Adelaide Queer Arts & Cultural Festival
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City of Adelaide
City of Adelaide 1 Contents Message from CEO Mark Goldstone Message from CEO Mark Goldstone ...............................2 Despite the significant challenges we are all facing, Adelaide Fast Facts ...........................................................3 in many ways, it is still an exciting time to be in the City of Adelaide. Our city is continuing to undergo a City of Adelaide Fast Facts ..............................................3 notable transformation with new major infrastructure, Strategic Plan ....................................................................4 and exciting and creative adaptations through entrepreneurial activity. City Brand ..........................................................................4 With a vision for Adelaide to be the most liveable city Corporate Structure .........................................................5 in the world, the City of Adelaide 2020–2024 Strategic Our organisation: who we are .........................................6 Plan builds on our strengths to embrace the opportunities around us. City Governance Elected Members ...............................7 For us, a liveable city is one that is a great place to be, whether as a business owner in one of the city’s precincts, a resident or worker, a student of our Adelaide Economic Development Agency ....................8 world class universities, or a visitor to our famed festivals, cultural institutions Living in Adelaide, South Australia ................................9 and attractions. The qualities that make our city -
Rod Blackmore's
Rod Blackmore’s AUSTRALASIAN THEATRE ORGANS New South Wales section Best known location: Penn Hughes residence Bexley Composite Christie/WurliTzer theatre organ 2 manuals (later 4 manuals) 16 ranks now substantially incorporated into the Capri theatre 4/29 theatre organ, Goodwood, Adelaide, South Australia Jack Penn Hughes originated from South Australia and was a professional theatre organist throughout the 1930s- 1940s until the late 1950s featuring at many organs reviewed in this series, particularly in Sydney but also in New Zealand. He was also known as the “singing organist”. His last theatre residence was at the Plaza theatre, Sydney. Despite his musical talents, many found him to be personally irascible, and in his dealings with redundant theatre organs he bordered on the unconscionable. In all some 12 organs were acquired by him and sold on to others, it being claimed that the purchasers did not always receive the organs they expected, Hughes having retained the best features for himself. He has also been identified in the late 1930s with involvement in the installation of instruments in theatres, eg the Astra theatre, Parramatta, and the Astra theatre, Drummoyne. In about 1957 Hughes bought the 2/10 Christie organ from the Empire (later St. James) theatre, Dunedin, New Zealand, and in 1959 he acquired the 2/8 WurliTzer organ (opus #748) previously in the Plaza theatre, Sydney. These two organs formed the basis of his residence organ, initially utilising the Empire Christie console. Later, Hughes acquired the 4 manual secondary console previously installed with the WurliTzer organ (opus #1987) of the State theatre, Melbourne, Victoria, and connected it to his residence organ. -
Adelaide Festival Centre Annual Report 2005-06
ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2005-06 18 September 2006 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.afct.org.au ABN: 90940 220 425 Contents Our Vision: ...........................................................................................................4 Our Mission is to: ..............................................................................................4 Introduction..........................................................................................................5 Highlights of 2005-06......................................................................................6 Chairman’s Report ...........................................................................................7 Chief Executive Officer’s Report ...............................................................9 Adelaide Festival Centre Trust Act 1971.............................................10 Trustees ..............................................................................................................11 The Objectives of Arts SA ..........................................................................12 The Objectives of the Adelaide Festival Centre Trust ..................12 Objective 1.........................................................................................................14 ENGAGE........................................................................................... 14 Education Program (CentrEd)...........................................................................15 -
Sixteen Years of Labor Government in South Australia, 2002-2018
