2015 Benefit Auction Program Preview Program Preview Program Preview Saturday, November 7 Preview Exhibition: November 2-6

2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT AUCTION PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW

2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT 2015 BENEFIT AUCTION PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW SATURDAY, NOVEMBER 7 PREVIEW EXHIBITION: NOVEMBER 2-6

2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW

WWW.SFCAMERAWORK.ORG ABOVE: CHRIS MCCAW, Sunburned GSP#815 ON COVER: PHILLIP MAISEL, (Mojave), 2014, LOT 54 Feldspar (1101), 2015, LOT 22

Chris McCaw’s Sunburn prints pare photogra- Phillip Maisel’s work lies somewhere between docu- phy down to its most basic elements—light and mentation, sculpture, photography, and collage. His time. For each unique photograph, McCaw makes working process begins with impermanent arrange- hours-long exposures onto photo-sensitive paper, ments of everyday materials – paper, glass, mirrors, allowing the sun to literally burn a trace of its tape - staged for the camera’s lens. He then makes path across the sky. This sunrise diptych was multiple adjustments – repositioning, introducing made in late winter in the Mojave. McCaw’s work or extracting various elements – and photographing has been exhibited most recently at the J. Paul each intervention in a sequence. Elements used in Getty Museum, Los Angeles; the National Gallery various stages of photographic processes (color fil- of Art, Washington, D.C.; and the Phoenix Art ters, glassine, and prints themselves) are integrated Museum. Sunburn, a monograph of his photo- back into the artwork either as part of the sculpture graphs was published by Candela Books in 2012. or as collage elements that may be re-inserted into a new, composite creation.

2 | #SFCAuction www.sfcamerawork.org 2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT AUCTION PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW

SF CAMERAWORK SUPPORTS EMERGING ARTISTS AND NEW IDEAS IN THE PHOTOGRAPHIC ARTS

2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW 2015 BENEFIT AUCTION SATURDAY, NOVEMBER 7, 2015

Registration begins at 5:30 PM Bidding begins at 7:00 PM

LOCATION SF Camerawork 2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT 1011 Market Street, 2nd Floor PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW San Francisco, CA 94103

AUCTIONEER Rick Wester, Rick Wester Fine Art, NYC

ADMISSION $30 in advance $40 at the door Purchase tickets at: sfcamerawork.org/auction

PREVIEW EXHIBITION RICHARD MISRACH, IPS #6829 (Scrub 17), November 2-6, 2015 LOT 85 Gallery hours: Tuesday - Friday, 12 - 6 PM, Saturday 12 - 5 PM Internationally-acclaimed photographer Richard Misrach and by appointment has been pioneering both color and large-scale photography since the 1970s. Recently he has been working on a ABSENTEE BIDS series of large-scale negative prints based on landscapes, Absentee bid forms can be found at sfcamerawork.org/auction or by seascapes and mostly dead, desert vegetation such as calling the gallery at 415-487-1011. tumbleweeds and scrub-brush. Early on he began us- ing iPhone pictures as studies for the large works, but he The auction catalog can be came to appreciate the intimate scale and unusual beauty viewed online at: of the small prints, such as IPS #6829 (Scrub 17) shown sfcameraworkauction.org/auction above, in their own right. Richard Misrach is the recipient of numerous awards in the arts including four National Catalog Design: Endowment for the Arts Fellowships and a Guggenheim Monique Deschaines Fellowship. His photographs are held in the collections of and Anthony Laurino Design major museums throughout the world.

#SFCAuction | 3 SUPPORTERS OF THE 2015 BENEFIT AUCTION

HONORARY COMMITTEE

Shoshana Berger Allie Haeusslein Frank Mainzer Michelle Branch and Dale Cook Peter Hirshberg RJ Muna and Kerry Mansfield Dave Elfving Heather Holt Chris McCall Alexis Gordon Amanda Hughen Thomas Meyer Doug Mandell

SPONSORS

Delicious Catering New Belgium Brewing F8 Beverage Catering Bi-Rite Catering Mullen Brothers Imaging Blue Angel Vodka Page Imageworks/Tony Page Rocky Oak Vineyard photograph & frame Toad Hollow Vineyards Smith Andersen North B3-Blooms by Brandon Sterling Art Services

photograph&frame

4 | #SFCAuction 2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT AUCTION PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW

Welcome to SF Camerawork’s 2015 Benefit Auction. This year we’ve made a few exciting changes that we hope will increase the benefits for our collectors, donors, supporters, and ultimately all the artists we serve. First of all, we’ve moved the time of our event to 1011 Market Street, 2nd Floor the evening, 2014after 30 FINE years wePRINT felt it was time. But2014 we areFINE dedicated PRINT to keeping the2014 live FINE PRINT San Francisco, CA 94103 auction as thePROGRAM traditional, PREVIEW formal auction it has PROGRAMalways been, PREVIEW and leading us in thisPROGRAM will PREVIEW 415.487.1011 be venerable auctioneer Rick Wester, presiding over our auction for the second year in a [email protected] www.sfcamerawork.org row. Mr. Wester is both deeply knowledgable in the field of photography and a dedicated supporter of SF Camerawork.

