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The Algonquin Round Table New York: a Historical Guide the Algonquin Round Table New York: a Historical Guide
(Read free ebook) The Algonquin Round Table New York: A Historical Guide The Algonquin Round Table New York: A Historical Guide QxKpnBVVk The Algonquin Round Table New York: A Historical Guide GF-51433 USmix/Data/US-2015 4.5/5 From 294 Reviews Kevin C. Fitzpatrick DOC | *audiobook | ebooks | Download PDF | ePub 13 of 13 people found the following review helpful. A great way to introduce yourself to a group who made literary historyBy Greg HatfieldIt seems my entire life has been connected to the Algonquin Round Table. When I first discovered Harpo Marx, as a youngster, it led me to his autobiography, Harpo Speaks,where I then learned about the Round Table. Alexander Woollcott, George S. Kaufman, Dorothy Parker, Robert Benchley, Franklin P. Adams, Edna Ferber, Heywood Broun, and all the rest who made up the Vicious Circle, became an obsession to me and I had to learn about their lives and, more importantly, their work.Kevin Fitzpatrick has done a remarkable job with this book, putting the group into a historical perspective, and giving the reader a terrific overview of what made the Algonquin Round Table unique and worthy of your time. They were the leading writers and critics of the 1920's, who really did enjoy one another's company, meeting practically every day for lunch for ten years at the Algonquin Hotel.Fitzpatrick says, in one section, that there isn't a day, in this modern era, where someone, somewhere, mentions one of the group in a glowing context (I'm paraphrasing here). The fact remains that the work of Kaufman, Mrs. -
Orson Welles: CHIMES at MIDNIGHT (1965), 115 Min
October 18, 2016 (XXXIII:8) Orson Welles: CHIMES AT MIDNIGHT (1965), 115 min. Directed by Orson Welles Written by William Shakespeare (plays), Raphael Holinshed (book), Orson Welles (screenplay) Produced by Ángel Escolano, Emiliano Piedra, Harry Saltzman Music Angelo Francesco Lavagnino Cinematography Edmond Richard Film Editing Elena Jaumandreu , Frederick Muller, Peter Parasheles Production Design Mariano Erdoiza Set Decoration José Antonio de la Guerra Costume Design Orson Welles Cast Orson Welles…Falstaff Jeanne Moreau…Doll Tearsheet Worlds" panicked thousands of listeners. His made his Margaret Rutherford…Mistress Quickly first film Citizen Kane (1941), which tops nearly all lists John Gielgud ... Henry IV of the world's greatest films, when he was only 25. Marina Vlady ... Kate Percy Despite his reputation as an actor and master filmmaker, Walter Chiari ... Mr. Silence he maintained his memberships in the International Michael Aldridge ...Pistol Brotherhood of Magicians and the Society of American Tony Beckley ... Ned Poins and regularly practiced sleight-of-hand magic in case his Jeremy Rowe ... Prince John career came to an abrupt end. Welles occasionally Alan Webb ... Shallow performed at the annual conventions of each organization, Fernando Rey ... Worcester and was considered by fellow magicians to be extremely Keith Baxter...Prince Hal accomplished. Laurence Olivier had wanted to cast him as Norman Rodway ... Henry 'Hotspur' Percy Buckingham in Richard III (1955), his film of William José Nieto ... Northumberland Shakespeare's play "Richard III", but gave the role to Andrew Faulds ... Westmoreland Ralph Richardson, his oldest friend, because Richardson Patrick Bedford ... Bardolph (as Paddy Bedford) wanted it. In his autobiography, Olivier says he wishes he Beatrice Welles .. -
The Role of Stanislavsky and the Moscow Art Theatre's 1923 And
