A General Diffusion of Knowledge
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3i'R 317.3M31 H41 A Digitized by the Internet Archive in 2009 with funding from University of IVIassachusetts, Boston http://www.archive.org/details/pocketalmanackfo1839amer MASSACHUSETTS REGISTER, AND mmwo states ©alrntiar, 1839. ALSO CITY OFFICERS IN BOSTON, AND OTHER USEFUL INFORMATION. BOSTON: PUBLISHED BY JAMES LORING, 13 2 Washington Street. ECLIPSES IN 1839. 1. The first will be a great and total eclipse, on Friday March 15th, at 9h. 28m. morning, but by reason of the moon's south latitude, her shadow will not touch any part of North America. The course of the general eclipse will be from southwest to north- east, from the Pacific Ocean a little west of Chili to the Arabian Gulf and southeastern part of the Mediterranean Sea. The termination of this grand and sublime phenomenon will probably be witnessed from the summit of some of those stupendous monuments of ancient industry and folly, the vast and lofty pyramids on the banks of the Nile in lower Egypt. The principal cities and places that will be to- tally shadowed in this eclipse, are Valparaiso, Mendoza, Cordova, Assumption, St. Salvador and Pernambuco, in South America, and Sierra Leone, Teemboo, Tombucto and Fezzan, in Africa. At each of these places the duration of total darkness will be from one to six minutes, and several of the planets and fixed stars will probably be visible. 2. The other will also be a grand and beautiful eclipse, on Satur- day, September 7th, at 5h. 35m. evening, but on account of the Mnon's low latitude, and happening so late in the afternoon, no part of it will be visible in North America. -
The Development of Political Theory in Colonial Massachusetts, 1688-1740
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1970 The Development of Political Theory in Colonial Massachusetts, 1688-1740 Ronald P. Dufour College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Political Science Commons, and the United States History Commons Recommended Citation Dufour, Ronald P., "The Development of Political Theory in Colonial Massachusetts, 1688-1740" (1970). Dissertations, Theses, and Masters Projects. Paper 1539624699. https://dx.doi.org/doi:10.21220/s2-ssac-2z49 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. TEE DEVELOPMENT OF POLITICAL THEORY IN COLONIAL MASSACHUSETTS 1688 - 17^0 A Th.esis Presented to 5he Faculty of the Department of History 5he College of William and Mary in Virginia In I&rtial Fulfillment Of the Requirements for the Degree of Master of Arts By Ronald P. Dufour 1970 ProQ uest Number: 10625131 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10625131 Published by ProQuest LLC (2017). Copyright of the Dissertation is held by the Author. -
What Was 'The Enlightenment'? We Hear About It All the Time. It Was A
What Was ‘The Enlightenment’? We hear about it all the time. It was a pivotal point in European history, paving the way for centuries of history afterward, but what was ‘The Enlightenment’? Why is it called ‘The Enlightenment’? Why did the period end? The Enlightenment Period is also referred to as the Age of Reason and the “long 18th century”. It stretched from 1685 to 1815. The period is characterized by thinkers and philosophers throughout Europe and the United States that believed that humanity could be changed and improved through science and reason. Thinkers looked back to the Classical period, and forward to the future, to try and create a trajectory for Europe and America during the 18th century. It was a volatile time marked by art, scientific discoveries, reformation, essays, and poetry. It begun with the American War for Independence and ended with a bang when the French Revolution shook the world, causing many to question whether ideas of egalitarianism and pure reason were at all safe or beneficial for society. Opposing schools of thought, new doctrines and scientific theories, and a belief in the good of humankind would eventually give way the Romantic Period in the 19th century. What is Enlightenment? Philosopher Immanuel Kant asked the self-same question in his essay of the same name. In the end, he came to the conclusion: “Dare to know! Have courage to use your own reason!” This was an immensely radical statement for this time period. Previously, ideas like philosophy, reason, and science – these belonged to the higher social classes, to kings and princes and clergymen. -
