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Wearing Our Identity – the First People's Collection
Wearing our Identity – The First People’s Collection Texts of the exhibition Table of content Introduction 2. Fashioning identity 2. 1 – Wearing who I am 3. 1.1 – Wearing where I come from 3. 1.2 – Wearing life’s passages 3. 1.3 – Wearing my family 6. 1.4 – Wearing my rank 7. 2 – Wearing our culture 10. 2.1 – Wearing our traditions 10. 2.2 – Wearing our legends 15. 2.3 – Wearing our present 16. 3 – Wearing our history 17. 3.1 – Wearing our honour 18. 3.2 – Wearing our struggles 20. 3.3 – Wearing our resilience 21. 4 – Wearing our beliefs 23. 4.1 – Wearing our universe 23. 4.2 – Wearing animal power 24. 4.3 – Wearing spiritual respect 25. 2 Wearing our Identity – The First People’s Collection © McCord Museum, 2013 0 – Introduction Wearing Our Identity The First Peoples Collection Questions of identity lie at the heart of many debates in today’s rapidly changing world. Languages and traditions are threatened with extinction. When this happens, unique knowledge, beliefs and histories are wiped out. First Peoples understand well the challenges and tensions that can erode a sense of self and belonging. Yet, they have shown remarkable resilience in both preserving ancient identities and forging new ones. Whether building on the rich textures of the past or fearlessly transforming contemporary fashion, First Nations, Inuit and Métis use clothing to communicate the strength and meaning of their lives. An exploration of First Peoples dress is a compelling and emotional experience – one that must follow interwoven threads of community and spirituality, resistance and accommodation, history and innovation. -
Raman Investigations to Identify Corallium Rubrum in Iron Age Jewelry and Ornaments
minerals Article Raman Investigations to Identify Corallium rubrum in Iron Age Jewelry and Ornaments Sebastian Fürst 1,†, Katharina Müller 2,†, Liliana Gianni 2,†, Céline Paris 3,†, Ludovic Bellot-Gurlet 3,†, Christopher F.E. Pare 1,† and Ina Reiche 2,4,†,* 1 Vor- und Frühgeschichtliche Archäologie, Institut für Altertumswissenschaften, Johannes Gutenberg-Universität Mainz, Schillerstraße 11, Mainz 55116, Germany; [email protected] (S.F.); [email protected] (C.F.E.P.) 2 Sorbonne Universités, UPMC Université Paris 06, CNRS, UMR 8220, Laboratoire d‘archéologie moléculaire et structurale (LAMS), 4 Place Jussieu, 75005 Paris, France; [email protected] (K.M.); [email protected] (L.G.) 3 Sorbonne Universités, UPMC Université Paris 06, CNRS, UMR 8233, De la molécule au nano-objets: réactivité, interactions et spectroscopies (MONARIS), 4 Place Jussieu, 75005 Paris, France; [email protected] (C.P.); [email protected] (L.B.-G.) 4 Rathgen-Forschungslabor, Staatliche Museen zu Berlin-Preußischer Kulturbesitz, Schloßstraße 1 a, Berlin 14059, Germany * Correspondence: [email protected] or [email protected]; Tel.: +49-30-2664-27101 † These authors contributed equally to this work. Academic Editor: Steve Weiner Received: 31 December 2015; Accepted: 1 June 2016; Published: 15 June 2016 Abstract: During the Central European Iron Age, more specifically between 600 and 100 BC, red precious corals (Corallium rubrum) became very popular in many regions, often associated with the so-called (early) Celts. Red corals are ideally suited to investigate several key questions of Iron Age research, like trade patterns or social and economic structures. While it is fairly easy to distinguish modern C. -
“Charlie Chaplin” Figures of the Maya Lowlands
