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City of Adelaide
City of Adelaide 1 Contents Message from CEO Mark Goldstone Message from CEO Mark Goldstone ...............................2 Despite the significant challenges we are all facing, Adelaide Fast Facts ...........................................................3 in many ways, it is still an exciting time to be in the City of Adelaide. Our city is continuing to undergo a City of Adelaide Fast Facts ..............................................3 notable transformation with new major infrastructure, Strategic Plan ....................................................................4 and exciting and creative adaptations through entrepreneurial activity. City Brand ..........................................................................4 With a vision for Adelaide to be the most liveable city Corporate Structure .........................................................5 in the world, the City of Adelaide 2020–2024 Strategic Our organisation: who we are .........................................6 Plan builds on our strengths to embrace the opportunities around us. City Governance Elected Members ...............................7 For us, a liveable city is one that is a great place to be, whether as a business owner in one of the city’s precincts, a resident or worker, a student of our Adelaide Economic Development Agency ....................8 world class universities, or a visitor to our famed festivals, cultural institutions Living in Adelaide, South Australia ................................9 and attractions. The qualities that make our city -
Adelaide Festival Centre Annual Report 2005-06
ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2005-06 18 September 2006 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.afct.org.au ABN: 90940 220 425 Contents Our Vision: ...........................................................................................................4 Our Mission is to: ..............................................................................................4 Introduction..........................................................................................................5 Highlights of 2005-06......................................................................................6 Chairman’s Report ...........................................................................................7 Chief Executive Officer’s Report ...............................................................9 Adelaide Festival Centre Trust Act 1971.............................................10 Trustees ..............................................................................................................11 The Objectives of Arts SA ..........................................................................12 The Objectives of the Adelaide Festival Centre Trust ..................12 Objective 1.........................................................................................................14 ENGAGE........................................................................................... 14 Education Program (CentrEd)...........................................................................15 -
Sixteen Years of Labor Government in South Australia, 2002-2018
AUSTRALASIAN PARLIAMENTARY REVIEW Parliament in the Periphery: Sixteen Years of Labor Government in South Australia, 2002-2018* Mark Dean Research Associate, Australian Industrial Transformation Institute, Flinders University of South Australia * Double-blind reviewed article. Abstract This article examines the sixteen years of Labor government in South Australia from 2002 to 2018. With reference to industry policy and strategy in the context of deindustrialisation, it analyses the impact and implications of policy choices made under Premiers Mike Rann and Jay Weatherill in attempts to progress South Australia beyond its growing status as a ‘rustbelt state’. Previous research has shown how, despite half of Labor’s term in office as a minority government and Rann’s apparent disregard for the Parliament, the executive’s ‘third way’ brand of policymaking was a powerful force in shaping the State’s development. This article approaches this contention from a new perspective to suggest that although this approach produced innovative policy outcomes, these were a vehicle for neo-liberal transformations to the State’s institutions. In strategically avoiding much legislative scrutiny, the Rann and Weatherill governments’ brand of policymaking was arguably unable to produce a coordinated response to South Australia’s deindustrialisation in a State historically shaped by more interventionist government and a clear role for the legislature. In undermining public services and hollowing out policy, the Rann and Wethearill governments reflected the path dependency of responses to earlier neo-liberal reforms, further entrenching neo-liberal responses to social and economic crisis and aiding a smooth transition to Liberal government in 2018. INTRODUCTION For sixteen years, from March 2002 to March 2018, South Australia was governed by the Labor Party. -
THURSDAY 27 – SUNDAY 30 OCT Adelaidefilmfestival.Org @Adlfilmfest #Adlff Thank You
