DOCSLIB.ORG

Two ~..-Eat ~Arnei in the Theatr-E Or-Aan Wor-Ld with Your Help, the Legend and the Organ Will Go on Forever!

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Two ~..-Eat ~Arnei in the Theatr-E Or-Aan Wor-Ld with Your Help, the Legend and the Organ Will Go on Forever! Two ~..-eat ~arnei in the Theatr-e Or-aan Wor-ld With your help, the legend and the organ will go on forever! \\\11 11 .... ~ ,,,,\ nt - 1111111,Jfl'II ~ --- JESSECRAWFORD CHICAGO THEATREWURLITZER CONSOLE Since 1977 CATOE,with the help of the American Theatre Organ Society has been workingto save one of the mostfamous theatre pipe organs - At last we can truly say the Chicago Theatre is secure. Frankly speaking, CATOE needs your help! We want to The building is now owned by a group of people who do the Chicago Theatre Wurlitzer restoration absolutely understand its historical significance as well as the need as complete and perfectly as is possible. Your contribu­ tor preserving all of its entertainment capabili ties. CA TOE tions of funds to help raise the thousands of dollars neces­ and ATOS have played a major role in the success of the sary can help secure, tor you and tor ATOS, a place and campaign . an instrument of unparalled historical and musical impor­ It is no secret that the Chicago Theatre Wurlitzer is in tance . We feel confident that our "taking care of our need of a complete and thorough restoration . Now that own" in the course of the Chicago Theatre restoration will the future of the theatre is secured, that work can begin . insure that ATOS will always be welcomed there to enjoy As a first step CA TOE has made a firm agreement with the this magnificent instrument. new owner of the Chicago to insure that the Wurlitzer will Contributions to CATOE tor the Chicago Theatre Wurlit­ play a role in that future of the building and that CA TOE zer restoration fund are totally tax deductible and a// of will oversee the restoration and the maintenance of the the funds you designate tor that project will be spent en­ instrument. tirely on the Chicago Theatre Wurlitzer. A careful record will be kept of all those who participate in this project At the present time CATOE is undertaking the restora­ whether your contribution be one or one thousand tion and re-installation of the 4/20 Oriental Wurlitzer, the dollars. care and location of the well known Indiana Theatre Wur­ litzer, in addition to the ongoing maintenance and opera­ Please send your tax free donation to: tion of many other Bartons, Kimballs, Genevas and Smiths in the Chicago area. The challenges are sometimes stag­ C.A.T.0.E., Chicago Theatre Wurlitzer Fund gering but we are committed to keep theatre organ alive l 03 E. Chestnut and well in Chicago tor everyone to enjoy . Chicago, Illinois 60611 With your help the Chicago Theatre Wurlitzer will truly take its place as the centerpiece of the next ATOS convention in Chicago. 2 THEATRE ORGAN JANUARY /FEBRUARY 1986 ~ ATOS _ABCIIIVESI LIBRARY Editorial Robert M . Gilbert 3448 Cowper Court Palo Alto , California 94306 JOURNAL OF THE Phone : 41 5/494 -1 870 !ISSN 0040-5531 I AMERICAN Advertising Len Clarke THEATRE ORGAN 1839 Weeg Way SOCIETY Park Ridge, Illinois 60068 Phone : 312 /692-9399 Library of Congress Back Issues & Binders Catalog Number - ML 1 T 334 Vernon P. Bickel 1 393 Don Carlos Court Chula Vista, California 92010 VOLUME 28, NUMBER 1 Phone : 619 /421 -9629 JANUARY /FEBRUARY 1986 President Jack Moelmann P.O . Box 13106 Omaha, Nebraska 6811 3 featur-es . .. Phone : 402 /292- 7799 Vice President 5 TheByrdTheatre ....................... MilesJ.Rudisill,Jr. Russell Joseph 18 Fenchurch Drive 8 The Phoenix Festival Was Fantastic ......... Grace E. McGinnis Bella Vista, Arkansas 72714 Phone : 501 /855-1 002 10 Edward Swan, Theatre Organist ................. Lloyd E. Klos Secretary David M. Barnett 12 Repairing and Voicing Damaged Organ Pipes ....... Dan Barton 423 North Stafford Avenue Richmond, Virginia 23220 14 Another Opening, Another Show .......... Dr. Larry