RITUAL USE OF THE HUMAN FORM: A CONTEXTUAL ANALYSIS OF THE “CHARLIE CHAPLIN” FIGURES OF THE MAYA LOWLANDS by LISA M. LOMITOLA B.A. University of Central Florida, 2008 A thesis in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Summer Term 2012 ©2012 Lisa M. Lomitola ii ABSTRACT Small anthropomorphic figures, most often referred to as “Charlie Chaplins,” appear in ritual deposits throughout the ancient Maya sites of Belize during the late Preclassic and Early Classic Periods and later, throughout the Petén region of Guatemala. Often these figures appear within similar cache assemblages and are carved from “exotic” materials such as shell or jade. This thesis examines the contexts in which these figures appear and considers the wider implications for commonly held ritual practices throughout the Maya lowlands during the Classic Period and the similarities between “Charlie Chaplin” figures and anthropomorphic figures found in ritual contexts outside of the Maya area. iii Dedicated to Corbin and Maya Lomitola iv ACKNOWLEDGMENTS I would like to thank Drs. Arlen and Diane Chase for the many opportunities they have given me both in the field and within the University of Central Florida. Their encouragement and guidance made this research possible. My experiences at the site of Caracol, Belize have instilled a love for archaeology in me that will last a lifetime. Thank you Dr. Barber for the advice and continual positivity; your passion and joy of archaeology inspires me. In addition, James Crandall and Jorge Garcia, thank you for your feedback, patience, and support; your friendship and experience are invaluable. -
Ghana's Glass Beadmaking Arts in Transcultural Dialogues
Ghana’s Glass Beadmaking Arts in Transcultural Dialogues Suzanne Gott PHOTOS BY THE AUTHOR EXCEPT WHERE OTHERWISE NOTED hanaian powder-glass beads first captured spread of West African strip-weaving technologies. my attention in 1990, when closely examin- With the beginnings of European maritime trade in the late ing a strand of Asante waist beads purchased fifteenth century, an increasing volume of glass beads and glass in Kumasi’s Central Market. Looking at the goods were shipped to trade centers along present-day Ghana’s complex designs of different colored glasses, Gold Coast,1 stimulating the growth of local beadworking and I was struck with the realization that each powder-glass beadmaking industries. The flourishing coastal bead had been skillfully and painstakingly crafted. This seem- trade achieved a more direct engagement between European Gingly humble and largely unexamined art merited closer study merchants and trading communities than had been possible and greater understanding (Fig. 1). I worked with Christa Clarke, with the trans-Saharan trade, and enhanced European abilities Senior Curator for the Arts of Global Africa at the Newark to ascertain and respond to local West African consumer pref- Museum, to develop the 2008–2010 exhibition “Glass Beads of erences. This interactive trade environment also facilitated the Ghana” at the Newark Museum to introduce the general public impact of the demands of Gold Coast consumers on European to this largely overlooked art (Fig. 2). The following study pro- product design and production, a two-way dynamic similar to vides a more in-depth examination of Ghanaian glass beadmak- the trade in African-print textiles (Nielsen 1979; Steiner 1985). -
The Bear in the Footprint: Using Ethnography to Interpret Archaeological Evidence of Bear Hunting and Bear Veneration in the Northern Rockies
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2014 THE BEAR IN THE FOOTPRINT: USING ETHNOGRAPHY TO INTERPRET ARCHAEOLOGICAL EVIDENCE OF BEAR HUNTING AND BEAR VENERATION IN THE NORTHERN ROCKIES Michael D. Ciani The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Ciani, Michael D., "THE BEAR IN THE FOOTPRINT: USING ETHNOGRAPHY TO INTERPRET ARCHAEOLOGICAL EVIDENCE OF BEAR HUNTING AND BEAR VENERATION IN THE NORTHERN ROCKIES" (2014). Graduate Student Theses, Dissertations, & Professional Papers. 4218. https://scholarworks.umt.edu/etd/4218 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE BEAR IN THE FOOTPRINT: USING ETHNOGRAPHY TO INTERPRET ARCHAEOLOGICAL EVIDENCE OF BEAR HUNTING AND BEAR VENERATION IN THE NORTHERN ROCKIES By Michael David Ciani B.A. Anthropology, University of Montana, Missoula, MT, 2012 A.S. Historic Preservation, College of the Redwoods, Eureka, CA, 2006 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in Anthropology, Cultural Heritage The University of Montana Missoula, MT May 2014 Approved by: Sandy Ross, Dean of The Graduate School Graduate School Dr. Douglas H. MacDonald, Chair Anthropology Dr. Anna M. Prentiss Anthropology Dr. Christopher Servheen Forestry and Conservation Ciani, Michael, M.A., May 2014 Major Anthropology The Bear in the Footprint: Using Ethnography to Interpret Archaeological Evidence of Bear Hunting and Bear Veneration in the Northern Rockies Chairperson: Dr. -