GOES ROGUE THURSDAY 27 – SUNDAY 30 OCT adelaidefilmfestival.org @AdlFilmFest #adlff Thank you Principal Partner Government Partners Major Partners Supporting Partners Ali’s Wedding Ali’s Screen Australia congratulates all those Australian films selected for the Adelaide Film Festival. Stories that stay with you 2 GOES ROGUE For Adelaide Film Festival 2015, we packed eleven October days with The Fund supports feature fiction films and feature documentary premieres, talks, and post-film soirees aplenty. Frankly, the thought projects along with short films, animation, digital and interactive of waiting two more years to do it all again is too much to bear. projects, hybrid reality and moving image works. Say, why not go rogue? In 2016, we’re breaking the biennial cycle to bring a streamlined mini- Thanks to the ADL Film Fest Fund, we’re pleased as punch to present fest to Adelaide’s screens. Featuring brand new Australian titles and three new works, each from the frontlines of thematic, stylistic and an array of retrospective gems, let this four-day fiesta be your screen- technological storytelling. Ali’s Wedding is Australia’s first Muslim based oasis until ADL Film Fest proper returns, full throttle. rom-com, so funny you’ll cry. ADLFF patron David Stratton gives us a sneak peek at his Stories of Australian Cinema. Lynette Wallworth’s ADL Film Fest Fund, rare in the screen landscape and revered radical work Collisions unites the world’s oldest culture with the internationally, forms the backbone of our Rogue program. vanguard of virtual reality tech. So: rogue. Not Nicolas Roeg, whose decisive work Walkabout features in Stratton’s series; nor the neo-Ozploitation creature feature about that ocker-eating croc – though we value the chutzpah of both. -
Families Like Mine
LesbIan, gay, bIsexuaL, IntroductIon gender dIverse young peopLe Glossary resources and references GET SUPPORT questIonIng young peopLe Families like mine A guide for parents and families of young people who are lesbian, gay, bisexual, gender diverse or who are questioning their sexuality or gender identity Lesb Ian, gay, bIsexuaL, IntroductIon g ender dIverse young peopLe Gl ossary r esources and references GET SUPPORT questIonIng young peopLe ACknowLedgements beyondblue would like to thank all individuals who contributed to the development of this guide by providing advice and valuable feedback during the draft review’s, and/or participating in the questionnaire that helped us gain further insight and understanding into individual’s experiences. We recognise the diversity of identity among families living in Australia including families who identify as Aboriginal and Torres Strait Islander, or of migrant or refugee background. We have attempted to be as inclusive of this diversity as possible without referring to specific strengths and concerns of individual cultures or religions. The development of this guide included consultation with blueVoices members, beyondblue’s national reference group for people who have personal experience of anxiety and depression, or support someone who does. Their contributions have been invaluable, including to the Project Advisory Group, which was established to help lead the development of this guide. For more information on blueVoices, visit www.beyondblue.org.au/bluevoices beyondblue thanks our key collaborators on this guide, the National LGBTI Health Alliance and Parents, Families and Friends of Lesbians and Gays (PFLAG) Brisbane, for their invaluable support and advice through their representation in the Project Advisory Group and significant contributions to the writing of the guide. -
Adelaidean) Go to Illustrate the High Calibre HECS Does Offer a Distinct Advantage in That Be Achieved
FREE Publication AdelaiNEWSd FROM THEe UNIVERSITYa OF nADELAIDE Volume 13 • Number 4 • May 2004 inside this issue Our $5m virtual world Formula for 7 success Making history 8 in Hong Kong Artists behind 10 the sculptures Jazz singer 14 brings Broadway to Adelaide Scholarships worth 4 singing about 5 Elderly sought for driving study Health survey exposes heavy burden on men anywhere in the world—is another 6 The University of Adelaide is home special facet. Judges see Erin’s research to a new $5 million state-of-the-art The facility can also link up with the 11 as breath of fresh air international Access Grid system, virtual reality centre. allowing visual and audio-based remote collaboration with over 250 Slaves in ivory basements: the universities around the world. 12 postgraduate experience? The new 3D Visualisation Facility, offers to make an impact on as based at the university’s Santos many staff and students as possible,” “That’s a great boost to research partnership and remote teaching,” Obituary: Petroleum Engineering Building, will Professor Khurana said. provide a major boost to teaching Professor Khurana said. 13 Professor Russell Baudinette “So far such diverse disciplines as and research in South Australia. petroleum engineering, agriculture And later this year the facility will Of writer’s rage and Benefits of the new centre will be and wine, psychology, molecular be upgraded to include “haptic” 15 green sheep shared by its four partner universities biology and medical imaging have capacity, or the ability to recognise (the three South Australian all shown their commitment towards the sense of touch—such as giving universities plus Curtin University utilising the centre.” medical students the ability to “feel” All bound up in in Western Australia), as well as the difference between virtual skin, teen sex drama The 3D Visualisation Facility is 16 industry and government. -