AUSTRALASIAN PARLIAMENTARY REVIEW Parliament in the Periphery: Sixteen Years of Labor Government in South Australia, 2002-2018* Mark Dean Research Associate, Australian Industrial Transformation Institute, Flinders University of South Australia * Double-blind reviewed article. Abstract This article examines the sixteen years of Labor government in South Australia from 2002 to 2018. With reference to industry policy and strategy in the context of deindustrialisation, it analyses the impact and implications of policy choices made under Premiers Mike Rann and Jay Weatherill in attempts to progress South Australia beyond its growing status as a ‘rustbelt state’. Previous research has shown how, despite half of Labor’s term in office as a minority government and Rann’s apparent disregard for the Parliament, the executive’s ‘third way’ brand of policymaking was a powerful force in shaping the State’s development. This article approaches this contention from a new perspective to suggest that although this approach produced innovative policy outcomes, these were a vehicle for neo-liberal transformations to the State’s institutions. In strategically avoiding much legislative scrutiny, the Rann and Weatherill governments’ brand of policymaking was arguably unable to produce a coordinated response to South Australia’s deindustrialisation in a State historically shaped by more interventionist government and a clear role for the legislature. In undermining public services and hollowing out policy, the Rann and Wethearill governments reflected the path dependency of responses to earlier neo-liberal reforms, further entrenching neo-liberal responses to social and economic crisis and aiding a smooth transition to Liberal government in 2018. INTRODUCTION For sixteen years, from March 2002 to March 2018, South Australia was governed by the Labor Party. -
Entertaining the Classes
Entertaining the Classes An archaeological investigation of historic cinemas in Metropolitan Adelaide, South Australia, and their development in relation to social class, 1896-1949 Antoinette Hennessy This thesis is subitted as partial requirement for the degree in Master of Cultural Heritage Management, Department of Archaeology, Flinders University November 2013 Declaration I certify that this thesis does not incorporate, without acknowledgment, any material previously submitted for a degree or diploma in any university; and that to the best of my knowledge and belief it does not contain any material previously published or written by another person except where due reference is made in the text. Name: Signature: Date: i Abstract This research analyses the influence of social class on the development of cinemas in metropolitan Adelaide during the period between 1908 to 1949 using a six-point business strategy (location, building, services, programming, airconditioning/ventilation and affordability), relating to the development of effective businesses. It assesses the validity of two competing theories of cinema histories, using a case study of metropolitan Adelaide, South Australia. The long-standing ‘embourgeoisement’ theory argued that cinemas and cinema- going underwent a gentrification process in which cinema proprietors gradually shifted their target demographic towards the wealthier middle classes, and made changes to venues according to middle class tastes and financial capabilities. During the 1970s, this position was questioned by proponents of the ‘revisionist’ theory, which argued that early film audiences were likely to be a mixture of class demographics, including the working, middle and wealthy classes. The results from this study largely supported the revisionist theory of early cinema development in Adelaide, South Australia. -
THURSDAY 27 – SUNDAY 30 OCT Adelaidefilmfestival.Org @Adlfilmfest #Adlff Thank You
GOES ROGUE THURSDAY 27 – SUNDAY 30 OCT adelaidefilmfestival.org @AdlFilmFest #adlff Thank you Principal Partner Government Partners Major Partners Supporting Partners Ali’s Wedding Ali’s Screen Australia congratulates all those Australian films selected for the Adelaide Film Festival. Stories that stay with you 2 GOES ROGUE For Adelaide Film Festival 2015, we packed eleven October days with The Fund supports feature fiction films and feature documentary premieres, talks, and post-film soirees aplenty. Frankly, the thought projects along with short films, animation, digital and interactive of waiting two more years to do it all again is too much to bear. projects, hybrid reality and moving image works. Say, why not go rogue? In 2016, we’re breaking the biennial cycle to bring a streamlined mini- Thanks to the ADL Film Fest Fund, we’re pleased as punch to present fest to Adelaide’s screens. Featuring brand new Australian titles and three new works, each from the frontlines of thematic, stylistic and an array of retrospective gems, let this four-day fiesta be your screen- technological storytelling. Ali’s Wedding is Australia’s first Muslim based oasis until ADL Film Fest proper returns, full throttle. rom-com, so funny you’ll cry. ADLFF patron David Stratton gives us a sneak peek at his Stories of Australian Cinema. Lynette Wallworth’s ADL Film Fest Fund, rare in the screen landscape and revered radical work Collisions unites the world’s oldest culture with the internationally, forms the backbone of our Rogue program. vanguard of virtual reality tech. So: rogue. Not Nicolas Roeg, whose decisive work Walkabout features in Stratton’s series; nor the neo-Ozploitation creature feature about that ocker-eating croc – though we value the chutzpah of both. -
Families Like Mine