Warkintin Phone: 804 /359-631 8 Treasurer 24 Dan Barton's Tuning Procedure Revisited ......... John L. Little Warren D. " Dale" Mendenhall 4428 Pennsylvania Avenue Fair Oaks, California 95628 25 May we introduce ... Melissa Ambrose ..... Grace E. McGinnis Phone : 916 /967 -5060 Executive Director 28 The Theatre Organ ... Wherein Lies Its Future? .. John Ledwon Douglas C . Fisk P.O . Box 420490 Sacramento , California 95842 Phone : 916 /962-1019 depar-tments .... Board of Directors Lowell C . Ayars 26 Book Reviews Tom B'hend 4 Executive Messages Dr . John W. Landon Allen R . Miller 7 Johnson's Quiz Question 29 Pipes and Personalities Ashley Miller Fr. James Miller 16 For the Records 31 Closing Chord Lois F. Segur Richard J. Sklenar 19 Biographical Dictionary 32 Letters to the Editors Walter Strony Rex Koury, Past President 22 Nuggets from the Golden Days 33 Chapter Notes Corporate Office American Theatre Organ Society, Inc . Keyboard Techniques 54 Classified Ads 1 393 Don Carlos Court 26 Chula Vista, California 9201 0 Curator - Archive/Library Vernon P . Bickel 1393 Don Carlos Court Chula Vista , California 92010 Phone: 619 /421-9629 Cove.- Vhoto Journal Staff Editor - Robert M . Gilbert Views of the Byrd Theatre in Richmond, Co-editor - Grace E. McGinnis Virginia. See story beginning on page five. Editor Emeritus - W . Stu Green Associate Editors Lloyd E. Klos Peg Nielsen Verna Mae Wilson ATOS National Membership is $20.00 per year, profit organization. Jack Moelmann, Presi­ Photographer - which includes a subscription to THEATRE dent . All rights reserved. Entire contents copy­ Art Director - Floyd A . Mumm ORGAN, the official publication of the Ameri­ righted, American Theatre Organ Society, Advertising - Len Clarke can Theatre Organ Society. Single copies Inc., 1985. Office of publication is 4428 Penn­ Publisher - Warren Dale Mendenhall $2.50. Make check or money order payable to sylvania Avenue, Fair Oaks, California 95628. Design & Typesetting ATOS, and mail to ATOS Membership Office, Pica Studio P.O. Box 420490, Sacramento, Calif. 95842. Livonia, Michigan POSTMASTER: Second Class postage paid at Printing & Mailing THEATRE ORGAN (title registered U.S . Pa­ Livonia, Michigan . IF UNDELIVERABLE, send Scott Publications tent Office) is published bimonthly by the form 3579 to ATOS Membership Office, P.O. Livonia, Michigan American Theatre Organ Society, Inc., a non- Box 420490 Sacramento, Calif. 95842. 3 JANUARY/FEBRUARY 1986 THEATRE ORGAN American TheatreOigan Society PRESIDENT'S MESSAGE A big "well done" goesto the Valleyof the sitate it being removed.This is the only organ owned by the American Sun Chapter for putting on a terrific "Phoe­ Theatre Organ Society, and we want to ensure that it gets a good nix Festival'85" regional convention in No­ home. You will be advisedof progresson this program. vember. For those who attended it was a 1986 will be an exciting year. From readingthe newslettersfrom the memorable event. During that convention various chapters, there is a lot going on and a lot more to do. The Walt Strony, the convention chairman, pre­ Young Organist Competition, increased membership, ATOS promo­ senteda check for $1000 to ATOSfor use in tion, the Archives/Library, and an exciting convention in Richmondin the YoungOrganist Competition program. A July are at the forefront of our activities. Our Promotion and Conven­ big THANKYOU for this most generousgift. tion Planning committees are hard at work promoting ATOSto the Speakingof the Young Organist Competi­ world and developingprocedures and guidelinesfor exciting conven­ tion, the information on this year's program tions in the future. Weare also attempting to get a grasp on how con­ has beensent to all chapter presidents.We look forward to having a lot ventions should be reviewed;your concerns have been noted. of participation this year. As you have noticed, we have expandedthe It is time to consider nominations for the ATOSBoard of Directors. competition to include