Morning Notes Date: 21.06.2012
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Indian Entertainment and Media Outlook 2010 2 Indian Entertainment and Media Outlook 2010 Message
Indian entertainment and media outlook 2010 2 Indian entertainment and media outlook 2010 Message To our clients and friends both in and beyond the entertainment and media industry : Welcome to the 2010 edition of PricewaterhouseCoopers’ Indian Entertainment and Media (E&M) Outlook, covering the forecast period of 2010–2014. Our forecasts and analysis for this edition focus on eight major E&M industry segments and one emerging segment. Each segment details out the key trends observed and challenges faced apart from providing the prospects for the segment. In the industry overview section, we have highlighted the key theme observed during 2009 and what we perceive as future trends in the coming years. We have a chapter on the tax and regulatory impact on the various E&M segments and for the very first time we have included a chapter on how technology can be leveraged in the E&M industry. In 2009, the economy severely impacted the world, translating into steep declines in advertisement as well as consumer spending. India though impacted, did manage to show growth with increased consumer spending as well as innovative action on the part of the industry. Against this backdrop, across the world, except certain markets, speed of digital spending increased due to changing consumer behavior as well as technology available to deliver the same. In India, while the spend on digital media is likely to grow, it is unlikely that it will dominate in the forecast period. This is largely due to the relative unavailability as well as unaffordability of the broadband and mobile infrastructure. -
Assets.Kpmg › Content › Dam › Kpmg › Pdf › 2012 › 05 › Report-2012.Pdf
Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications -
BIGFLIXTO BRING in PREMIUM ORIGINAL PROGRAMMING on ITS OTT PLATFORM Collaborates with Sir Howard Stringer Led Atrium TV As Its Exclusive India Partner
BIGFLIXTO BRING IN PREMIUM ORIGINAL PROGRAMMING ON ITS OTT PLATFORM Collaborates with Sir Howard Stringer led Atrium TV as its exclusive India Partner MUMBAI, NOV 2, 2017: Anil D. Ambani led Reliance Entertainment's pioneering OTT Platform, BIGFLIX announced its innovative content partnership in Atrium TV. Atrium TV, founded by former Sony Chairman Sir Howard Stringer and DRG Chairman Jeremy Fox is a new content “commissioning club”. Atrium TV sources and develops high-end drama series and shares them with Club members, who then decide if they wish to acquire and invest. Jeremy Fox, CEO of Atrium TV said "Reliance Entertainment was our number one choice for partner in India so we are delighted that it has joined the Atrium TV commissioning club and that its impressive BIGFLIX platform will be the exclusive Indian home to our drama series going forward. Asia is an exciting growth region and within it, India is a dynamic and fast-growing market with a healthy appetite for excellent content. We have known the team at Reliance for some time now and look forward to working together for mutual benefit." With 3.9 million registrations, BIGFLIX is already amongst the leading SVOD (Subscription Video on Demand) provider. BIGFLIX has more than 2000 HD movies in Nine Indian languages, including Hindi, Telugu, Tamil, Punjabi, Malayalam, Gujarati, Marathi, Bhojpuri and Bengali. The indigenously developed technology of BIGFLIX will deliver a personalized theatre experience to users who can stream and download movies advertisement-free, on any Internet-connected device including personal computers, tablets, smartphones, smart TVs and game consoles. -
Digital Dawn
Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications -
KPMG FICCI 2013, 2014 and 2015 – TV 16
#shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways. -
To Get the File
Business of Culture in India S. Ananth Research Fellow Krisani Knowledge Resources Hyderabad Project Commissioned by Culture: Industries and Diversity in Asia (CIDASIA) Research Programme Centre for the Study of Culture and Society Bangalore May 2008 2 CONTENTS 1. Introduction 2. Newspaper Industry in India 3. Filmed Entertainment Market in India 4. Film Distribution – Multiplex Phenomenon 5. Funding the Film Business 6. Overseas Market for Indian Films 7. Home Video Market 8. Television Market in India 9. Cable TV Market in India 10. DTH Market in India 11. IPTV Market in India 12. Radio Market in India 13. Music Market in India 14. Internet Usage in India 15. Gaming Market in India Global Gaming Market 16. Animation Sector in India 17. Amusement Parks in India 18. Retail Market in India 19. Luxury Market in India Luxury Watch Segment in India Luxury Car Segment in India 20. Wedding Market in India 21. Gambling Market in India 22. Advertising Market in India 23. Out of Home Advertising Market in India 24. Art Market in India 25. Sports Market in India Horse Racing In India 26. Entertainment Companies in India 27. Emerging Trends in the Culture Industry 28. Select Bibliography 3 Business of Culture in Contemporary India Introduction This report titled the ‘Business of Culture in India’ attempts to compile statistical information as well as analyse the most important business trends in Culture Industry of contemporary India. The report is meant to provide a snapshot of the major components of the culture industry, the economics of the various components as well as a brief sketch of the regulatory environment in the industry. -
