists, on porcelains, 6 , 117 in shard market, 3 – 5 , 16 , 1 7 archaeology, 6 , 12 – 13 , 34 , 52 , 82 – 83 , 106 underglaze painting of, 67 Cizhou ware ceramics, 32 – 33 Yu a n d y n a s t y a n d , 6 6 Ding ware ceramics, 24 , 32 – 33 bluish- white glaze, of qingbai ceramics, 40 Fengzhuang storehouse, 21 – 22 ‘Book of Ceramics’, see Taoshu hoards, 72 bottle Hutian kilns, 49 , 264n54 gourd- shaped, 196 – 197 , 196 , 198 , 214 Jizhou ware, 93 , 97 in shard market, 3 – 5 Linjiang kiln site, 102 – 103 tall- necked porcelain, 198 , 199 , maritime, 12 – 13 , 52 – 55 , 127 – 128 204 – 205 , 215 qingbai ceramics, 52 bowl, 172 shard market, 1 , 16 , 1 7 fi sh, 228 – 230 S i n a n s h i p w r e c k , 5 2 – 5 5 glaze patterns for, 35 – 36 Western Xia dynasty, 51 Jizhou ceramics dated, 95 , 96 , 97 Yonghe kilns, 76 , 77 w i t h luanbai glaze, 47 – 48 , 48 Ardabil collection, 205 in shard market, 3 – 5 art history, of porcelains, 6 see also tea bowls ‘Assorted Jottings of Shi Yushan’ Shi Yushan Brandt, George, 64 bieji (Shi Runzhang), 101 Brankston, A.
    [Show full text]
  • Page 1 578 a Japanese Porcelain Polychrome Kendi, Kutani, 17Th C
    Ordre Designation Estimation Estimation basse haute 551 A Chinese mythological bronze group, 19/20th C. H: 28 cm 250 350 552 A Chinese bronze elongated bottle-shaped vase, Ming Dynasty H.: 31 600 1200 cm 553 A partial gilt seated bronze buddha, Yongzheng mark, 19th C. or earlier 800 1200 H: 39 cm L: 40 cm Condition: good. The gold paint somewhat worn. 554 A Chinese bronze jardiniere on wooden stand, 19/20th C. H.: 32 cm 300 600 555 A Chinese figural bronze incense burner, 17/18th C. H.: 29 cm 1000 1500 556 A Chinese bronze and cloisonne figure of an immortal, 18/19th C. H.: 31 300 600 cm 557 A Chinese bronze figure of an emperor on a throne, 18/19th C. H.: 30 cm 800 1200 Condition: missing a foot on the right bottom side. 558 A bronze figure of Samanthabadra, inlaid with semi-precious stones, 4000 8000 Ming Dynasty H: 28 cm 559 A Chinese gilt bronze seated buddha and a bronze Tara, 18/19th C. H.: 600 1200 14 cm (the tallest) 560 A Chinese bronze tripod incense burner with trigrams, 18/19th C. H.: 350 700 22,3 cm 561 A tall pair of Chinese bronze “Luduan� figures, 18/19th C. H.: 29 1200 1800 cm 562 A tall gilt bronze head of a Boddhisatva with semi-precious stones, Tibet, 1000 1500 17/18th C. H.: 33 cm 563 A dark bronze animal subject group, China, Ming Dynasty, 15-16th C. H.: 1500 2500 25,5 cm 564 A Chinese dragon censer in champlevé enameled bronze, 18/19th C.