three winners instead of just one. The overall We need new people to serve our organization. Being on the board is winner, however,will be the one who will be featured in a cameodur­ challengingand fun, and you would be helping a growing organization ing the 1986 National Conventionin Richmond, Virginia. to achieveits goals.Think about running or nominating someonewho After great deliberation,the term "Chapter Chairman" will no long­ would do a good job. er be used as far as the national board is concerned.The more appro­ Your officers and Board of Directors wish each of you a happy and priate title of "President" will be used in referring to chapter leader­ prosperousNew Year. ship. Werecognize that there may be local reasonsfor referring to the Sincerely, chapter officer by another title, but ChapterPresident, in our opinion, more appropriately reflects the job of the chapter leader. The 2/ 5 Wurlitzer organ in the CarnegieHall Cinemahas to be re­ moved.The organ was donatedto ATOSsome years ago as a memorial to the late Ben Hall (it was Ben's organ and called "Little Mother"). Over the yearsthe organ has providedenjoyment to those who visited the CarnegieHall Cinemain NewYork, but plans for the theatre neces- Jack Moelmann EXECUTIVE DIRECTOR'S MESSAGE Mail during the past weeks has been or presentations.The search is for the key to finding a segment of a heavy with membershiprenewals for 1986. new generationthat will want to use the theatre organ in new and dif­ Along with the renewalscame many notes ferent ways. And maybe the ATOSpurpose should be changed from and letters. One ideaexpressed in a number "preservation" to "preservation and presentations" to get more of different ways is the need for ATOS to thinking geared to reaching new audiences.Any specific ideas?Send consider a restatement of its purpose. The them in and we will find a way of sharing them. Society was developedto preservethe the­ Another point of interest with the renewalsis the number of mem­ atre organ. Whilethat must continue (many bers who voluntarily contribute more than the basic dues. As an ex­ are still being lost), their long-termpreserva­ pressionof appreciationand recognition to those members,the May/ tion must be tied to how they are used now June THEATREORGAN will carry a list of all who havequalified as Con­ and in the future.
Load more

Recommended publications
  • FS.699 Frankly PDF Set-Up
    S ECOND Q UARTER 2005 V OLUME 10 • NUMBER 2 FRANKLY SPEAKING A NEWSLETTER FOR AND BY MARIN COUNTY EMPLOYEES ERP! (Excuse Me) By Heather Burton —Aud-Cont. and Maureen Lewis —H&HS Photo by Janice Hughes Imagine a department of over 750 employees having to track costs for grants using individual Excel spreadsheets for each grant. In that same world employees must often record their time and activities in two or three different systems. Tracking the status of a payment to a vendor usually involves phone calls or even a trip to the Auditor’s office. Sound familiar? This is the world that the current financial system supports. Now imagine something better…. ■ It all started two years ago with a needs assessment. The Auditor-Controllor’s Office met with many county departments to determine what should be included in any new system. Once all of the feedback was in, it became clear that the county was ready to move from its current fragmented approach to a new, more flexible system Seated, L to R: Heidi Davaloo (DPW), Margaret Bohan (DPW) Standing, L to R: Francie Hubert (Aud- Cont.), Supranee Mai (Aud-Cont.), Cloann Di Grazia (Aud-Cont.), Jim Toth (IST), Heather Burton that would combine financials and payroll, grant and project (Aud-Cont.), Gordon Haberfelde (IST), Samantha Klein (CAO), and Danny Briones (Aud-Cont.) management, benefits administration, and asset management. …continued on page 11 both women share Hair-Razing the beauty of what lay beneath their hair. Generosity Photo by Ian Roth Curtis heard about By Ian Roth —CDA Locks of Love from a friend, and decided to Hair.