Reliance Entertainment Launches BIGFLIX India's First Multi-Language HD Movie Platform, Globally
Reliance Entertainment launches BIGFLIX India’s first multi-language HD movie platform, globally MUMBAI, APRIL 25, 2017: Anil D. Ambani led Reliance Entertainment's pioneering movie platform, BIGFLIX, is now a global personal blockbuster for Indians in India and audiences across the world. Reliance Entertainment today announced the launch of BIGFLIX in a nine-language, multilingual avatar for India and global markets. With the re-launch, the country’s first video-on-demand brand is back with a contemporary positioning and a bigger reach in and outside of India. The new BIGFLIX will have 2000 HD movies in Nine Indian languages to start with, including Hindi, Telugu, Tamil, Punjabi, Malayalam, Gujarati, Marathi, Bhojpuri and Bengali. The indigenously developed technology of BIGFLIX will deliver a personalised theatre experience to users who can stream and download movies advertisement-free, on any Internet-connected device including personal computers, tablets, smartphones, smart TVs and game consoles. BIGFLIX technology will allow a multi-screen experience to users who will be able to switch devices – smartphone to tablet to television and back – in the middle of a film. The same technology will also allow a clean and smooth film experience. Said Mr. Shibasish Sarkar, Chief Operating Officer, Reliance Entertainment, “Indians are moving to digital entertainment in a big way with consumption growing on daily basis. Notably, BIGFLIX will fill in the void created by the decline of the home video market by digitally delivering movies.” With 3.9 million registrations, BIGFLIX is already amongst the leading SVOD (Subscription Video On Demand) provider. It offers video content in categories such as feature films, short films, devotional, and movie trailers. -
Bigflicks Partners with UTV to Fetch Popular Titles for Movie Buffs
BigFlicks inks deal with UTV Motion Pictures for popular titles - More than 45 of UTV’s premium titles are now available on India’s first online Movie on Demand service BigFlix plus – Mumbai, January 30, 2012: BigFlicks a part of Reliance Group’s, Digital Entertainment Business today announced a license deal between India’s first online Movie on Demand service - BigFlix plus and India’s leading Studio UTV Motion Pictures to bring the best of UTV’s titles to movie buffs across India. This deal will make available select blockbuster UTV titles to BigFlix plus subscribers to help further expand their personal movie collection whilst simultaneously adding popular titles to the user’s Personal Blockbuster Theatre. Jodhaa Akbar, Wake up Sid, Raajneeti, I Hate Luv Storys, No One Killed Jessica, Dev D, Udaan, Fashion, Race, and Kaminey amongst several others will now be available on BigFlix. BigFlix plus subscribers can now enjoy best of movies from the UTV Banner via a high quality movie viewing experience at the users preferred time, sans the advertisements, across all devices such as desktop, tablets, smartphones & connected TVs. This deal gives audience access to their favourite films at their convenience and provides the user with an ever increasing High Definition (HD) blockbuster movie bouquet. Says Amrita Pandey - Senior Vice President, International Distribution and Syndication, UTV Motion Pictures, “Pay per View (PPV) and Subscription Video on Demand (SVOD) options on internet platforms like BigFlix is a great way for audience to watch movies at their convenience. This is the one of our first internet deals in India. -
Channel Distributors Rs129/US$1.85 a Month Or Rs999/US$15 As Well As Bengali Songs
13-27 January C NTENT 2020 www.contentasia.tv l www.contentasiasummit.com Whitehead exits in ViacomCBS reorg Asia rolls into Europe, ME, Africa under Raffaele Annecchino May the gods of Health, Wealth & Happiness smile on you always. Happy Year of the Rat! Mark Whitehead Thailand, China Veteran Asia pay-TV head, Mark White- Australia and New Zealand. head, is exiting ViacomCBS’ Singapore- Kyriacou joins the newly expanded strengthen ties in based regional networks operation at division on 3 February as president, Vi- the end of this month in a wide-ranging acomCBS Networks U.K. and Australia, BEC, Tencent deal re-org announced out of New York and which includes responsibility for Ireland, Ch3 originals on WeTV, London today. New Zealand and Israel. ViacomCBS Networks International’s Her role includes oversight of Viaco- Ch3+, Tencent Video Asia footprint will be managed by Raf- mCBS’s free-to-air broadcast networks, faele Annecchino, currently president of Channel 5 in the U.K. and Network 10 in Thailand’s BEC World and Chinese the division’s operations across Southern Australia, streamer, Tencent-owned WeTV, have and Western Europe, the Middle East Network 10 CEO, Paul Anderson, ad- tied up to distribute Thai drama in Thai- and Africa. Annecchino’s new remit also ditionally becomes EVP, ViacomCBS land and on Tencent Video in China. includes Northern/Eastern Europe. Networks Australia and New Zealand with The new deal is part of WeTV’s aggres- His new title is president, ViacomCBS immediate effect, reporting to Kyriacou. sive growth ambitions and follows strong Networks Europe, Middle East, Africa and No announcements have been made take up of BEC’s dramas across the Asia (EMEAA). -
