DOCSLIB.ORG

2015 Benefit Auction Program Preview Program Preview Program Preview Saturday, November 7 Preview Exhibition: November 2-6

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2015 Benefit Auction Program Preview Program Preview Program Preview Saturday, November 7 Preview Exhibition: November 2-6 2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT AUCTION PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW 2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT 2015 BENEFIT AUCTION PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW SATURDAY, NOVEMBER 7 PREVIEW EXHIBITION: NOVEMBER 2-6 2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW WWW.SFCAMERAWORK.ORG ABOVE: CHRIS MCCAW, Sunburned GSP#815 ON COVER: PHILLIP MAISEL, (Mojave), 2014, LOT 54 Feldspar (1101), 2015, LOT 22 Chris McCaw’s Sunburn prints pare photogra- Phillip Maisel’s work lies somewhere between docu- phy down to its most basic elements—light and mentation, sculpture, photography, and collage. His time. For each unique photograph, McCaw makes working process begins with impermanent arrange- hours-long exposures onto photo-sensitive paper, ments of everyday materials – paper, glass, mirrors, allowing the sun to literally burn a trace of its tape - staged for the camera’s lens. He then makes path across the sky. This sunrise diptych was multiple adjustments – repositioning, introducing made in late winter in the Mojave. McCaw’s work or extracting various elements – and photographing has been exhibited most recently at the J. Paul each intervention in a sequence. Elements used in Getty Museum, Los Angeles; the National Gallery various stages of photographic processes (color fil- of Art, Washington, D.C.; and the Phoenix Art ters, glassine, and prints themselves) are integrated Museum. Sunburn, a monograph of his photo- back into the artwork either as part of the sculpture graphs was published by Candela Books in 2012. or as collage elements that may be re-inserted into a new, composite creation. 2 | #SFCAuction www.sfcamerawork.org 2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT AUCTION PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW SF CAMERAWORK SUPPORTS EMERGING ARTISTS AND NEW IDEAS IN THE PHOTOGRAPHIC ARTS 2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW 2015 BENEFIT AUCTION SATURDAY, NOVEMBER 7, 2015 Registration begins at 5:30 PM Bidding begins at 7:00 PM LOCATION SF Camerawork 2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT 1011 Market Street, 2nd Floor PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW San Francisco, CA 94103 AUCTIONEER Rick Wester, Rick Wester Fine Art, NYC ADMISSION $30 in advance $40 at the door Purchase tickets at: sfcamerawork.org/auction PREVIEW EXHIBITION RICHARD MISRACH, IPS #6829 (Scrub 17), November 2-6, 2015 LOT 85 Gallery hours: Tuesday - Friday, 12 - 6 PM, Saturday 12 - 5 PM Internationally-acclaimed photographer Richard Misrach and by appointment has been pioneering both color and large-scale photogra- phy since the 1970s. Recently he has been working on a ABSENTEE BIDS series of large-scale negative prints based on landscapes, Absentee bid forms can be found at sfcamerawork.org/auction or by seascapes and mostly dead, desert vegetation such as calling the gallery at 415-487-1011. tumbleweeds and scrub-brush. Early on he began us- ing iPhone pictures as studies for the large works, but he The auction catalog can be came to appreciate the intimate scale and unusual beauty viewed online at: of the small prints, such as IPS #6829 (Scrub 17) shown sfcameraworkauction.org/auction above, in their own right. Richard Misrach is the recipient of numerous awards in the arts including four National Catalog Design: Endowment for the Arts Fellowships and a Guggenheim Monique Deschaines Fellowship. His photographs are held in the collections of and Anthony Laurino Design major museums throughout the world. #SFCAuction | 3 SUPPORTERS OF THE 2015 BENEFIT AUCTION HONORARY COMMITTEE