THE COMMITTEE MINUTES for the Meeting
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Marketing Communications Approval Report - February 2019
MARKETING COMMUNICATIONS APPROVAL REPORT - FEBRUARY 2019 CAMPAIGNS Proposed Budget ID Campaign Title Department Start Date End Date Approval Date Synopsis exGST ($) 18-176 Regional Driver Safety Motor Accident Commission 3/02/2019 2/03/2019 9/01/2019 $190,590 Public education campaign to arrest road trauma experienced in regional South Australia. 18-177 Drug Driving Motor Accident Commission 17/02/2019 27/04/2019 23/01/2019 $259,598 Public education campaign targeting drug driving on South Australian roads. EVALUATIONS Proposed Evaluation Actual Expenditure ID Campaign Title Department Start Date End Date Expenditure Approval Date exGST ($) exGST ($) 18-108 Sydney Roosters (2018) South Australian Tourism Commission 15/05/2018 29/06/2018 25/02/2019 $135,000 $92,775 18-90 Hybrid World Adelaide 2018 Adelaide Film Festival 30/04/2018 27/07/2018 13/02/2019 $349,500 $348,664 18-106 Food and Wine South Australian Tourism Commission 1/07/2018 31/08/2018 21/02/2019 $799,048 $764,278 18-104 2018 Adelaide Fashion Festival Events South Australia 7/08/2018 21/10/2018 10/02/2019 Redacted - Commercial in Confidence 18-129 2018 Credit Union Christmas Pageant South Australian Tourism Commission 14/10/2018 9/11/2018 21/02/2019 $88,000 $75,791 18-118 Short Courses for Anyone and Everyone TAFE SA 1/07/2018 31/12/2018 19/02/2019 Redacted - Commercial in Confidence BRANDING EXEMPTIONS Ministerial Approval ID Entity Department Approval Date Exemption Type Date Nil Sensitive: SA Cabinet - I2 - A1 CAMPAIGN EVALUATION REPORT Campaign: 2018 Adelaide Fashion Festival Department: Events South Australia Campaign Start Date: 07 August 2018 Campaign Completion Date: 21 October 2018 Campaign Total Spend: Redacted - Commercial in Confidence Campaign Approval Date: 30 July 2018 Evaluation Approval Date: 11 February 2019 Evaluation Summary: The campaign was successful, meeting ticket sales (86%) and website visitation (73,450) targets . -
THURSDAY 27 – SUNDAY 30 OCT Adelaidefilmfestival.Org @Adlfilmfest #Adlff Thank You
GOES ROGUE THURSDAY 27 – SUNDAY 30 OCT adelaidefilmfestival.org @AdlFilmFest #adlff Thank you Principal Partner Government Partners Major Partners Supporting Partners Ali’s Wedding Ali’s Screen Australia congratulates all those Australian films selected for the Adelaide Film Festival. Stories that stay with you 2 GOES ROGUE For Adelaide Film Festival 2015, we packed eleven October days with The Fund supports feature fiction films and feature documentary premieres, talks, and post-film soirees aplenty. Frankly, the thought projects along with short films, animation, digital and interactive of waiting two more years to do it all again is too much to bear. projects, hybrid reality and moving image works. Say, why not go rogue? In 2016, we’re breaking the biennial cycle to bring a streamlined mini- Thanks to the ADL Film Fest Fund, we’re pleased as punch to present fest to Adelaide’s screens. Featuring brand new Australian titles and three new works, each from the frontlines of thematic, stylistic and an array of retrospective gems, let this four-day fiesta be your screen- technological storytelling. Ali’s Wedding is Australia’s first Muslim based oasis until ADL Film Fest proper returns, full throttle. rom-com, so funny you’ll cry. ADLFF patron David Stratton gives us a sneak peek at his Stories of Australian Cinema. Lynette Wallworth’s ADL Film Fest Fund, rare in the screen landscape and revered radical work Collisions unites the world’s oldest culture with the internationally, forms the backbone of our Rogue program. vanguard of virtual reality tech. So: rogue. Not Nicolas Roeg, whose decisive work Walkabout features in Stratton’s series; nor the neo-Ozploitation creature feature about that ocker-eating croc – though we value the chutzpah of both. -
South Australian Multicultural and Ethnic Affairs Commission 2013