STAFF Another important change we’ve made is to the format of the catalog in your hands. Heather Snider, Executive Director In place of the alphabetical lot order we’ve used in the past, our staff and board have Michael Thurin, Gallery Manager worked together to design a thoughtfully curated presentation of works, bringing many varied artists and their works BOARD OF DIRECTORS together to compliment and resonate Jeanne Friscia, President with one another.2014 We’ve FINE also PRINT added 2014 FINE PRINT 2014 FINE PRINT Ellen Shershow, Vice-President background informationPROGRAM about PREVIEW certain PROGRAM PREVIEW PROGRAM PREVIEW Ken Hoffman, Treasurer works, providing some context which Matt Kellogg, Secretary will hopefully pique your interest in Rachel Been finding out more. Amy Cole Lisa Cole Finally, we are also offering several Monique Deschaines, Programming Chair “experience” items this year, both Adriana Grino, Membership Chair widening the range of what we have Miki Johnson, Governance Chair on offer in the sale and underlining Marcia Kadanoff the community spirit that supports Anthony Laurino SF Camerawork. Many thanks to Darrin Martin Fraenkel Gallery, Dickerman Prints, Bernadette Opine, Outreach Chair and Kari Orvik and Dave Elfving for MEGHANN RIEPENHOFF, Littoral Drift #38, LOT 73, Meghann Riepehhoff solo exhibition Danica Sachs contributing their personal time and opening at SF Camerwork December 2015 Francesca Sonara resources towards this new intiative. Edna Togba If there is one point we would like to emphasize this year, it is that of community. SF Robyn Wise Camerawork plays a vital role in providing opportunities and enrichment for artists and the greater community, who in turn support SF Camerawork and make everything we do ARTS ADVISORY COMMITTEE possible. Please remember that SF Camerawork belongs to all of us, and we hope you find Abigail Solomon-Godeau opportunity to enjoy our exhibitions, publications, and events throughout the year. Carolina Ponce De León Donna J. Wan Our heartfelt thanks to all of the artists who generously donated their works to this Janet Delaney sale. The quality of work this year is tremendous and reflects the amazing breadth of Sergio De La Torre contemporary practice in photography. Viet Lê We look forward to seeing you on the evening of November 7th! INTERNS Lola Chaves Laura Amschel Emilie Flory Heather Snider Jeanne Friscia Kristina Graber Executive Director President, Board of Directors Ben Hoffman Ashlei Quinones 2015 Auction Committee: Anna Rotty Ellen Shershow, Chair; Amy Cole; Lisa Cole; Monique Deschaines; Elizabeth Bennett - Social Media Marcia Kadanoff; Danica Sachs; Interns: Anna Rotty and Emilie Flory

#SFCAuction | 5 LOT 2

LOT 1

LOT 4

LOT 3

LOT 1 t.w. five LOT 2 JANE REED Drömlandet, 2015, Hand-cut adhesive-backed vinyl on panel; David Ireland, Skellig, 1994/2015, Archival Pigment Print; 40 x 40 inches; Unique; signed on verso; $4,500. Donated by 10.75 x 15.75 inches; Edition 3; signed on front; $2,000. the artist. Donated by the artist.

LOT 3 MIMI PLUMB LOT 4 WRIGHT MORRIS Pyramid Lake, 1985/2015, Gelatin Silver Print; 16 x 20 Faulkner Country, Near Oxford, Mississippi, 1939/1962, inches; Edition 5/15; signed on verso; $1,500. Donated by Gelatin Silver Print; 8 x 10 inches; signed on verso; $3,000. the artist. Donated by Stephen Arkin.

WRIGHT MORRIS was both an accomplished writer and photographer. His work was exhibited widely during his lifetime and is archived at the Center for Creative Photography, Tucson. This picture was taken on an extended photographic trip Morris made in 1939. He drove to William Faulkner’s house but could not bring himself to meet the author. He took this picture after sleeping in his car nearby.

6 | #SFCAuction LOT 6

LOT 5

LOT 7

LOT 8

LOT 5 MCNAIR EVANS LOT 6 RICHARD GILLES Floodlight, 2009/2014, Archival Pigment Print; 20 x 29 Parcel 084-081-002 WideLoad, 2013/2015, inkjet print; inches; Edition 3/5; signed on verso; $3,200. Donated by the 16 x 34 inches; Edition 1/10; signed on verso; $900. artist and Sasha Wolf Gallery, New York, NY. Donated by the artist and Axis Gallery, Sacramento, CA.

LOT 7 VIET LÊ LOT 8 OLIVER LEACH Untitled (girlhood among ghosts), 2002, Lambda C-print, UFO 1-8, 2009/2015, C-Print; 20 x 16 inches; signed on face-mounted on Plexi; 8 x 8 inches; Edition 1/3; signed on verso; $800. Donated by the artist. mount; $1,000. Donated by the artist.

#SFCAuction | 7 LOT 10

LOT 9

LOT 12

LOT 11 LOT 13

LOT 9 KOTA EZAWA LOT 10 ANDY FREEBERG Richter with Grey Monochromes, 2013, Gelatin Silver Print; Patti Smith, 1978/2015, Archival Pigment Print; 11 x 16 16.25 x 16.5 inches; Edition 3/7; signed on label; $3,750. inches; Edition 2/15; signed on verso; $900. Donated by Donated by the artist and Haines Gallery, San Francisco, CA. the artist and Kopeikin Gallery, Los Angeles, CA and Andrea Meislin Gallery, New York, NY. KOTA EZAWA remakes film and photographic imagery into an animated, reductionist style that mediates on collective. cultural LOT 12 TETSU OKUHARA experience. This portrait of painter Gerhard Richter is part of his Susan with Tape, 1969, Gelatin Silver Print; 6 1/2 x 6 1/2 latest body of work focusing on the protagonists of modern art. inches; signed on verso; $800. Donated by the artist and Katrina Doerner. LOT 11 MONICA DENEVAN Anchor, Burma,2013/2014, Gelatin Silver Print; 15 x 15 LOT 13 GEORGE SERA inches; Edition 3/25; signed on verso; $750. Donated by the One more photo the Fraenkel Gallery doesn’t like – Portrait of artist and Scott Nichols Gallery, San Francisco, CA. Robert Mapplethorpe, 1984/2015, Archival Pigment Print; 12 x 18 inches; Edition 1/5; signed on verso; $800. Donated by the artist.