    [Show full text]
  • Rod Blackmore's
    Rod Blackmore’s AUSTRALASIAN THEATRE ORGANS New South Wales section Best known location: Penn Hughes residence Bexley Composite Christie/WurliTzer theatre organ 2 manuals (later 4 manuals) 16 ranks now substantially incorporated into the Capri theatre 4/29 theatre organ, Goodwood, Adelaide, South Australia Jack Penn Hughes originated from South Australia and was a professional theatre organist throughout the 1930s- 1940s until the late 1950s featuring at many organs reviewed in this series, particularly in Sydney but also in New Zealand. He was also known as the “singing organist”. His last theatre residence was at the Plaza theatre, Sydney. Despite his musical talents, many found him to be personally irascible, and in his dealings with redundant theatre organs he bordered on the unconscionable. In all some 12 organs were acquired by him and sold on to others, it being claimed that the purchasers did not always receive the organs they expected, Hughes having retained the best features for himself. He has also been identified in the late 1930s with involvement in the installation of instruments in theatres, eg the Astra theatre, Parramatta, and the Astra theatre, Drummoyne. In about 1957 Hughes bought the 2/10 Christie organ from the Empire (later St. James) theatre, Dunedin, New Zealand, and in 1959 he acquired the 2/8 WurliTzer organ (opus #748) previously in the Plaza theatre, Sydney. These two organs formed the basis of his residence organ, initially utilising the Empire Christie console. Later, Hughes acquired the 4 manual secondary console previously installed with the WurliTzer organ (opus #1987) of the State theatre, Melbourne, Victoria, and connected it to his residence organ.
    [Show full text]
  • Entertaining the Classes
    Entertaining the Classes An archaeological investigation of historic cinemas in Metropolitan Adelaide, South Australia, and their development in relation to social class, 1896-1949 Antoinette Hennessy This thesis is subitted as partial requirement for the degree in Master of Cultural Heritage Management, Department of Archaeology, Flinders University November 2013 Declaration I certify that this thesis does not incorporate, without acknowledgment, any material previously submitted for a degree or diploma in any university; and that to the best of my knowledge and belief it does not contain any material previously published or written by another person except where due reference is made in the text. Name: Signature: Date: i Abstract This research analyses the influence of social class on the development of cinemas in metropolitan Adelaide during the period between 1908 to 1949 using a six-point business strategy (location, building, services, programming, airconditioning/ventilation and affordability), relating to the development of effective businesses. It assesses the validity of two competing theories of cinema histories, using a case study of metropolitan Adelaide, South Australia. The long-standing ‘embourgeoisement’ theory argued that cinemas and cinema- going underwent a gentrification process in which cinema proprietors gradually shifted their target demographic towards the wealthier middle classes, and made changes to venues according to middle class tastes and financial capabilities. During the 1970s, this position was questioned by proponents of the ‘revisionist’ theory, which argued that early film audiences were likely to be a mixture of class demographics, including the working, middle and wealthy classes. The results from this study largely supported the revisionist theory of early cinema development in Adelaide, South Australia.
    [Show full text]
  • Source Affiliations and Framing of the GMO Debate by East Africa's Nation
    Source affiliations and framing of the GMO debate by East Africa’s Nation Media Group Rebecca Randall A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in International Studies University of Washington 2014 Committee: Ben Gardner Patricia Moy Program Authorized to Offer Degree: Jackson School of International Studies © Copyright 2014 Rebecca Randall 2 University of Washington Abstract Source affiliations and framing of the GMO debate by East Africa’s Nation Media Group Rebecca Randall Chair of the Supervisory Committee: Ben Gardner, Chair of Africa Studies Program and Assistant Professor, Interdisciplinary Arts Jackson School of International Studies and University of Washington at Bothell A content analysis of the East African Nation Media Group newspapers’ framing of the GMO debate from 2010-2013 adds to the global studies literature on the transatlantic debate on GMOs. The GMO debate has been described as polarized between European and U.S. political approaches and further as influencing the way that Africans respond to this inherited debate. However, newspapers in Kenya, Uganda and Tanzania have unique approaches to reporting on GMO adoption and regulation that do not ignore transnational influences but does not necessarily correspond with characterizations of an “inherited” debate. In journalists’ reporting on GMOs in Kenya, Uganda and Tanzania, they encounter transnational networks of donors, foundations, governments, researchers, farmers and others spanning from the Global North to East Africa. Each approach is described as benevolent—a panacea for hunger and malnutrition or a preservation of Africa’s biodiversity and traditional indigenous agricultural practices. This misses the skewed power balance in these transnational networks, which privilege experiences in the Global North and outline the socioeconomic conditions that have led to poverty in sub- Saharan Africa in the first place.
