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Genevieve Gaignard: Counterfeit Currency
PRESS CONTACT: Maureen Sullivan Red Art Projects, 917.846.4477 [email protected] GENEVIEVE GAIGNARD: COUNTERFEIT CURRENCY Exhibition Dates: June 5-August 17, 2018 Opening Reception: Tuesday, June 5, 6-8pm The FLAG Art Foundation, 545 West 25th Street, NY The FLAG Art Foundation is pleased to present Genevieve Gaignard: Counterfeit Currency, the artist’s first NY solo exhibition, from June 5-August 17, 2018, on its 10th floor. The exhibition of new self-portraits and collages, all created in Florida, continues Gaignard’s interest in the performance of race, gender presentation, beauty standards, and class, through fictional personas and staged environments. The title, Counterfeit Currency, addresses the inherent complexities of self-presentation, noting that the way one appears to others is often incongruent with the way in which they see themselves, yielding a feeling of displacement and fraudulence. Through a variety of female archetypes, Gaignard explores her own existence as a mixed-race woman of color, revealing the malleability of identity as something both self-constructed and culturally affected. In addition to photographic works, the artist will also present a new series of collages that combine vintage wallpaper and magazine cutouts to render dreamlike and satirical narratives. In her full-floor installation at FLAG, Gaignard creates multiple “mise-en-abîme” environments in which objects depicted in her cinematic photographs and collages are present in the gallery’s space. Incorporating personal and politically-loaded objects, one vignette is furnished with vintage wall paper, rattan furniture, and a spring of porcelain black panther figurines, while another holds appearance-altering beauty products, such as skin-bleaching creams, face masks, and makeup. -
Student Tours
STUDENT T OUR S BOSTON NEW YORK CITY PHILADELPHIA WASHINGTON, D.C. LOCAL DESTINATIONS HISTORICAL SITES MUSEUMS & MORE! ® LOCAL DAY TRIPS CONNECTICUT CT Science Center Essex Steam Train and Riverboat Mark Twain House/Harriet Beecher Stowe House Seven Angels Theatre Mystic Aquarium Mystic Seaport Shubert Theatre - Educational Programs Wadsworth Athenium Mark Twain House, Hartford, CT MASSACHUSETTS Sturbridge Village Plimoth Patuxet Museum Salem Witch Museum NEWPORT, RI Self-guided Mansion Tours Servant Life Guided Tours Essex Steam Train, Essex, CT Fort Adams Tours NEW JERSEY Medieval Times Liberty Science Center American Dream Mystic Seaport Museum, Mystic, CT Salem Witch Museum, Salem, MA BOSTON Boston has it all for your group! Your DATTCO Tours representative will plan an exciting and interesting day, book all of the attraction visits, and provide you a detailed itinerary! Build your own tour with any of these attractions and more: Museums/Attractions Boston Tea Party Museum Be a part of the famous event that forever changed the course of American history with historical interpreters and interactive exhibits. Franklin Park Zoo John F. Kennedy Presidential Library & Museum Faneuil Hall, Boston, MA Exhibits highlight the life, leadership & legacy of President Kennedy Mapparium at Mary Baker Eddy Library Enter a 30ft glass bridge into a stained glass globe that serves as a historic snapshot of the world as it existed in 1935. Museum of Science New England Aquarium Quincy Market/Faneuil Hall Duck Boat, Charles River, Boston, MA Tours Shows Boston Duck Tours Blue Man Group Fenway Park Tours Boston Ballet Freedom Trail Tour (Guided) Boston Pops Harvard/MIT Tours Boston Symphony Orchestra Whale Watch Tours Broadway Shows in Boston DINING OPTIONS Fire & Ice • Hard Rock Café • Maggiano’s Quincy Market Meal Vouchers • Boxed lunches are also available NEW YORK CITY Experiences Customized Private Tours Broadway Shows NYC Guided Tour Many shows offer special student rates. -
03.031 Socc04 Final 2(R)