8 | #SFCAuction LOT 15

LOT 14

LOT 17

LOT 16

LOT 14 AMANDA BOE LOT 15 JOHN GOODMAN Pacific, 2013/2015, Digital C-Print; 20 x 20 inches; Woman Driver / South Boston, 1977/2014, Archival Pigment Edition 1 of 10; signed on verso; $800. Donated by the artist Print /original shot on Kodachrome; 14 x 21.5 inches; and SFMOMA Artists Gallery, San Francisco, CA. Edition 6/12; signed on print; [$3,000]. Donated by the artist and Scott Nichols Gallery, San Francisco, CA and Rick Wester LOT 16 SARAH CHRISTIANSON Fine Art, New York, NY. Killdeer Mountains, 2014/2015, Type-C Print; 8 x 10 inches; Edition 1 of 4; signed on mount; $350. Donated by the artist. JOHN GOODMAN was a student of Minor White in the early 70s and has extensive bodies of work in both color and black and white. About this image he writes: “She appeared in an instant, stopped at a traffic light, in the summer of 1977. It was one moment, one movement, one exposure, and then the light turned green.”

LOT 17 SARAH CHRISTIANSON Flaring near the Blue Buttes, 2015, Type-C Print; 8 x 10 inches; Edition 1 of 4; signed on front; $350. Donated by the artist.

#SFCAuction | 9 LOT 19

LOT 18

LOT 20 LOT 21

LOT 18 JASON HANASIK LOT 19 TABITHA SOREN Sharrod and the White Tiger, 2011/2015, Digital C-print; Unique Tintype 16625, 2013/2015, Tintype; 8 x 10 inches; 15.75 x 19.75 inches; Edition 1/8; signed on mount; $750. Edition 1/1; signed on verso; $3,700. Donated by the artist Donated by the artist. and Kopeikin Gallery, Los Angeles, CA. Custom framing donated by Smith Andersen North.

LOT 20 HIROYO KANEKO TABITHA SOREN’S “Fantasy Life” series explores the dreams of a Sentimental Education #08, 2015, Type C-print; 16 x 20 nation – through baseball. Soren has spent a dozen years delving inches; Edition 3/5; signed on mount; $1,600. Donated by into the realm of American baseball, exploring tradition, success, the artist. and failure. Soren’s use of the tintype is a nod to the history of the tintype medium and baseball itself – both coming to popularity at around the same time in US history.

LOT 21 TRENT DAVIS BAILEY Scrim, Paonia, Colorado, 2014/2015, Archival Inkjet Print; 15 x 12 inches; Edition 10 of 20; signed on mount; $900. Donated by the artist and Robert Koch Gallery, San Francisco, CA.

10 | #SFCAuction LOT 23

LOT 22

LOT 24 LOT 26

LOT 25

LOT 22 PHILLIP MAISEL LOT 23 RACHELLE BUSSIÈRES Feldspar (1101), 2015, Archival Pigment Print; 21.5 x 17.8 Fissures (Mono Lake), 2014, Unique Solarized Gelatin Silver inches; Edition 2/5; signed on verso; $1,600. Donated by the Print; 24 x 20 inches; signed on verso; $2,500. Donated by artist and Gregory Lind Gallery, San Francisco, CA. the artist and Robert Koch Gallery, San Francisco, CA.

LOT 24 DICKERMAN PRINTS GIFT CERTIFICATE LOT 25 SHARON HARPER Printing Services Gift Certificate, $250. Dickerman Prints is Wind Turbines, La Palma, Canary Islands, 2012/2015, a full-service custom photo lab in San Francisco. This gift can Archival Ultrachrome print from 4 x 5 transparency; 14 x 11 be applied to custom “C” printing, film processing, pigment inches; signed on label; $1,000. Donated by the artist and prints, Imacon scanning, and retouching. Photograph of Jimi Bridgette Mayer Gallery, Philadelphia and Rick Wester Fine Hendrix by Baron Wolman, printed at Dickerman Prints. Art, New York.

LOT 26 JAMIL HELLU Photography (Still Life with Yellow Flower) , 2014/2015, Digital Pigment Print; 16 x 16 inches; Edition 3/10; signed on verso; $850. Donated by the artist.

#SFCAuction | 11 LOT 27

LOT 29

LOT 28

LOT 30 LOT 31

LOT 27 CHRISTOPHER WOODCOCK LOT 29 CATHERINE WAGNER Trail Crest, 2011/2015, C-Print; 16 x 20 inches; Edition 1/10; Fragments Femminile, 2013/2015, Archival Pigment Print; 20 signed on mount; $1,600. Donated by the artist and Bonni x 9 inches; signed on mount; [$4,000]. Donated by the artist Benrubi Gallery, New York, NY. and Anglim Gilbert Gallery, San Francisco, CA. Custom Framing donated by Sterling Art Services. LOT 28 SCOTT B. DAVIS Ocotillo (Atlas), 2014/2015, Palladium Print; 20 x 16 inches; “Fragments Femminile” is part of CATHERINE WAGNER’S Rome Edition 1/5; signed on verso; $2,000. Donated by the artist Works series, an investigation and interpretion of the history of cul- and Etherton Gallery, Tucson, AZ. ture made during her fellowship as a Rome Prize recipient in 2013. The photographs include sculptural masterpieces, rooted in antiquity LOT 30 BETH MOON yet embedded with markers creating a collision in time. Minorca Black Hen, 2009, Platinum/palladium; 18 x 15 inches; Edition 2/9; signed on front; $1,400. Donated by the LOT 31 PAT WILLARD artist and Corden|Potts Gallery, San Francisco, CA. Dream Life of Fruits and Vegetables, #3, 2013, Gelatin Silver Print; 13.5 x 18 inches; Edition 2 of 10; signed on verso; $700. Donated by the artist and Robert Tat Gallery, San Francisco, CA.