CULTURAL EXCHANGE: THE ROLE OF STANISLAVSKY AND THE MOSCOW ART THEATRE’S 1923 AND1924 AMERICAN TOURS Cassandra M. Brooks, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2014 APPROVED: Olga Velikanova, Major Professor Richard Golden, Committee Member Guy Chet, Committee Member Richard B. McCaslin, Chair of the Department of History Mark Wardell, Dean of the Toulouse Graduate School Brooks, Cassandra M. Cultural Exchange: The Role of Stanislavsky and the Moscow Art Theatre’s 1923 and 1924 American Tours. Master of Arts (History), August 2014, 105 pp., bibliography, 43 titles. The following is a historical analysis on the Moscow Art Theatre’s (MAT) tours to the United States in 1923 and 1924, and the developments and changes that occurred in Russian and American theatre cultures as a result of those visits. Konstantin Stanislavsky, the MAT’s co-founder and director, developed the System as a new tool used to help train actors—it provided techniques employed to develop their craft and get into character. This would drastically change modern acting in Russia, the United States and throughout the world. The MAT’s first (January 2, 1923 – June 7, 1923) and second (November 23, 1923 – May 24, 1924) tours provided a vehicle for the transmission of the System. In addition, the tour itself impacted the culture of the countries involved. Thus far, the implications of the 1923 and 1924 tours have been ignored by the historians, and have mostly been briefly discussed by the theatre professionals. This thesis fills the gap in historical knowledge. -
The Transnational Sound of Harpo Marx
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 22 | 2021 Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx Marie Ventura Electronic version URL: http://journals.openedition.org/miranda/36228 DOI: 10.4000/miranda.36228 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Marie Ventura, “Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx”, Miranda [Online], 22 | 2021, Online since 02 March 2021, connection on 27 April 2021. URL: http:// journals.openedition.org/miranda/36228 ; DOI: https://doi.org/10.4000/miranda.36228 This text was automatically generated on 27 April 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx 1 Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx Marie Ventura Introduction: a Transnational Trickster 1 In early autumn, 1933, New York critic Alexander Woollcott telephoned his friend Harpo Marx with a singular proposal. Having just learned that President Franklin Roosevelt was about to carry out his campaign promise to have the United States recognize the Soviet Union, Woollcott—a great friend and supporter of the Roosevelts, and Eleanor Roosevelt in particular—had decided “that Harpo Marx should be the first American artist to perform in Moscow after the US and the USSR become friendly nations” (Marx and Barber 297). “They’ll adore you,” Woollcott told him. “With a name like yours, how can you miss? Can’t you see the three-sheets? ‘Presenting Marx—In person’!” (Marx and Barber 297) 2 Harpo’s response, quite naturally, was a rather vehement: you’re crazy! The forty-four- year-old performer had no intention of going to Russia.1 In 1933, he was working in Hollywood as one of a family comedy team of four Marx Brothers: Chico, Harpo, Groucho, and Zeppo. -
The Inventory of the Alexander Woollcott Collection #344
The Inventory of the Alexander Woollcott Collection #344 Howard Gotlieb Archival Research Center WOOLLCOTT, Alexander Purchase: 1971. #l2G Box 1 Folder 1921-1940. Letters from Alexander Woollcott ( #1) 1921 ALS, to Dr. Saunders. October 28. "About 1921 11 marked in pencil on the first page. 2 pp. 1932 TLS, New York, to Mrs. A. P. Saunders, Clinton, N. '/· March 19. 2 pp. Typescript envelope postmarked the same date. TLS, New York, to Mrs. Saunders. October 21. 2 pp. 1936 ALS, Bomciseen,~Vt., to "Louise" October 6, no year marked on letter. 3 pp. Holograph note about Eleanora (van?) Mendelsohn, Viennese actress, who is mentioned in the letter, enclosed. Holograph envelope postmarked October 7. 11 1939 TLS, Beverley Hills, Calif., to "Louise • April 1. 2 pp. Typescript envelope postmarked the same date. 1940 TLS, Bomoseen, Vt., to Mr. Plumley. September 22. 2 pp. Note: Louise is Mrs. Saunders. Dr. Saunders is Arthur Percy Saunders, 1869-1953.