Shoshana Berger Allie Haeusslein Frank Mainzer Michelle Branch and Dale Cook Peter Hirshberg RJ Muna and Kerry Mansfield Dave Elfving Heather Holt Chris McCall Alexis Gordon Amanda Hughen Thomas Meyer Doug Mandell SPONSORS Delicious Catering New Belgium Brewing F8 Beverage Catering Bi-Rite Catering Mullen Brothers Imaging Blue Angel Vodka Page Imageworks/Tony Page Rocky Oak Vineyard photograph & frame Toad Hollow Vineyards Smith Andersen North B3-Blooms by Brandon Sterling Art Services photograph&frame 4 | #SFCAuction 2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT AUCTION PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW Welcome to SF Camerawork’s 2015 Benefit Auction. This year we’ve made a few exciting changes that we hope will increase the benefits for our collectors, donors, supporters, and ultimately all the artists we serve. First of all, we’ve moved the time of our event to 1011 Market Street, 2nd Floor the evening, 2014after 30 FINE years wePRINT felt it was time. But2014 we areFINE dedicated PRINT to keeping the2014 live FINE PRINT San Francisco, CA 94103 auction as thePROGRAM traditional, PREVIEW formal auction it has PROGRAMalways been, PREVIEW and leading us in thisPROGRAM will PREVIEW 415.487.1011 be venerable auctioneer Rick Wester, presiding over our auction for the second year in a [email protected] www.sfcamerawork.org row. Mr. Wester is both deeply knowledgable in the field of photography and a dedicated supporter of SF Camerawork. STAFF Another important change we’ve made is to the format of the catalog in your hands. Heather Snider, Executive Director In place of the alphabetical lot order we’ve used in the past, our staff and board have Michael Thurin, Gallery Manager worked together to design a thoughtfully curated presentation of works, bringing many varied artists and their works BOARD OF DIRECTORS together to compliment and resonate Jeanne Friscia, President with one another.2014 We’ve FINE also PRINT added 2014 FINE PRINT 2014 FINE PRINT Ellen Shershow, Vice-President background informationPROGRAM about PREVIEW certain PROGRAM PREVIEW PROGRAM PREVIEW Ken Hoffman, Treasurer works, providing some context which Matt Kellogg, Secretary will hopefully pique your interest in Rachel Been finding out more. Amy Cole Lisa Cole Finally, we are also offering several Monique Deschaines, Programming Chair “experience” items this year, both Adriana Grino, Membership Chair widening the range of what we have Miki Johnson, Governance Chair on offer in the sale and underlining Marcia Kadanoff the community spirit that supports Anthony Laurino SF Camerawork. Many thanks to Darrin Martin Fraenkel Gallery, Dickerman Prints, Bernadette Opine, Outreach Chair and Kari Orvik and Dave Elfving for MEGHANN RIEPENHOFF, Littoral Drift #38, LOT 73, Meghann Riepehhoff solo exhibition Danica Sachs contributing their personal time and opening at SF Camerwork December 2015 Francesca Sonara resources towards this new intiative. Edna Togba If there is one point we would like to emphasize this year, it is that of community. SF Robyn Wise Camerawork plays a vital role in providing opportunities and enrichment for artists and the greater community, who in turn support SF Camerawork and make everything we do ARTS ADVISORY COMMITTEE possible. Please remember that SF Camerawork belongs to all of us, and we hope you find Abigail Solomon-Godeau opportunity to enjoy our exhibitions, publications, and events throughout the year. Carolina Ponce De León Donna J. Wan Our heartfelt thanks to all of the artists who generously donated their works to this Janet Delaney sale. The quality of work this year is tremendous and reflects the amazing breadth of Sergio De La Torre contemporary practice in photography. Viet Lê We look forward to seeing you on the evening of November 7th! INTERNS Lola Chaves Laura Amschel Emilie Flory Heather Snider Jeanne Friscia Kristina Graber Executive Director President, Board of Directors Ben Hoffman Ashlei Quinones 