12 | #SFCAuction LOT 33

LOT 32

LOT 35

LOT 34

LOT 32 JONATHAN SPRAGUE LOT 33 DOUG FOGELSON Vertical Shear / pressure gradient, 2015, Archival pigment ink Exit Eden No. 14, 2012, Archival Inkjet Print; 27.75 x 34.25 on natural rag paper; 24 x 32 inches; Edition 1/5; signed on inches; Edition 2/6 (+ 2 A.P.) signed on verso; $2,500. verso; $1,800. Donated by the artist. Donated by the artist and Linda Warren Projects, Chicago, IL.

LOT 34 SETH DICKERMAN LOT 35 VANESSA MARSH Shark XVIII, 2015, Type C Print, face-mounted to non-reflective Mountains 16 from the series Falling, 2015, Unique acrylic, back-mounted on black sintra; 11 x 16 inches; Chromogenic Photogram; 20 x 24 inches; Edition 1/3; signed Edition A/P; signed on mount; $650. Donated by the artist. on front; $2,400. Donated by the artist and Dolby Chadwick Gallery, San Francisco, CA.

#SFCAuction | 13 LOT 36 LOT 37

LOT 39

LOT 38 LOT 40

LOT 36 SAUL BROMBERGER LOT 37 EADWEARD MUYBRIDGE Dykes on Bikes, The San Francisco Gay & Lesbian Freedom Day Animal Locomotion, Plate 331-Wrestlers, 1887, Collotype; 18 Parade, 1988/2015, 11 x 14 inches; $750. Donated by the 3/4 x 23 3/4 inches; $750. Donated by Susan Herzig and artist. Paul Hertzmann.

LOT 38 MARGARET BOURKE-WHITE LOT 40 WORKSHOP WITH MASTER Self-Portrait with Erskine Caldwell, 1941/1972, Vintage Silver PRINTER SETH DICKERMAN Print; 6 1/4 x 5 inches; from the artist’s annual Christmas 2-Hour Photo Printing Workshop at Dickerman Prints, $375. card; $1,250. Donated by Susan Herzig and Paul Hertzmann. This private session includes two hours of one-on-one instruc- tion with Master Printer Seth Dickerman – and 25 square feet LOT 39 EADWEARD MUYBRIDGE of printing on 30” wide Fuji Crystal Archive Paper. The tuto- Animal Locomotion, Plate 593 - Horse and Rider, 1887, rial will be tailored to the needs of the participant and can Collotype; 18 3/4 x 23 3/4 inches; $500. Donated by accommodate photographers with advanced Photoshop skills Susan Herzig and Paul Hertzmann. or those just beginning their digital practice. Seth Dickerman has been a professional printer since 1978, working with many of the country’s most respected photographers.

14 | #SFCAuction LOT 42

LOT 41

LOT 43 LOT 44

LOT 41 TIMOTHY HYDE LOT 42 ERIC WILLIAM CARROLL Untitled Monument SV11, 2008/2014, Photographic collage Pattern Recognition, 2015, Multiple Pass Pigment Ink Print; made from photographic prints mounted on plexiglass; 24.5 15 x 12 inches; Edition 1/1; signed on verso; $750. Donated x 16.5 inches; Unique; signed on verso; $6,500. Donated by by the artist. the artist and Marso Galería, Mexico City, DF. LOT 44 HOLLY ROBERTS TIMOTHY HYDE’S work is a hybrid of performance, photography, People Who Are Trees I, 2005, Mixed Media; 10 x 8 inches; and sculpture. This unique work began as a series of photographs Unique; signed on front; $1,800. Donated by the artist. made over the course of a single winter day from a fixed camera in an empty New England airfield. Prints were then cut into fragments and reassembled into a hypothetical, illusory structure.

LOT 43 DONNA J. WAN Golden Gate Bridge (#9), 2013/2015, Archival Pigment Print; 25 x 20 inches; Edition 2/10; signed on label; $1,500. Donated by the artist and Rick Wester Fine Art, New York, NY.

#SFCAuction | 15 LOT 46

LOT 47

LOT 45

LOT 48 LOT 49

LOT 45 MARY ELLEN BARTLEY LOT 46 KERRY MANSFIELD Disfarmer Figure, 2011/2015, Archival Pigment Print; 18 x 12 Polaroid Land Photography, Dog-Eared Corner, 2013/2015, inches; signed on label; $2,400. Donated by the artist and Archival Pigment Print; 24 x 22 inches; Edition A/P; Yancey Richardson Gallery, New York, NY. $1,850. Donated by the artist and Corden|Potts Gallery, San Francisco, CA. LOT 48 IRA NOWINSKI Voila de Ingris, from the series The Studio of Man Ray, 1983, LOT 47 NIGEL POOR Gelatin Silver Print; 12 3/8 x 18 1/2 inches; signed on verso; Banned Book: Are You There God? It’s Me Margaret, 2011/2012, $1,000. Donated by the artist. Archival Pigment Print; 10 x 24 inches; Edition 1/1; signed on mount; $1,200. Donated by the artist and Haines Gallery, San Francisco, CA.

LOT 49 ROD DRESSER White Rose, Carmel, California, 1998, Gelatin Silver Print; 20 x 16 inches; Edition 11/35; signed on front; $2,000. Donated by the artist.