The Slowdown 20 Online’S
Rs 40 THE February 1-15, 2009 The fortnightly from www.thebrandreporter.com 30 PROFILE Lloyd Mathias Looking forward to make Tata Indicom a ‘cool’ brand. THE SLOWDOWN 20 ONLINE’S OFFICE PROMOS BIG Play at Work Brands go all out to reach employees inside offices. CHANCE 28 The difficult advertising climate offers an opportunity in disguise to the online medium. Can it DEFINING MOMENTS capture the moment? Chintamani Rao Times Now chief recalls blissful years in adworld. AEGON RELIGARE The Truth about Pension 12 LAQSHYA MEDIA Aiming at Airports 18 KIDS’ CHANNELS Bringing Toons to Life 22 AMCL 26 Pitching for Cricket 40 EDITORIAL The fortnightly from afaqs! This fortnight... Volume IV, Issue 13 The more you can measure, the more you want to measure. True or False? EDITOR True, I would think. Sreekant Khandekar Forget online for a moment. Consider something entirely unrelated: salaries. It has long PUBLISHER been my belief that we use salaries as a measure of how well we do because no other consider- Prasanna Singh ation – not work environment, not job satisfaction, for example – can be measured as conveniently as salaries. Why? Because compensation has a currency, Rupees. How EXECUTIVE EDITOR would you measure happiness at work? M Venkatesh Since we can’t measure anything else quite so precisely at work, we examine com- Deputy Editor pensation to death, to such a point in fact that we lose all sense of proportion. It is Sanjay Gupta only when we move elsewhere – for a higher salary, naturally – that we finally appre- ciate the intangibles of the place we left. -
AVENDUS November 2011 AVENDUS
India goes Digital A Birdseye View of the Indian Digital Consumer Industry .com AVENDUS November 2011 AVENDUS Dear Reader, Aashish Bhinde The Digital Consumer industry in India has made a surprise rebound into the public eye. [email protected] Over the last 6 months, reports of internet and mobile start-ups have become a regular Karan Sharma feature in all forms of media. Deal activity has been growing at a frantic pace. There is [email protected] excitement in the entrepreneur and investment community, and most importantly, among consumers. If online travel and classifieds were the star performers of the last decade, Sanchit Suneja e-tailing seems to be hogging the limelight this time around. Inevitably, valuations have [email protected] become the subject of cocktail party conversations. Anshul Agrawal When we started talking to investors and entrepreneurs in the industry, a few common [email protected] themes kept coming up. Despite the overall excitement, a tinge of scepticism remains. Have we really crossed the chasm? Is connectivity actually growing the way we need it Kanchan Mishra to? What about payment systems - how do we get people to actually spend money on [email protected] the net? And so on…the ghosts of 2000 seem to be very much around and kicking. For every bear, there is a bull out there. “Winner takes all”, say some. “The defining trend of our times”, say others. Investors have pumped in money in a host of digital start-ups this year. And the business traction seems to be growing. -
The Future of News the Future of News
Rs 40 THE July 16-31, 2008 The fortnightly from www.thebrandreporter.com JWT CREATING ENERGY Colvyn Harris and his band of merry men have achieved what they set out to do. Rejuvenate JWT. 32 PROFILE MEDIA SPECIAL Sameer Kapoor REPORT The new CEO of NDTV THE FUTURE India has his task cut out. THE FUTURE MAIL TODAY When Small is Big How has the compact OFOF NEWS NEWS fared so far? ADVERGAMES Playful Selling Brands find a new way to engage consumers. TITAN Beyond Style The watchmaker is looking at a younger audience. EDITORIAL The fortnightly from afaqs! This fortnight... Volume III, Issue 24 was first introduced to Colvyn Harris in 1989 by a mutual friend. We had met him at the EDITOR IDelhi office of HTA (now JWT) where he was a young client servicing executive. As we Sreekant Khandekar walked out some time later, my friend told me confidentially, “Mark my words. This guy will head HTA one day.” How right he was. PUBLISHER Prasanna Singh For a long time, though, it didn’t seem that Colvyn, a JWT careerist, was in the race for the top job. His own quiet rise took place amidst turmoil in the agency. Through the EXECUTIVE EDITOR late ’80s and the early ’90s, HTA was the understated but self-assured leader and the M Venkatesh only possible challenger was Alyque Padamsee’s Lintas. But as the business and CREATIVE CONSULTANTS media landscape was transformed, HTA began to lose its touch. PealiDezine Worse, after more than a decade and half in office, the handing over by Mike LAYOUT Khanna (Colvyn’s predecessor) was expected but would not happen.