South Australian Multicultural and Ethnic Affairs Commission 2013–2014 Annual Report SAMEAC’s VISION To achieve an open, inclusive, cohesive and equitable multicultural society, where cultural, linguistic, religious and productive diversity is understood, valued and supported. 1 TABLE OF CONTENTS DEPUTY CHAIR’S EXECUTIVE SUMMARY 3 MEMBERS OF SAMEAC 9 ROLE OF SAMEAC 16 BUILDING COMMUNITY CAPACITY 17 PROMOTING MULTICULTURALISM 25 ACCESS AND EQUITY 29 REGIONAL INITIATIVES 31 WOMEN’S INITIATIVES 34 YOUTH INITIATIVES 35 INTERPRETING AND TRANSLATING SERVICES 36 APPENDIX 1 – FUNCTIONS OF SAMEAC 39 APPENDIX 2 – SAMEAC ADVISORY COMMITTEE MEMBERSHIP 40 APPENDIX 3 – REPRESENTATION ON EXTERNAL BOARDS AND 41 COMMITTEES AS SAMEAC’s NOMINEE APPENDIX 4 – REPRESENTATION ON EXTERNAL BOARDS AND 42 COMMITTEES BY SAMEAC MEMBERS APPENDIX 5 – FREEDOM OF INFORMATION 46 2 DEPUTY CHAIR’S EXECUTIVE SUMMARY As a Member and Deputy Chair of the South Australian Multicultural and Ethnic Affairs Commission (SAMEAC), I am proud of the achievements of SAMEAC in 2013-14 and the important role it is playing in promoting cultural diversity as one of South Australia’s great strengths. The past twelve months have been a period of challenges and opportunities for culturally and linguistically diverse (CALD) communities, in particular new and emerging communities. With each day that passes, we see the breadth of the contribution that migrants and refugees make to the social, economic and cultural life of South Australia, enriching communities in the metropolitan and regional areas and showcasing our State as an exemplar of peace, harmony and acceptance. As in 2012-13, this past year has seen a continuation of the growing interest in multiculturalism. -
Adelaide Festoval Centre
ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2011-12 September 2012 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.adelaidefestivalcentre.com.au ABN: 90940 220 425 ISBN: 978-0-9807040-6-8 Contents Introduction ......................................................................................................... 4 Chairman’s Report .............................................................................................. 5 CEO & Artistic Director’s Report ......................................................................... 7 ROLE, PERFORMANCE AND GOVERNANCE ................................. 9 Adelaide Festival Centre Trust Act 1971............................................................. 9 Trustees .............................................................................................................. 9 Risk and Audit Committee ................................................................................ 10 Risk Management ............................................................................................. 10 Remuneration Committee ................................................................................. 10 Precinct Reference Group ................................................................................ 10 The Adelaide Festival Centre Foundation Board .............................................. 10 Organisational Chart ........................................................................................ -
Canada and Australia
CANADA AND AUSTRALIA: PROMOTING COLLABORATION IN CREATIVE INDUSTRIES Prepared by the Consulate General of Canada in Sydney 1 TABLE OF CONTENTS 3 Welcome & Introduction 4 Film & Television 11 Music 16 Literature 21 Performing Arts 25 Visual Arts 28 Digital Arts 30 Promoting Canadian Creators Globally 2 WELCOME & INTRODUCTION The creative industries represent an important part of In Australia, the demand in the creative industries Canada’s economy and exports however these times sector was booming pre-coronavirus and represented are unprecedented and present challenges never 6.2% of total Australian employment and employment. before seen for the sector. In light of current events, The creative industries were growing 40% faster than particularly the recent cancellations of cultural events, the Australian economy as a whole. Australia also the Consulate General of Sydney would like to reaffirm recognises the important role and positive impact of the government’s support for all the people affected, the arts in regional, rural and remote areas. This has directly or indirectly, by the coronavirus. We know that led to a growth in festivals, arts markets, concerts, 4 Film & Television times like these can be particularly difficult for self- performances and galleries expanding into these areas employed creative workers, community organizations, due to the positive impact on the community as well as and cultural organizations, among many others. the daily lives of Australians. 11 Music This report, written pre-coronavirus, may be a useful resource as the creative industries move from crisis to Canada and Australia share similar histories and values recovery and seek out new business opportunities. -