16 | #SFCAuction LOT 50

LOT 51

LOT 53

LOT 52

LOT 50 FRED LYON LOT 51 JOHN GUTMANN Painting Under the Roadbed, Alcatraz in Distance, 1950, Cord in Harlem, New York, 1935/1979, Gelatin Silver Print; Archival Pigment Print; 11 x 11 inches; signed on verso; 8 x 10 inches; signed on verso; $3,000. Donated by The John $1,400. Donated by the artist and Peter Fetterman Gallery, Gutmann Photography Fellowship Trust. Santa Monica, CA. JOHN GUTMANN was born in Germany in 1905 and trained as a LOT 52 ALAN ROSS painter under the German expressionist Otto Mueller. Gutmann Dunes and Stone, Great Sand Dunes, Colorado, 1993/1994. took up photography in 1933 as a means to support himself as Gelatin Silver Print, 12 x 9 inches, signed on front; $600. a photojournalist after immigrating to the United States. With a Donated by the artist. European’s cultural background and an eye trained in the German avant-garde, Gutmann observed aspects of American culture that LOT 53 GORDON MARTIN eluded most American artists of his time.“Cord in Harlem, New Phil Leads Moss, 1959/2015 and Laguna Green Flag, York” was made in 1935 when Gutmann travelled by bus from 1964/2015, Set of two Archival Pigment Prints; 13 x 19 San Francisco to New York City, crossing the northern states and inches each; $500. Donated by Roy Spencer. returning to San Francsico by way of the southern states in 1937. .

#SFCAuction | 17 LOT 54

LOT 55

LOT 56

LOT 57

LOT 58

LOT 54 CHRIS MCCAW LOT 55 MICHELLE KLOEHN Sunburned GSP#815 (Mojave), 2014, Two Unique Gelatin Untitled from the series S2004/N1, 2014, Tintype on colored Silver Paper Negatives; 5 x 8 inches; Edition 1/1; aluminum; 16 x 20 inches; Unique print; signed on verso; signed on verso; $4,000. Donated by the artist and Yossi Milo $2,800. Donated by the artist. Gallery, New York, NY. Custom framing donated by Sterling Art Services. LOT 57 SAID NUSEIBEH Natal Star, Persia, 2007/2015, Pigment Inkjet on cotton LOT 56 ANSLEY WEST RIVERS rag; 14 x 18.5 inches; Edition 3/16 signed on front; $900. Rayonier Pulp Mill, Altamaha River, GA, 2014/2015, Archival Donated by the artist and Scott Nichols Gallery, San Pigment Print; 24 x 30 inches; Edition AP; signed on verso; Francisco, CA. $950. Donated by the artist. Framing donated by Mullen Brothers Imaging. LOT 58 BRIGITTE CARNOCHAN Bella Figura by Brigitte Carnochan (Limited Edition Collector Box Set), 2006, including hand-painted Silver Gelatin photograph; 6 x 6 inches; Edition 64/80; signed on front; $1,000. Donated by the artist and Themes + Projects by modernbook, San Francisco, CA. 18 | #SFCAuction LOT 59

LOT 60

LOT 61 LOT 62

LOT 59 AN EVENING AT FRAENKEL GALLERY LOT 60 ANDREANNE MICHON Behind the Velvet Rope: An Evening at Fraenkel Gallery, $2,500. Bamboo (Big Island, Hawaii), 2015, Archival Pigment Print; 12 Donated by Fraenkel Gallery. Enjoy an exclusive tour of the x 15 inches; Edition AP; signed on verso; $1,000. Donated by gallery, including the private viewing rooms. Guests will the artist. explore the gallery’s rich history and view photographs by Fraenkel’s artists. This Director-led event is ideal for a group LOT 62 LEWIS WATTS of 10-15 guests. Refreshments and bites will be served. Porte de Pantin Metro, Paris, 2014/2015, Archival Pigment Print; 22 x 28 inches; signed on verso; $1,300. Donated by LOT 61 REID YALOM the artist. Swing, 2012/2014, Archival Pigment Print from 4x5 negative with vintage Verito lens; 15.5 x 20 inches; Edition 1/20; signed on front; $1,200. Donated by the artist and Smith Andersen North, San Anselmo, CA.

#SFCAuction | 19 LOT 163 LOT 64

LOT 65

LOT 66

LOT 63 JOHN PFAHL LOT 64 HERB RITTS 31 Prince Street, Rochester, New York, 1978; Chromogenic William S. Burroughs, Kansas 1990, Gelatin Silver Print; 20 x 16 print; 16 x 20 inches; Edition 9/15; signed on verso; inches; Edition 7/25; signed on verso; [$5,000]. Donated by $2,000. Donated by the artist and Joseph Bellows Gallery, the artist and Fahey Klein Gallery, Los Angeles, CA. La Jolla, CA. LOT 66 DUANE MICHALS LOT 65 KEVIN KUNISHI It is fate, 2008, C-print with hand-applied text; 11 x 20 Remigio, La Fundadora, 2009/2015, Archival Pigment Print; inches; Edition 3/25; signed on front; $6,500. Donated by the 16 x 16 inches; Edition 10; signed on verso; $900. Donated artist and DC Moore Gallery, New York, NY. by the artist. Octogenarian photographer DUANE MICHALS is a prolific pro- ducer and witty rule breaker who often includes handwritten text with his imagery. Michals’ varied output includes images in black- and-white and in color, self-portraits, and small fantastic narrative series. In his most recent series, Michals’ images assume the shape of traditional Eastern fans that echo woodblock prints produced during the Japanese Edo period, fusing Eastern and Western influences to blur boundaries between fantasy and reality. 20 | #SFCAuction LOT 67