STATEOF CENTER CITY 2008 Prepared by Center City District & Central Philadelphia Development Corporation May 2008 STATEOF CENTER CITY 2008 Center City District & Central Philadelphia Development Corporation 660 Chestnut Street Philadelphia PA, 19106 215.440.5500 www.CenterCityPhila.org TABLEOFCONTENTSCONTENTS INTRODUCTION 1 OFFICE MARKET 2 HEALTHCARE & EDUCATION 6 HOSPITALITY & TOURISM 10 ARTS & CULTURE 14 RETAIL MARKET 18 EMPLOYMENT 22 TRANSPORTATION & ACCESS 28 RESIDENTIAL MARKET 32 PARKS & RECREATION 36 CENTER CITY DISTRICT PERFORMANCE 38 CENTER CITY DEVELOPMENTS 44 ACKNOWLEDGEMENTS 48 Center City District & Central Philadelphia Development Corporation www.CenterCityPhila.org INTRODUCTION CENTER CITY PHILADELPHIA 2007 was a year of positive change in Center City. Even with the new Comcast Tower topping out at 975 feet, overall office occupancy still climbed to 89%, as the expansion of existing firms and several new arrivals downtown pushed Class A rents up 14%. For the first time in 15 years, Center City increased its share of regional office space. Healthcare and educational institutions continued to attract students, patients and research dollars to downtown, while elementary schools experienced strong demand from the growing number of families in Center City with children. The Pennsylvania Convention Center expansion commenced and plans advanced for new hotels, as occupancy and room rates steadily climbed. On Independence Mall, the National Museum of American Jewish History started construction, while the Barnes Foundation retained designers for a new home on the Benjamin Franklin Parkway. Housing prices remained strong, rents steadily climbed and rental vacancy rates dropped to 4.6%, as new residents continued to flock to Center City. While the average condo sold for $428,596, 115 units sold in 2007 for more than $1 million, double the number in 2006. -
Arts, Culture, and Economic Prosperity in Greater Philadelphia
arts culture & economic prosperity in Greater Philadelphia Peggy Amsterdam, President Greater Philadelphia Cultural Alliance One of the most frequent requests to the Greater Philadelphia Cultural Alliance is for the economic impact of the region’s cultural sector. It is with great pleasure, then, that we present Arts, Culture, and Economic Prosperity in Greater Philadelphia, the latest data available regarding the economic activity of our region’s nonprofit arts and cultural organizations and their audiences. This report is the result of collaboration among many partners, including Americans for the Arts, the Pennsylvania Cultural Data Project (PACDP), Metropolitan Philadelphia Indicators Project, and Drexel University’s Arts Administration Graduate Program. We thank the cultural organizations whose participation in the PACDP made this report possible, in particular those who allowed us to survey their audience members. We are also grateful to The Pew Charitable Trusts and the William Penn Foundation for their support of the Cultural Alliance, and to Tom Scannepieco and 1706 Rittenhouse Associates for supporting the design, printing, and distribution of this report. We express sincere gratitude to our external reviewers, board of directors, and staff, who guided the work through its inception and development. Much growth has occurred in our sector over the last decade. Through the information, analysis, and tools contained within this report, we trust that Arts, Culture, and Economic Prosperity in Greater Philadelphia will help us all in the quest to continue building an ever-stronger, more vibrant region. Tom Scannapieco, Partner Joe Zuritsky, Partner 1706 Rittenhouse Square Associates Over the past decade, Greater Philadelphia has experienced remarkable growth. -
Annual Report 2018