2015 Auction Committee: Anna Rotty Ellen Shershow, Chair; Amy Cole; Lisa Cole; Monique Deschaines; Elizabeth Bennett - Social Media Marcia Kadanoff; Danica Sachs; Interns: Anna Rotty and Emilie Flory #SFCAuction | 5 LOT 2 LOT 1 LOT 4 LOT 3 LOT 1 t.w. five LOT 2 JANE REED Drömlandet, 2015, Hand-cut adhesive-backed vinyl on panel; David Ireland, Skellig, 1994/2015, Archival Pigment Print; 40 x 40 inches; Unique; signed on verso; $4,500. Donated by 10.75 x 15.75 inches; Edition 3; signed on front; $2,000. the artist. Donated by the artist. LOT 3 MIMI PLUMB LOT 4 WRIGHT MORRIS Pyramid Lake, 1985/2015, Gelatin Silver Print; 16 x 20 Faulkner Country, Near Oxford, Mississippi, 1939/1962, inches; Edition 5/15; signed on verso; $1,500. Donated by Gelatin Silver Print; 8 x 10 inches; signed on verso; $3,000. the artist. Donated by Stephen Arkin. WRIGHT MORRIS was both an accomplished writer and photog- rapher. His work was exhibited widely during his lifetime and is archived at the Center for Creative Photography, Tucson. This picture was taken on an extended photographic trip Morris made in 1939. He drove to William Faulkner’s house but could not bring himself to meet the author. He took this picture after sleeping in his car nearby. 6 | #SFCAuction LOT 6 LOT 5 LOT 7 LOT 8 LOT 5 MCNAIR EVANS LOT 6 RICHARD GILLES Floodlight, 2009/2014, Archival Pigment Print; 20 x 29 Parcel 084-081-002 WideLoad, 2013/2015, inkjet print; inches; Edition 3/5; signed on verso; $3,200. Donated by the 16 x 34 inches; Edition 1/10; signed on verso; $900. artist and Sasha Wolf Gallery, New York, NY. Donated by the artist and Axis Gallery, Sacramento, CA. LOT 7 VIET LÊ LOT 8 OLIVER LEACH Untitled (girlhood among ghosts), 2002, Lambda C-print, UFO 1-8, 2009/2015, C-Print; 20 x 16 inches; signed on face-mounted on Plexi; 8 x 8 inches; Edition 1/3; signed on verso; $800. Donated by the artist. mount; $1,000. Donated by the artist. #SFCAuction | 7 LOT 10 LOT 9 LOT 12 LOT 11 LOT 13 LOT 9 KOTA EZAWA LOT 10 ANDY FREEBERG Richter with Grey Monochromes, 2013, Gelatin Silver Print; Patti Smith, 1978/2015, Archival Pigment Print; 11 x 16 16.25 x 16.5 inches; Edition 3/7; signed on label; $3,750.
Load more

Recommended publications
  • Notices for 12.4
    AFTERIMAGE NOTICES FOR THE WEEK OF DECEMBER 4, 2009 EXHIBITIONS ARIZONA Scottsville: Scottsdale Museum of Contemporary Art, 7374 E. 2nd St. Unexpected Wegman: From the Collection of the Scottsdale Museum of Contemporary Art. Through Jan. 24. southwestNET: film and video: Looking Through the Other End of A Telescope. Through Jan. 24. Rewind Remix Replay: Design, Music & Everyday Experience. Dec. 19-May 23. www.smoca.org. Tucson: Etherton Gallery, 135 S. 6th Ave. Poetics of Light. Through Feb. 27. www.ethertongallery.com. Tucson: University of Arizona, Center for Creative Photography, 1030 N. Olive Rd. John Gutmann: The Photographer at Work. Through Jan. 23. www.creativephotography.org. CALIFORNIA Berkeley: Photolab, 2235 5th St. Ruth Kaiser: The Spontaneous Smiley Project. Through Jan. 2. www.photolaboratory.com. Berkeley: University of California, Berkeley Art Museum & Pacific Film Archive, 2625 Durant Ave. Omer Fast: Nostalgia. Through Dec. 17. Hak Kyung Cha: Earth. Through Dec. 20. Material Witness: A World in Upheaval. Through Dec. 20. New Pathways to Ancient Traditions: Recent Acquisitions to the Asian Art Collection. Through Feb. 14. Joe McKay: Big Time. Dec. 1-Feb. 28. Photographs by Ari Marcopoulos: Within an Arm’s Reach. Through Feb. 7. Sarah Charlesworth: Arc of Total Eclipse. Through Feb. 7. Fernando Botero: The Abu Ghraib Series. Through Feb. 7. Assignment Shanghai: Photographs on the Eve of Revolution. March 3-June 27. What it All Means: William T. Wiley in Retrospect. March 13-June 20. www.bampfa.berkeley.edu. Claremont: Pitzer College, Nichols Gallery, 1050 N. Mills Ave. Group Show:Veronica. Through Dec. 11. www.pitzer.edu/galleries/. El Cajon: Grossmont College, Hyde Art Gallery, 8800 Grossmont College Drive.