    [Show full text]
  • Salmon River Management Plan, Idaho
    Bitterroot, Boise, Nez Perce, Payette, and Salmon-Challis National Forests Record of Decision Final Environmental Impact Statement for the Frank Church – River of No Return Wilderness Revised Wilderness Management Plan and Amendments for Land and Resource Management Plans Bitterroot, Boise, Nez Perce, Payette, and Salmon-Challis NFs Located In: Custer, Idaho, Lemhi, and Valley Counties, Idaho Responsible Agency: USDA - Forest Service Responsible David T. Bull, Forest Supervisor, Bitterroot NF Officials: Bruce E. Bernhardt, Forest Supervisor, Nez Perce NF Mark J. Madrid, Forest Supervisor, Payette NF Lesley W. Thompson, Acting Forest Supervisor, Salmon- Challis NF The U.S. Department of Agriculture (USDA) prohibits discrimination in all its programs and activities on the basis of race, color, national origin, sex, religion, age, disability, political beliefs, sexual orientation, or marital and family status. (Not all prohibited bases apply to all programs.) Person with disabilities who require alternative means for communication of program information (Braille, large print, audiotape, etc.) should contact USDA’s TARGET Center at (202) 720-2600 (voice and TDD). To file a complaint of discrimination, write USDA, Director, Office of Civil Rights, Room 326-W, Whitten Building, 1400 Independence Ave., SW, Washington, D.C. 20250-9410 or call (202) 720-5964 (voice and TDD). USDA is an equal opportunity provider and employer. ROD--II Table of Contents PREFACE ...............................................................................................................................................
    [Show full text]
  • The Future of Our Educational Institutions* ↓
    Nietzsche, Future of Our Educational Institutions 1 Space for Notes On The Future of Our Educational Institutions* ↓ By Friedrich Nietzsche First Lecture (Delivered on the 16th of January 1872). Ladies and Gentlemen, -- The subject I now propose to consider with you is such a serious and important one, and is in a sense so disquieting, that, like you, I would gladly turn to any one who could proffer some information concerning it, -- were he ever so young, were his ideas ever so improbable -- provided that he were able, by the exercise of his own faculties, to furnish some satisfactory and sufficient explanation. It is just possible that he may have had the opportunity of hearing sound views expressed in reference to the vexed question of the future of our educational institutions, and that he may wish to repeat them to you; he may even have had distinguished teachers, fully qualified to foretell what is to come, and, like the haruspices of Rome, able to do so after an inspection of the entrails of the Present. Indeed, you yourselves may expect something of this kind from me. I happened once, in strange but perfectly harmless circumstances, to overhear a conversation on this subject between two remarkable men, and the more striking points of the discussion, together with their manner of handling the theme, are so indelibly imprinted on these matters, I invariably find myself falling into their grooves of thought. I cannot, however, profess to have the same courageous confidence which they displayed, both in their daring utterance of forbidden truths, and in the still more daring conception of the hopes with which they astonished me.
    [Show full text]
  • Psaudio Copper
    Issue 142 AUGUST 2ND, 2021 Is there a reader among us who doesn’t dig ZZ Top? We mourn the passing of Joseph Michael “Dusty” Hill (72), bassist, vocalist and keyboardist for the tres hombres. Blending blues, boogie, bone-crushing rock, born-for-MTV visuals, humor and outrageousness – they once took a passel of live animals on stage as part of their 1976 – 1977 Worldwide Texas Tour – Hill, drummer Frank Beard and guitarist Billy F. Gibbons have scorched stages worldwide. As a friend said, “it’s amazing how just three guys could make that much sound.” Rest in peace, Mr. Hill. In this issue: Anne E. Johnson gets inspired by the music of Renaissance composer William Byrd, and understands The Animals. Wayne Robins reviews Native Sons, the superb new album from Los Lobos. Ray Chelstowski interviews The Immediate Family, featuring studio legends Waddy Wachtel, Lee Sklar, Russ Kunkel and others, in an exclusive video interview. I offer up more confessions of a record collector. Tom Gibbs finds much to like in some new SACD discs. John Seetoo winds up his coverage of the Audio Engineering Society’s Spring 2021 AES show. Ken Sander travels through an alternate California reality. WL Woodward continues his series on troubadour Tom Waits. Russ Welton interviews cellist Jo Quail, who takes a unique approach to the instrument. In another article, he ponders what's needed for sustaining creativity. Adrian Wu looks at more of his favorite analog recordings. Cliff Chenfeld turns us on to some outstanding new music in his latest Be Here Now column.