LesbIan, gay, bIsexuaL, IntroductIon gender dIverse young peopLe Glossary resources and references GET SUPPORT questIonIng young peopLe Families like mine A guide for parents and families of young people who are lesbian, gay, bisexual, gender diverse or who are questioning their sexuality or gender identity Lesb Ian, gay, bIsexuaL, IntroductIon g ender dIverse young peopLe Gl ossary r esources and references GET SUPPORT questIonIng young peopLe ACknowLedgements beyondblue would like to thank all individuals who contributed to the development of this guide by providing advice and valuable feedback during the draft review’s, and/or participating in the questionnaire that helped us gain further insight and understanding into individual’s experiences. We recognise the diversity of identity among families living in Australia including families who identify as Aboriginal and Torres Strait Islander, or of migrant or refugee background. We have attempted to be as inclusive of this diversity as possible without referring to specific strengths and concerns of individual cultures or religions. The development of this guide included consultation with blueVoices members, beyondblue’s national reference group for people who have personal experience of anxiety and depression, or support someone who does. Their contributions have been invaluable, including to the Project Advisory Group, which was established to help lead the development of this guide. For more information on blueVoices, visit www.beyondblue.org.au/bluevoices beyondblue thanks our key collaborators on this guide, the National LGBTI Health Alliance and Parents, Families and Friends of Lesbians and Gays (PFLAG) Brisbane, for their invaluable support and advice through their representation in the Project Advisory Group and significant contributions to the writing of the guide. -
Adelaidean) Go to Illustrate the High Calibre HECS Does Offer a Distinct Advantage in That Be Achieved
FREE Publication AdelaiNEWSd FROM THEe UNIVERSITYa OF nADELAIDE Volume 13 • Number 4 • May 2004 inside this issue Our $5m virtual world Formula for 7 success Making history 8 in Hong Kong Artists behind 10 the sculptures Jazz singer 14 brings Broadway to Adelaide Scholarships worth 4 singing about 5 Elderly sought for driving study Health survey exposes heavy burden on men anywhere in the world—is another 6 The University of Adelaide is home special facet. Judges see Erin’s research to a new $5 million state-of-the-art The facility can also link up with the 11 as breath of fresh air international Access Grid system, virtual reality centre. allowing visual and audio-based remote collaboration with over 250 Slaves in ivory basements: the universities around the world. 12 postgraduate experience? The new 3D Visualisation Facility, offers to make an impact on as based at the university’s Santos many staff and students as possible,” “That’s a great boost to research partnership and remote teaching,” Obituary: Petroleum Engineering Building, will Professor Khurana said. provide a major boost to teaching Professor Khurana said. 13 Professor Russell Baudinette “So far such diverse disciplines as and research in South Australia. petroleum engineering, agriculture And later this year the facility will Of writer’s rage and Benefits of the new centre will be and wine, psychology, molecular be upgraded to include “haptic” 15 green sheep shared by its four partner universities biology and medical imaging have capacity, or the ability to recognise (the three South Australian all shown their commitment towards the sense of touch—such as giving universities plus Curtin University utilising the centre.” medical students the ability to “feel” All bound up in in Western Australia), as well as the difference between virtual skin, teen sex drama The 3D Visualisation Facility is 16 industry and government. -
Adelaide Queer Arts & Cultural Festival
Music Theatre Cabaret Drag Comedy & More de Queer A elai rts & Ad C ul tu r a l F e s t i v a l 7 – 29 nov 2020 F e F Messages Of Support | 2 a F MAJOR PARTNER e Feast Festival acknowledges that the s e event is held on the traditional lands of the Feast Hubs | 4 a & PROUDLY PRINTED BY Kaurna people and respects their spiritual ta relationship with their country. s s tFt Entrées | 6 e COVID-19 Special Events | 10 a Feast Festival and participating venues s are all managed by COVID-19 Safe and Cabaret | 18 Management Plans as applicable. Drag | 20 t TicketingFor more details & head Access to our website www.feast.org.au Information Theatre & Playreadings | 24 How to Book Workshops | 28 TicketingOnline: Tickets can & Access be purchased 24/7 Writing Live | 30 Informationvia credit card at www.feast.org.au Calendar | 34 HowTicketing to Bookenquiries please telephone: 08 8463 0684 Comedy | 38 Online: Tickets can be purchased 24/7 viaPlease credit note: card Proofat www.feast.org.au of ID, concession or Tours | 40 Ticketingeligibility enquiries for discounts please will telephone: be required 08when 8463 you 0684 enter specific events. Visual Art | 42 Please note: Proof of ID, concession or eligibilityAll tickets for will discounts incur booking will be required Music & Film | 46 whenand transaction you enter specific fees. For events. more Allinformation tickets will please incur booking check Trybooking’s Queer Conversations | 48 andterms transaction and conditions fees. For online more at informationwww.trybooking.com please check the Trybooking’s main ticket Leather & Kink | 52 termscategories and conditions are: online at www.trybooking.comFull Price: People with the no main form ticket of Community | 54 categoriesconcession are: or membership. -