1969 Compassion and Care
Justice Holmes • Inflammation • Harry Widener MAY-JUNE 2019 • $4.95 Compassion 1969 and Care Physician-Poet Rafael Campo Reprinted from Harvard Magazine. For more information, contact Harvard Magazine, Inc. at 617-495-5746 May 2019 Dear Reader, In 1898, an association of Harvard graduates established the Harvard Alumni Bulletin, “to give selected and summarized Harvard news to graduates who want it” and “to serve as a medium for publishing promptly all notices and announcements of interest to graduates.” members and students extend the limits of discovery and human understanding—in service to an ever more far- ung, diverse group of alumni around the globe. Today, nearly a century and a quarter later, the name has changed, to Harvard Magazine (as have the look and contents), but the founding Your Harvard Magazine can capture alumni voices (see the letters responding to the March-April principles have not: feature on the events of April 1969, beginning on page 4 of this issue), dive deep into critical research (read the feature on the scientists exploring in ammation, and how their work contributes • e magazine exists to serve the interests of its readers (now including all University to understanding disease, on page 46), and keep you current on the critical issues facing higher alumni, faculty, and sta )—not any other agenda. education on campus and around the world (see John Harvard’s Journal, beginning on page 18). • Readers’ support is the most important underpinning of this commitment to high- Your contribution underwrites the journalism you are reading now, the expanded coverage quality, editorially independent journalism on readers’ behalf. -
Church Bulletin Inserts-Year Two
Church Bulletin Inserts-Year Two 57 Anna Spencer 88 Elizabeth Haynes 58 Joel Linsley 89 John Davenport 59 John Cotton 90 Philo Parsons 60 Phyllis Wheatly 91 Abigail Wittelsey 61 Richard Mather 92 Queen Kaahumanu 62 William Goodell 93 Elkanah Walker 63 Sarah Lanman Smith 94 Marcus Whitman 64 Abigal Adams 95 Samuel Seawall 65 Henry Obookiah 96 Mary Chilton 66 Harriot Beecher Stowe 97 Hugh Proctor 67 Gordon Hall 98 Owen Lovejoy 68 Don Mullen 99 John Wise 69 Emma Cushman 100 Harvey Kitchel 70 John Shipherd 101 Frank Laubach 71 John Winthrop 102 Isaac Watts 72 Mary Richardson 103 Charles Chauncy 73 James O'Kelly 104 Mary Brewster 74 Elizabeth Hopkins 105 Josiah Grinnell 75 Francis Peloubet 106 Eleazar Wheelock 76 Mary Dyer 107 Samuel Hopkins 77 Lemuel Haynes 78 Oliver Otis Howard 79 Gaius Atkins 80 Priscilla Alden 81 Neesima Shimeta 82 James Pennington 83 Anne Hutchinson 84 William Bradford 85 Catherine Beecher 86 Horace Bushnell-1 87 Horace Bushnell-2 Did you know Anna Garlin Spencer… Born in 1851, Anna Garlin Spencer is known as a woman of many firsts. She was the first woman ordained as a minster in the state of Rhode Call To Worship Island (an ‘independent’ serving an independent chapel), the first woman L: We are keepers of the Way. to serve as a leader in Ethical Culture. She was also a pioneer in the C: We come, aware of our place as 21st Century pilgrims. profession of social work, a college teacher, an author and expert on the family. L: May we bring to this worship hour and to our very lives, a commitment to refashion this world for Christ. -
The Yusupov Black Pearl Necklace
