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Harem Fantasies and Music Videos: Contemporary Orientalist Representation
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2007 Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Music Commons Recommended Citation Johnson, Maya Ayana, "Harem Fantasies and Music Videos: Contemporary Orientalist Representation" (2007). Dissertations, Theses, and Masters Projects. Paper 1539626527. https://dx.doi.org/doi:10.21220/s2-nf9f-6h02 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson Richmond, Virginia Master of Arts, Georgetown University, 2004 Bachelor of Arts, George Mason University, 2002 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August 2007 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Maya Ayana Johnson Approved by the Committee, February 2007 y - W ^ ' _■■■■■■ Committee Chair Associate ssor/Grey Gundaker, American Studies William and Mary Associate Professor/Arthur Krrtght, American Studies Cpllege of William and Mary Associate Professor K im b erly Phillips, American Studies College of William and Mary ABSTRACT In recent years, a number of young female pop singers have incorporated into their music video performances dance, costuming, and musical motifs that suggest references to dance, costume, and musical forms from the Orient. -
Lale Yurtseven: Okay, It's Recording Now
Lale Yurtseven: Okay, it's recording now. So, is there anybody volunteering to take notes. Teresa Morris: I can, if you send me the recording. But it's not going to get to everybody, until the fall Lale Yurtseven: That's fine. Yeah. We yeah we I I will send you the recording. That would be great. Thank you very much to resource. So I'm going to put to resize here. Lale Yurtseven: You are without the H right to Risa Lale Yurtseven: Yes. Oh, ah, Lale Yurtseven: Yes, that's right. Lale Yurtseven: Okay. Lale Yurtseven: All right, so Lale Yurtseven: Let's just go through the rest of the agenda here so we can Judy just send them minutes from last Lale Yurtseven: week's meeting and I guess the prior one which should be just a short summary because all we really did was go through the Lale Yurtseven: draft policy will probably do that and fall to to decide. You think that we can do that push that to the Fall Meeting as well. Teresa Morris: We'll have to Lale Yurtseven: Yeah. Teresa Morris: And if you can send me the Lale Yurtseven: I'll send you the recording. Lale Yurtseven: Okay, okay. Yeah. Judy Lariviere: And just before we review the minutes from last time I started going through the recording and there was a lot. There was so much discussion. So I don't think there. It's not all captured in the minute, so I can go back. I started going through the courting. -
The Pathologising Effect of TV Revengendas
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 1-1-2015 The bitter taste of payback: the pathologising effect of TV revengendas Cassandra E. Sharp University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Sharp, Cassandra E., "The bitter taste of payback: the pathologising effect of TV revengendas" (2015). Faculty of Law, Humanities and the Arts - Papers. 2422. https://ro.uow.edu.au/lhapapers/2422 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The bitter taste of payback: the pathologising effect of TV revengendas Abstract The thirst for vengeance is a timeless subject in popular entertainment. One need only think of Old Testament scripture; Shakespeare's Hamlet; Quentin Tarantino's Kill Bill or the TV series Revenge, and we immediately conjure up images of a protagonist striving to seek justice to avenge a heinous wrong committed against them. These texts, and others like it, speak to that which is ingrained in our human spirit about not only holding others responsible for their actions, but also about retaliation as payback. This article seeks to problematise the way the popular revenge narrative effectively constructs the vendetta as a guilty pleasure through which the audience can vicariously gain satisfaction, while at the same time perpetuates law's rhetoric that personal desires for vengeance are to be repressed and denied. -
Critical Analysis of the Roles of Women in the Lais of Marie De France
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1976 Critical analysis of the roles of women in the Lais of Marie de France Jeri S. Guthrie The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Guthrie, Jeri S., "Critical analysis of the roles of women in the Lais of Marie de France" (1976). Graduate Student Theses, Dissertations, & Professional Papers. 1941. https://scholarworks.umt.edu/etd/1941 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. A CRITICAL ANALYSIS OF THE ROLES OF WOMEN IN THE LAIS OF MARIE DE FRANCE By Jeri S. Guthrie B.A., University of Montana, 1972 Presented in partial fulfillment of the requirements for the degree of Master of Arts UNIVERSITY OF MONTANA 1976 Approved by: Chairmah, Board of Exami iradua4J^ School [ Date UMI Number EP35846 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT OissHEH'tfttkffl Pk^islw^ UMI EP35846 Published by ProQuest LLC (2012). -
