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Numbers in Bengali Language
NUMBERS IN BENGALI LANGUAGE A dissertation submitted to Assam University, Silchar in partial fulfilment of the requirement for the degree of Masters of Arts in Department of Linguistics. Roll - 011818 No - 2083100012 Registration No 03-120032252 DEPARTMENT OF LINGUISTICS SCHOOL OF LANGUAGE ASSAM UNIVERSITY SILCHAR 788011, INDIA YEAR OF SUBMISSION : 2020 CONTENTS Title Page no. Certificate 1 Declaration by the candidate 2 Acknowledgement 3 Chapter 1: INTRODUCTION 1.1.0 A rapid sketch on Assam 4 1.2.0 Etymology of “Assam” 4 Geographical Location 4-5 State symbols 5 Bengali language and scripts 5-6 Religion 6-9 Culture 9 Festival 9 Food havits 10 Dresses and Ornaments 10-12 Music and Instruments 12-14 Chapter 2: REVIEW OF LITERATURE 15-16 Chapter 3: OBJECTIVES AND METHODOLOGY Objectives 16 Methodology and Sources of Data 16 Chapter 4: NUMBERS 18-20 Chapter 5: CONCLUSION 21 BIBLIOGRAPHY 22 CERTIFICATE DEPARTMENT OF LINGUISTICS SCHOOL OF LANGUAGES ASSAM UNIVERSITY SILCHAR DATE: 15-05-2020 Certified that the dissertation/project entitled “Numbers in Bengali Language” submitted by Roll - 011818 No - 2083100012 Registration No 03-120032252 of 2018-2019 for Master degree in Linguistics in Assam University, Silchar. It is further certified that the candidate has complied with all the formalities as per the requirements of Assam University . I recommend that the dissertation may be placed before examiners for consideration of award of the degree of this university. 5.10.2020 (Asst. Professor Paramita Purkait) Name & Signature of the Supervisor Department of Linguistics Assam University, Silchar 1 DECLARATION I hereby Roll - 011818 No - 2083100012 Registration No – 03-120032252 hereby declare that the subject matter of the dissertation entitled ‘Numbers in Bengali language’ is the record of the work done by me. -
'Aradhona' a University of Visual & Performing Arts By
‘ARADHONA’ A UNIVERSITY OF VISUAL & PERFORMING ARTS BY IFREET RAHIMA 09108004 SEMINAR II Submitted in partial fulfillment of the requirements for the degree of Bachelors of Architecture Department of Architecture BRAC University SUMMER 2013 DISSERTATION THE DESIGN OF ‘ARADHONA’ A UNIVERSITY OF VISUAL & PERFORMING ARTS This dissertation is submitted to the Department of Architecture in partial gratification of the exigency for the degree of Bachelor of Architecture (B.Arch.) at BRAC University, Dhaka, Bangladesh IFREET RAHIMA 09108004 5TH YEAR, DEPARTMENT OF ARCHITECTURE BRAC UNIVERSITY, DHAKA FALL 2013 DECLARATION The work contained in this study has not been submitted elsewhere for any other degree or qualification and unless otherwise referenced it is the author’s own work. STATEMENT OF COPYRIGHT The copyright of this dissertation rests with the Architecture Discipline. No quotation from it should be published without their consent. RAHIMA | i ‘ARADHONA’ A UNIVERSITY OF VISUAL & PERFORMING ARTS A Design Dissertation submitted to the Department of Architecture in partial fulfillment of the requirement for the Degree of Bachelor of Architecture (B.Arch) under the Faculty of BRAC University, Dhaka. The textual and visual contents of the Design Dissertation are the intellectual output of the student mentioned below unless otherwise mentioned. Information given within this Design Dissertation is true to the best knowledge of the student mentioned below. All possible efforts have been made by the author to acknowledge the secondary sources information. Right to further modification and /or publication of this Design Dissertation in any form belongs to its author. Contents within this Design Dissertation can be reproduced with due acknowledgement for academic purposes only without written consent from the author. -
Evolution and Assessment of South Asian Folk Music: a Study of Social and Religious Perspective