THE YUSUPOV BLACK PEARL NECKLACE A story of incest, revolution, robbery, and infidelity, with a guest appearance by the Titanic FILE UNDER: OTHER ROYAL JEWELS WANT ME TO READ THIS POST TO YOU? CONTENTS: How Many Pearls? | The Saga Begins | The Yusupov Curse | La Migra vs. Felix | Meet Mathilde | Cue Celine Dion | Retail Therapy | The Curse Strikes Back | What Happened? | Archie’s Eggnog Recipe T’S ALWAYS SO STRANGE TO me when one Iof the most famous jewels in the world is surrounded by mystery, half-truths, untruths, and more questions than answers. The Yusupov black pearl necklace qualifies on all counts. It’s so famous it’s infamous (if you speak Three Amigos), but hardly anyone knows a thing about it. The mystery begins right away - how many pearls are in the damn thing? It’s 30 or 42, depending on which source you believe. If you believe specificity indicates accuracy, then Cartier by Hans Nadelhoffer is your go-to source. According to Nadelhoffer, the Yusupov black pearl necklace contains 30 black pearls weighing 937.84 grains (334). Sounds legit, right? I mean, who makes up the weight of pearls to two decimal points? Sounds legit, right? I mean, who makes up the weight of pearls to two decimal points? GIRLINTHETIARA.COM | THE YUSUPOV BLACK PEARL NECKLACE Not jewelry expert Nadelhoffer, that’s for sure. But immediately after giving us these convincing statistics, Nadelhoffer launches into the necklace’s provenance by saying Catherine the Great had three illegitimate kids with her lover, Grigori Potemkin, known as the “Demoiselles d’Engelgardt” (334). -
Center City Quarterly
CENTER CITY QUARTERLY Newsletter of the Center City Residents' Association Vol. 2 No. 5 March 2012 Table of Contents Coming in May, a New Fair in the Square Coming in May, a New Fair in the Square ...... 1 By Sherrie Boyer, Executive Director, Pennsylvania Guild of Craftsmen Plant One Million: New Trees for a Green, Clean and Cool Philadelphia ................ 2 Imagine a bowl or chair. The artisans President’s Report .................................................. 3 of the Pennsylvania Guild of Craftsmen elevate these everyday objects into works Twenty-Two Artists Exhibit at Twenty-Two Gallery ............................................... 4 of art with style and design so that using them daily is both delightful and practical. From Home Plate to Glass Plate: The men and women of the Guild pair the Famed Baseball Photos Housed at Twenty-Two Gallery ............................................... 5 aesthetics of fine art with the technical precision of craftsmanship. This balance Klein's Korner: Is a clean, safe taxi too much to ask for? ..................................... 6 creates work that is visually unique yet often fully functional. Taste and Style: Plenty on Twenty .................... 7 Greenfield School’s George Through a partnership with the Friends Craftsmen of Guild Pennsylvania the of Courtesy Sugarman Sculpture ............................................. 9 of Rittenhouse Square and in conjunction The City—It Never Gets Old ............................... 9 with the Philadelphia Department of Parks and Recreation, the Guild will bring Mixed Uses on Old Naudain Street ................10 its signature premier Fine Craft Fair, Rain Barrels for Row Homes ..............................13 featuring 140 of its finest craft artists, to Zoning Committee Report ................................15 Rittenhouse Square on May 11, 12 and 13. This is believed to be the first professional Local Baker Brings Bordeaux Taste Treat to Center City ..............................................18 fine craft fair at the square. -
Sarah Siddons and Mary Robinson
Please do not remove this page Working Mothers on the Romantic Stage: Sarah Siddons and Mary Robinson Ledoux, Ellen Malenas https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643459340004646?l#13643538220004646 Ledoux, E. M. (2014). Working Mothers on the Romantic Stage: Sarah Siddons and Mary Robinson. In Stage Mothers: Women, Work, and the Theater, 1660-1830 (pp. 79–101). Rowman & Littlefield. https://doi.org/10.7282/T38G8PKB This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/09/28 21:58:31 -0400 Working Mothers on the Romantic Stage Sarah Siddons and Mary Robinson Ellen Malenas Ledoux 1 March 2013 A smooth black band drawn over an impossibly white neck, a luminous bust barely concealed under fashionable dishabillé, powdered locks set off by a black hat profuse with feathers--these focal points, and many others, are common to two of the Romantic-era’s most famous celebrity portraits: Sir Joshua Reynolds’s “Mrs. Mary