THE THEME of the SHATTERED SELF in TONI MORRISON's The
THE THEME OF THE Shattered SELF IN TONI MORRISON’S THE BLUEST EYE AND A MERCY Manuela López Ramírez IES Alto Palancia de Segorbe, Castellón [email protected] 75 The splitting of the self is a familiar theme in Morrison’s fiction. All of her novels explore, to some extent, the shattered identity. Under traumatic circumstances, the individual may suffer a severe psychic disintegration. Morrison has shown interest in different states of dementia caused by trauma which, as Clifton Spargo asserts, “has come to function for many critics as a trope of access to more difficult histories, providing us with entry into a world inhabited by the victims of extraordinary social violence, those perspectives so often left out of rational, progressive narratives of history” (2002). In Morrison’s narratives, dissociated subjectivity, like Pecola’s in The Bluest Eye, is usually connected to slavery and its sequels and, as Linda Koolish observes, is frequently the consequence of the confrontation between the Blacks’ own definition of themselves and slavery’s misrepresentation of African Americans as subhumans (2001: 174). However, Morrison has also dealt with insanity caused by other emotionally scarring situations, such as war in Sula’s character, Shadrack, or as a result of the loss of your loved ones, sudden orphanhood, as in A Mercy’s Sorrow. In this paper I focus on Morrison’s especially dramatic depiction of the destruction of the female teenager’s self and her struggle for psychic wholeness in a hostile world. The adolescent’s fragile identity embodies, better than any other, the terrible ordeal that the marginal self has to cope with to become a true human being outside the Western discourse. -
X-Men -Dark-Phoenix-Fact-Sheet-1
THE X-MEN’S GREATEST BATTLE WILL CHANGE THEIR FUTURE! Complete Your X-Men Collection When X-MEN: DARK PHOENIX Arrives on Digital September 3 and 4K Ultra HD™, Blu-ray™ and DVD September 17 X-MEN: DARK PHOENIX Sophie Turner, James McAvoy, Michael Fassbender and Jennifer Lawrence fire up an all-star cast in this spectacular culmination of the X-Men saga! During a rescue mission in space, Jean Grey (Turner) is transformed into the infinitely powerful and dangerous DARK PHOENIX. As Jean spirals out of control, the X-Men must unite to face their most devastating enemy yet — one of their own. The home entertainment release comes packed with hours of extensive special features and behind- the-scenes insights from Simon Kinberg and Hutch Parker delving into everything it took to bring X-MEN: DARK PHOENIX to the big screen. Beast also offers a hilarious, but important, one-on-one “How to Fly Your Jet to Space” lesson in the Special Features section. Check out a clip of the top-notch class session below! Add X-MEN: DARK PHOENIX to your digital collection on Movies Anywhere September 3 and buy it on 4K Ultra HDTM, Blu-rayTM and DVD September 17. X-MEN: DARK PHOENIX 4K Ultra HD, Blu-ray and Digital HD Special Features: ● Deleted Scenes with Optional Commentary by Simon Kinberg and Hutch Parker*: ○ Edwards Air Force Base ○ Charles Returns Home ○ Mission Prep ○ Beast MIA ○ Charles Says Goodbye ● Rise of the Phoenix: The Making of Dark Phoenix (5-Part Documentary) ● Scene Breakdown: The 5th Avenue Sequence** ● How to Fly Your Jet to Space with Beast ● Audio Commentary by Simon Kinberg and Hutch Parker *Commentary available on Blu-ray, iTunes Extras and Movies Anywhere only **Available on Digital only X-MEN: DARK PHOENIX 4K Ultra HD™ Technical Specifications: Street Date: September 17, 2019 Screen Format: Widescreen 16:9 (2.39:1) Audio: English Dolby Atmos, English Descriptive Audio Dolby Digital 5.1, Spanish Dolby Digital 5.1, French DTS 5.1 Subtitles: English for the Deaf and Hard of Hearing, Spanish, French Total Run Time: 114 minutes U.S. -
Jane Jayroe-Gamble She Overcame Her Fears and Shyness to Win Miss America 1967, Launching Her Career in Media and Government
