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City of Adelaide
City of Adelaide 1 Contents Message from CEO Mark Goldstone Message from CEO Mark Goldstone ...............................2 Despite the significant challenges we are all facing, Adelaide Fast Facts ...........................................................3 in many ways, it is still an exciting time to be in the City of Adelaide. Our city is continuing to undergo a City of Adelaide Fast Facts ..............................................3 notable transformation with new major infrastructure, Strategic Plan ....................................................................4 and exciting and creative adaptations through entrepreneurial activity. City Brand ..........................................................................4 With a vision for Adelaide to be the most liveable city Corporate Structure .........................................................5 in the world, the City of Adelaide 2020–2024 Strategic Our organisation: who we are .........................................6 Plan builds on our strengths to embrace the opportunities around us. City Governance Elected Members ...............................7 For us, a liveable city is one that is a great place to be, whether as a business owner in one of the city’s precincts, a resident or worker, a student of our Adelaide Economic Development Agency ....................8 world class universities, or a visitor to our famed festivals, cultural institutions Living in Adelaide, South Australia ................................9 and attractions. The qualities that make our city -
Adelaide Festival Centre Annual Report 2005-06
ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2005-06 18 September 2006 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.afct.org.au ABN: 90940 220 425 Contents Our Vision: ...........................................................................................................4 Our Mission is to: ..............................................................................................4 Introduction..........................................................................................................5 Highlights of 2005-06......................................................................................6 Chairman’s Report ...........................................................................................7 Chief Executive Officer’s Report ...............................................................9 Adelaide Festival Centre Trust Act 1971.............................................10 Trustees ..............................................................................................................11 The Objectives of Arts SA ..........................................................................12 The Objectives of the Adelaide Festival Centre Trust ..................12 Objective 1.........................................................................................................14 ENGAGE........................................................................................... 14 Education Program (CentrEd)...........................................................................15 -
Sixteen Years of Labor Government in South Australia, 2002-2018
AUSTRALASIAN PARLIAMENTARY REVIEW Parliament in the Periphery: Sixteen Years of Labor Government in South Australia, 2002-2018* Mark Dean Research Associate, Australian Industrial Transformation Institute, Flinders University of South Australia * Double-blind reviewed article. Abstract This article examines the sixteen years of Labor government in South Australia from 2002 to 2018. With reference to industry policy and strategy in the context of deindustrialisation, it analyses the impact and implications of policy choices made under Premiers Mike Rann and Jay Weatherill in attempts to progress South Australia beyond its growing status as a ‘rustbelt state’. Previous research has shown how, despite half of Labor’s term in office as a minority government and Rann’s apparent disregard for the Parliament, the executive’s ‘third way’ brand of policymaking was a powerful force in shaping the State’s development. This article approaches this contention from a new perspective to suggest that although this approach produced innovative policy outcomes, these were a vehicle for neo-liberal transformations to the State’s institutions. In strategically avoiding much legislative scrutiny, the Rann and Weatherill governments’ brand of policymaking was arguably unable to produce a coordinated response to South Australia’s deindustrialisation in a State historically shaped by more interventionist government and a clear role for the legislature. In undermining public services and hollowing out policy, the Rann and Wethearill governments reflected the path dependency of responses to earlier neo-liberal reforms, further entrenching neo-liberal responses to social and economic crisis and aiding a smooth transition to Liberal government in 2018. INTRODUCTION For sixteen years, from March 2002 to March 2018, South Australia was governed by the Labor Party. -