Robinson” (1782) and Thomas Gainsborough’s “Sarah Siddons” (1785). (See figure 1.) Despite both drawing on modish iconography in their choice of composition, pose, and costume, Reynolds and Gainsborough manage to create disparate tones. Siddons awes as a noble matron, whereas Robinson oozes sexuality with a “come hither” stare. The paintings’ contrasting tones reflect and promulgate the popular perceptions of these two Romantic-era actresses from the playhouse and the media. In the early 1780s Siddons was routinely referred to as a “queen” or a “goddess,” whereas Robinson was unceremoniously maligned by her detractors as a “whore.”1 Current scholarship on Siddons and Robinson devotes considerable attention to how these women’s semi-private sexual lives had major influence over their respective characterizations. -
British Humour Satirical Prints of the Eighteenth and Nineteenth Centuries
British Humour Satirical Prints of the Eighteenth and Nineteenth Centuries Comics and caricatures were born in eighteenth-century Europe. While the Enlightenment8 gave rise to a culture of criticism, the bolder art of ridicule can be credited to innovative artists responding to great social changes of the eighteenth and early nineteenth centuries. This exhibition focuses on three generations of British satirists pioneering this new form: William Hogarth, James Gillray and Thomas Rowlandson, and George Cruikshank. Hogarth, the “grandfather of the political cartoon,” lampooned the mores and behaviors of the ruling class, but no class, station, or profession was above his reproach. Following his example, Gillray and Rowlandson became thorns in the sides of aristocratic and public leaders by styling a new form of caricature with exaggerated features and proportions. Cruikshank, from a family of satirists, was able to imitate the style of Gillray so closely that Gillray’s publisher, Hannah Humphrey, hired him to complete projects the older artist left unfinished, and he was hailed in his lifetime as a “Modern Hogarth.” But comedy is serious business, because it speaks truth to power. These artists were at turns threatened, bullied, and bribed; they became part of the very debates they depicted and derided. Each succeeded because they created and then fulfilled the demands of a highly engaged citizenry, which is part of any democratic society valuing freedom of debate and expression. Modern counterparts, from editorial cartoons to The Daily Show, continue their tradition. William Hogarth (British, 1697–1764) The complete series Marriage à la Mode, 1745 Etching and engraving on paper Prints made by Gérard Jean-Baptiste Scotin II Gift of Museum Associates (2008.16.1-6) Hogarth’s Marriage à la Mode was his first series of satirical images that focused on elite British society. -
Benjamin Franklin
THE CAMBRIDGE COMPANION TO BENJAMIN FRANKLIN EDITED BY CARLA MULFORD CAMBRIDGE UNIVERSITY PRESS c·AM~=~.U~!L.sJ.ItlRES S Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao Paulo, Delhi Cambridge University Press The Edinburgh Building, Cambridge CB2 8Ru, UK Published in the United Stares of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/978052I69I864 © Cambridge University Press 2008 This ·publicatiön is in copyright. Subiect to statutorv exceotion and .;. t~·;tbe1Wpri~ipns of relevant collective licensing agreements, 1 00,~eproduction of any part may take place without the; S't~t!;~ermission of Cambridge University Press. First published 2008 Printed in the United Kingdom at the University Press, Cambridge A catalogue record for this publication is available from the British ·Library Library of Congress Cataloguing in Publication data The Cambridge companion to Benjamin Franklin I edited by Carla Mulford. p. cm. - (Cambridge companions to American studies) Includes bibliographical references and index. ISBN 978-o-52I-87I34-I (hardback) I. Franklin, Benjamin, I706-I790 - Political and social views. 2. Franklin, Benjamin, I706-I790 - Knowledge and learning. 3. Franklin, Benjamin, I706-I790 - Influence. 4. Statesmen - United States - Biography. 5. Scientists - United Stares - Biography. 6. United Stares - lntellectual life - I 8th century. 1. Mulford, Carla, I 9 5 5- II. Tide: Companion to Benjamin Franklin. III. Series. E302.6.F8C2I8 2008 973.3092-dc22 (B] 2008033470 ISBN 978-o-52I-87I34-I hardback ISBN 978-o-52I-69I86-4 paperback Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party interner websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. -