    [Show full text]
  • POTTERY from JĀM: a Mediaeval Ceramic CORPUS from Afghanistan
    POTTERY FROM JĀ M 107 POTTERY FROM JĀM: A MEDIAEVAL CERAMIC CORPUS FROM AFGHANISTAN By Alison L. Gascoigne University of Southampton with a contribution by Rebecca Bridgman University of Cambridge Abstract This paper presents preliminary results of field recording of ceramic material from Jām, Ghūr province, Afghanistan, a site which has been associated with Fīrūzkūh, the summer capital of the Ghurid dynasty. A fabric series and catalogue of forms is presented, in addition to the results of some initial scientific analyses. Comparisons have been drawn with corpora from other sites in Afghanistan, Iran and Central Asia, and the significance of the material is discussed in light of the regional and chronological significance of assemblages from this area. Keywords Jām; ceramics; Ghurids; petrology; Afghanistan I. INTRODUCTION Claude Gardin in the 1950s and early 1960s.2 In the light of this situation, one of the aims of the MJAP The Minaret of Jam Archaeological Project (MJAP) has been to initiate recording of an inevitably very was conceived in 2003 to undertake archaeological preliminary ceramic typology that will clarify the net- work at the badly looted site of Jām in Ghūr prov- works connecting the site of Jām with neighbouring ince, central Afghanistan. The project was initially regions, in addition to addressing aspects of ceramic under the auspices of the Istituto Italiano per l’Africa production and use at the site itself. Circumstantial e l’Oriente, directed by Giovanni Veradi and funded evidence for pottery production was identified among by UNESCO. The first, small-scale, season in 2003 the archaeological remains at Khar Khūj, a short dis- was designed to undertake an impact assessment for tance south of the minaret along the Jām Rūd valley.
    [Show full text]
  • 736 | Asian Art China I – V Lot 1 – 948A 6 – 7 May 2016 Viewing: 3 – 5 May, 10.00 Am – 5.00 Pm
    736 | Asian Art China I – V Lot 1 – 948a 6 – 7 May 2016 Viewing: 3 – 5 May, 10.00 am – 5.00 pm Please note that the times given below only give an approximation of the schedule of the auction, during which considerable delays may arise. Please note also that the succession of the following lot numbers may include numbers without belonging to an object. Friday, 6 May 2016 doors open: 09.00 am 9.30 am 1 – 39a China I - Hidden - treasures ca. 9.45 am 41 – 88 China II - Chinese paintings and calligraphy ca. 10.30 am 89 – 140 China III - Tibet, Nepal and South East Asia ca. 10.45 am 141 – 540 China IV ca. 2.00 pm 541 – 714 China V Saturday, 7 May 2016 doors open: 09.00 am 9.30 am 717 – 948a China V Please address enquiries about individual objects to the appropriate expert. Catalogue: Michael Trautmann, Tel.+49 (0) 711 / 649 69 - 310, [email protected] All participants in the auction are bound by our conditions of sale published at the end of this catalogue. Statements by us in the catalogue or in condition reports or made orally or in writing elsewhere regarding the autorship, origin, size, date, medium, attribution genuiness, provenience, condition or estimated selling prize of any lot are merely statements of opinion and are not to be relied on as statements of definitive fact. Prospective buyers are advised to examine the goods in which they are interested before auction takes place. Condition reports available on request Katalogbearbeitung / Catalogue / 圖錄 Michael Trautmann Tel.: ++49 (0)711 / 649 69 - 310 trautmann @ auction.de 1 1 China I 11 China I A FINE CIRCULAR, CARVED CINNABAR A CIRCULAR CINNABAR LACQUER BOX LACQUER (tihong) DISH WITH LANDSCAPE WITH DEPICTION OF SCHOLARS IN A DESIGN AND SCHOLARS IN A GARDEN GARDEN, China, c.
    [Show full text]
  • Chinese Art the Szekeres Collection
    Chinese Art The Szekeres Collection J. J. Lally & Co. oriental art Chinese Art The Szekeres Collection Chinese Art The Szekeres Collection March 13 to 29, 2019 J. J. Lally & Co. oriental art 41 East 57th Street New York, NY 10022 Tel (212) 371-3380 Fax (212) 593-4699 e-mail [email protected] www.jjlally.com Janos Szekeres ANOS Szekeres was a scientist, an When his success in business gave him greater resources for collecting art, he first inventor, an aviator, a businessman and a formed a collection of Post-Impressionist paintings, which he had always loved, but Jfamily man. The outline of his life reads as business affairs brought him back to Asia he once again began to visit the antiques like a classic American success story. Born in shops looking for Chinese art, and soon he had a significant collection of Chinese snuff Hungary in 1914, Janos attended the University bottles. His interest and sophistication grew rapidly and eventually he served on the of Vienna for his graduate studies in chemistry. Board of Directors of the International Chinese Snuff Bottle Society and on the Chinese When war in Europe was imminent he signed Art Collections Committee of the Harvard University Art Museums. A trip to China in on as a seaman on a commercial freighter and, 1982 visiting Chinese art museums, kiln sites and monuments reinforced a wider interest on arrival in New York harbor, “jumped ship.” in Chinese ceramics and works of art. He enlisted in the US Army Air Force in 1941 Janos took great pleasure in collecting.