The Traveling Beads
The Traveling Beads What does this colorful 21st century Venetian glass necklace have in common with glass beads found by archeologists at Manzanar? A close look reveals that all the found beads were made of the same material, of similar color and shape, served the same functions, and originated from the same part of the world. How could beads from southern Europe appear thousands of miles away in the sand at Manzanar amongst American Indian artifacts? What do they reveal about the Owens Valley Paiute (Numu) who inhabited Manzanar long before it was a WWII War Relocation Center? For centuries, Europeans have created beautiful glass objects that have served as beads, jewelry, money, vases, lamps and art objects. As early as 1291, there is evidence that artisans working in the glass factories of Italy have molded some of the most beautiful glass products in the world. When European explorers from Spain, Portugal, Italy and France began their land explorations in the New World, they brought these beautiful objects with them to trade with the people they hoped to find in the new land. Archeologists have documented many American Indian sites in all parts of California that contain glass objects and beads of European origin. Trade networks existed throughout the country along river ways and trails allowing indigenous people to exchange resources (or goods) including manufactured items, such as beads. Regional exchanges must have occurred between the Spaniards and the Indians as the missions were built along the west coast of California. The establishment of the mission system was most likely responsible for the mass distribution of glass beads throughout California. -
The Significance of Copper Bells in the Maya Lowlands from Their
The significance of Copper bells in the Maya Lowlands On the cover: 12 bells unearthed at Lamanai, including complete, flattened and miscast specimens. From Simmons and Shugar 2013: 141 The significance of Copper bells in the Maya Lowlands - from their appearance in the Late Terminal Classic period to the current day - Arthur Heimann Master Thesis S2468077 Prof. Dr. P.A.I.H. Degryse Archaeology of the Americas Leiden University, Faculty of Archaeology (1084TCTY-F-1920ARCH) Leiden, 16/12/2019 TABLE OF CONTENTS 1. INTRODUCTION ......................................................................................................................... 5 1.1. Subject of The Thesis ................................................................................................................... 6 1.2. Research Question........................................................................................................................ 7 2. MAYA SOCIETY ........................................................................................................................... 10 2.1. Maya Geography.......................................................................................................................... 10 2.2. Maya Chronology ........................................................................................................................ 13 2.2.1. Preclassic ............................................................................................................................................................. 13 2.2.2. -
The Shell Matrix of the European Thorny Oyster, Spondylus Gaederopus: Microstructural and Molecular Characterization