    [Show full text]
  • 7344 Filed 09/08/14 Entered 09/08/14 20:47:51 Page 1 of 392
    UNITED STATES BANKRUPTCY COURT EASTERN DISTRICT OF MICHIGAN SOUTHERN DIVISION ----------------------------------------------------x : : In re: Chapter 9 : CITY OF DETROIT, MICHIGAN, : Case No. 13-53846 : Debtor. Hon. Steven W. Rhodes : : ----------------------------------------------------x SECOND AMENDED STIPULATION TO ENTRY OF SECOND AMENDED JOINT FINAL PRETRIAL ORDER BY DEBTOR AND CERTAIN PLAN OBJECTORS Pursuant to Local Bankruptcy Rule 7016-1 and paragraph 6(c) of the Eighth Amended Order Establishing Procedures, Deadlines and Hearing Dates Relating to the Debtor’s Plan of Adjustment (Aug. 13, 2014) [Dkt. 6699], (a) the City of Detroit, Michigan (the “City”), the proponent of the Sixth Amended Plan for the Adjustment of Debts of the City of Detroit (Aug. 20, 2014) [Dkt. 6908] (as it may be further amended, modified or supplemented, and including all exhibits and attachments thereto, the “Plan”), (b) certain supporters of the Plan (collectively with the City, the “Plan Supporters”), including The Detroit Institute of Arts, a Michigan nonprofit corporation (the “DIA Corp.”), the Official Committee of 13-53846-swr Doc 7344 Filed 09/08/14 Entered 09/08/14 20:47:51 Page 1 of 392 Retirees of the City of Detroit (the “Committee”), the Police and Fire Retirement System of the City of Detroit and the General Retirement System of the City of Detroit (together, the “Retirement Systems”), the Detroit Police Officers Association (the “DPOA”), the Retiree Association Parties, and the State of Michigan, and (c) certain objectors to the Plan (collectively, the “Objectors”), including (i) Syncora Guarantee Inc. and Syncora Capital Assurance Inc. (together, “Syncora”), (ii) Financial Guaranty Insurance Company (“FGIC”), (iii) Assured Guaranty Municipal Corporation (“Assured”), (iv) National Public Finance Guarantee Corporation (“National”), (v) Berkshire Hathaway Assurance Corporation (“BHAC”), (vi) U.S.
    [Show full text]
  • SFMOMA Library & Archives 151 Third Street San Francisco, CA 94103
    SFMOMA Library & Archives 151 Third Street San Francisco, CA 94103 Finding Aid to the San Francisco Museum of Modern Art Publications Collections, 1935-ongoing Collection Number: ARCH.ADM.009 Funding for the processing of this collection was provided by the Getty Foundation. Finding Aid written by: Jessica Lemieux (updated: Jason Hosford) Completed: 2008 Last updated: May 2012 ©2012 San Francisco Museum of Modern Art. All rights reserved. TABLE OF CONTENTS Collection Summary p. 2 Information for Researchers p. 3 Administrative Information p. 4 Processing Note p. 5 Scope and Content Note p. 6 Series Description p. 8 Container List p. 9-43 Series 1: Example Publications, 1944-2008 p. 9 Series 2: SFMA/SFMOMA Activities, 1948-2009 p. 9-10 Series 3: Women’s Board and MAC, 1947-2009 p. 10-11 Series 4: Periodicals, 1935-ongoing p. 11 Series 5: Other Publications, 1942-ongoing p. 11-12 Series 6: Exhibition Publications, 1935-ongoing p. 12-43 Subseries 6.1: Exhibition Ephemera, 1948-ongoing p. 12-13 Subseries 6.2: Exhibition Catalogs, 1935-ongoing p. 13-43 Appendix A: Catalog Title to Exhibition Name Crosswalk p. 44-81 San Francisco Museum of Modern Art 1 COLLECTION SUMMARY Collection Title San Francisco Museum of Modern Art, Publications collection, 1935-ongoing Collection number ARCH.ADM.009 Creator San Francisco Museum of Modern Art. This collection includes records of this same body under its earlier name, San Francisco Museum of Art (name changed in 1975). Extent 43 linear feet (25 boxes, 32 oversize boxes, 7 flat boxes, 2 tubes, 91 vol.) Repository SFMOMA Library & Archives 151 Third Street San Francisco, CA 94103 Abstract The San Francisco Museum of Modern Art Publications collection documents the museum’s publications from 1935 to the present.