Jane Jayroe-Gamble She overcame her fears and shyness to win Miss America 1967, launching her career in media and government Chapter 01 – 0:52 Introduction Announcer: As millions of television viewers watch Jane Jayroe crowned Miss America in 1967, and as Bert Parks serenaded her, no one would have thought she was actually a very shy and reluctant winner. Nor would they know that the tears, which flowed, were more of fright than joy. She was nineteen when her whole life was changed in an instant. Jane went on to become a well-known broadcaster, author, and public official. She worked as an anchor in TV news in Oklahoma City and Dallas, Fort Worth. Oklahoma governor, Frank Keating, appointed her to serve as his Secretary of Tourism. But her story along the way was filled with ups and downs. Listen to Jane Jayroe talk about her struggle with shyness, depression, and a failed marriage. And how she overcame it all to lead a happy and successful life, on this oral history website, VoicesofOklahoma.com. Chapter 02 – 8:30 Grandparents John Erling: My name is John Erling. Today’s date is April 3, 2014. Jane, will you state your full name, your date of birth, and your present age. Jane Jayroe: Jane Anne Jayroe-Gamble. Birthday is October 30, 1946. And I have a hard time remembering my age. JE: Why is that? JJ: I don’t know. I have to call my son, he’s better with numbers. I think I’m sixty-seven. JE: Peggy Helmerich, you know from Tulsa? JJ: I know who she is. -
F I R I N G O P E R a T I O
Summer 2012 ▲ Vol. 2 Issue 2 ▲ Produced and distributed quarterly by the Wildland Fire Lessons Learned Center F I R I N G O P E R A T I O N S What does a good firing show look like? And, what could go wrong ? Once you By Paul Keller t’s an age-old truth. put fire down— Once you put fire down—you can’t take it back. I We all know how this act of lighting the match— you can’t when everything goes as planned—can help you accomplish your objectives. But, unfortunately, once you’ve put that fire on take it back. the ground, you-know-what can also happen. Last season, on seven firing operations—including prescribed fires and wildfires (let’s face it, your drip torch doesn’t know the difference)—things did not go as planned. Firefighters scrambled for safety zones. Firefighters were entrapped. Firefighters got burned. It might serve us well to listen to the firing operation lessons that our fellow firefighters learned in 2011. As we already know, these firing show mishaps—plans gone awry—aren’t choosey about fuel type or geographic area. Last year, these incidents occurred from Arizona to Georgia to South Dakota—basically, all over the map. In Arkansas, on the mid-September Rock Creek Prescribed Fire, that universal theme about your drip torch never distinguishing between a wildfire or prescribed fire is truly hammered home. Here’s what happened: A change in wind speed dramatically increases fire activity. Jackpots of fuel exhibit extreme fire behavior and torching of individual trees. -
06 7-26-11 TV Guide.Indd
Page 6 THE NORTON TELEGRAM Tuesday, July 26, 2011 Monday Evening August 1, 2011 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 KHGI/ABC The Bachelorette The Bachelorette Local Nightline Jimmy Kimmel Live WEEK OF FRIDAY , JULY 29 THROUGH THURSDAY , AUG . 4 KBSH/CBS How I Met Mike Two Men Mike Hawaii Five-0 Local Late Show Letterman Late KSNK/NBC America's Got Talent Law Order: CI Harry's Law Local Tonight Show w/Leno Late FOX Hell's Kitchen MasterChef Local Cable Channels A&E Hoarders Hoarders Intervention Intervention Hoarders AMC The Godfather The Godfather ANIM I Shouldn't Be Alive I Shouldn't Be Alive Hostage in Paradise I Shouldn't Be Alive I Shouldn't Be Alive CNN In the Arena Piers Morgan Tonight Anderson Cooper 360 To Be Announced Piers Morgan Tonight DISC Jaws of the Pacific Rogue Sharks Summer of the Shark Rogue Sharks Summer of the Shark DISN Good Luck Shake It Bolt Phineas Phineas Wizards Wizards E! Sex-City Sex-City Ice-Coco Ice-Coco True Hollywood Story Chelsea E! News Chelsea Norton TV ESPN MLB Baseball Baseball Tonight SportsCenter Baseball NFL Live ESPN2 SportsNation Soccer World, Poker World, Poker FAM Secret-Teen Switched at Birth Secret-Teen The 700 Club My Wife My Wife FX Earth Stood Earth Stood HGTV House Hunters Design Star High Low Hunters House House Design Star HIST Pawn Pawn American Pickers Pawn Pawn Top Gear Pawn Pawn LIFE Craigslist Killer The Protector The Protector Chris How I Met Listings: MTV True Life MTV Special Teen Wolf Teen Wolf Awkward. -
A Season of Thrilling Intrigue and Grand Spectacle –