British Journal of Arts and Humanities, 2(3), 60-72, 2020 Publisher homepage: www.universepg.com, ISSN: 2663-7782 (Online) & 2663-7774 (Print) https://doi.org/10.34104/bjah.020060072 British Journal of Arts and Humanities Journal homepage: www.universepg.com/journal/bjah Evolution and Assessment of South Asian Folk Music: A Study of Social and Religious Perspective Ruksana Karim* Department of Music, Faculty of Arts, Jagannath University, Dhaka, Bangladesh. *Correspondence: [email protected] (Ruksana Karim, Lecturer, Department of Music, Jagannath University, Dhaka, Bangladesh) ABSTRACT This paper describes how South Asian folk music figured out from the ancient era and people discovered its individual form after ages. South Asia has too many colorful nations and they owned different culture from the very beginning. Folk music is like a treasure of South Asian culture. According to history, South Asian people established themselves here as a nation (Arya) before five thousand years from today and started to live with native people. So a perfect mixture of two ancient nations and their culture produced a new South Asia. This paper explores the massive changes that happened to South Asian folk music which creates several ways to correspond to their root and how they are different from each other. After many natural disasters and political changes, South Asian people faced many socio-economic conditions but there was the only way to share their feelings. They articulated their sorrows, happiness, wishes, prayers, and love with music, celebrated social and religious festivals all the way through music. As a result, bunches of folk music are being created with different lyric and tune in every corner of South Asia. -
Literary Cultures in History Reconstructions from South Asia
Literary Cultures in History Reconstructions from South Asia EDITED BY Sheldon Pollock UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London 8 The Two Histories of Literary Culture in Bengal Sudipta Kaviraj INTRODUCTION A general reading of the history of a particular literature requires, first of all, a principle of organization. Histories of Bangla literature usually offer a narrative of continuity: they seek to show, quite legitimately, how the liter- ary culture develops through successive stages—how literary works of one period become the stock on which later stages carry out their productive op- erations. These studies are less interested in asking how literary mentalities come to be transformed or how a continuing tradition can be interrupted, or in speculating on possible reasons behind these significant literary turns. In an attempt to move away from these conventional histories, which record unproblematically the sequential narrative of the production of texts and their authors, this essay gives attention primarily to two questions. The first is: What were the major historical “literary cultures,” that is, the sensibilities or mentalities constructed around a common core of tastes, methods of tex- tual production, paratextual activities (like performance, recitation, or other use in religious, nonliterary contexts), reception, and the social composition of audiences? The second question, closely related to the first, is: How do literary cultures, especially deeply entrenched literary cultures, change? The treatment of Bangla literary history in this essay, therefore, focuses more on textualities or text types than on individual texts, and it offers hardly any literary-critical analysis of major canonical works. A figure like Rabin- dranath Tagore is treated with relative neglect, since he does not represent a phase of serious interpretative contention or rupture in literary production I thank Sheldon Pollock for detailed comments on this paper at different stages of its prepa- ration. -
Ed 126 518 Author Pub Date Note Journal Cit Edrs Price
e." DOCUME1T RESUME ED 126 518 CS 202 849 AUTHOR Wadley, Susan S., Ed. TITLE Folk Literature of South Asia. INSTITUTION. Michigan State Univ., East Lansing. Asian Studies Center. PUB DATE 75 NOTE 173p. JOURNAL CIT Journal of Sduth Asian Literature; v11 n1,2 Entire Issue,Fall, Winter, 1975 EDRS PRICE MF -$0.83 Plus Postage. BC Not Available fromEDRS. DESCRIPTORS *Asian Studies; *Folk Culture; FolkDrama; Legends; Literary CriAcism; *Literaturei- Mythology;Non Western Civilization;, Poetry; Prose IDENTIFIERS' *Folk Literature ; ABSTRACT. / The collection of articles in this volumefocuses an different kinds of folk literature from Bengal, Tamilnad,Bihar, Ijindi-speakingNorth