~ a ahemist and dean at Hamilton College. WOOLLCOTT, ALEXANDER Purchase: Addenda January 1972 Box 1 Letters from Alexander Woollcott (#1) 1930 TLS. No place, To Miss Schneider, October 3, 1930. 1930 TLS. New York, To Miss Schneider, October 15, 1930. 1934 TLS. New York, to Mr. Scaife t: Roger Livingston Scaife 1875-19513, December 12, 1934. 2 PP• 1936 TLS. New York, to the Rev. Charles Russell Peck, Concord, Mass., no date with typescript envelope postmarked December 7, 1936. 1940 TLS. Fairmont Hotel, San Francisco, to Pierre Monteux (1875-1964), San Francisco, March 27,1940 with envelope postmarked March 26. WOOLLCOTT, Alexander Purchase: November 1977 :Jox 1 Letters from Alexander Woollcott (#1) ALS Carlton Hotel, London to Negley Farson, April 9, 1936, 2 p. -
Journalist in Disguise St
St. Norbert College Digital Commons @ St. Norbert College Pix Media Spring 2009 Journalist in disguise St. Norbert College Follow this and additional works at: https://digitalcommons.snc.edu/pixmedia Recommended Citation St. Norbert College, "Journalist in disguise" (2009). Pix Media. 54. https://digitalcommons.snc.edu/pixmedia/54 This Article is brought to you for free and open access by Digital Commons @ St. Norbert College. It has been accepted for inclusion in Pix Media by an authorized administrator of Digital Commons @ St. Norbert College. For more information, please contact [email protected]. St. Norbert College Magazine - Journalist in disguise: Thomas Kunkel, president of St. Norbert College - St. Norbert College :: ACADEMIC PROGRAMS | ALUMNI | FUTURE STUDENTS | PARENTS | VISITORS (Students, faculty and staff) About SNC | A to Z Index | Directory QUICK LINKS: - Home - Magazine President's message Seven-figure gifts put athletics complex on the fast track Spring 2009 | Finding the Balance Student research goes Galapagos A short course in educationomics Economics lessons find their way to classrooms Journalist in around the world disguise: A look at Mastering the job search two books authored Finding $50 bills in the Web exclusives NFL draft by President Thomas Look here for web-only A short period of Kunkel content that expands economic growth By John Pennington, on topics presented in the An aardvark a day keeps Professor of English the doctor away current St. Norbert College Live! from Schuldes Magazine (PDF). Subscribe “I don’t care what is written about me so long as it isn’t true.” Dorothy Parker (1893- Student research E-newsletter 1967), American writer and goes Galapagos Television Show wit, founding member of the Reporting from one of the Press Releases Algonquin Round Table, and world’s best natural one of the original advisory laboratories. -
An Educational Guide Filled with Youthful Bravado, Welles Is a Genius Who Is in Love with and Welles Began His Short-Lived Reign Over the World of Film
Welcome to StageDirect Continued from cover Woollcott and Thornton Wilder. He later became associated with StageDirect is dedicated to capturing top-quality live performance It’s now 1942 and the 27 year old Orson Welles is in Rio de Janeiro John Houseman, and together, they took New York theater by (primarily contemporary theater) on digital video. We know that there is on behalf of the State Department, making a goodwill film for the storm with their work for the Federal Theatre Project. In 1937 their tremendous work going on every day in small theaters all over the world. war effort. Still struggling to satisfy RKO with a final edit, Welles is production of The Cradle Will Rock led to controversy and they were This is entertainment that challenges, provokes, takes risks, explodes forced to entrust Ambersons to his editor, Robert Wise, and oversee fired. Soon after Houseman and Welles founded the Mercury Theater. conventions - because the actors, writers, and stage companies are not its completion from afar. The company soon made the leap from stage to radio. slaves to the Hollywood/Broadway formula machine. These productions It’s a hot, loud night in Rio as Orson Welles (actor: Marcus In 1938, the Mercury Theater’s War of the Worlds made appear for a few weeks, usually with little marketing, then they disappear. Wolland) settles in to relate to us his ‘memoir,’ summarizing the broadcast history when thousands of listeners mistakenly believed Unless you’re a real fanatic, you’ll miss even the top performances in your early years of his career in theater and radio. -