A YEAR LIKE NO OTHER THORNE HARBOUR HEALTH ANNUAL REPORT 2019 - 2020 I’Ve Had the Chance to Create a Platform That My Friend’S Mother Is Unwell
I often felt guilty about being busy with When gyms shut down - so did my business. work while others have lost their income. It’s a massive challenge to build and maintain a LINDY service while holding a community together. SAM < 1.5 METRES < A YEAR LIKE NO OTHER THORNE HARBOUR HEALTH ANNUAL REPORT 2019 - 2020 I’ve had the chance to create a platform that My friend’s mother is unwell. She can’t visit her. bridges the gaps between the fitness and trans/ Seeing her face that challenge has been tough. gender diverse communities. CATALINA < SAM < I have been thrilled to host The Bent Spoon at Everyone has struggled to stay connected. this time - it’s a fantastic celebration of diversity. Through Rainbow Connection, I have volunteered CATALINA to call clients and have a good chat. < LEIGHTON < 4 PRESIDENT’S AND CEO’S REPORT 6 2020 A FRESH PANDEMIC 7 SEX AND COVID-19 8 CONNECTING WITH COMMUNITY 9 MILESTONES 10 10 STORIES FROM THORNE HARBOUR HEALTH 12 AWARDS 13 FINANCIAL REPORT Living with HIV and Type 1 diabetes, I’m happy to reach 66 and have my health. LEIGHTON < PRESIDENT & CEO’S REPORT THORNE HARBOUR HEALTH’S FLAGSHIP SEXUAL HEALTH AND TESTING CAMPAIGN, THE DRAMA DOWNUNDER WAS IMPLEMENTED THIS YEAR WITH MORE DIVERSITY THAN EVER Today we face a global pandemic queer panel on stage together, including All the while, we were seeing clients every brought on by a potentially deadly interstate and international visitors day for face-to-face counselling, GP visits, pathogen. At the start of this pandemic, alike. -
Download 2018 Program
Messages of Support | 2 F e Feast Festival Feast Hubs | 6 a acknowledges that the event is held on the s traditional lands of the Kaurna Entrées | 8 t people and respects their spiritual relationship with Entrée Calendar | 10 their country. Special Events | 12 Cabaret | 16 Ticketing & Access Drag | 18 Information Theatre & Playreadings | 20 How To Book Masterclasses & Online: Tickets can be purchased 24/7 Workshops | 22 via credit card at www.feast.org.au Dance Parties | 24 Ticketing enquiries please telephone: 08 8463 0684 Writing Live | 26 Please note: Proof of ID, concession or Film Feast | 30 eligibility of discounts will be required when you enter specific events. Calendar | 32 All tickets will incur booking and Comedy | 34 transaction fees. For more information please check Tours | 38 out Trybooking’s terms and conditions online at www.trybooking.com Visual Art | 40 The main ticket categories are: Music | 44 Full Price: People with no form of Multi-Media | 46 concession or membership. Concession: Student, seniors, health care Queer Conversations | 48 and pension card holders. Companion Card: For people with Leather | 52 significant, lifelong disability who need a companion to enable them to attend Bearstock | 54 and participate in community based activities. Community & Sports | 56 Wheelchair accessible events Welcome mat events Rainbow Flag | 60 Please note that events may be subject Partner Recognition | 62 to change or cancellation (check relevant 201 website for further details prior to Acknowledgements | 64 the event). B 1 M e s s a g e s Image by Sia Duff A joint message Much time and energy goes A message from A message from Adelaide is a city to be o from the General into creating Feast each year. -
Australian Events 2019
AUSTRALIAN EVENTS 2019 Each year Australia puts on an impressive line-up of festivals and events that shines the spotlight on the country’s passion for arts, music, dining, sport, nature and our beach lifestyle. Here’s a snapshot of what you can experience when visiting Australia. JANUARY FEBRUARY MARCH ENLIGHTEN CANBERRA ACT AUSTRALIA DAY NATIONAL NSW BOWL-A-RAMA BONDI 1 to 16 March | enlightencanberra.com.au 26 January | australiaday.org.au 1 February | bowlarama.com.au CANBERRA BALLOON SPECTACULAR ACT SUMMERNATS CAR FESTIVAL ACT SURFEST NSW 9 to 17 March | balloonspectacular.com.au 3 to 6 January | summernats.com.au 2 February to 17 March | surfest.com HANDA OPERA ON SYDNEY HARBOUR NSW CHARLIE AND THE CHOCOLATE FACTORY THE SYDNEY GAY AND LESBIAN MARDI GRAS PARADE 22 March to 21 April | MUSICAL NSW 15 February to 3 March | mardigras.org.au NSW operaonsydneyharbour.com.au 5 January to 28 April | charliethemusical.com.au SYDNEY CHINESE NEW YEAR NSW SATURDAY NIGHT FEVER MUSICAL NSW SYDNEY FESTIVAL NSW 16 February to 4 March | sydneychinesenewyear.com Starts 29 March | saturdaynightfever.com.au 7 to 27 January | sydneyfestival.org.au GREAT AUSTRALIAN BEER FEST VIC THE NATIONAL: NEW AUSTRALIAN ART NSW PARKES ELVIS FESTIVAL NSW 16 February | gabfgeelong.com.au Starts 30 March | the-national.com.au 9 to 13 January | parkeselvisfestival.com.au FIM SUPERBIKE WORLD CHAMPIONSHIPS VIC VIRGIN AUSTRALIA MELBOURNE FASHION FESTIVAL AUSTRALIAN OPEN VIC PHILLIP ISLAND 1 to 10 March | vamff.com.au VIC 14 to 27 January | australianopen.com 25 to 27 February