India; and Nepal. An introductoryarticle by S.S. *Wadley discUsses types of folk literature inKarimpur. The remaining articles are organized accordingto cultural themes: "The Lustful Stepmother in the Folkloreof Northwestern India" by V.P. Vatlik and S. Vatuk; "Songs of SocialDistance" by D. Jacobson; "North Indian Wedding Songs" byI.O. Henry; "A Praise-Poem for Hurugan" by B.E.F. Beck; "A Few Bengali Vaisnava Folk Songs" _byR.D. Munda; "The Mundane and Prosaic in Bengali Folk Songs" byE. Friedlander; "Selections from 'Jarigan,' the Folk Epic ofMuslim Bengal" by M.F. Dunhain; "Twelve Jadur'Songs" by N. Zide; "ThreeNepalese Jokes" by J. Fisher; and "Four ,Folk Tales of the Gorum"by A.R.K. (JM) 4 *********14******#**f*********************31444************************* * Documents acquired by ERIC include many informal unpublised * * materials not available. from other sources1ERIC makes every effort * * to obtain the bes copy availa\ble.'Nevertheless,jtems of marginal * * reproducibility are often encountered and thisaffetts the quality * * of the microfiche and hardcOpy reproductionsERIC makes available * via the ERIC D,bcument Reproduction Servide(EDRS) .EDRS is not * 're onsible fdr the quality of the originaldocument. -
Department of Comparative Indian Language and Literature (CILL) CSR
Department of Comparative Indian Language and Literature (CILL) CSR 1. Title and Commencement: 1.1 These Regulations shall be called THE REGULATIONS FOR SEMESTERISED M.A. in Comparative Indian Language and Literature Post- Graduate Programme (CHOICE BASED CREDIT SYSTEM) 2018, UNIVERSITY OF CALCUTTA. 1.2 These Regulations shall come into force with effect from the academic session 2018-2019. 2. Duration of the Programme: The 2-year M.A. programme shall be for a minimum duration of Four (04) consecutive semesters of six months each/ i.e., two (2) years and will start ordinarily in the month of July of each year. 3. Applicability of the New Regulations: These new regulations shall be applicable to: a) The students taking admission to the M.A. Course in the academic session 2018-19 b) The students admitted in earlier sessions but did not enrol for M.A. Part I Examinations up to 2018 c) The students admitted in earlier sessions and enrolled for Part I Examinations but did not appear in Part I Examinations up to 2018. d) The students admitted in earlier sessions and appeared in M.A. Part I Examinations in 2018 or earlier shall continue to be guided by the existing Regulations of Annual System. 4. Attendance 4.1 A student attending at least 75% of the total number of classes* held shall be allowed to sit for the concerned Semester Examinations subject to fulfilment of other conditions laid down in the regulations. 4.2 A student attending at least 60% but less than 75% of the total number of classes* held shall be allowed to sit for the concerned Semester Examinations subject to the payment of prescribed condonation fees and fulfilment of other conditions laid down in the regulations. -
Dalit and Their Products: an Anthropological Study Among the Rishi Community
Dalit and their Products: An Anthropological Study among the Rishi Community Supervised by Dr. Zahidul Islam Professor Department of Anthropology University of Dhaka Dhaka-1000, Bangladesh Submitted by Sk Mashudur Rahman Ph.D Scholar Registration No: 08 Academic Session: 2012-2013 Department of Anthropology Faculty of Social Sciences University of Dhaka Dhaka-1000, Bangladesh This dissertation has been prepared for the fulfillment of the Degree of Doctor of Philosophy in Anthropology, Faculty of Social Sciences University of Dhaka 2018 i | P a g e DECLARATION This Ph.D Dissertation has been prepared to submit to the Department of Anthropology, Faculty of Social Sciences, University of Dhaka, Dhaka-1000, Bangladesh in fulfilling the condition of Doctor of Philosophy (Ph.D) program. All the materials embodied in this dissertation in original and has not been submitted in part or full for any other Diploma or Degree of this or any other university or institution at home or abroad. Sk Mashudur Rahman Date: The 29thDecember 2018 Ph.D Scholar Registration No: 08 Academic Session: 2012-2013 Department of Anthropology Faculty