    [Show full text]
  • FS.788 Frankly PDF Set-Up
    F OURTH Q UARTER 2006 V OLUME 11 • NUMBER 4 FRANKLY SPEAKING A NEWSLETTER FOR AND BY MARIN COUNTY EMPLOYEES Don’t Bug Me! By Fred Crowder —Ag/Wts. & Meas. Developing sustainable agricultural sys- Photo by Fred Crowder tems and pest management strategies are critical factors in making Marin County a healthful environment for visitors and employees. Many county departments are involved. ■ The Agricultural Commissioner and staff have consider- able experience in pest manage- ment, whether the pest is in the What a team! L to R: Susan Adams, Mischon Martin, Dave Hattem, Jon Wright Photo by G.C. Harrington garden, the homes, or on the leaves and stems of a large umbrella sticky stuff would rain down, coating range. ■ Dave tree in the Civic Center indoor planter. other plants, the floors, and passersby, Hattem, Chief Two weeks earlier he had found white- and that would be a problem. ■ of Landscape flies —insects that are legendary for Rather than spray, Dave cut out the Services, Parks their persistence. There weren’t enough most heavily infested stems and leaves and Open to be a problem then, but as their pop- and released thousands of tiny, non- Space (P&OS), ulation increased, so would the “honey stinging wasps, the kind that lay eggs The very cool “bug” doublechecked dew” they excreted, and eventually the Continued on page 11 The Library Will Come to You By Nancy Davis —Library Photo by Jose Gonzalez If you can’t go to the Library due to an incapacity, the Library will now come Volunteers and to you.
    [Show full text]
  • Debates of the European Parliament 1
    22-10-2009 EN Debates of the European Parliament 1 THURSDAY, 22 OCTOBER 2009 IN THE CHAIR: MR MARTÍNEZ MARTÍNEZ Vice-President 1. Opening of the sitting (The sitting was opened at 09.00) 2. Transfers of appropriations: see Minutes 3. Documents received: see Minutes 4. Problem of limited access of developing countries to some vaccines (debate) President. – The first item is the oral question to the Commission from Mr Goerens, on behalf of the Group of the Alliance of Democrats and Liberals for Europe, on the problem of limited access of developing countries to some vaccines (O-0100/2009 – B7-0214/2009) Charles Goerens, author. – (FR) Mr President, within the context of this question to the Commission, I would like to help explore the routes likely to put an end to an injustice that consists in denying 80% of the world’s population access to the A (H1N1) flu vaccine in particular, and to vaccines in general. The problem is not new. In fact, the question comes up every year in connection with the flu season. Generally speaking, new seasonal flu viruses first appear in developing countries. From then on, laboratories in the industrialised countries start producing a new vaccine. They can only begin production if they have previously obtained strains from the country – generally a developing country – where the new type of flu first emerged. Once developed, the vaccine is only just enough to protect the populations of the industrialised countries. The result is that the populations of the South are unprotected against pandemics. I am addressing the Commission in order to ask it what it intends to do to end this injustice.
    [Show full text]
  • January, 1944 Fifteen Ce'
    U JANUARY, 1944 FIFTEEN CE' "FRANKLY SPEAKING" by FRANK SINATRA www.americanradiohistory.com Ixt ." hew th -6 k'sing "u6b- . " rum by Hbig 1.374 4". z 00 " www.americanradiohistory.com MOMa Of UM LETTERS 11,000 ON Iaa *WING TO THE EDITOR t tarn Able lu earn FOR IRE IHOIDSW hap AllredAllre Wlienelen U not Or Mu only Vorm °V"*". a Nttnere Asset nenn of him lidirnol.on dust. the "How do I r get my Start New Tes. Philhannanie suung syA as a writer?" Ws au has nalloy HERE'S THE ANSWER ... mailer... .... Foss. J.Vk' uon Mhmong you ran Use xurr ... pls.: h there season o think You < MINN. NM be u mid ® un 1 you have án00 he Jrurwrape l u Mr Tmr ór0 amp. arc rrgsseJ. Tor happenr Iea ß1ÌNw m the best authors.t even so those who hays Cl. aaaeaan. er wN.n gvI nru.rr. need:' Remrm4 coo.n there o ago Thu pate Krueger right Irmo m the rots, ptom.+ Gspmww.m success has wow so both you, and old oreneetra so Mgt ,,. then There n n. surer ray than to get busy and tan e Gam erprn eoce. the knhr...'.. t Undev A surd how m use words. Tun you ran con struct the word -Moldings that now are repo mnry Dupes in True mood. leered to certain soap opea Mark Tram. Kosh, Ring Leniner. lust r a few. all firo learned a words ra erspprr copy desk. uthe Newspaper,. lusts,* Copy all els.bau erluo lue.. Desk MeshlI Is today belpmR men and amen of All ages to develop chess se many tr.= Went .