2018 Annual Report 4 A Message from the Chair 5 A Message from the Director & President 6 Remembering Keith L. Sachs 10 Collecting 16 Exhibiting & Conserving 22 Learning & Interpreting 26 Connecting & Collaborating 30 Building 34 Supporting 38 Volunteering & Staffing 42 Report of the Chief Financial Officer Front cover: The Philadelphia Assembled exhibition joined art and civic engagement. Initiated by artist Jeanne van Heeswijk and shaped by hundreds of collaborators, it told a story of radical community building and active resistance; this spread, clockwise from top left: 6 Keith L. Sachs (photograph by Elizabeth Leitzell); Blocks, Strips, Strings, and Half Squares, 2005, by Mary Lee Bendolph (Purchased with the Phoebe W. Haas fund for Costume and Textiles, and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection, 2017-229-23); Delphi Art Club students at Traction Company; Rubens Peale’s From Nature in the Garden (1856) was among the works displayed at the 2018 Philadelphia Antiques and Art Show; the North Vaulted Walkway will open in spring 2019 (architectural rendering by Gehry Partners, LLP and KXL); back cover: Schleissheim (detail), 1881, by J. Frank Currier (Purchased with funds contributed by Dr. Salvatore 10 22 M. Valenti, 2017-151-1) 30 34 A Message from the Chair A Message from the As I observe the progress of our Core Project, I am keenly aware of the enormity of the undertaking and its importance to the Museum’s future. Director & President It will be transformative. It will not only expand our exhibition space, but also enhance our opportunities for community outreach. -
Diane Rosenstein
DIANE ROSENSTEIN The New New: Ray Anthony Barrett, Aaron Fowler, Genevieve Gaignard, Tschabalala Self, Michael Shultis, and Jason Stopa October 17 – November 28, 2015 Gallery Hours: Tuesday - Saturday, 10am – 6:00 pm Opening: Saturday, October 17th, 2015, 6:00 – 8:00 pm Diane Rosenstein Gallery is pleased to announce The New New, an exhibition of painting, drawing, mixed-media, and collage by six emerging artists from New York and Los Angeles: Ray Anthony Barrett, Aaron Fowler, Genevieve Gaignard, Tschabalala Self, Michael Shultis, and Jason Stopa. The works in this show are multi-dimensional, with some artists using heavy impasto, collage, or flirting with the intersection of painting and sculpture. Connecting the varied practices in The New New is an explicit use of text – song lyrics, art theory, slogans, and commercial branding - in a formally exciting interplay between word, image and painting. Ray Anthony Barrett’s recent drawings take art historian and curator Darby English’s writing as a starting point. English was concerned with the nature of Black art (and what happens if and when Black artists stop making it). Barrett’s ink on paper drawings, such as STOP, use repeated text in alternating sequences to create provocative, thought-provoking statements. Aaron Fowler weaves personal narrative into mythic allegory and often depicts himself as a Pilgrim traversing a post-apocalyptic landscape. In Aaron Fowler Looks For A Way Out of the City of Destruction, the artist incorporates materials as varied as glass doors, oatmeal, mirrors, CDs, clothing, and hair into an epic self-portrait at once imposing and fragile. Genevieve Gaignard uses alter egos in often humorous self-portraiture to question our relationship to personae, identity, and popular culture. -
2026 Capital Budget for Fiscal Year 2021
City of Philadelphia Six Year Capital Program for Fiscal Years 2021 – 2026 Capital Budget for Fiscal Year 2021 RECOMMENDED CAPITAL PROGRAM AND BUDGET This report is available online at www.phila.gov/finance and www.phila.gov/CityPlanning City of Philadelphia James F. Kenney, Mayor Philadelphia City Planning Commission Philadelphia Budget Office Marisa Goren Waxman, AICP, Budget Director Anne Fadullon, Chair Peilin Chen, Deputy Budget Director, Capital and Real Estate Joseph Syrnick, Vice Chairman Tavare Brown, Assistant Budget Director Brian Abernathy, Managing Director Shawn Dunn Rob Dubow, Finance Director Maribel Rosado Sylvie Gallier Howard, Acting Commerce Director Thomas Tartack Garlen Capita Monique Turner Patrick Eiding Cheryl Gaston Maria Gonzalez Nancy Rogo Trainer, FAIA, AICP Ariel Vazquez Philadelphia City Planning Commission Staff Department of Public Property Eleanor Sharpe AICP, Executive Director Bridget Collins‐Greenwald, Commissioner Martha Cross, AICP, Deputy Director Thomas C. McDade III, Deputy Chief of Staff Martine Decamp, AICP, Deputy Director Valerie Bergman, Deputy Commissioner, Capital John Haak, AICP, Director, Planning Policy and Analysis Harold Aponte, Project Director, Real Estate Paula Burns, AICP Roy D. Conard, Project Director, Capital Sarah Chiu, AICP James Lowe, Project Director, Capital Keith F. Davis, AICP Marc Orgovan, Project Director, Capital Jametta Johnson Pedro Pinto, Project Director, Capital David Kanthor, AICP Jason Stevens, Project Director, Capital David Munson Ayse Unver, AICP, LEED GA -