of Social Sciences University of Dhaka Dhaka-1000, Bangladesh ii|P a g e CERTIFICATE This is my pleasure that Sk Mashudur Rahman has prepared the dissertation entitled “Dalits and their Product: An Anthropological Study among the Rishi Community”for the award of PhD degree in the Department of Anthropology, Faculty of Social Sciences, University of Dhaka. It is his original work and under my supervision, he has carried out the work. This Dissertation is submitted in the fulfilling of the requirements for the Degree of Doctor of Philosophy (Ph.D) in Anthropology, Faculty of Social Sciences, University of Dhaka, during the session of 2012-2013 Supervisor Dr. -
EVOLUTION of BENGALI LITERATURE: an OVERVIEW Dr
Int.J.Eng.Lang.Lit&Trans.StudiesINTERNATIONAL JOURNAL OF ENGLISH LANGUAGE, Vol. LITERATURE3.Issue. 1.2016 (Jan-Mar) AND TRANSLATION STUDIES (IJELR) A QUARTERLY, INDEXED, REFEREED AND PEER REVIEWED OPEN ACCESS INTERNATIONAL JOURNAL http://www.ijelr.in KY PUBLICATIONS REVIEW ARTICLE Vol. 3. Issue 1.,2016 (Jan-Mar. ) EVOLUTION OF BENGALI LITERATURE: AN OVERVIEW Dr. PURNIMA BALI Assistant Professor (English), Department of Applied Sciences, A P Goyal Shimla University, Shimla, Himachal Pradesh, India ABSTRACT Indian literature is full of various genres of literature in different languages. Bengali is one of the prominent languages in which literature enriched itself the most. Bengali literature refers to the body of writings in the Bengali language which has developed from a form of Prakrit or Indo-Aryan language. The Bengali literature has been divided into three main periods - ancient, medieval and modern. These different periods may be dated as: ancient period from 950 AD to 1350 AD, medieval from 1350 AD to 1800 AD and the modern one from 1800 AD to the present. Many literary scholars and intellectual minds belong to the Bengali literature. The present paper dwells upon the historical background of West Bengal along with the evolution of Bengali literature from the ancient period till date. The paper will focus primarily on the detailed study of eminent writers of Bengali literature whose works are being translated into various other languages so that their thoughts can be spread over the masses. Key Words: Literature, Bengali language, West Bengal, Writers, Literary writings ©KY PUBLICATIONS Historical Background of West Bengal West Bengal is one of the major states of India situated in the Eastern part of the country. -
Galaxy: International Multidisciplinary Research Journal the Criterion: an International Journal in English ISSN: 0976-8165
About Us: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ Contact Us: http://www.the-criterion.com/contact/ Editorial Board: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal www.galaxyimrj.com www.the-criterion.com The Criterion: An International Journal In English ISSN: 0976-8165 Baul: In the Quest of Moner Manush Debashis Biswas M.Phil Research Scholar University of Calcutta Abstract: Tradition bound India’s heart is its folk culture. Through the folk culture, we can observe the breath of real India and its people’s psychic graph. Multicultural theme and multi-religious philosophy are the bases of this folk tradition. Bengali folk music comprises a long tradition of religious and secular song writing over a period of almost a millennium. There are various forms of folk music in Bengal—Bishnupur Gharana, Baul, Rabindra Sangeet, Nazrul Geeti, Shyama Sangeet, Atulprasadi, Bhatiali, Bhawaiya, Kavigan, Jatra Pala. My aim, in this paper, is to show Baul’s origin and practice ‘Sadhana’ to achieve Moner Manush. Here I would also like to show how Rabindranath Tagore was very much enraptured by this type of cultural expression with distinctive impression of their modality, tune and language. Keywords: Baul, Sadhana, Moner Manush, Rabindranath Tagore. “Who then are the Bauls? The word itself means ‘mad’. When Bengalis used the term, they usually mean to indicate a type of mendicant religious singers who, dressed in tattered clothes deliberately made up of the garments of both Hindus and Muslims, wanders from village to village celebrating God in ecstatic songs, existing on whatever his listeners choose to give him.