    [Show full text]
  • Masterpieces of Chinese Ceramics from the Collection of the Tokyo Fuji Art Museum
    Masterpieces of Chinese Date: Jan.12 Ceramics from the collection of the Tokyo Fuji Art Museum title artist size:HP 1 Jar with Two Handles and Spiral Design, Painted Earthenware H 44.0 cm, Dia. 45.0 cm 2 Jar with Two Handles and Incised Design, Ash Glaze H 20.5 cm, Dia. 27.3 cm 3 Jar with Two Handles and Design of Clouds, Painted Earthenware H 59.2 cm, Dia. 41.0 cm 4 Jar with Two Handles and Impressed Design, Earthenware H 49.7 cm, Dia. 35.5 cm 5 Liquor Jar with Design of Cloud, Painted Earthenware H 17.2 cm 6 Jar in Shape of owl, Painted Earthenware H 15.2 cm, W 15.0 cm, D 8.4 cm 7 Figure of Lady, Painted Earthenware H 67.1 cm, W 25.4 cm, D 13.2 cm 8 Figure of Warrior, Painted Earthenware H 33.2 cm, W 9.8 cm, D 5.4 cm 9 Cups with Handles, Painted Earthenware Large: 12.1 x 10.6 x 4.2 cm / Middle: 10.2 x 9.0 x 3.7 cm / Small: 8.8 x 7.8 x 3.1 cm 10 Table, Painted Earthenware 30.0 x 40.6 x 10.2 cm 11 Cup with Handles and Impressed Design, Green Glaze 14.2 x 12.0 x 4.7 cm 12 Cup with Handles, Brown Glaze 14.7 x 11.5 x 4.3 cm 13 Jar with Two Handles , Green Glaze H 41.0 cm, Dia. 30.7 cm 14 Vessel in Shape of Bronze Ding, Green Glaze H 18.0 cm, Dia.
    [Show full text]
  • Rasti Chinese Art
    Rasti Chinese Art Ritual | Vessel 儀 | 皿 2020 RV (r1).indd 1 30/7/2020 下午5:20 RV (r1).indd 2 30/7/2020 下午5:20 Rasti Chinese Art Ritual | Vessel 儀 | 皿 2020 RV (r2).indd 1 10/8/2020 上午11:59 INTRODUCTION The themes of this exhibition are archaic jade ritual objects and vessels from later periods, many with designs based on archaic examples. We continue to focus on jades whose colours have been altered over time, from the simple jet-black huang (no. 1) from the Xiajiadian Xiaceng Culture, (c. 2200–1000 BCE) to more intricately decorated pieces such as the unusually small but gloriously coloured disc with bird designs (no. 11) from the Western Han dynasty (206 BCE–8 CE) which relates very closely to larger examples previously in the collections of C. F. Wu and Songzhutang. The larger of the two Qijia Culture (2200–1600 BCE) black jade congs (no. 8) is impressive in size, its opaque chalky-white patches caused by burial contrast sharply to the stone’s natural tones. The colours of the Western Zhou dynasty (1100–771 BCE) deep russet and white jade cong (no. 9) is lustrous and vibrant from burial and later handling. Although its carving is most likely added during the Song dynasty (960–1279), it is nevertheless a superb object. It is evident that the shimmering ivory and russet toned Shang dynasty (1600–1100 BCE) high- collared disc (no. 10) was also frequently handled and thus shows a fine patina. We present three agate vessels from different periods.