LOT 68 LOT 69

LOT 71 LOT 70

LOT 67 WANDA HAMMERBECK LOT 68 TINTYPE PARTY Pariah Canyon, 1982/1984, Cibachrome; 16 x 23 inches; Tintype Party at SF Camerawork, $5,000. Donated by Kari Orvik, Edition 19/40; signed on verso; $1,100. Donated by Thomas Dave Elfving, and SF Camerawork. Have your party at SF V. Meyer. Camerawork and treat your friends to a fabulous night of tintype making. Local tintype photographers Kari Orvik and Dave Elfving LOT 70 SOFÍA CÓRDOVA will create a pop-up tintype studio, Camerawork will provide Abuela Emma En Su Cuarto, 2008/2015, Pigment Print; 22 x 17 the venue, the rest is up to you. During a 4-hour party, up to 20 inches; Edition 1/10; signed on front; $400. Donated by guests can have their portraits made and everyone will be able the artist. to watch and share the excitement of seeing images come to life through this 19th-century traditional photographic process. LOT 71 BERENICE ABBOTT August Pingpank Barber Shop, New York City, 1930/1979, LOT 69 ED VAN DER ELSKEN Gelatin Silver Print; 20 x 16 inches; Edition 18/60; Vail a Saint Germain de Pres, 1952, Vintage Silver Print; 11 7/8 signed on front mount; $5,500. Donated by Thomas V. Meyer. x 9 1/2 inches; Titled and credited to the photographer in ink in unknown hand, with “rapho” and “Le Ore” Archive stamp on From the book “Changing New York,” BERENICE ABBOTT’S reverse of print. $3,000. Donated by Susan Herzig and Paul definitive photographic study of New York from 1935 to 1939. Hertzmann. Pingpank’s shop was said to be the oldest barber in New York City #SFCAuction | 21 at that time. LOT 72

LOT 73

LOT 74 LOT 75

LOT 72 JEANNE FRISCIA LOT 73 MEGHANN RIEPENHOFF Untitled (Portrait of Mom), 2015, Ambrotype; 10 x 10 inches; Littoral Drift #38 (Recto/Verso, Rodeo Beach, CA 04.17.13, Unique; signed on verso; $800. Donated by the artist. Dipped), 2013, Unique Cyanotype; 7.5 x 7.5 inches; signed Custom framing donated by Smith Andersen North. on verso; $1,800. Custom framing by Mark Ryan Fine Art Services. Donated by the artist and EUQINOMprojects, LOT 74 THERESA GANZ San Francisco. Serpentine 1, 2014/2015, Gelatin Silver Print; 20 x 16 inches; Artist Proof; signed on verso; $600. Donated by the artist. MEGHANN RIEPENHOFF’s unique, double-sided cyanotype was made through exposing the paper and chemistry directly to ocean water. The work is dynamic and will lighten and darken over time in response to environment.

LOT 75 PAUL CAPONIGRO Inner Night Sky, Cushing, Maine, 1999, Gelatin Silver Print; 7 3/8 x 9 3/8 inches; signed on verso; $3,000. Donated by the artist and Scott Nichols Gallery, San Francisco, CA.

22 | #SFCAuction LOT 76

LOT 77

LOT 79

LOT 78

LOT 76 RON VAN DONGEN LOT 77 DAN ESTABROOK Arum Palaestinium, 1997/2000, Archival Pigment Print; 13 Untitled (Dew), 1997, Salt print; 4 5/8 x 3 1/2 inches; AP fron x 10.5 inches; print #8; signed on verso; $800. Donated by edition of 25; signed on verso; $1,500. Donated by the artist Jane Reed. and Catherine Edelman Gallery, Chicago, IL.

LOT 78 JACK SPENCER LOT 79 TIMOTHY ARCHIBALD Beach People #3, San Francisco, 2000/2004, Pigmented ink Closed System, 2008, from the series ECHOLILIA, 2008/2011, print with varnish, asphaltum, oleopasto, and archival fixitive Fuji Crystal Archive Print; 23 x 29 inches; Edition 4/10; on Hahnemhle paper; 25.75 x 24 inches; Edition 3/10; signed on verso; $1,200. Donated by the artist. signed on front; [$2,800]. Donated by Frank Konhaus and Ellen Cassilly.

#SFCAuction | 23 LOT 80

LOT 81

LOT 82

LOT 83

LOT 80 STEVE CAGAN LOT 81 ARTHUR TRESS On the shore of the Atrato, Bellavista, El Chocó, Colombia, 2005/ Child With Goldwater Button, San Francisco, 1963/2011, 2015, Archival Inkjet Print; 9 x 14 inches; signed on front; Toned Silver Gelatin Print; 10 x 10 inches; Edition 4/8; $200. Donated by the artist. signed on front; $3,500. Donated by the artist and Smith Andersen North, San Anselmo, CA. LOT 82 SUSANNAH HAYS Bottle #3, 1998, Gelatin Silver Photogram; 16 x 20 inches; LOT 83 BOB CORNELIS Edition 15/25; signed on verso; $1,500. Donated by the Carta I - 1, 2014/2015, Palladium print; 6 x 6 inches; artist and Photo Eye Gallery, Santa Fe, NM. Edition 1/7; signed on mount; $800. Donated by the artist.