THURSDAY 27 – SUNDAY 30 OCT Adelaidefilmfestival.Org @Adlfilmfest #Adlff Thank You
GOES ROGUE THURSDAY 27 – SUNDAY 30 OCT adelaidefilmfestival.org @AdlFilmFest #adlff Thank you Principal Partner Government Partners Major Partners Supporting Partners Ali’s Wedding Ali’s Screen Australia congratulates all those Australian films selected for the Adelaide Film Festival. Stories that stay with you 2 GOES ROGUE For Adelaide Film Festival 2015, we packed eleven October days with The Fund supports feature fiction films and feature documentary premieres, talks, and post-film soirees aplenty. Frankly, the thought projects along with short films, animation, digital and interactive of waiting two more years to do it all again is too much to bear. projects, hybrid reality and moving image works. Say, why not go rogue? In 2016, we’re breaking the biennial cycle to bring a streamlined mini- Thanks to the ADL Film Fest Fund, we’re pleased as punch to present fest to Adelaide’s screens. Featuring brand new Australian titles and three new works, each from the frontlines of thematic, stylistic and an array of retrospective gems, let this four-day fiesta be your screen- technological storytelling. Ali’s Wedding is Australia’s first Muslim based oasis until ADL Film Fest proper returns, full throttle. rom-com, so funny you’ll cry. ADLFF patron David Stratton gives us a sneak peek at his Stories of Australian Cinema. Lynette Wallworth’s ADL Film Fest Fund, rare in the screen landscape and revered radical work Collisions unites the world’s oldest culture with the internationally, forms the backbone of our Rogue program. vanguard of virtual reality tech. So: rogue. Not Nicolas Roeg, whose decisive work Walkabout features in Stratton’s series; nor the neo-Ozploitation creature feature about that ocker-eating croc – though we value the chutzpah of both. -
Adelaidean) Go to Illustrate the High Calibre HECS Does Offer a Distinct Advantage in That Be Achieved
FREE Publication AdelaiNEWSd FROM THEe UNIVERSITYa OF nADELAIDE Volume 13 • Number 4 • May 2004 inside this issue Our $5m virtual world Formula for 7 success Making history 8 in Hong Kong Artists behind 10 the sculptures Jazz singer 14 brings Broadway to Adelaide Scholarships worth 4 singing about 5 Elderly sought for driving study Health survey exposes heavy burden on men anywhere in the world—is another 6 The University of Adelaide is home special facet. Judges see Erin’s research to a new $5 million state-of-the-art The facility can also link up with the 11 as breath of fresh air international Access Grid system, virtual reality centre. allowing visual and audio-based remote collaboration with over 250 Slaves in ivory basements: the universities around the world. 12 postgraduate experience? The new 3D Visualisation Facility, offers to make an impact on as based at the university’s Santos many staff and students as possible,” “That’s a great boost to research partnership and remote teaching,” Obituary: Petroleum Engineering Building, will Professor Khurana said. provide a major boost to teaching Professor Khurana said. 13 Professor Russell Baudinette “So far such diverse disciplines as and research in South Australia. petroleum engineering, agriculture And later this year the facility will Of writer’s rage and Benefits of the new centre will be and wine, psychology, molecular be upgraded to include “haptic” 15 green sheep shared by its four partner universities biology and medical imaging have capacity, or the ability to recognise (the three South Australian all shown their commitment towards the sense of touch—such as giving universities plus Curtin University utilising the centre.” medical students the ability to “feel” All bound up in in Western Australia), as well as the difference between virtual skin, teen sex drama The 3D Visualisation Facility is 16 industry and government. -
Download 2018 Program
Messages of Support | 2 F e Feast Festival Feast Hubs | 6 a acknowledges that the event is held on the s traditional lands of the Kaurna Entrées | 8 t people and respects their spiritual relationship with Entrée Calendar | 10 their country. Special Events | 12 Cabaret | 16 Ticketing & Access Drag | 18 Information Theatre & Playreadings | 20 How To Book Masterclasses & Online: Tickets can be purchased 24/7 Workshops | 22 via credit card at www.feast.org.au Dance Parties | 24 Ticketing enquiries please telephone: 08 8463 0684 Writing Live | 26 Please note: Proof of ID, concession or Film Feast | 30 eligibility of discounts will be required when you enter specific events. Calendar | 32 All tickets will incur booking and Comedy | 34 transaction fees. For more information please check Tours | 38 out Trybooking’s terms and conditions online at www.trybooking.com Visual Art | 40 The main ticket categories are: Music | 44 Full Price: People with no form of Multi-Media | 46 concession or membership. Concession: Student, seniors, health care Queer Conversations | 48 and pension card holders. Companion Card: For people with Leather | 52 significant, lifelong disability who need a companion to enable them to attend Bearstock | 54 and participate in community based activities. Community & Sports | 56 Wheelchair accessible events Welcome mat events Rainbow Flag | 60 Please note that events may be subject Partner Recognition | 62 to change or cancellation (check relevant 201 website for further details prior to Acknowledgements | 64 the event). B 1 M e s s a g e s Image by Sia Duff A joint message Much time and energy goes A message from A message from Adelaide is a city to be o from the General into creating Feast each year. -