    [Show full text]
  • Palacký University Olomouc Place Analysis in Novels by Louis Owens
    Palacký University Olomouc Faculty of Arts Department of English and American Studies Place Analysis in Novels by Louis Owens Doctoral Dissertation Author: Mgr. Hana Sobotková Supervisor: Prof. PhDr. Michal Peprník, Dr. Olomouc 2018 Declaration of Originality I herewith declare that the material contained in my dissertation entitled Place Analysis in Novels by Louis Owens is original work performed by me under the guidance and advice of my faculty supervisor. The literature and sources are all properly cited according to the Chicago Manual of Style. …………………….. …………………….. date signature Acknowledgements I would like to express my gratitude to my supervisor prof. Michal Peprník for his support and encouragement through the whole process of writing this dissertation. I am thankful especially for his patience, insightful comments, and his thoughtful guidance. I am also grateful to prof. Marcel Arbeit for his encouragement and his expert advice on academic writing and editing. Contents Introduction 5 Chapter 1: Defining Place 12 Place and Literature 13 Place and Placelessness 16 Space and Place 18 Sense of Place 19 Attachment to Place 20 Place and Stories 21 Topophilia 23 Chapter 2: Native American Literature and Place 25 Native American Literature 25 Place in Native American Literature 36 Chapter 3: Wolfsong 45 Washington, Forks 49 Stehemish Places in Forks 58 Santa Barbara, California 61 Wilderness 65 Chapter 4: The Sharpest Sight and Bone Game 79 Mississippi and California in Owens’s Autobiographical Writing 80 Mississippi and California in The Sharpest Sight and Bone Game 86 Chapter 5: Nightland 101 The Ranches 104 The West Reworked 114 Chapter 6: Dark River 123 Black Mountain 125 Mississippi 128 The Electric Sign 131 The Casino and the Hotel Resort 132 The Canyon of the Dark River 136 The Place of the Indian 142 Conclusion 150 Resumé 155 Works Cited 160 Anotace 169 4 To be human is to live in a world that is filled with significant places: to be human is to have to know your place.
    [Show full text]
  • 2019 Acp Bulletin
    The Society of AUSTRALIAN CINEMA PIONEERS BULLETIN NOVEMBER 2019 IN THIS ISSUE: FROM THE PRESIDENT • Messages from the President and the individual liability from Directors and all Society President-Elect members, and the Society now has an ACN, making it easier to do business with our suppliers and key supporters. However the change does • State Presidents not affect the basically informal way the Society runs. • National Cinema Pioneer The only formal change is that the Society of the Year now has a Constitution which, together with any applicable ASIC regulations, defines the • State Pioneers of the Year Society’s objects and sets out its rules. The Constitution is accessible via the Society’s • Our generous donors website and Facebook pages. The website link is: https://www.cinemapioneers.com.au/wp-content/ uploads/2019/10/TSOACP-Ltd-Constitution- • Society contacts and FINAL-with-Schedules-1-and-2-300818-MU.pdf information As previously, the Society is governed and • Notice of Inaugural managed by its Directors who serve on the National Executive Committee chaired by the Annual General Meeting National President. Additionally, each State Branch (two of which incorporate the Territories) • Dates for State functions has a President and committee. • The Cinema ID Card & TIM READ The National Executive Committee consists of NATIONAL PRESIDENT the National President, the National President how to use it Elect, the 6 State Branch Presidents, up to 10 Incorporation Process Finalised former National Presidents and any elected • New Members additional directors. I wrote in this column last year that Sandra And, there is now an Annual General Meeting • In Memoriam Alexander, our National Secretary Treasurer would be lodging an application with ASIC for members which this year is being held for the Society to become incorporated as a on 28 November 2019 in Sydney.
    [Show full text]