WELCOME to SOUTH AUSTRALIA EVENTS CALENDAR APRIL 2020 | and BEYOND As at 3 April 2020 Adelaide Oval
WELCOME TO SOUTH AUSTRALIA EVENTS CALENDAR APRIL 2020 | AND BEYOND As at 3 April 2020 Adelaide Oval EXPERIENCE| MAJOR SPORTING EVENTS With its thriving Riverbank precinct and renewed venues GOLF EQUESTRIAN such as the Adelaide Oval and the South Australian The ISPS Handa Women’s Australian Open will tee off in Victoria Park is home to the Mitsubishi Motors Australian Aquatic and Leisure Centre, Adelaide is an ideal setting for Adelaide at Royal Adelaide in 2020 and Kooyonga in 2021. International 3 Day Event in November – the only 4 star major sporting events. event in the Southern Hemisphere. AFL CYCLING Adelaide Crows and Port Adelaide will stamp their MOTORSPORT Australia’s biggest cycling race, The Santos Tour Down authority at the Adelaide Oval during the AFL season. The Superloop Adelaide 500 opens the Virgin Australia Under is held annually in January. Supercars Championships in February, the Adelaide SWIMMING Motorsport Festival Adelaide Rally sees 4 days of action in CRICKET December, and The Bend will host the only Australian leg The Australian Open Water Championships will be hosted of the Asian Le Mans Series from January 2020. Fans can soak up the electric atmosphere of the Big Bash, at Brighton Beach, and the Australian Swimming One Day Internationals, and the Test Match, with domestic Championships – the Olympic Trials for Tokyo 2020 - will and international series cricket at Adelaide Oval. now be held in Adelaide in June 2021. NRL Adelaide will host game 2 of the 2020 Holden State of TENNIS Origin Series. Memorial Drive Tennis Centre will host 120 of the world’s best players at the Adelaide International in January. -
Ozasia-Brochure-2008.Pdf
Oz FESTIVAL Presented by Adelaide Festival Centre 14῏28 September theatre ῏ dance ῏ music ῏ visual arts & design ῏ fi l m῏ food adelaidefestivalcentre.com.auadelaidefestivall BOOK AT 131 246 Last year’s inaugural OzAsia Festival highlighted how South Australia is celebrating CONTENTS and strengthening the cultural and artistic links that exist between our nation and Asia. 4 Moon Lantern Festival One of the Festival’s most signifi cant features is that it not 6 Shaolin in Wind only engages members of our broad Asian communities, 7 Chika but it excites interest among children, families, academics, 9 travel enthusiasts and artists from a range of backgrounds. Once Upon a Midnight Th e South Australian Government is a proud supporter 11 Th e Tale of Haruk of the OzAsia Festival, and I urge you to be a part of the 12 Daorum celebrations at the free Moon Lantern Festival, 13 Take me to Paradise and to engage with this enriching and entertaining 15 Shastriya Syndicate cultural event at the Adelaide Festival Centre. 17 Ecstatic Dances MIKE RA NN 18 Two Chefs & 100 Cultures Premier of South Australia 19 OzAsia on Screen Minister for the Arts 21 Ose Tara Lia 22 Home Sweet Home & Indonesian Storytelling 23 Confl uence 23 Ikebana Demonstrations 24 OzAsia Symposium 26 Booking & Access Information 28 Catering, Carpark & Transport As the Lieutenant Governor of South Celebrating the richness and diversity Welcome to the second annual OzAsia Australia and Chairman of the South of our Australasian culture, the 2008 Festival. We continue to celebrate Australian Multicultural and Ethnic Aff airs OzAsia Festival presents work from cultural exchange with our regional Commission (SAMEAC), I'm proud to be Australians who identify with an Asian neighbours through an array of moving the Patron of the OzAsia Festival. -
First Contact 2 PRESS KIT with Images FINAL 071116