GG CV GPD.Indd
GENEVIEVE GAIGNARD Born 1981 in Orange, MA, US Lives and works in Los Angeles, CA, US EDUCATION: 2014 MFA, Photography, Yale University, New Haven, CT, US 2007 BA, Photography, Massachusetts College of Art and Design, Boston, MA, US SOLO EXHIBITIONS: 2019 I’m Sorry I Never Told You That You’re Beautiful, Vielmetter Los Angeles, Los Angeles, CA, US In Passing, The Art Galleries at Black Studies, University of Texas, Austin, TX, US Black White and Red All Over, Monique Meloche, Chicago, IL, US 2018 Counterfeit Currency, The FLAG Art Foundation, New York, NY, US Hidden Fences, Praz-Delavallade, Paris, FR 2017 Genevieve Gaignard, Shulamit Nazarian, Expo Chicago, IL, US Grassroots, Prospect.4, New Orleans, LA, US In Passing, Houston Center for Photography, Houston, TX, US The Powder Room, Shulamit Nazarian, Los Angeles, CA, US 2016 Smell the Roses, California African American Museum, Los Angeles, CA, US Apt #3104, Shulamit Nazarian, SPRING/BREAK Art Show, New York, NY, US 2015 Us Only, Shulamit Nazarian, Los Angeles, CA, US A Golden State of Mind, Diane Rosenstein Presents at The Cabin LA, Los Angeles, CA, US GROUP EXHIBITIONS: 2019 Millard Sheets Art Center, Pomona, CA, US (forthcoming) Still I Rise, MASS MoCA, North Adams, MA, US Quiet as It’s Kept: Passing Subjects, Contested Identities, Frances Lehman Loeb Art Center at Vassar College, Poughkeepsie, NY, US Politically Private: The Interplay of Personal Identity and Public Performance, Guggenheim Gallery at Chapman University, Orange, CA, US Lost and Found in America, Florida Museum of Photorgaphic -
IFA-Annual-2018.Pdf
Your destination for the past, present, and future of art. Table of Contents 2 W e l c o m e f r o m t h e D i r e c t o r 4 M e s s a g e f r o m t h e C h a i r 7 T h e I n s t i t u t e | A B r i e f H i s t o r y 8 Institute F a c u l t y a n d F i e l d s o f S t u d y 14 Honorary F e l l o w s h i p 15 Distinguished A l u m n a 16 Institute S t a f f 1 9 I n M e m o r i a m 2 4 F a c u l t y Accomplishments 30 Spotlight o n F a c u l t y R e s e a r c h 4 2 S t u d e n t V o i c e s : A r t H i s t o r y 4 6 S t u d e n t V o i c e s : Conservation 50 Exhibitions a t t h e I n s t i t u t e 5 7 S t u d e n t Achievements 6 1 A l u m n i i n t h e F i e l d 6 8 S t u d y a t t h e I n s t i t u t e 73 Institute S u p p o r t e d Excavations 7 4 C o u r s e H i g h l i g h t s 82 Institute G r a d u a t e s 8 7 P u b l i c Programming 100 Support U s Art History and Archaeology The Conservation Center The James B. -
GENEVIEVE GAIGNARD Born 1981 in Orange, MA, US Lives and Works in Los Angeles, CA, US
GENEVIEVE GAIGNARD Born 1981 in Orange, MA, US Lives and works in Los Angeles, CA, US EDUCATION: 2014 MFA, Photography, Yale University, New Haven, CT, US 2007 BA, Photography, Massachusetts College of Art and Design, Boston, MA, US ONE-PERSON EXHIBITIONS: 2018 Hidden Fences, Praz-Delavallade, Paris, FR 2017 Genevieve Gaignard, Shulamit Nazarian, Expo Chicago, IL, US Genevieve Gaignard, Prospect.4, New Orleans, LA, US In Passing, Houston Center for Photography, Houston, TX, US The Powder Room, Shulamit Nazarian, Los Angeles, CA, US 2016 Smell the Roses, California African American Museum, Los Angeles, CA, US Apt #3104, Shulamit Nazarian, SPRING/BREAK Art Show, New York, NY, US 2015 Us Only, Shulamit Nazarian, Los Angeles, CA, US A Golden State of Mind, Diane Rosenstein Presents at The Cabin LA, Los Angeles, CA, US GROUP EXHIBITIONS: 2017 Fictions, Studio Museum in Harlem, NY, US Face to Face: Los Angeles Collects Portraiture, California African American Museum, Los Angeles, CA, US Comm|Alt|Shift, Aljira Center for Contemporary Art, Newark, NJ, US Industry, dc3 Gallery, Edmonton, Alberta, CA 2016 Summer School, The FLAG Art Foundation, New York, NY Other Spaces, dc3, Edmonton, Alberta, CA 2014 The New New, Diane Rosenstein Gallery, Los Angeles, CA, US Shaq Loves People (Curated by Shaquille O’Neal), Expose Chicago, Chicago, IL, US Deep End, Yale MFA Photography Thesis, Diane Rosenstein Gallery, Los Angeles, CA, US Deep End, Yale MFA Photography Thesis, The FLAG Art Foundation, New York, NY, US Deep End, Yale MFA Photography Thesis, Yale -