A Season of Thrilling Intrigue and Grand Spectacle – Angel Blue as MimÌ in La bohème Fidelio Rigoletto Love fuels a revolution in Beethoven’s The revenger becomes the revenged in Verdi’s monumental masterpiece. captivating drama. Greetings and welcome to our 2020–2021 season, which we are so excited to present. We always begin our planning process with our dreams, which you might say is a uniquely American Nixon in China Così fan tutte way of thinking. This season, our dreams have come true in Step behind “the week that changed the world” in Fidelity is frivolous—or is it?—in Mozart’s what we’re able to offer: John Adams’s opera ripped from the headlines. rom-com. Fidelio, to celebrate the 250th anniversary of Beethoven’s birth. Nixon in China by John Adams—the first time WNO is producing an opera by one of America’s foremost composers. A return to Russian music with Musorgsky’s epic, sweeping, spectacular Boris Godunov. Mozart’s gorgeous, complex, and Boris Godunov La bohème spiky view of love with Così fan tutte. Verdi’s masterpiece of The tapestry of Russia's history unfurls in Puccini’s tribute to young love soars with joy a family drama and revenge gone wrong in Rigoletto. And an Musorgsky’s tale of a tsar plagued by guilt. and heartbreak. audience favorite in our lavish production of La bohème, with two tremendous casts. Alongside all of this will continue our American Opera Initiative 20-minute operas in its 9th year. Our lineup of artists includes major stars, some of whom SPECIAL PRESENTATIONS we’re thrilled to bring to Washington for the first time, as well as emerging talents. -
UPDATED Activate Outlook 2021 FINAL DISTRIBUTION Dec
ACTIVATE TECHNOLOGY & MEDIA OUTLOOK 2021 www.activate.com Activate growth. Own the future. Technology. Internet. Media. Entertainment. These are the industries we’ve shaped, but the future is where we live. Activate Consulting helps technology and media companies drive revenue growth, identify new strategic opportunities, and position their businesses for the future. As the leading management consulting firm for these industries, we know what success looks like because we’ve helped our clients achieve it in the key areas that will impact their top and bottom lines: • Strategy • Go-to-market • Digital strategy • Marketing optimization • Strategic due diligence • Salesforce activation • M&A-led growth • Pricing Together, we can help you grow faster than the market and smarter than the competition. GET IN TOUCH: www.activate.com Michael J. Wolf Seref Turkmenoglu New York [email protected] [email protected] 212 316 4444 12 Takeaways from the Activate Technology & Media Outlook 2021 Time and Attention: The entire growth curve for consumer time spent with technology and media has shifted upwards and will be sustained at a higher level than ever before, opening up new opportunities. Video Games: Gaming is the new technology paradigm as most digital activities (e.g. search, social, shopping, live events) will increasingly take place inside of gaming. All of the major technology platforms will expand their presence in the gaming stack, leading to a new wave of mergers and technology investments. AR/VR: Augmented reality and virtual reality are on the verge of widespread adoption as headset sales take off and use cases expand beyond gaming into other consumer digital activities and enterprise functionality. -
Teaching Strategies for Improving Algebra Knowledge in Middle and High School Students
EDUCATOR’S PRACTICE GUIDE A set of recommendations to address challenges in classrooms and schools WHAT WORKS CLEARINGHOUSE™ Teaching Strategies for Improving Algebra Knowledge in Middle and High School Students NCEE 2015-4010 U.S. DEPARTMENT OF EDUCATION About this practice guide The Institute of Education Sciences (IES) publishes practice guides in education to provide edu- cators with the best available evidence and expertise on current challenges in education. The What Works Clearinghouse (WWC) develops practice guides in conjunction with an expert panel, combining the panel’s expertise with the findings of existing rigorous research to produce spe- cific recommendations for addressing these challenges. The WWC and the panel rate the strength of the research evidence supporting each of their recommendations. See Appendix A for a full description of practice guides. The goal of this practice guide is to offer educators specific, evidence-based recommendations that address the challenges of teaching algebra to students in grades 6 through 12. This guide synthesizes the best available research and shares practices that are supported by evidence. It is intended to be practical and easy for teachers to use. The guide includes many examples in each recommendation to demonstrate the concepts discussed. Practice guides published by IES are available on the What Works Clearinghouse website at http://whatworks.ed.gov. How to use this guide This guide provides educators with instructional recommendations that can be implemented in conjunction with existing standards or curricula and does not recommend a particular curriculum. Teachers can use the guide when planning instruction to prepare students for future mathemat- ics and post-secondary success.