7 November 2016 SERIES 2 PRESS KIT PRODUCTION CONTACT Blackfella Films Darren Dale & Jacob Hickey Tel: +61 2 9380 4000 Email: [email protected] www.blackfellafilms.com.au © 2016 Blackfella Films Pty Ltd, Special Broadcasting Service, Screen Australia 1 PRODUCTION NOTES Producer Darren Dale Series Producer & Writer Jacob Hickey Location Directors David Grusovin & Bruce Permezel Production Company Blackfella Films Pty Ltd Genre Documentary Series Language English Aspect Ratio 16 x 9 Durations EP 1 00:51:01:00 EP 2 00:53:53:17 EP 3 00:51:57:04 Sound Stereo Shooting Gauges C300 and 5D LOGLINE Six out of ten who call Australia home have had little or no contact with Indigenous people. 28 days. Six well-known Aussies. One life-changing journey. SYNOPSIS – Short The provocative, controversial and dramatic television event First Contact returns to SBS with Ray Martin as host. The 3 x 1 hour constructed documentary series takes a group of six well-known Australians, with strong opinions on a unique journey into Aboriginal Australia. 2 SYNOPSIS – Long * Six out of ten who call Australia home have had little or no contact with Indigenous people. The provocative, controversial and dramatic television event First Contact returns to SBS with Ray Martin as host. The 3 x 1 hour constructed documentary series takes a group of six well-known Australians, with strong opinions on a unique journey into Aboriginal Australia. The six are….singer songwriter Natalie Imbruglia, television personality Ian ‘Dicko’ Dickson, former Miss Universe Australia Renae Ayris, actress Nicki Wendt, comedian Tom Ballard and former One Nation politician, David Oldfield. -
Ozasia Festival 2011
ozasiafestival.com.au BOOK AT 131 246 welcome to OzAsia Festival 2011 MIKE HIEU VAN LE AO DOUGLAS JACINTA RANN Patron, OzAsia Festival; GAUTIER Lieutenant Governor, South THOMPSON Premier of South Australia, Australia; Chairman, South CEO & Artistic Director, Festival Director, OzAsia Festival Minister for the Arts Australian Multicultural and Adelaide Festival Centre Ethnic Aff airs Commission Asia’s importance to, Five years ago, when the Adelaide Festival Centre The 2011 OzAsia Festival and infl uence on, South idea of an Asian-Australian has a strong tradition program highlights Japan with Australia continues to arts festival was born, as a cultural leader the presentation of Continent, increase. we set down a few key and our OzAsia Festival Shugo Tokumaru and Cool Wise Our nation’s top four objectives. continues the tradition Man and Australian-Japanese export markets are now Our aims were to attract as the pre-eminent artistic collaborations: China, Japan, Korea, the best artists, to make event of its kind in Dreamscape, Four Winds and India, and our Adelaide Festival Centre the region. Now in its and KOAN. We have the commercial, cultural the performance hub, to fi fth year, the Festival Japanese Film Festival for and creative ties grow create a true community- has been embraced by the fi rst time in Adelaide and stronger with each based event, and to local audiences and OzAsia On Screen returns at passing year. present the cultures of our communities and has Mercury Cinema. From China garnered signifi cant the stunning production of As we enter the second neighbouring countries through the arts. -
Asia-Pacific Centre for Arts and Cultural Leadership
ASIA-PACIFIC CENTRE FOR ARTS AND CULTURAL LEADERSHIP CRICOS Provider no. 00121B The Asia-Pacific Centre for Arts and Cultural Leadership is a joint venture of the Adelaide Festival Centre and the University of South Australia. It brings together two South Australian institutions that are leading Australia in the arts and cultural sector and in engagement with the Asia-Pacific. Purpose The arts and cultural sectors have dramatically expanded across the Asia-Pacific, exemplified by the development of many new innovatively designed venues and arts centres and the emergence of many dynamic artists, companies and organisations. This growing industry now encompasses visual arts and crafts, music, dance and the performing arts as well as government and non-profit organisations, including museums and galleries, symphony orchestras, ballet and opera companies. Commercial ventures in film, contemporary music and computer gaming are also an integral part of the