    [Show full text]
  • Faculty Publications Creative Works
    College of Communication and Fine Arts FACULTY PUBLICATIONS AND CREATIVE WORKS 2016-2017 Where Traditions Meet Cover images designed by students in Professor Saeri Cho Dobson’s “Experimental Typography” class in 2012: Caroline Bell, Aristotelis Courcoubetis, Kyle Crowther, Kaitlin Dela Cruz, Rachel Fell, Michael Fullem, Nicholas Garcia, Ashley Gudenzi, Deborah Herrera, Jazmin Infante, Sara Layon, Cooper McKenna, Leanne McNamee, Juni Min, Jessica Wong and Matthew Yamane. Faculty Publications and Creative Works 2016-2017 College of Communication and Fine Arts Where Traditions Meet This booklet celebrates and documents invited professional presentations, publications, sponsored projects and public performances of creative works from January 2016 to December 2017 by faculty members in the College of Communication and Fine Arts, as submitted to the Dean’s office. A special section in the booklet also recognizes creative works and academic accomplishments for 2016-2017 by undergraduate and graduate students in the College of Communication and Fine Arts. The College of Communication and Fine Arts (CFA) is proud to host three Distinguished Professors: Lawrence A. Wenner, Von der Ahe Chair in Communication and Ethics, Elizabeth Henley, President’s Professor of Theatre Arts and Philip Wander, President’s Professor of Communication Studies. The appearance or nonappearance of a specific work in this booklet is not intended to indicate how the work is to be recognized or evaluated in the merit review or rank and tenure processes. Entries may have been revised for overall consistency, but due to time considerations accuracy of bibliographic form or content is left to the contributors. 2 This booklet is organized alphabetically and in three sections: Part I: Full-Time Faculty Part II: Part-Time Faculty Part III: Students 3 FACULTY PUBLICATIONS AND CREATIVE WORKS 2016-2017 FULL-TIME FACULTY ALEXANDER, BRYANT KEITH Professor of Communication and Performance Studies Dean, College of Communication and Fine Arts Editorship: Alexander, B.
    [Show full text]
  • Jean-Noel Archive.Qxp.Qxp
    THE JEAN-NOËL HERLIN ARCHIVE PROJECT Jean-Noël Herlin New York City 2005 Table of Contents Introduction i Individual artists and performers, collaborators, and groups 1 Individual artists and performers, collaborators, and groups. Selections A-D 77 Group events and clippings by title 109 Group events without title / Organizations 129 Periodicals 149 Introduction In the context of my activity as an antiquarian bookseller I began in 1973 to acquire exhibition invitations/announcements and poster/mailers on painting, sculpture, drawing and prints, performance, and video. I was motivated by the quasi-neglect in which these ephemeral primary sources in art history were held by American commercial channels, and the project to create a database towards the bibliographic recording of largely ignored material. Documentary value and thinness were my only criteria of inclusion. Sources of material were random. Material was acquired as funds could be diverted from my bookshop. With the rapid increase in number and diversity of sources, my initial concept evolved from a documentary to a study archive project on international visual and performing arts, reflecting the appearance of new media and art making/producing practices, globalization, the blurring of lines between high and low, and the challenges to originality and quality as authoritative criteria of classification and appreciation. In addition to painting, sculpture, drawing and prints, performance and video, the Jean-Noël Herlin Archive Project includes material on architecture, design, caricature, comics, animation, mail art, music, dance, theater, photography, film, textiles and the arts of fire. It also contains material on galleries, collectors, museums, foundations, alternative spaces, and clubs.