Journalist Biographie Archibald, John
Report Title - p. 1 of 303 Report Title Amadé, Emilio Sarzi (Curtatone 1925-1989 Mailand) : Journalist Biographie 1957-1961 Emilio Sarzi Amadé ist Korrespondent für Italien in China. [Wik] Archibald, John (Huntley, Aberdeenshire 1853-nach 1922) : Protestantischer Missionar, Journalist Biographie 1876-1913 John Archibald arbeitet für die National Bible Society of Scotland in Hankou. Er resit in Hubei, Hunan, Henan, Anhui und Jiangxi. [Who2] 1913 John Archibald wird Herausgeber der Central China post. [Who2] Bibliographie : Autor 1910 Archibald, John. The National Bible Society of Scotland. In : The China mission year book ; Shanghai (1910). [Int] Balf, Todd (um 2000) : Amerikanischer Journalist, Senior Editor Outside Magazine, Mitherausgeber Men's journal Bibliographie : Autor 2000 Balf, Todd. The last river : the tragic race for Shangi-la. (New York, N.Y. : Crown, 2000). [Erstbefahrung 1998 für die National Geographic Society durch wilde Schluchten des Brahmaputra (Tsangpo) in Tibet, die wegen Strömungen und Tod von Douglas Gordon (1956-1998) scheitert]. [WC,Cla] Balfour, Frederic Henry (1846-1909) : Kaufmann, Journalist in China Bibliographie : Autor 1876 Balfour, Frederic Henry. Waifs and strays from the Far East ; being a series of disconnected essays on matters relating to China. (London : Trübner, 1876). https://archive.org/details/waifsstraysfromf00balfrich. 1881 Chuang Tsze. The divine classsic of Nan-hua : being the works of Chuang Tsze, taoist philosopher. With an excursus, and copious annotations in English and Chinese by Frederic Henry Balfour. (Shanhgai ; Hongkong : Kelly & Walsh, 1881). [Zhuangzi. Nan hua jing]. https://catalog.hathitrust.org/Record/100328385. 1883 Balfour, Frederic Henry. Idiomatic dialogues in the Peking colloquial for the use of students. (Shanghai : Printed at the North-China Herald Office, 1883). -
Guide to the Harpo Marx Papers
Guide to the Harpo Marx papers NMAH.AC.1290 NMAH Staff Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Container Listing ............................................................................................................. 2 Series : Sound Recordings: Original Audio Discs, 1947, 1949, 1956...................... 2 Series : Working Box 1............................................................................................ 6 Series : Working Box 2............................................................................................ 8 Series : Working Box 3.......................................................................................... 11 Series : Working Box 4.......................................................................................... 13 Series : Working Box 5.......................................................................................... 14 Series : Working Box 6.......................................................................................... 15 Harpo Marx Papers NMAH.AC.1290 Collection Overview Repository: Archives Center, National Museum of American History Title: Harpo Marx Papers -
Innovators: Songwriters