industry. To ensure that the investment in the arts and cultural sector across the Asia-Pacific produces the high quality outcomes and benefits to society that are possible, it is critical that we further develop the cohort of younger arts and cultural managers as well as that of more senior leaders in the sector. By providing world class training and education we can encourage and instill an understanding of the importance of culture in social cohesion and ‘place making’ for arts and culture practitioners as well as those in supporting areas of government and industry. To accomplish this, the Asia-Pacific Centre for Arts and Cultural Leadership: › provides high quality executive education programs for arts administrators at various levels of seniority from Asia-Pacific countries; › offers the University of South Australia’s Master in Arts and Cultural Management; › provides for the placement of interns within the Asia-Pacific; and › delivers research programs in Arts and Cultural Management and Leadership. -
2012/2013 Annual Report
Adelaide Festival Centre Annual Report 2012/13 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 www.adelaidefestivalcentre.com.au ABN: 90940 220 425 ISBN: 978-0-9807040-6-8 TABLE OF CONTENTS INTRODUCTION ............................................................................................................................................. 4 Our Purpose............................................................................................................................................... 4 CHAIRMAN’S REPORT ................................................................................................................................... 6 CHIEF EXECUTIVE OFFICER AND ARTISTIC DIRECTOR’S REPORT .................................................................. 8 CORPORATE GOVERNANCE ........................................................................................................................ 11 Organisation Context .............................................................................................................................. 11 Organisation Chart .................................................................................................................................. 12 Adelaide Festival Centre Trust and Committees ..................................................................................... 12 The Objectives of Adelaide Festival Centre Trust ............................................................................... -
The 61 Sydney Film Festival & Adelaide Film Festival
MEDIA RELEASE EMBARGOED UNTIL MIDNIGHT MONDAY 9TH JUNE THE 61ST SYDNEY FILM FESTIVAL & ADELAIDE FILM FESTIVAL ANNOUNCE VOD (VIDEO-ON-DEMAND) STREAMING OF WORLD PREMIERE FILM: FELL The 61st Sydney Film Festival and Adelaide Film Festival announce a video-on-demand stream of the Australian feature film Fell direct from its World Premiere at Sydney Film Festival on Friday 13 June. Sydney Film Festival and Adelaide Film Festival will break with tradition and stream online the World Premiere Australian film Fell over the same weekend that it premieres in Official Competition at the State Theatre in Sydney. “Sydney Film Festival is pleased to offer audiences across Australia the chance to have their own virtual festival premiere screening,” said Sydney Film Festival Director Nashen Moodley. “Fell will be available online from the Sydney Film Festival website on the day of the premiere, giving audiences beyond Sydney’s State Theatre access to the World Premiere of this stunning debut feature.” Fell will screen in high definition to any Internet-enabled device: Smart TV, digital TV, touchscreen tablet, PC, laptop, game console or smartphone. It will be available on streaming for 50 hours from 8pm Friday 13 June EST until 10pm Sunday 15 June AEST for $9.99. The film will be available to everyone in New South Wales, Queensland, Australian Capital Territory South Australia and Northern Territory. “This is a really exciting way to explore the virtual film festival experience with a great new Australian film. We would love to hear about the midnight screening party in Alice Springs through to the matinee session in a living room in Goolwa.