    [Show full text]
  • P H O T O N E W S L E T T
    The PHOTO REVIEW NEWSLETTER January / February 2016 Betty Hahn Starry Night Variation #2, 1977, screenprint, 22"x18" , from “Look Inside” at the Harry Ransom Center, Austin, TX © Betty Hahn. Courtesy of Harry Ransom Center. Exhibitions PHILADELPHIA AREA Paul Grand “Beyond the Surface,” James A. Michener Art Museum, 138 S. Pine St., Doylestown, PA 18901, 215/340-9800, Abbas “Children of Abraham,” Arthur Ross Gallery, University www.michenerartmuseum.org, T–F 10–4:30, Sat 10–5, Sun 12–5, of Pennsylvania, 220 S. 34th St., Philadelphia, PA 19104, 215/898- through February 7. 2083, www.upenn.edu/ARG, T–F 10–5, Sat–Sun 12–5, through March 20. Holiday Show & Art Sale The Center for Emerging Visual Art- ists, Bebe Benoliel Gallery at the Barclay, 237 S. 18th St., Suite By the Book: New Photography Publications The Print 3A, Philadelphia, PA 19103, 215/546-7775, www.cfeva.org, M–F Center, 1614 Latimer St., Philadelphia, PA 19103, 215/735-6090, 11–4, through January 15. www.printcenter.org, T–Sat 11–6, February 5 – April 23. Recep- tion, Thursday, February 4, 6–8 PM. Instagram Format Show Silicon Gallery, 139 N. 3rd St., Phila- delphia, PA 19106, 215/238-6062, T–F 9:30–5:30, silicongallery. Pete Checchia “Blindfolded Americans,” James Oliver Gallery, org, Sat 12–5, through January 30. 723 Chestnut St., 4th f., Philadelphia, PA 19106, 267/918-7432, www.jamesolivergallery.com, W–F 5–8, Sat 1-8, and by appt., Loli Kantor “Beyond the Forest,” The Sol Mednick Gallery, through February 5. University of the Arts, The Terra Building, 211 S.
    [Show full text]
  • Art in Cinema : Documents Toward a History of the Film Society
    Art in Cinema In the series Wide Angle Books edited by Erik Barnouw, Ruth Bradley, Scott MacDonald, and Patricia Zimmermann Scott MacDonald, Cinema 16: Documents Toward a History of the Film Society David E. James, ed., The Sons and Daughters of Los: Culture and Community in L.A. David E. James, ed., Stan Brakhage: Filmmaker Kate Horsfield and Lucas Hilderbrand, Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews Art in Cinema Documents Toward a History of the Film Society Final Selection, Editing, and Introduction by Scott MacDonald Original Idea and Selection of Materials by Robert A. Haller TEMPLE UNIVERSITY PRESS Philadelphia Temple University Press 1601 North Broad Street Philadelphia PA 19122 www.temple.edu/tempress Copyright © 2006 by Temple University All rights reserved Published 2006 Printed in the United States of America The paper used in this publication meets the requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992 Title page photo: Frank Stauffacher in his studio on Montgomery Street, during the editing of Notes on the Port of St. Francis (1952). Photographer unknown; courtesy Jack Stauffacher. Library of Congress Cataloging-in-Publication Data Art in Cinema : documents toward a history of the film society / [edited by] Scott MacDonald. p. cm. — (Wide angle books) Includes numerous letters to and from Frank Stauffacher, director of the film series, Art in cinema. Includes a facsimile of Art in cinema, published 1947 by the Art in Cinema Society. Includes bibliographical references and index. ISBN 1-59213-425-4 (cloth : alk.