NBER WORKING PAPER SERIES INNOVATORS: SONGWRITERS David Galenson Working Paper 15511 http://www.nber.org/papers/w15511 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 November 2009 The views expressed herein are those of the author(s) and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2009 by David Galenson. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Innovators: Songwriters David Galenson NBER Working Paper No. 15511 November 2009 JEL No. N00 ABSTRACT Irving Berlin and Cole Porter were two of the great experimental songwriters of the Golden Era. They aimed to create songs that were clear and universal. Their ability to do this improved throughout much of their careers, as their skill in using language to create simple and poignant images improved with experience, and their greatest achievements came in their 40s and 50s. During the 1960s, Bob Dylan and the team of John Lennon and Paul McCartney created a conceptual revolution in popular music. Their goal was to express their own ideas and emotions in novel ways. Their creativity declined with age, as increasing experience produced habits of thought that destroyed their ability to formulate radical new departures from existing practices, so their most innovative contributions appeared early in their careers. -
STUDY GUIDE Inside
McGuire Proscenium Stage / Jan 28 – Mar 19, 2017 by GEORGE S. KAUFMAN and EDNA FERBER directed by RACHEL CHAVKIN STUDY GUIDE Inside THE AUTHORS When Edna met George...and wrote some plays • 3 Selected Chronology on the Life and Times of George S. Kaufman and Edna Ferber • 4 Comments by and about the Authors • 9 THE PLAY Synopsis, Characters and Setting • 13 Comments about the Play • 14 The Barrymores: The (Real) Royal Family of Broadway • 16 Myself as I Think Other See Me by Ethel Barrymore • 16 CULTURAL CONTEXT The Lingo of the Stage • 21 People and Things of the Period • 24 THE GUTHRIE PRODUCTION Notes from the Creative Team • 26 ADDITIONAL INFORMATION For Further Understanding • 28 Play guides are made possible by Guthrie Theater Study Guide Copyright 2016 DRAMATURG Carla Steen GRAPHIC DESIGNER Akemi Waldusky RESEARCH Stephanie Engel, Carla Steen All rights reserved. With the exception of classroom use by teachers and Guthrie Theater, 818 South 2nd Street, Minneapolis, MN 55415 individual personal use, no part of this Play Guide may be reproduced in any form or by any means, electronic or mechanical, including ADMINISTRATION 612.225.6000 photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publishers. Some materials BOX OFFICE 612.377.2224 or 1.877.44.STAGE TOLL-FREE published herein are written especially for our Guide. Others are reprinted guthrietheater.org • Joseph Haj, artistic director by permission of their publishers. Jo Holcomb: 612.225.6117 | Carla Steen: 612.225.6118 The Guthrie Theater, founded in 1963, is an American center for theater performance, The Guthrie Theater receives support from the National Endowment production, education and professional training. -
I Don't Really Want to Read Dave's Book. I Just
“I don’t really want to read Dave’s book. I just wanted to have one so I could impress people and say, ‘I have Dave’s book.’” -- Tim Wenzl, author, historian 1 Other books by David S. Myers: “Spearville vs. the Aliens” With Jim Myers: “Mr. Brown; A Spirited Story of Friendship” “Mr. Brown and the Golden Locket” Copyright © 2014 David S. Myers All rights reserved. ISBN-10: 1466294485 ISBN-13: 978-1466294486 2 ... And Jesus Chuckled Humorous Stories of Faith, Inspiration, and General Silliness By David S. Myers 3 Special thanks to my wife, Charlene Scott-Myers, for her guidance and editing skills, her love and laughter (Charlene is the author of “The Shroud of Turin: the Research Continues,” “Screechy,” and “The Journeycake Saga”); to my parents, Jim and Ruth Myers, for passing on to me their weird and wonderful sense of humor (Dad and I are co-authors of “Mr. Brown, A Spirited Story of Friendship” and “Mr. Brown and the Golden Locket”); to Bishop Ronald M. Gilmore, for allowing me a voice in the Southwest Kansas Register, and to Bishop John B. Brungardt, for allowing that voice to continue; to the people of southwest Kansas, who have never tried even once to have me run me out of town (that I know of); to my Lab, Sarah, for helping me realize what’s truly important in life; and, as always, to the Good Lord, who has humbly refused any royalties for this book, should there be any. 4 Forward or more than ten years now, I have watched David My- Fers at work.