2016 Bettison & James Oration Greg Mackie 23 October 2016 Adelaide
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City of Adelaide
City of Adelaide 1 Contents Message from CEO Mark Goldstone Message from CEO Mark Goldstone ...............................2 Despite the significant challenges we are all facing, Adelaide Fast Facts ...........................................................3 in many ways, it is still an exciting time to be in the City of Adelaide. Our city is continuing to undergo a City of Adelaide Fast Facts ..............................................3 notable transformation with new major infrastructure, Strategic Plan ....................................................................4 and exciting and creative adaptations through entrepreneurial activity. City Brand ..........................................................................4 With a vision for Adelaide to be the most liveable city Corporate Structure .........................................................5 in the world, the City of Adelaide 2020–2024 Strategic Our organisation: who we are .........................................6 Plan builds on our strengths to embrace the opportunities around us. City Governance Elected Members ...............................7 For us, a liveable city is one that is a great place to be, whether as a business owner in one of the city’s precincts, a resident or worker, a student of our Adelaide Economic Development Agency ....................8 world class universities, or a visitor to our famed festivals, cultural institutions Living in Adelaide, South Australia ................................9 and attractions. The qualities that make our city -
Af20-Booking-Guide.Pdf
1 SPECIAL EVENT YOU'RE 60th Birthday Concert 6 Fire Gardens 12 WRITERS’ WEEK 77 Adelaide Writers’ Week WELCOME AF OPERA Requiem 8 DANCE Breaking the Waves 24 10 Lyon Opera Ballet 26 Enter Achilles We believe everyone should be able to enjoy the Adelaide Festival. 44 Between Tiny Cities Check out the following discounts and ways to save... PHYSICAL THEATRE 45 Two Crews 54 Black Velvet High Performance Packing Tape 40 CLASSICAL MUSIC THEATRE 16 150 Psalms The Doctor 14 OPEN HOUSE CONCESSION UNDER 30 28 The Sound of History: Beethoven, Cold Blood 22 Napoleon and Revolution A range of initiatives including Pensioner Under 30? Access super Mouthpiece 30 48 Chamber Landscapes: Pay What You Can and 1000 Unemployed discounted tickets to most Cock Cock... Who’s There? 38 Citizen & Composer tickets for those in need MEAA member Festival shows The Iliad – Out Loud 42 See page 85 for more information Aleppo. A Portrait of Absence 46 52 Garrick Ohlsson Dance Nation 60 53 Mahler / Adès STUDENTS FRIENDS GROUPS CONTEMPORARY MUSIC INTERACTIVE Your full time student ID Become a Friend to access Book a group of 6+ 32 Buŋgul Eight 36 unlocks special prices for priority seating and save online and save 15% 61 WOMADelaide most Festival shows 15% on AF tickets 65 The Parov Stelar Band 66 Mad Max meets VISUAL ART The Shaolin Afronauts 150 Psalms Exhibition 21 67 Vince Jones & The Heavy Hitters MYSTERY PACKAGES NEW A Doll's House 62 68 Lisa Gerrard & Paul Grabowsky Monster Theatres - 74 IN 69 Joep Beving If you find it hard to decide what to see during the Festival, 2020 Adelaide Biennial . -
Marketing Communications Approval Report - February 2019
MARKETING COMMUNICATIONS APPROVAL REPORT - FEBRUARY 2019 CAMPAIGNS Proposed Budget ID Campaign Title Department Start Date End Date Approval Date Synopsis exGST ($) 18-176 Regional Driver Safety Motor Accident Commission 3/02/2019 2/03/2019 9/01/2019 $190,590 Public education campaign to arrest road trauma experienced in regional South Australia. 18-177 Drug Driving Motor Accident Commission 17/02/2019 27/04/2019 23/01/2019 $259,598 Public education campaign targeting drug driving on South Australian roads. EVALUATIONS Proposed Evaluation Actual Expenditure ID Campaign Title Department Start Date End Date Expenditure Approval Date exGST ($) exGST ($) 18-108 Sydney Roosters (2018) South Australian Tourism Commission 15/05/2018 29/06/2018 25/02/2019 $135,000 $92,775 18-90 Hybrid World Adelaide 2018 Adelaide Film Festival 30/04/2018 27/07/2018 13/02/2019 $349,500 $348,664 18-106 Food and Wine South Australian Tourism Commission 1/07/2018 31/08/2018 21/02/2019 $799,048 $764,278 18-104 2018 Adelaide Fashion Festival Events South Australia 7/08/2018 21/10/2018 10/02/2019 Redacted - Commercial in Confidence 18-129 2018 Credit Union Christmas Pageant South Australian Tourism Commission 14/10/2018 9/11/2018 21/02/2019 $88,000 $75,791 18-118 Short Courses for Anyone and Everyone TAFE SA 1/07/2018 31/12/2018 19/02/2019 Redacted - Commercial in Confidence BRANDING EXEMPTIONS Ministerial Approval ID Entity Department Approval Date Exemption Type Date Nil Sensitive: SA Cabinet - I2 - A1 CAMPAIGN EVALUATION REPORT Campaign: 2018 Adelaide Fashion Festival Department: Events South Australia Campaign Start Date: 07 August 2018 Campaign Completion Date: 21 October 2018 Campaign Total Spend: Redacted - Commercial in Confidence Campaign Approval Date: 30 July 2018 Evaluation Approval Date: 11 February 2019 Evaluation Summary: The campaign was successful, meeting ticket sales (86%) and website visitation (73,450) targets . -
Adelaide Festival Centre Annual Report 2005-06
ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2005-06 18 September 2006 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.afct.org.au ABN: 90940 220 425 Contents Our Vision: ...........................................................................................................4 Our Mission is to: ..............................................................................................4 Introduction..........................................................................................................5 Highlights of 2005-06......................................................................................6 Chairman’s Report ...........................................................................................7 Chief Executive Officer’s Report ...............................................................9 Adelaide Festival Centre Trust Act 1971.............................................10 Trustees ..............................................................................................................11 The Objectives of Arts SA ..........................................................................12 The Objectives of the Adelaide Festival Centre Trust ..................12 Objective 1.........................................................................................................14 ENGAGE........................................................................................... 14 Education Program (CentrEd)...........................................................................15 -
Festival Statistics: Key Concepts and Current Practices
2695 Festivals can provide substantive income and generate tourism at both local and national levels. There is growing recognition of the importance of collecting data in this field, particularly to gauge the social and economic contributions of festivals to host societies. This requires a greater understanding of how festivals can be measured and data collected in a standardised, systematic manner based on existing models and current practices. This handbook presents the theories, concepts and practices that are currently used in the effective measuring of festivals across the globe. It identifies prevailing theoretical perspectives on measuring festivals; current policy constructs concerning the collection of data on festivals; as well as best practices and processes for festival data collection and statistics based on experience from around the world. 2695 FESTIVAL STATISTICS Key concepts and current practices The UNESCO Institute for Statistics (UIS) is the statistical office of the United Nations Educational, Scientific and Cultural Organization (UNESCO) and is the UN depository for internationally comparable statistics in the fields of education, science and technology, culture and communication. 2009 UNESCO FRAMEWORK FOR CULTURAL STATISTICS HANDBOOK NO. 3 2009 FRAMEWORK FOR CULTURAL STATISTICS HANDBOOK NO. 3 Festival statistics: Key concepts and current practices UNESCO The constitution of the United Nations Educational, Scientific and Cultural Organization (UNESCO) was adopted by 20 countries at the London Conference in November -
Sixteen Years of Labor Government in South Australia, 2002-2018
AUSTRALASIAN PARLIAMENTARY REVIEW Parliament in the Periphery: Sixteen Years of Labor Government in South Australia, 2002-2018* Mark Dean Research Associate, Australian Industrial Transformation Institute, Flinders University of South Australia * Double-blind reviewed article. Abstract This article examines the sixteen years of Labor government in South Australia from 2002 to 2018. With reference to industry policy and strategy in the context of deindustrialisation, it analyses the impact and implications of policy choices made under Premiers Mike Rann and Jay Weatherill in attempts to progress South Australia beyond its growing status as a ‘rustbelt state’. Previous research has shown how, despite half of Labor’s term in office as a minority government and Rann’s apparent disregard for the Parliament, the executive’s ‘third way’ brand of policymaking was a powerful force in shaping the State’s development. This article approaches this contention from a new perspective to suggest that although this approach produced innovative policy outcomes, these were a vehicle for neo-liberal transformations to the State’s institutions. In strategically avoiding much legislative scrutiny, the Rann and Weatherill governments’ brand of policymaking was arguably unable to produce a coordinated response to South Australia’s deindustrialisation in a State historically shaped by more interventionist government and a clear role for the legislature. In undermining public services and hollowing out policy, the Rann and Wethearill governments reflected the path dependency of responses to earlier neo-liberal reforms, further entrenching neo-liberal responses to social and economic crisis and aiding a smooth transition to Liberal government in 2018. INTRODUCTION For sixteen years, from March 2002 to March 2018, South Australia was governed by the Labor Party. -
THURSDAY 27 – SUNDAY 30 OCT Adelaidefilmfestival.Org @Adlfilmfest #Adlff Thank You