    [Show full text]
  • CV Janetdelaney 042021.Pdf
    E U Q I N O M g a l l e r y JANET DELANEY www.janetdelaney.com EDUCATION 1981 Masters of Fine Arts in Photography, San Francisco Art Institute, San Francisco, CA 1975 Bachelors of Fine Arts with Honors, San Francisco State University, San Francisco, CA SELECTED SOLO EXHIBITIONS 2018 Public Matters, Euqinom Gallery, San Francisco, CA Hamburg Triennial, Hamburg, Germany South of Market, The University of the Arts, Philadelphia, PA 2016 SoMa Now: South of Market in Transition, San Francisco Airport Museum, SFO, CA 2015 Janet Delaney: South of Market, de Young Museum, San Francisco, CA 2015 New York City 1984-1987, Jules Maeght Gallery, San Francisco CA 2008 Between Chaos and Grace, Southwestern College, San Diego, CA 1999 Housebound, Blue Sky Gallery, Portland, OR 1996 Housebound, University of Colorado, Boulder, CO 1995 OH, BABY! Santa Clara University, Santa Clara, CA 1987 A Grandmother’s Story, Rutgers University, New Brunswick, NJ 1987 A Grandmother’s Story, College of Bakersfield, Bakersfield, CA 1986 Nicaragua, Eye Gallery, San Francisco, CA 1983 Form Follows Finance, Nova Scotia College of Art & Design, Halifax, Canada 1982 Form Follows Finance, SF Camerawork, San Francisco, CA 1979 Exhibition James D. Phelan Award in Photography, SF Camerawork, San Francisco, CA 1978 Interiors, Mission Cultural Center, San Francisco, CA SELECTED GROUP EXHIBITIONS 2020 Early Works / Never Shown, EUQINOM Gallery, San Francisco, CA 2019 Unlimited: Recent Gifts from the William Goodman and Victoria Belco Photography Collection, BAMPFA, Berkeley, CA 2018
    [Show full text]
  • EIRIK JOHNSON 302 27Th Avenue Seattle WA 98122 [email protected] 510.282.0295
    EIRIK JOHNSON 302 27th Avenue Seattle WA 98122 [email protected] 510.282.0295 www.eirikjohnson.com Education 2003 M.F.A., San Francisco Art Institute 1997 B.F.A. Photography & B.A. History, University of Washington (cum laude, Phi Beta Kappa) Awards, Honors, and Commissions City of Seattle, Office of Arts and Culture Commission, 2019 Artist Trust Fellowship, 2017 Artist in Residence at the Donkey Mill Art Center, Holualoa, HI, 2017 Betty Bowen Special Recognition Award, Seattle Art Museum, 2015 Arts Matters Grant to Japan, 2014 John Gutmann Photography Fellowship Finalist, San Francisco, CA. 2014 Piece of Cake Photography Collective Member, 2014-present Neddy at Cornish Award in Open Medium, Seattle, WA. 2012 4Culture Individual Artist Grant, Seattle, WA. 2012 James and Audrey Foster Prize Finalist, Institute of Contemporary Art, Boston, MA. 2010 Massachusetts Cultural Council Artist Fellowship, 2009 Prix Pictet Award in Photography shortlist, London, England, 2009 KLM Paul Huf Award (nominated), Foam Editions, Amsterdam, The Netherlands, 2009 Kelner Faculty Travel Fellowship, Massachusetts College of Art and Design, 2008 Santa Fe Prize for Photography, 2005 Brooks Award to Anderson Ranch Arts Center, Snowmass, CO, 2003 Artist Book Competition, San Francisco Art Institute, 2003 San Francisco Art Institute Graduate Artistic Merit Fellowship, 2001-2003 Grant for Artist Project, Washington State Arts Council, 2001 William J. Fulbright Fellowship to Peru, 1999-2000 Solo Exhibitions 2020 PINE, Fairbanks gallery, Oregon State University, Corvallis, OR. 2019 Barrow Cabins, Peter Miller Architectural and Design Books, Seattle, WA. 2018 PINE, Rena Bransten Gallery, San Francisco, CA. PINE, G. Gibson Gallery, Seattle, WA. 2017 Unfolded, daguerreotypes made in collaboration with Daniel Carrillo, G.