24 | #SFCAuction LOT 85

LOT 84

LOT 86 LOT 87 LOT 88

LOT 84 IRA KAUFMAN LOT 85 RICHARD MISRACH Beyond No. 17, 2015, Archival Pigment Print; 13 7/8 x 17 IPS #6829 (Scrub 17), 2014/2015, Pigment Print; 22 x 17 1/2 inches; Edition 2/10; signed on verso; $500. Donated by inches; Edition 2/7; signed on mount; $5,200. Donated by the artist. the artist and Fraenkel Gallery, San Francisco, CA, Pace/ MacGill Gallery, New York, NY and Marc Selwyn Fine Art, Los LOT 86 DANIEL LEE POSTAER Angeles, CA. San Francisco, (Thanksgiving Dusk), 2012, Archival Pigment Print; 21 x 32 inches; Edition 2/7; signature on back of LOT 87 MICHELLE L MORBY frame; $700. Donated by the artist. Eadweard Muybridge-ish, 2015, Gouache on Arches hot press 140 lbs paper; 12 x 16 inches; signed on verso; $500. Donated by the artist.

LOT 88 MICHELLE L MORBY Edward Weston-ish, 2015, Gouache on Arches hot press 140 lbs paper; 12 x 16 inches; signed on verso; $500. Donated by the artist.

#SFCAuction | 25 LOT 89

LOT 90

LOT 91

LOT 93

LOT 92

LOT 89 REAGAN LOUIE LOT 90 DALE YUDELMAN Hong Kong Occupy, 2014, Archival Inkjet Print; 17 x 22 The Moment the World Changed, 2004/2015, Chromogenic inches; signed on verso; $2,000. Donated by the artist. print; 12 x 17.5 inches; Edition 7/15; signed on verso; $800. Donated by the artist. LOT 91 PRESTON GANNAWAY Knights of Columbus Oyster Roast, 2010, from the series LOT 93 KIM STRINGFELLOW Between the Devil and the Deep Blue Sea, 2010/2015, Archival McWilliams Homestead, U.S. Patent No. 1210868, 2008/2015, Pigment Print; 16 x 20 inches; Edition 1/8; signed on verso; Archival Pigment Print; 18.5 x 14.385 inches; Edition 2/10; $850. Donated by the artist. signed on verso; $750. Donated by the artist.

LOT 92 TOM CHAMBERS Entropic Kingdom by Tom Chambers (Limited Edition Collector Box Set), 2006/2012, including Archival Pigment Print; 8 x 8 inches; Edition 8/100; signed on verso; $500. Donated by the artist and Themes + Projects by modernbook, San Francisco, CA.

26 | #SFCAuction LOT 95

LOT 94

LOT 96 LOT 97

LOT 94 WILLIAM HEICK LOT 95 NINIANE KELLEY Nob Hill, 1947, Gelatin Silver Print; 10 x 8 inches; Caspar Rock, Broke Dozer Ridge, Lake County, 2014/2015, signed on verso; $1,000. Donated by Ursula Gropper. Multi-layer gum bichromate over cyanotype print; 3.6 x 5.5 inches; Edition 3/12; signed on verso; $500. Donated by the WILLIAM HEICK was a photographer and documentary filmmaker. artist and Scott Nichols Gallery, San Francisco, CA. He studied under Ansel Adams and Minor White at the California School of Fine Arts (San Francisco Art Institute) during which time LOT 97 ANDRE KERTESZ he made this photograph of the Nob Hill neighborhood in San Budapest (Circus), 1920/1970, Gelatin Silver Print; 10 x Francisco, described as “Knob Hill” on verso of print. His works 8 inches; signed on verso; $4,000. Donated by Thomas V. are held in many collections including the MOMA (New York), Meyer. SFMOMA, and the Smithsonian Institute. Hungarian-born ANDRE KERTESZ, a pioneer of 20th century LOT 96 DANIEL COBURN photography, was known for both his photojournalism and Armada, 2012/2014, Toned Cyanotype; 4.5 x 6 inches; experimental work. This photograph of a couple peeking at Edition 1/6; signed on verso; $1,200. Donated by the artist. concealed circus performers through a wooden fence, challenges the position of subject and audience. This print was purchased directly from Kertesz in 1979 by Thomas Meyer/Grapestake.

#SFCAuction | 27 Joseph De Mario Seth Dickerman Katrina Doerner Dolby Chadwick Gallery Dave Elfving Reed Estabrook Etherton Gallery Fahey Klein Gallery Angela Buenning Filo Hal Fischer M Joseph Fleming Robert Flynt Fraenkel Gallery Chris Fraser

TABITHA SOREN, Unique Tintype 16625, Jeanne Friscia 2013/2015, LOT 19 General Graphics Craig Goodman SF Camerawork Catherine Edelman Gallery Glen Graves/PhotoArts Marin Contributors: Mark Chambers Adriana Grino Abby Chen Ursula Gropper Anglim Gilbert Gallery CLAMPART John P. Grossman Axis Gallery Amy Cole and Deren Baker Rani Gupta Erik Auerbach Lisa Cole Susannah Hays Baum Foundation Corden|Potts Gallery Haines Gallery Bay Area Photographers Collective Kelsey Crowe Jamil Hellu Rachel Been Lee Day Susan Herzig and Paul Hertzmann Benrubi Gallery DC Moore Gallery Hobson Family Foundation Jean-Baptiste Binz Janet Delaney Ken Hoffman Frish Brandt Monique Deschaines Ann Jastrab