GOES ROGUE THURSDAY 27 – SUNDAY 30 OCT adelaidefilmfestival.org @AdlFilmFest #adlff Thank you Principal Partner Government Partners Major Partners Supporting Partners Ali’s Wedding Ali’s Screen Australia congratulates all those Australian films selected for the Adelaide Film Festival. Stories that stay with you 2 GOES ROGUE For Adelaide Film Festival 2015, we packed eleven October days with The Fund supports feature fiction films and feature documentary premieres, talks, and post-film soirees aplenty. Frankly, the thought projects along with short films, animation, digital and interactive of waiting two more years to do it all again is too much to bear. projects, hybrid reality and moving image works. Say, why not go rogue? In 2016, we’re breaking the biennial cycle to bring a streamlined mini- Thanks to the ADL Film Fest Fund, we’re pleased as punch to present fest to Adelaide’s screens. Featuring brand new Australian titles and three new works, each from the frontlines of thematic, stylistic and an array of retrospective gems, let this four-day fiesta be your screen- technological storytelling. Ali’s Wedding is Australia’s first Muslim based oasis until ADL Film Fest proper returns, full throttle. rom-com, so funny you’ll cry. ADLFF patron David Stratton gives us a sneak peek at his Stories of Australian Cinema. Lynette Wallworth’s ADL Film Fest Fund, rare in the screen landscape and revered radical work Collisions unites the world’s oldest culture with the internationally, forms the backbone of our Rogue program. vanguard of virtual reality tech. So: rogue. Not Nicolas Roeg, whose decisive work Walkabout features in Stratton’s series; nor the neo-Ozploitation creature feature about that ocker-eating croc – though we value the chutzpah of both. -
Adelaide Festival 2019 Annual Report
ADELAIDE FESTIVAL CORPORATION 2018-19 Annual Report ADELAIDE FESTIVAL CORPORATION Level 9, 33 King William Street, Adelaide, 5000 www.adelaidefestival.com.au Contact phone number: +61(8)82164444 Contact email: [email protected] ISSN: 0431 Date presented to Minister: 27 September 2019 Adelaide Festival Corporation Annual Report 2018/19 2018-19 ANNUAL REPORT for the Adelaide Festival Corporation To: Hon Steven Marshall MP Premier of South Australia Dear Premier, This annual report will be presented to Parliament to meet the statutory reporting requirements of the Adelaide Festival Corporation Act 1998 and the requirements of Premier and Cabinet Circular PC013 Annual Reporting. This report is verified to be accurate for the purposes of annual reporting to the Parliament of South Australia. Submitted on behalf of the Adelaide Festival Corporation by: Rob Brookman Executive Director Adelaide Festival Corporation 27 September 2019 2 | P a g e 2018-19 ANNUAL REPORT for the Adelaide Festival Corporation From the Executive Director The 2019 Adelaide Festival was one of the most successful in its distinguished 59 - year history, with stellar artistic achievements matched by record-breaking box office receipts, excellent financial results and great outcomes for the State in terms of economic impact. Curated by Joint Artistic Directors Neil Armfield AO and Rachel Healy, the 2019 Adelaide Festival was steeped in exclusive events, standing ovations and critical acclaim. It set a new record with the biggest box office takings in the event’s history, achieving a total box office income of $6,056,904. This represents a 32% increase on the previous box office record set by Armfield and Healy’s second program in 2018. -
Adelaidean) Go to Illustrate the High Calibre HECS Does Offer a Distinct Advantage in That Be Achieved
FREE Publication AdelaiNEWSd FROM THEe UNIVERSITYa OF nADELAIDE Volume 13 • Number 4 • May 2004 inside this issue Our $5m virtual world Formula for 7 success Making history 8 in Hong Kong Artists behind 10 the sculptures Jazz singer 14 brings Broadway to Adelaide Scholarships worth 4 singing about 5 Elderly sought for driving study Health survey exposes heavy burden on men anywhere in the world—is another 6 The University of Adelaide is home special facet. Judges see Erin’s research to a new $5 million state-of-the-art The facility can also link up with the 11 as breath of fresh air international Access Grid system, virtual reality centre. allowing visual and audio-based remote collaboration with over 250 Slaves in ivory basements: the universities around the world. 12 postgraduate experience? The new 3D Visualisation Facility, offers to make an impact on as based at the university’s Santos many staff and students as possible,” “That’s a great boost to research partnership and remote teaching,” Obituary: Petroleum Engineering Building, will Professor Khurana said. provide a major boost to teaching Professor Khurana said. 13 Professor Russell Baudinette “So far such diverse disciplines as and research in South Australia. petroleum engineering, agriculture And later this year the facility will Of writer’s rage and Benefits of the new centre will be and wine, psychology, molecular be upgraded to include “haptic” 15 green sheep shared by its four partner universities biology and medical imaging have capacity, or the ability to recognise (the three South Australian all shown their commitment towards the sense of touch—such as giving universities plus Curtin University utilising the centre.” medical students the ability to “feel” All bound up in in Western Australia), as well as the difference between virtual skin, teen sex drama The 3D Visualisation Facility is 16 industry and government. -
Canada and Australia