2015 Benefit Auction Program Preview Program Preview Program Preview Saturday, November 7 Preview Exhibition: November 2-6
2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT AUCTION PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW 2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT 2015 BENEFIT AUCTION PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW SATURDAY, NOVEMBER 7 PREVIEW EXHIBITION: NOVEMBER 2-6 2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW WWW.SFCAMERAWORK.ORG ABOVE: CHRIS MCCAW, Sunburned GSP#815 ON COVER: PHILLIP MAISEL, (Mojave), 2014, LOT 54 Feldspar (1101), 2015, LOT 22 Chris McCaw’s Sunburn prints pare photogra- Phillip Maisel’s work lies somewhere between docu- phy down to its most basic elements—light and mentation, sculpture, photography, and collage. His time. For each unique photograph, McCaw makes working process begins with impermanent arrange- hours-long exposures onto photo-sensitive paper, ments of everyday materials – paper, glass, mirrors, allowing the sun to literally burn a trace of its tape - staged for the camera’s lens. He then makes path across the sky. This sunrise diptych was multiple adjustments – repositioning, introducing made in late winter in the Mojave. McCaw’s work or extracting various elements – and photographing has been exhibited most recently at the J. Paul each intervention in a sequence. Elements used in Getty Museum, Los Angeles; the National Gallery various stages of photographic processes (color fil- of Art, Washington, D.C.; and the Phoenix Art ters, glassine, and prints themselves) are integrated Museum. Sunburn, a monograph of his photo- back into the artwork either as part of the sculpture graphs was published by Candela Books in 2012. or as collage elements that may be re-inserted into a new, composite creation. -
Getting Site-Specific at the Met
4/4/2017 Getting Site-Specific at The Met | The Metropolitan Museum of Art Blogs / MetLiveArts Blog / Getting Site-Specific at The Met Getting Site-Specific at The Met March 25, 2016 Meryl Cates, Press Officer, MetLiveArts Members of David Dorfman Dance perform in the Sunken Garden at The Met Breuer as part of the new location's opening-day celebration. Photo by Stephanie Berger http://www.metmuseum.org/blogs/met-live-arts/2016/met-breuer-opening-day-performances-and-stockhausen-klang 1/6 4/4/2017 Getting Site-Specific at The Met | The Metropolitan Museum of Art The Met Breuer has been open just one week, and already several site-specific works have animated the iconic building on Madison Avenue at 75th Street. On the opening day, March 18, David Dorfman Dance led the way with an inspired performance created for the outdoor Sunken Garden. A buoyant work, the dancers commanded the space with arresting lifts that were creatively crafted using the building itself as support. Dorfman's choreography and the music by Ken Thomson and Friends was completely captivating, and offered a satisfying and unexpected intimacy—no small feat for such a large opening-day celebration. Audiences lined the Garden, windows, sidewalks—wherever there was a view—for each of the day's six performances. It is easy to romanticize The Met Breuer as an ideal location for site-specific live arts. The building boasts subtle details that continue to unfold and further reveal themselves, visit after visit. To see live arts staged with such beauty and nuance is an exciting sign of what's to come in future seasons.