The shell matrix of the european thorny oyster, Spondylus gaederopus: microstructural and molecular characterization. Jorune Sakalauskaite, Laurent Plasseraud, Jérôme Thomas, Marie Alberic, Mathieu Thoury, Jonathan Perrin, Frédéric Jamme, Cédric Broussard, Beatrice Demarchi, Frédéric Marin To cite this version: Jorune Sakalauskaite, Laurent Plasseraud, Jérôme Thomas, Marie Alberic, Mathieu Thoury, et al.. The shell matrix of the european thorny oyster, Spondylus gaederopus: microstructural and molecular characterization.. Journal of Structural Biology, Elsevier, 2020, 211 (1), pp.107497. 10.1016/j.jsb.2020.107497. hal-02906399 HAL Id: hal-02906399 https://hal.archives-ouvertes.fr/hal-02906399 Submitted on 17 Nov 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. The shell matrix of the European thorny oyster, Spondylus gaederopus: microstructural and molecular characterization List of authors: Jorune Sakalauskaite1,2, Laurent Plasseraud3, Jérôme Thomas2, Marie Albéric4, Mathieu Thoury5, Jonathan Perrin6, Frédéric Jamme6, Cédric Broussard7, Beatrice Demarchi1, Frédéric Marin2 Affiliations 1. Department of Life Sciences and Systems Biology, University of Turin, Via Accademia Albertina 13, 10123 Turin, Italy; 2. Biogeosciences, UMR CNRS 6282, University of Burgundy-Franche-Comté, 6 Boulevard Gabriel, 21000 Dijon, France. 3. Institute of Molecular Chemistry, ICMUB UMR CNRS 6302, University of Burgundy- Franche-Comté, 9 Avenue Alain Savary, 21000 Dijon, France. -
The Protohistoric Period in the Western Great Basin
UC Merced Journal of California and Great Basin Anthropology Title The Protohistoric Period in the Western Great Basin Permalink https://escholarship.org/uc/item/7xp393zf Journal Journal of California and Great Basin Anthropology, 12(1) ISSN 0191-3557 Author Arkush, Brooke S Publication Date 1990-07-01 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Journal of California and Great Basin Anthropology Vol. 12, No. 1, pp. 28-36 (1990). The Protohistoric Period in the Western Great Basin BROOKE S. ARKUSH, Dept. of Sociology and Anthropology, Weber State Univ., Ogden, UT 84408-1208. X HE cultural historical framework for the types and cultural developments. The study western Great Basin derives from a of protohistoric sites and components can compilation of archaeological data which improve our understanding of native cultures identifies time-sensitive artifact types, most as they stood on the brink of intensive contact notably series of projectile points, styles of with Euroamerican society. Moreover, these basketry, marine shell beads, and aboriginal investigations will aid in the identification of ceramics (Elston 1986). The four major subsequent changes in aboriginal material and divisions of the western Great Basin cultural nonmaterial culture and the impacts these chronology (Pre-Archaic, Early Archaic, changes had on ethnographically documented Middle Archaic, and Late Archaic) were groups. This paper is primarily concerned made on the basis of perceived changes in with the protohistory of the western region, as adaptive strategies, which are assumed to be the author is most familiar with its archaeolo reflected in artifact assemblages. Generally gy, ethnography, and history. -
Spondylus Ornaments in the Mortuary Zone at Neolithic Vukovar on the Middle Danube
J. CHAPMAN, B. GAYDARSKA, J. BALEN: Spondylus ornaments..., VAMZ, 3. s., XLV (2012) 191 JOHN CHAPMAN Durham University Department of Archaeology Durham DH1 3LE, UK [email protected] BISSERKA GAYDARSKA Durham University Department of Archaeology Durham DH1 3LE, UK [email protected] JACQUELINE BALEN Archaeological museum in Zagreb Trg Nikole Šubića Zrinskog 19 HR-10000 Zagreb, Croatia [email protected] SPONDYLUS ORNAMENTS IN THE MORTUARY ZONE AT NEOLITHIC VUKOVAR ON THE MIDDLE DANUBE UDK: 903.25-035.56(497.5 Vukovar)»634« Izvorni znanstveni rad The AD 19th century finding of two graves with rich Spondylus shell ornaments in the town of Vukovar, Eastern Croatia, is here re-published with the aim of using the artifact biographical data embodied in the ornaments to assist in the determination of the temporal and spatial relationships of the artifacts with other Spondylus finds in the Carpathian Basin and the Balkans. Key words: Spondylus gaederopus; exchange; Danube; Neolithic; Vukovar; burials; artifact biography Ključne riječi: Spondylus gaederopus, razmjena, Dunav, neolitik, Vukovar, grobovi, biografija nalaza INTRODUCT I ON The opportunity to make a contribution to the Festschrift of a much-respected colleague – Ivan Mirnik – coincided with a 2011 research visit of two of the authors (JC and BG) to the museum now directed by the third (JB). Part of the new prehistory display consisted of two fascinating groups of Spondylus artifacts –two grave groups deriving from Vukovar. 192 J. CHAPMAN, B. GAYDARSKA, J. BALEN: Spondylus ornaments..., VAMZ, 3. s., XLV (2012) The date given in the exhibition to the group of Spondylus finds was Bronze Age! Since there has been little recent research on the Spondylus finds from Eastern Croatia, the authors decided to re-publish the find in Ivan’s Festschrift. -