CANADA AND AUSTRALIA: PROMOTING COLLABORATION IN CREATIVE INDUSTRIES Prepared by the Consulate General of Canada in Sydney 1 TABLE OF CONTENTS 3 Welcome & Introduction 4 Film & Television 11 Music 16 Literature 21 Performing Arts 25 Visual Arts 28 Digital Arts 30 Promoting Canadian Creators Globally 2 WELCOME & INTRODUCTION The creative industries represent an important part of In Australia, the demand in the creative industries Canada’s economy and exports however these times sector was booming pre-coronavirus and represented are unprecedented and present challenges never 6.2% of total Australian employment and employment. before seen for the sector. In light of current events, The creative industries were growing 40% faster than particularly the recent cancellations of cultural events, the Australian economy as a whole. Australia also the Consulate General of Sydney would like to reaffirm recognises the important role and positive impact of the government’s support for all the people affected, the arts in regional, rural and remote areas. This has directly or indirectly, by the coronavirus. We know that led to a growth in festivals, arts markets, concerts, 4 Film & Television times like these can be particularly difficult for self- performances and galleries expanding into these areas employed creative workers, community organizations, due to the positive impact on the community as well as and cultural organizations, among many others. the daily lives of Australians. 11 Music This report, written pre-coronavirus, may be a useful resource as the creative industries move from crisis to Canada and Australia share similar histories and values recovery and seek out new business opportunities. -
THE COMMITTEE MINUTES for the Meeting
THE COMMITTEE MINUTES for the meeting Tuesday 18 June 2019 in the Colonel Light Room, Adelaide Town Hall 1 The Committee Meeting Minutes, Tuesday 18 June 2019, at 5.54pm Present - The Right Honourable the Lord Mayor [Sandy Verschoor]; Councillor Martin (Chair) Councillors Abiad (Deputy Lord Mayor), Abrahimzadeh, Couros, Hou, Hyde, Knoll Moran (Deputy Chair) and Simms. Acknowledgement of Country At the opening of the Committee Meeting, the Chair stated: ‘Council acknowledges that we are meeting on traditional Country of the Kaurna people of the Adelaide Plains and pays respect to Elders past and present. We recognise and respect their cultural heritage, beliefs and relationship with the land. We acknowledge that they are of continuing importance to the Kaurna people living today. And we also extend that respect to other Aboriginal Language Groups and other First Nations who are present today.’ Apologies and Leave of Absence Apologies – Councillors Donovan and Khera. Confirmation of Minutes - 4/6/2019 That the Minutes of the meeting of The Committee held on 4 June 2019, be taken as read and be confirmed as an accurate record of proceedings. Items for Consideration and Recommendation to Council 1. Item 4.1 - Unowned and Semi Owned Cat Management [2009/00929] [TC] THAT THE COMMITTEE RECOMMENDS TO COUNCIL That Council: 1. Notes that a city-wide unowned and semi-owned cat colony audit has been undertaken and one colony has been located. 2. Notes the discussion paper, Attachment A to Item 4.1 on the Agenda for the meeting of The Committee held on 18 June 2019 and actions listed in the paper for implementation through existing Council service delivery and the 2019-2024 Dog and Cat Management Plan. -
Factors That Influence Engagement in On-Site Environmentally Responsible
Factors that influence engagement in on-site environmentally responsible behaviours at music festivals Marisol Alonso Vazquez Bachelor in Foreign Trade Master in Marketing A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2014 Business School i Abstract The study of on-site environmentally responsible behaviours at outdoor events is important because of the negative environmental degradation that may be caused when hosting these events. Studying these behaviours is especially important at music festivals that are held in protected areas, and/or for festival managers who have an interest in controlling the events’ negative environmental impacts. Despite recent interest by event managers in developing strategies to encourage attendees’ environmentally responsible behaviours, this task is still a challenge because attendees may be disinterested in behaving pro-environmentally in the music festival context. Given this, event managers need to find novel ways to encourage attendees to participate more in on-site environmentally responsible behaviours. To contribute toward finding alternative ways to encourage more participation, this research investigated the major psychographic factors that influence attendees’ engagement in on-site environmentally responsible behaviours at music festivals. To identify these factors, the following research activities were carried out: phone interviews with music festival managers (10 participants); two online questionnaires (pre-visit and post-visit to festivals) across multiple music festivals (1,313 and 420 participants, respectively); and on-site interviews with attendees at a three-day music festival located near an Australian national park (81 participants). The findings of this study reveal that event managers consider it important to build a pro- environmental culture into their event communities in order to capitalise on attendees’ sense of community that may support environmentally responsible behaviours.