    [Show full text]
  • Autumn 2008 Catalogue Spring 2008 Catalogue
    yale autumn & winter 2008 YALE CELEBRATES 100 YEARS OF PUBLISHING A World of Letters Yale University Press, 1908–2008 Nicholas A. Basbanes Yale University Press celebrates its hundredth birthday in autumn 2008 and to mark this anniversary publishes A World of Letters. The Press has published over 8,000 volumes during the years, including many bestsellers and prize-winners, in- volving a host of colourful authors, editors, sales and marketing teams, directors, board members and others. In this highly engaging volume Nicholas Basbanes, one of the most accomplished writers on books and letters, presents a revealing chronicle of the Press’s first 100 years and looks forward to the initiatives that will propel it into a second century of ambitious and innovative publishing. Nicholas Basbanes is the author of A Gentle Madness, A Splendor of Letters and the bestselling Every Book Its Reader. November 224 pp. 197x127mm. 20 b/w illus. ISBN 978-0-300-11598-7 £16.00 Subject Page This catalogue contains details of all Yale books scheduled for publication between July 2008 and February 2009. ■ Art/Architecture/Photography 10, 11, 31–61, 73 Trade orders from UK, Continental Europe, ■ Literature/Biography 20, 23, 62, 63, 74, 76 Africa, The Middle East, India, Pakistan, China and S.E. Asia to: ■ Economics 2, 68 John Wiley & Sons Ltd., Customer Services Department, 1 Oldlands Way, Bognor Regis, ■ Fashion 1 West Sussex PO22 9SA, UK (Tel. 01243 843 291/Freephone 0800 243 407) ■ History 3–7, 12–17, 19, 21–30, 72–76, 78 or direct to the London office of Yale.
    [Show full text]
  • 137 West 25Th Street, New York, NY 10001 Tel: 212.206.3583 [email protected] Gallery Hours: Tues - Sat, 10Am - 5Pm
    137 West 25th Street, New York, NY 10001 Tel: 212.206.3583 www.cueartfoundation.org [email protected] Gallery hours: Tues - Sat, 10am - 5pm Nancy Floyd, 1958/1982/2012, 2015. Archival inkjet print on Epson Exhibition Fiber. 10” x 18.3” Nancy Floyd: Weathering Time September 7 - October 21, 2017 Opening reception: Thursday, September 7, 6-8PM Conversation between Nancy Floyd and Leslie Hewitt: Wednesday, October 18, 6.30PM CUE Art Foundation is pleased to present a solo exhibition by Nancy Floyd. Titled Weathering Time, the exhibition features selections from Floyd’s archive of photographs exploring the genre of self-portraiture. Spanning thirty-five years, the ongoing series comprises thousands of varied images that form an intimate account of Floyd’s daily life. Her project tackles profound questions of ritual, purpose, and the assumed agency of photography. Floyd began photographing herself in 1982, standing in front of her camera each morning with a cable release. She has maintained this visual diary from her time working as a waitress after college to her retirement after a career as a professor of photography. Pets, friends, and family members appear alongside Floyd in some photographs—time marks their bodies as well. She captures her nieces from infancy to motherhood, when they are shown holding infants of their own. Unedited, the archive includes underexposed photographs, out-of-focus images, and blank frames that mark the days on which Floyd failed to take a photograph. In 1958/1982/2012 (2015), Floyd juxtaposes a childhood snapshot with two photographs from her series. The adult Floyd holds the frame directly in the center of the images, leaning slightly to her left with hands folded behind her back.
    [Show full text]
  • Finding Aid for the John Gutmann Miscellaneous Acquisitions Collection, AG 242
    Center for Creative Photography The University of Arizona 1030 N. Olive Rd. P.O. Box 210103 Tucson, AZ 85721 Phone: 520-621-6273 Fax: 520-621-9444 Email: [email protected] URL: http://creativephotography.org Finding aid for the John Gutmann Miscellaneous Acquisitions collection, AG 242 Finding aid updated by Alexis Peregoy, 2018 AG 242: John Gutmann Miscellaneous Acquisitions, - page 2 John Gutmann Miscellaneous Acquisitions collection, AG 242 Creator Center for Creative Photography Abstract Materials related to the photographer and teacher, John Gutmann (1905-1998). Quantity/ Extent 1 linear feet Language of Materials English Biographical/ Historical Note John Gutmann (1905–1998) was one of America’s most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-journalist. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider—a Jew in Germany, a naturalized citizen in the United States—informed his focus on individuals from the Asian-American, African- American, and gay communities, as well as his photography in India, Burma, and China during World War II. Gutmann’s interests in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy, all figure in a body of work at once celebratory and mysterious. Gutmann was born to prosperous German-Jewish parents, in Breslau, Germany (since 1945, Wrocław, Poland). At age twenty-two, he graduated from the regional Academy of Arts and Crafts, where he studied with leading Expressionist painter Otto Müller.
    [Show full text]