    [Show full text]
  • Fine Chinese Works Of
    AUCTION JUNE, 16TH 2018 Fine Chinese Works of Art 慵天ᷕ⚳喅埻⑩ and Buddhist Sculpturesġ ⍲ἃ㔁晽⁷ AUCTION Fine Chinese Works of Art FRONT COVER: Lot 120 – Detail A LARGE AND VERY RARE KANGXI 慵天ᷕ⚳喅埻⑩ PERIOD FAMILLE VERTE BALUSTER VASE ‘LIU HAI AND FEMALE IMMORTALS’ and Buddhist Sculptures BACK COVER: Lot 77 ⍲ἃ㔁晽⁷ A LARGE YUAN / MING DYNASTY PAINTING OF FEMALE DEITIES WITH th pm GESSO HIGHLIGHTS Saturday, June 16 2018 at 2 CET CATALOG CA0618 VIEWING www.zacke.at IN OUR GALLERY June 11th - June 16th Monday - Friday 10am - 6pm Saturday - June 16th 10am - 1pm and by appointment GALERIE ZACKE MARIAHILFERSTRASSE 112 Lot 98 A LARGE AND IMPORTANT MING 1070 VIENNA AUSTRIA DYNASTY POLYCHROME-LACQUERED WOOD FIGURE OF GUANYIN Tel +43 1 532 04 52 Fax +20 E-mail offi[email protected] 1 IMPORTANT INFORMATION ABSENTEE BIDDING FORM (According to the general terms and conditions of business Gallery Zacke Vienna) FOR THE AUCTION FINE CHINESE WORKS OF ART AND BUDDHIST SCULPTURES CATALOG CA0618 ON DATE Saturday, June 16th 2018 at 2pm CET NO. TITLE BID IN EURO Endangered Species / CITES Information Some items in this catalogue may consist of material such as for example ivory, rhinoceros horn, tortoise shell, coral or any rare types of tropical wood, and are therefore subject to the Convention on International Trade in Endangered Species of Wild Fauna and Flora [CITES]. Such items may only be exported outside the European Union after an export permit in accordance with CITES has been granted by the Austrian authorities. Zacke Gallery cannot and does not guarantee that such export permit may or will be obtained, but will by order of the winning bidder, once and exclusively after the item in question has been paid in full, apply to obtain such a permit at a fixed administrative fee of euro 500, - per application.
    [Show full text]
  • From the Yellow Springs to the Land of Immortality
    Schmucker Art Catalogs Schmucker Art Gallery Spring 2021 From the Yellow Springs to the Land of Immortality Sam Arkin Gettysburg College Georgia E. Benz Gettysburg College Allie N. Beronilla Gettysburg College Hailey L. Dedrick Gettysburg College Sophia Gravenstein Gettysburg College FSeeollow next this page and for additional additional works authors at: https:/ /cupola.gettysburg.edu/artcatalogs Part of the Art and Design Commons, Asian Art and Architecture Commons, and the Chinese Studies Commons Share feedback about the accessibility of this item. Recommended Citation Arkin, Sam; Benz, Georgia E.; Beronilla, Allie N.; Dedrick, Hailey L.; Gravenstein, Sophia; Gubernick, Alyssa G.; Hobbs, Elizabeth C.; Johnson, Jennifer R.; Lashendock, Emily; Morgan, Georgia P.; Oross, Amanda J.; Sullivan, Deirdre; Sullivan, Margaret G.; Turner, Hannah C.; Winick, Lyndsey J.; and Sun, Yan, "From the Yellow Springs to the Land of Immortality" (2021). Schmucker Art Catalogs. 36. https://cupola.gettysburg.edu/artcatalogs/36 This open access art catalog is brought to you by The Cupola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The Cupola. For more information, please contact [email protected]. From the Yellow Springs to the Land of Immortality Description The Yellow Springs is a vivid metaphorical reference to the final destination of a mortal being and the dwelling place of a departed one in ancient China. In the writings of philosophers, historians, and poets during the long period of Chinese history, the Yellow Springs is not only considered as an underground physical locus where a grave is situated, but also an emotionally charged space invoke grieving, longing, and memory for the departed loved ones.The subterranean dwelling at the Yellow Springs is both a destination for a departed mortal being and an intermediary place to an ideal and imaginative realm, the land of immortality where the soul would enjoy eternity.
    [Show full text]