The Andy Warhol Foundation for the Visual Arts

28 | #SFCAuction The John Gutmann Photography Fel- Bridgette Mayer Gallery Sasha Wolf Gallery lowship Trust Chris McCaw Doreen Schmid Miki Johnson Megan McHugh SF Art Training Services Joseph Bellows Gallery Albert Merola SFMOMA Artists Gallery Marcia Kadanoff Thomas V. Meyer Shanti Project Matt Kellogg Chuck Mobley Ellen Shershow Kenneth Rainin Foundation Joan Morgenstern Beau Simon Stefan Kirkeby Scott Nichols Smith Anderson North Gallery Frank Konhaus and Ellen Cassilly Scott Nichols Gallery Francesca Sonara Kopeikin Gallery Alex Nguyen Sterling Art Services Michael Kravitz Bernadette Opine The Herb Ritts Foundation Mona Kuhn Kari Orvik The Yellow Chair Foundation Anthony Laurino David Pace Themes + Projects Erwan Le Moing Pace/MacGill Gallery Lew Thomas RJ Muna Tony Page Edna Togba LensCulture Peter Fetterman Gallery Judy Walgren Anqi Li Photo Eye Gallery Kenneth Weinberg Gregory Lind Gallery J. John Priola William Wegman Linda Warren Projects Renny Pritikin Rick Wester Jessamyn Lovell Paul Rauschelbach Kirsten Wolfe The Luggage Store Jane Levy Reed Yancey Richardson Gallery David Mahoney Rena Bransten Projects Frank Yamrus and Lucas Delabos Kerry Mansfield Rick Wester Fine Art Yossi Milo Gallery Marc Selwyn Fine Art Robert Klein Gallery Mehdi Zhiri Marin Photo Club Robert Koch Gallery the artists who donated to this sale Robert Marks Robert Tat Gallery and the invaluable support of Marso Galería, Mexico City Diane Rosenblum all our members Jonas Marson Danica Sachs Darrin Martin Ari Salomon

FLEISHHACKER FOUNDATION

#SFCAuction | 29 Only one is an image. Can you please add an image at the bottom left on p30, we have an unnecessary blank space under Conditions of Sale text. I’d like to add the John Gutmann image, from Lot 51, p 17. And I will add the caption or if you want to: JOHN GUTMANN, Cord in Harlem, New York, 1935/1979, LOT 51

CONDITIONS OF SALE ABSENTEE BIDDING

1. The sale will begin at 7 pm on Saturday, November 7, 2015 and will As a service to the bidders who are unable to attend the sale, continue until all available prints have been presented for bidding. the auctioneer will enter their “absentee bids,” subject to the Photographs will be offered for sale in the same order in which they Conditions of Sale in this catalogue. SF Camerawork offers are listed here. Any artwork received after press time will be listed this service at no charge and without responsibility for error in an addendum available at the Auction. Likewise, an erratum will or failure to execute bids. All lots will be purchased at the be produced, if needed, and made available at the Auction. lowest possible price subject to other bids. Absentee bid forms 2. Any property may be withdrawn by SF Camerawork at any time can be found at sfcamerawork.org/auction or by calling the SF before the actual sale without any liability therefor. Camerawork gallery at 415-487-1011. 3. During the day of the sale, bids will be accepted from registered Absentee bids must be received no later than 1:00 PM PST on and absentee bidders. Bid numbers for registered bidders will be Friday, November 6, 2015. available throughout the day at the registration desk. 4. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right to reject any bid and to INFORMATION FOR BUYERS advance the bidding at his/her absolute discretion and, in the event of any dispute between bidders, to determine the successful bidder The catalog description includes an estimated price for each lot. or to re-offer and resell the article in dispute. Should there be any These estimates are the approximate prices we expect to be dispute after the sale, the auctioneer’s record of final sale shall be realized. They are not definitive. The bidding begins below the conclusive. listed prices. 5. Absentee bids will be accepted by mail, telephone, email, or in person. The Absentee Bid Form (available at sfcamerawork. The Auctioneer will use the following increments: org/auction or by calling the gallery) may be used to submit bids; additional forms will be available at the gallery. Such bids will be $200-1,000 $50 increments executed at the lowest possible price, subject to the reserve price and other bids. If matching bids have been entered by two or more $1,000-2,000 $100 increments parties, the first bid received will take preference. 6. We make no representation as to the condition of any lot sold $2,000-5,000 $200 increments and no reference to imperfection is made in the catalog description. All lots are sold “AS IS.” Prospective purchasers should inspect the $5,000 and above $500 increments property before bidding to determine its condition. 7. Final bids for each item will be recorded by bid number and the The name listed at the top of each lot indicates the artist who, print held at the cashier’s desk until called for by the buyer. All in our best judgment, is the author of the work. (No unqualified purchases must be paid in full on the day of the auction. statement regarding authorship is made or intended.) 8. Payment may be cash, personal check (with proper identification), or credit card. California state sales tax of 8.75 % will be added When one date is given it refers to the date of the negative to all purchases in state. Purchases can be shipped for additional from which the print was made in the same year or soon charges at the purchaser’s request. If packing and handling of thereafter. Some prints show two dates, the first referring to purchased lots is done by SF Camerawork, it is done at the entire the negative and the second to the print. When the print date is risk of the purchaser. unknown, but assumed later, “printed later” appears following the negative date.

Measurements generally refer to image size (sometimes paper size) and are given in inches. The height appears first, followed by the width.

All lots with estimated retail values marked by [ ] are offered for sale subject to a reserve, which is the confidential minimum price below which such lot will not be sold.

Please note that all statements and terms in this catalog are subject to the provisions of the Conditions of Sale and San Francisco Camerawork makes no warranties or representations with any lot.

John Gutmann Cord in Harlem, New York, 1935/1979, LOT 51

30 | #SFCAuction ARTIST INDEX

#SFCAuction | 31 2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT AUCTION PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW ERIC WILLIAM CARROLL Pattern Recognition, 2015, LOT 42

1011 Market Street, 2nd Floor flickr.com/photos/sfcamerawork San Francisco, CA 94103 415.487.1011 instagram.com/sfcamerawork [email protected] twitter.com/sfcamerawork www.sfcamerawork.org facebook.com/sfcamerawork 2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW

2014 FINE PRINT 2014 FINE PRINT 2014 FINE PRINT PROGRAM PREVIEW PROGRAM PREVIEW PROGRAM PREVIEW