The Congregational Way Assailed: the Reerend Thomas Goss in Revolutionary Massachusetts” Historical Journal of Massachusetts Volume 43, No
Robert E. Cray, “The Congregational Way Assailed: The Reerend Thomas Goss in Revolutionary Massachusetts” Historical Journal of Massachusetts Volume 43, No. 1 (Winter 2015). Published by: Institute for Massachusetts Studies and Westfield State University You may use content in this archive for your personal, non-commercial use. Please contact the Historical Journal of Massachusetts regarding any further use of this work: [email protected] Funding for digitization of issues was provided through a generous grant from MassHumanities. Some digitized versions of the articles have been reformatted from their original, published appearance. When citing, please give the original print source (volume/ number/ date) but add "retrieved from HJM's online archive at http://www.wsc.ma.edu/mhj. 124 Historical Journal of Massachusetts • Winter 2015 Legacy Bolton, MA’s First Church of Christ, dedicated in 1928. Bolton’s original Congregational church was the site of a dispute between congregants and pastor that had a lasting impact on church governance. 125 The Congregational Way Assailed: The Reverend Thomas Goss in Revolutionary Massachusetts ROBERT E. CRAY Abstract: Little known today, the Reverend Thomas Goss (1716–1780) attained notoriety in the late eighteenth century when his parishioners’ efforts to oust him because of alleged intoxication ignited a showdown over clerical authority in the Congregational Church. At stake was the historical identity of the church. Established in the early seventeenth century as a lay-led gathering of churches, the Congregational Church by the eighteenth century was subjected to both the upheavals of the Great Awakening and a countereffort by a professionally centered ministry to create a more centralized governance structure and to increase ministerial prerogatives and overall denominational authority. -
The Winslows of Boston
Winslow Family Memorial, Volume IV FAMILY MEMORIAL The Winslows of Boston Isaac Winslow Margaret Catherine Winslow IN FIVE VOLUMES VOLUME IV Boston, Massachusetts 1837?-1873? TRANSCRIBED AND EDITED BY ROBERT NEWSOM UNIVERSITY OF CALIFORNIA, IRVINE 2009-10 Not to be reproduced without permission of the Massachusetts Historical Society, Boston, Massachusetts Winslow Family Memorial, Volume IV Editorial material Copyright © 2010 Robert Walker Newsom ___________________________________ All rights reserved. Except for brief quotations in a review, this work, or parts thereof, may not be reproduced without permission from the Massachusetts Historical Society, Boston, Massachusetts. Not to be reproduced without permission of the Massachusetts Historical Society, Boston, Massachusetts Winslow Family Memorial, Volume IV A NOTE ON MARGARET’S PORTION OF THE MANUSCRIPT AND ITS TRANSCRIPTION AS PREVIOUSLY NOTED (ABOVE, III, 72 n.) MARGARET began her own journal prior to her father’s death and her decision to continue his Memorial. So there is some overlap between their portions. And her first entries in her journal are sparse, interrupted by a period of four years’ invalidism, and somewhat uncertain in their purpose or direction. There is also in these opening pages a great deal of material already treated by her father. But after her father’s death, and presumably after she had not only completed the twenty-four blank leaves that were left in it at his death, she also wrote an additional twenty pages before moving over to the present bound volumes, which I shall refer to as volumes four and five.* She does not paginate her own pages. I have supplied page numbers on the manuscript itself and entered these in outlined text boxes at the tops of the transcribed pages.