Adelaide Queer Arts & Cultural Festival
Music Theatre Cabaret Drag Comedy & More de Queer A elai rts & Ad C ul tu r a l F e s t i v a l 7 – 29 nov 2020 F e F Messages Of Support | 2 a F MAJOR PARTNER e Feast Festival acknowledges that the s e event is held on the traditional lands of the Feast Hubs | 4 a & PROUDLY PRINTED BY Kaurna people and respects their spiritual ta relationship with their country. s s tFt Entrées | 6 e COVID-19 Special Events | 10 a Feast Festival and participating venues s are all managed by COVID-19 Safe and Cabaret | 18 Management Plans as applicable. Drag | 20 t TicketingFor more details & head Access to our website www.feast.org.au Information Theatre & Playreadings | 24 How to Book Workshops | 28 TicketingOnline: Tickets can & Access be purchased 24/7 Writing Live | 30 Informationvia credit card at www.feast.org.au Calendar | 34 HowTicketing to Bookenquiries please telephone: 08 8463 0684 Comedy | 38 Online: Tickets can be purchased 24/7 viaPlease credit note: card Proofat www.feast.org.au of ID, concession or Tours | 40 Ticketingeligibility enquiries for discounts please will telephone: be required 08when 8463 you 0684 enter specific events. Visual Art | 42 Please note: Proof of ID, concession or eligibilityAll tickets for will discounts incur booking will be required Music & Film | 46 whenand transaction you enter specific fees. For events. more Allinformation tickets will please incur booking check Trybooking’s Queer Conversations | 48 andterms transaction and conditions fees. For online more at informationwww.trybooking.com please check the Trybooking’s main ticket Leather & Kink | 52 termscategories and conditions are: online at www.trybooking.comFull Price: People with the no main form ticket of Community | 54 categoriesconcession are: or membership. -
A YEAR LIKE NO OTHER THORNE HARBOUR HEALTH ANNUAL REPORT 2019 - 2020 I’Ve Had the Chance to Create a Platform That My Friend’S Mother Is Unwell
I often felt guilty about being busy with When gyms shut down - so did my business. work while others have lost their income. It’s a massive challenge to build and maintain a LINDY service while holding a community together. SAM < 1.5 METRES < A YEAR LIKE NO OTHER THORNE HARBOUR HEALTH ANNUAL REPORT 2019 - 2020 I’ve had the chance to create a platform that My friend’s mother is unwell. She can’t visit her. bridges the gaps between the fitness and trans/ Seeing her face that challenge has been tough. gender diverse communities. CATALINA < SAM < I have been thrilled to host The Bent Spoon at Everyone has struggled to stay connected. this time - it’s a fantastic celebration of diversity. Through Rainbow Connection, I have volunteered CATALINA to call clients and have a good chat. < LEIGHTON < 4 PRESIDENT’S AND CEO’S REPORT 6 2020 A FRESH PANDEMIC 7 SEX AND COVID-19 8 CONNECTING WITH COMMUNITY 9 MILESTONES 10 10 STORIES FROM THORNE HARBOUR HEALTH 12 AWARDS 13 FINANCIAL REPORT Living with HIV and Type 1 diabetes, I’m happy to reach 66 and have my health. LEIGHTON < PRESIDENT & CEO’S REPORT THORNE HARBOUR HEALTH’S FLAGSHIP SEXUAL HEALTH AND TESTING CAMPAIGN, THE DRAMA DOWNUNDER WAS IMPLEMENTED THIS YEAR WITH MORE DIVERSITY THAN EVER Today we face a global pandemic queer panel on stage together, including All the while, we were seeing clients every brought on by a potentially deadly interstate and international visitors day for face-to-face counselling, GP visits, pathogen. At the start of this pandemic, alike. -
Australian Events 2019
AUSTRALIAN EVENTS 2019 Each year Australia puts on an impressive line-up of festivals and events that shines the spotlight on the country’s passion for arts, music, dining, sport, nature and our beach lifestyle. Here’s a snapshot of what you can experience when visiting Australia. JANUARY FEBRUARY MARCH ENLIGHTEN CANBERRA ACT AUSTRALIA DAY NATIONAL NSW BOWL-A-RAMA BONDI 1 to 16 March | enlightencanberra.com.au 26 January | australiaday.org.au 1 February | bowlarama.com.au CANBERRA BALLOON SPECTACULAR ACT SUMMERNATS CAR FESTIVAL ACT SURFEST NSW 9 to 17 March | balloonspectacular.com.au 3 to 6 January | summernats.com.au 2 February to 17 March | surfest.com HANDA OPERA ON SYDNEY HARBOUR NSW CHARLIE AND THE CHOCOLATE FACTORY THE SYDNEY GAY AND LESBIAN MARDI GRAS PARADE 22 March to 21 April | MUSICAL NSW 15 February to 3 March | mardigras.org.au NSW operaonsydneyharbour.com.au 5 January to 28 April | charliethemusical.com.au SYDNEY CHINESE NEW YEAR NSW SATURDAY NIGHT FEVER MUSICAL NSW SYDNEY FESTIVAL NSW 16 February to 4 March | sydneychinesenewyear.com Starts 29 March | saturdaynightfever.com.au 7 to 27 January | sydneyfestival.org.au GREAT AUSTRALIAN BEER FEST VIC THE NATIONAL: NEW AUSTRALIAN ART NSW PARKES ELVIS FESTIVAL NSW 16 February | gabfgeelong.com.au Starts 30 March | the-national.com.au 9 to 13 January | parkeselvisfestival.com.au FIM SUPERBIKE WORLD CHAMPIONSHIPS VIC VIRGIN AUSTRALIA MELBOURNE FASHION FESTIVAL AUSTRALIAN OPEN VIC PHILLIP ISLAND 1 to 10 March | vamff.com.au VIC 14 to 27 January | australianopen.com 25 to 27 February -