2016 Bettison & James Oration Greg Mackie 23 October 2016 Adelaide
2016 Bettison & James Oration Greg Mackie 23 October 2016 Adelaide Festival of Ideas Thinking Adelaide: a Passion for Connecting and Collecting It is great to have this opportunity to share with friends, colleagues, and most importantly, an AFoI audience, a few things that have been on my mind. I would like, of course, to observe an important cultural protocol, as has been observed throughout the Adelaide Festival of Ideas, and acknowledge the Kaurna people as the traditional owners of this country. I am also proud to acknowledge the late Jim Bettison & Helen James for always backing the AFoI from its inception. Thanks to Simone Vinall and Simone's fellow Foundation Trustees: Doreen Mellor & Geoff Purdie and acknowledge Perpetual Trustees and Amanda Duthie from Adelaide Film Festival Corporation, who administers the Jim Bettison and Helen James Foundation Award. I knew Helen and Jim and valued their support for some of the causes about which we shared a passion: in essence the arts and ideas; the value of learning and of the power of human potential to both imagine and then to realise change in our lives. And so it was especially humbling for me when I was invited to be the inaugural recipient of the Award established by the Foundation that bears their name. It is also a particular thrill to know that I now find myself in the company of two amazing fellow recipients of this award: Meryl Tankard and Tim Jarvis. Each of us are incredibly different to the other in terms of our chosen paths - and I think this speaks so positively of the ambit of this new Award. -
Adelaide Festival of Ideas Program
~^. ... .,. O. ^ I. , . ADELAIDE FESTIVAL OF IDEAS PROGRAM to - ,. 3 July 2003 Hope and Fear Art Gallery of South Australia Auditorium & Cafe, Elder Hall. Bonython Hall, Brookman Hall. North Terrace. Adelaide South Australia Welcome Hope and Fear. One could be forgiven for thinking that the major themes of this third biennial Adelaide Festival of Ideas were born out of calamitous recent events. Seldom have two words better I I summed up the contradictions and aspirations of global affairs. a And yet our Advisory Committee chose these themes before * , ^ September L, ., before 'Tampa' and before "truth overboard' meant anything to us. Perhaps this was prescient, but it was also obvious, for hope and fear are always with us In a sound bite media culture. where fear rules on talkback radio and 'spin' shapes public opinion. making sense is a challenge to even the most optimistic. And yet every day one can find cause for hope if one looks past the surface tension. If our communities are to survive. if compassion is once again to take root in public life. and cohesion is to be maintained, we have no choice but to over come the dominance of fear and to re-assert hope as a key driver of our human condition. Adelaide For three days and four nights, Adelaide will become a crucible of restiva ideas. as outstanding thinkers gather to challenge and enrich our understanding of the forces which shape our world. The emphasis in this Festival program falls on social and emotional matters in these unsettled times. but a wider range of intellectual exploration is well represented also. -
The Importance of Food and Drink
THE IMPORTANCE OF FOOD AND DRINK IN THE POLITICAL AND PRIVATE LIFE OF DON DUNSTAN Peter D Strawhan, B A (Hons) Discipline of History University of Adelaide Dissertation presented as a requirement for the degree of Doctor of Philosophy in the Faculty of Humanities and Social Sciences University of Adelaide November 2004 TABLE OF CONTENTS Abstract viii Declaration ix Acknowledgments x Chapter One INTRODUCTION 1 Sources and Methodology 4 Secondary Source Material 6 Who Was Don Dunstan? 9 The Backdrop to Change 13 Thesis and Chapter Outline 23 Dunstan and His Private Life 28 PART I: POLITICAL LIFE 31 Chapter Two LIQUOR LICENSING CHANGE: THE SANGSTER ROYAL COMMISSION 32 Drinkers and the Law 38 The Royal Commission and the Licensing Act 41 Dunstan’s New Bill 57 The End of Six O’ Clock Closing 61 Post-Act Complications 62 Conclusions 66 ii Chapter Three: TOURISM 68 Dunstan’s Tourism Briefing Paper 73 Dunstan and Local Restaurants 77 Proposed Tourist Restaurants 79 Windy Point 81 The International Hotel 85 Other Tourism Projects 89 The Cornish Revival 92 Mediterranean Adelaide 93 Tourism Publicity 96 Conclusions 99 Chapter Four THE SCHOOL OF FOOD AND CATERING: REGENCY HOTEL SCHOOL 103 Early Food Industry Training 104 Interstate Training 107 The Catering Committee 108 The New School of Food and Catering 113 Enter Grahame Latham 116 Dunstan’s Restaurant Patrols 118 From Pennington to Regency 119 Questions in The House 121 iii PART II POLITICAL AND PRIVATE: TRANSITION 181 Chapter Six DUNSTAN AND JOHN CERUTO’S RESTAURANTS 182 The Caon Brothers 184 -