Tumbaga-Metal Figures from Panama: a Conservation Initiative to Save a Fragile Coll
SPRING 2006 IssuE A PUBLICATION OF THE PEABODY MUSEUM AND THE DEPARTMENT OF ANTHROPOLOGY, HARVARD UNIVERSITY • 11 DIVINITY AVENUE CAMBRIDGE, MA 02138 DIGGING HARVARD YARD No smoking, drinking, glass-break the course, which was ing-what? Far from being a puritani taught by William Fash, cal haven, early Harvard College was a Howells director of the colorful and lively place. The first Peabody Museum, and Harvard students did more than wor Patricia Capone and Diana ship and study: they smoked, drank, Loren, Peabody Museum and broke a lot of windows. None of associate curators. They which was allowed, except on rare were assisted by Molly occasion. In the early days, Native Fierer-Donaldson, graduate American and English youth also stud student in Archaeology, ied, side by side. Archaeological and and Christina Hodge, historical records of early Harvard Peabody Museum senior Students excavating outside Matthews Hall. Photo by Patricia bring to life the experiences of our curatorial assistant and Capor1e. predecessors, teaching us that not only graduate student in is there an untold story to be Archaeology at Boston unearthed, but also, that we may learn University. ALEXANDER MARSHACK new perspectives by reflecting on our Archaeological data recovered from ARCHIVE DONATED TO THE shared history: a history that reaches Harvard Yard enriches our view of the PEABODY MUSEUM beyond the university walls to local seventeenth- through nineteenth-cen Native American communities. tury lives of students and faculty Jiving The Peabody Museum has received the The Fall 2005 course Anthropology in Harvard Yard. In the seventeenth generous donation of the photographs 1130: The Archaeology of Harvard Yard century, Harvard Yard included among and papers of Alexander Marshack brought today's Harvard students liter its four buildings the Old College, the from his widow, Elaine. -
Guide to the Identification of Precious and Semi-Precious Corals in Commercial Trade
'l'llA FFIC YvALE ,.._,..---...- guide to the identification of precious and semi-precious corals in commercial trade Ernest W.T. Cooper, Susan J. Torntore, Angela S.M. Leung, Tanya Shadbolt and Carolyn Dawe September 2011 © 2011 World Wildlife Fund and TRAFFIC. All rights reserved. ISBN 978-0-9693730-3-2 Reproduction and distribution for resale by any means photographic or mechanical, including photocopying, recording, taping or information storage and retrieval systems of any parts of this book, illustrations or texts is prohibited without prior written consent from World Wildlife Fund (WWF). Reproduction for CITES enforcement or educational and other non-commercial purposes by CITES Authorities and the CITES Secretariat is authorized without prior written permission, provided the source is fully acknowledged. Any reproduction, in full or in part, of this publication must credit WWF and TRAFFIC North America. The views of the authors expressed in this publication do not necessarily reflect those of the TRAFFIC network, WWF, or the International Union for Conservation of Nature (IUCN). The designation of geographical entities in this publication and the presentation of the material do not imply the expression of any opinion whatsoever on the part of WWF, TRAFFIC, or IUCN concerning the legal status of any country, territory, or area, or of its authorities, or concerning the delimitation of its frontiers or boundaries. The TRAFFIC symbol copyright and Registered Trademark ownership are held by WWF. TRAFFIC is a joint program of WWF and IUCN. Suggested citation: Cooper, E.W.T., Torntore, S.J., Leung, A.S.M, Shadbolt, T. and Dawe, C.