Research Bank Pride in Defence : the Australian Military and LGBTI
Research Bank Book Pride in defence : The Australian military and LGBTI service since 1945 Riseman, Noah and Robinson, Shirleene This is an accepted manuscript version made available by permission of the authors and Melbourne University Press. First published 2020. Text © Noah Riseman and Shirleene Robinson, 2020. All rights reserved. Riseman, N. and Robinson, S. (2020). Pride in Defence: The Australian Military and LGBTI Service since 1945. Melbourne: Melbourne University Press. https://www.mup.com.au/books/pride-in-defence-paperback-softback p i: half title Pride in Defence p ii: blank p iii: title page Pride in Defence The Australian Military and LGBTI Service Since 1945 Noah Riseman and Shirleene Robinson [insert MUP logo bottom of page, centre] page iv MELBOURNE UNIVERSITY PRESS An imprint of Melbourne University Publishing Limited Level 1, 715 Swanston Street, Carlton, Victoria 3053, Australia [email protected] www.mup.com.au First published 2020 Text © Noah Riseman and Shirleene Robinson, 2020 Design and typography © Melbourne University Publishing Limited, 2020 This book is copyright. Apart from any use permitted under the Copyright Act 1968 and subsequent amendments, no part may be reproduced, stored in a retrieval system or transmitted by any means or process whatsoever without the prior written permission of the publishers. Every attempt has been made to locate the copyright holders for material quoted in this book. Any person or organisation that may have been overlooked or misattributed may contact the publisher. -
2016 Bettison & James Oration Greg Mackie 23 October 2016 Adelaide
2016 Bettison & James Oration Greg Mackie 23 October 2016 Adelaide Festival of Ideas Thinking Adelaide: a Passion for Connecting and Collecting It is great to have this opportunity to share with friends, colleagues, and most importantly, an AFoI audience, a few things that have been on my mind. I would like, of course, to observe an important cultural protocol, as has been observed throughout the Adelaide Festival of Ideas, and acknowledge the Kaurna people as the traditional owners of this country. I am also proud to acknowledge the late Jim Bettison & Helen James for always backing the AFoI from its inception. Thanks to Simone Vinall and Simone's fellow Foundation Trustees: Doreen Mellor & Geoff Purdie and acknowledge Perpetual Trustees and Amanda Duthie from Adelaide Film Festival Corporation, who administers the Jim Bettison and Helen James Foundation Award. I knew Helen and Jim and valued their support for some of the causes about which we shared a passion: in essence the arts and ideas; the value of learning and of the power of human potential to both imagine and then to realise change in our lives. And so it was especially humbling for me when I was invited to be the inaugural recipient of the Award established by the Foundation that bears their name. It is also a particular thrill to know that I now find myself in the company of two amazing fellow recipients of this award: Meryl Tankard and Tim Jarvis. Each of us are incredibly different to the other in terms of our chosen paths - and I think this speaks so positively of the ambit of this new Award. -
Adelaide Festival of Ideas Program
~^. ... .,. O. ^ I. , . ADELAIDE FESTIVAL OF IDEAS PROGRAM to - ,. 3 July 2003 Hope and Fear Art Gallery of South Australia Auditorium & Cafe, Elder Hall. Bonython Hall, Brookman Hall. North Terrace. Adelaide South Australia Welcome Hope and Fear. One could be forgiven for thinking that the major themes of this third biennial Adelaide Festival of Ideas were born out of calamitous recent events. Seldom have two words better I I summed up the contradictions and aspirations of global affairs. a And yet our Advisory Committee chose these themes before * , ^ September L, ., before 'Tampa' and before "truth overboard' meant anything to us. Perhaps this was prescient, but it was also obvious, for hope and fear are always with us In a sound bite media culture. where fear rules on talkback radio and 'spin' shapes public opinion. making sense is a challenge to even the most optimistic. And yet every day one can find cause for hope if one looks past the surface tension. If our communities are to survive. if compassion is once again to take root in public life. and cohesion is to be maintained, we have no choice but to over come the dominance of fear and to re-assert hope as a key driver of our human condition. Adelaide For three days and four nights, Adelaide will become a crucible of restiva ideas. as outstanding thinkers gather to challenge and enrich our understanding of the forces which shape our world. The emphasis in this Festival program falls on social and emotional matters in these unsettled times. but a wider range of intellectual exploration is well represented also.