Download Greg's CV
RÉSUMÉ Greg Mackie OAM Candidate for City of Adelaide Central Ward by-election April – May 2020 READ GREG’S PROFILE CONNECT WITH GREG WIKIPEDIA LINKEDIN Gregory Alan Mackie +61 402 890 598 gregmackie.com.au [email protected] KEY ACHIEVEMENTS AWARDS 2019 - led Epic Flight Centenary program and secured $6m funding 2015 for re-location and new display of historic Vickers Vimy aircraft Jim Bettison & Helen James Foundation Award (inaugural) 2015 - Rescued Adelaide Festival of Ideas following defunding 2007 National Australia Business Arts Foundation’s (AbaF) As Chairman of Festival Fleurieu successfully rebranded and repositioned Dame Elizabeth Murdoch Cultural Leadership Award, the event to build sustainability and regional pride, now an award winning for fostering arts business partnerships regional festival 2006 As Executive Director, Ageing, introduced new information services for Inaugural Flinders University Distinguished Alumni Award baby-boomer generation and major policy review 2002 As Chair of the Premier’s Communications Advisory Group, led reform of Medal of the Order of Australia, OAM, the State Government’s advertising policy and guidelines for services to the arts & culture Established the Integrated Design Commission SA (now named Office of Design & Architecture SA) Established The Australian Centre for Social Innovation (TACSI) Successfully led South Australia’s arts and cultural sector Founded the Adelaide Festival of Ideas as a significant event in SA’s cultural calendar Established Imprints Booksellers as a successful -
Arts Industry Council (SA) Inc. Annual Report 2008 It Is a Pleasure To
Arts Industry Council (SA) Inc. Annual Report 2008 It is a pleasure to present the Arts Industry Council (SA) Inc. (AIC) Chair’s report for 2008. The year was a constructive one for the AIC with a full program of activities delivered in pursuit of our aim to be an independent voice for the arts in South Australia. The AIC continues to advocate at State and Federal levels for the arts to be recognised as an essential, creative and dynamic force in Australian society. As a state‐based sector‐wide representative organisation, the AIC relies on membership fees, fundraising and the voluntary time contributed by its Committee to operate independently. The AIC doesn't seek government funding. Advocacy activities are supported by an Executive Officer who works approximately one day per week for the organisation. We would particularly like to thank every member of the Committee for their contribution during the year: Jodi Glass (Chair), Jane Andrew (Deputy Chair to 4/6/2008) Phil Callaghan (Deputy Chair from 4/6/2008), Carolyn Ramsey (Treasurer), Barbara Wiesner, Lisa Philip‐Harbutt, Anne Levy and Patricia Walton. Special thanks and acknowledgement must go to our Executive Officer, Megan Rainey, for her hard work over a number of years, establishing a new website, presenting a stimulating program of arts fora and coordinating meetings. Megan left the AIC at the end of 2008 to pursue other interests within the arts and we wish her much happiness and success. The AIC Committee meets at the South Australian Writers Centre and special thanks must go to Barbara Wiesner and her staff for providing this space free of charge. -
Adlff Goes Rogue
EMBARGOED UNTIL 12noon Monday 26 September 2016 ADELAIDE FILM FESTIVAL GOES ROGUE Rogue “ something that is out of ordinary, or against the rules.” Continuing its reputation as Australia’s most dynamic screen event, Adelaide Film Festival GOES ROGUE throughout October to offer up audiences a screen-based oasis until the ADLFF returns, full throttle, in 2017. Premiering works commissioned by the Adelaide Film Festival Fund, October begins with the Australian Premiere season of COLLISIONS (Oct 5-30), includes a special free event at Adelaide Festival of Ideas (AFOI) (Oct 23) and culminates in a 4-day streamlined mini-festival (Oct 27-30) featuring World Premiere screenings of two ADL Film Fest Fund screen events - Australia’s first Muslim rom-com ALI’S WEDDING based on the life of actor, writer and comedian Osamah Sami and a special ‘Work In Progress’ screening of the highly anticipated DAVID STRATTON’S STORIES OF AUSTRALIAN CINEMA. Minister for the Arts, the Hon Jack Snelling said “I am delighted that the riches of the Adelaide Film Festival Fund have spilled over into 2016, particularly following the recent international and national success of previous Fund project Girl Asleep. I look forward to seeing what this visionary Fund has produced next at this special one-off event ahead of the return of the fully-fledged Adelaide Film Festival in 2017.” ADL Film Fest CEO and Artistic Director, Amanda Duthie said, “We couldn’t wait to celebrate so we are delighted that our roguish partners Arts South Australia, Screen Australia and our Principal Partner Channel 9 helped us to create this film fiesta.