Books & Manuscripts (1697) Lot 56

Total Page：16

File Type：pdf, Size：1020Kb

Books & Manuscripts (1697) February 18, 2021 EDT, ONLINE ONLY Lot 56 Estimate: $1500 - $2500 (plus Buyer's Premium) [Literature] [Algonquin Round Table] No Sirree! Original playbill for No Sirree! An Anonymous Entertainment by the Vicious Circle of the Hotel Algonquin. Approximately 23.25 x 5.5 inches, archivally framed. The one-night-only performance was held at the 49th Street Theatre on April 30, 1922. The invited audience was made up largely of writers, critics, and friends of the cast which included the following: Franklin P. Adams Tallulah Bankhead Robert C. Benchley Heywood Broun Marc Connelly Jane Grant Helen Hayes Jascha Heifetz George S. Kaufman Neysa McMein Dorothy Parker Harold Ross Robert E. Sherwood Donald Ogden Stewart Alexander Woollcott The style of the show, as well as its title, was a spoof on the popular Russian/French revue, La Chauve-Souris, which was a big hit on Broadway from February to June 1922. The closest thing to a foundation document for the Algonquin Round Table that one can imagine. An almost mythical single performance that still resonates today. Dorothy Parker sang; Jascha Heifitz provided incidental music from the wings; Robert Benchley first performed his "Treasurer's Report" (which was deliberately left off of the playbill to fool the audience); O'Neill and Milne were spoofed among many others. Benchley's "The Treasurer's Report," was the one element from the performance that later found its own fame. The disjointed parody went over so well that Irving Berlin hired Benchley the following year to perform it as part of Berlin's Music Box Revue for $500 a week. Five years later it was made into a short sound film which also marked the beginning of a second career for Benchley in Hollywood. No copies of this playbill have appeared at auction since it was performed, almost 99 years ago and there are no copies recorded in WorldCat. It is our belief that this might be the only recorded copy/surviving copy. A similar example is pictured in "Wit's End" (James R. Gaines, 1977) but appears to be a program although identical in the way the type is set. From the library of author and playwright, Julian Street (1879-1947), whom we assume was there. It was found folded up in one of his books..

Copy Link

Recommended publications

Modernism 1 Modernism
Modernism 1 Modernism Modernism, in its broadest definition, is modern thought, character, or practice. More specifically, the term describes the modernist movement, its set of cultural tendencies and array of associated cultural movements, originally arising from wide-scale and far-reaching changes to Western society in the late 19th and early 20th centuries. Modernism was a revolt against the conservative values of realism.[2] [3] [4] Arguably the most paradigmatic motive of modernism is the rejection of tradition and its reprise, incorporation, rewriting, recapitulation, revision and parody in new forms.[5] [6] [7] Modernism rejected the lingering certainty of Enlightenment thinking and also rejected the existence of a compassionate, all-powerful Creator God.[8] [9] In general, the term modernism encompasses the activities and output of those who felt the "traditional" forms of art, architecture, literature, religious faith, social organization and daily life were becoming outdated in the new economic, social, and political conditions of an Hans Hofmann, "The Gate", 1959–1960, emerging fully industrialized world. The poet Ezra Pound's 1934 collection: Solomon R. Guggenheim Museum. injunction to "Make it new!" was paradigmatic of the movement's Hofmann was renowned not only as an artist but approach towards the obsolete. Another paradigmatic exhortation was also as a teacher of art, and a modernist theorist articulated by philosopher and composer Theodor Adorno, who, in the both in his native Germany and later in the U.S. During the 1930s in New York and California he 1940s, challenged conventional surface coherence and appearance of introduced modernism and modernist theories to [10] harmony typical of the rationality of Enlightenment thinking.
[Show full text]
The Algonquin Round Table New York: a Historical Guide the Algonquin Round Table New York: a Historical Guide
(Read free ebook) The Algonquin Round Table New York: A Historical Guide The Algonquin Round Table New York: A Historical Guide QxKpnBVVk The Algonquin Round Table New York: A Historical Guide GF-51433 USmix/Data/US-2015 4.5/5 From 294 Reviews Kevin C. Fitzpatrick DOC | *audiobook | ebooks | Download PDF | ePub 13 of 13 people found the following review helpful. A great way to introduce yourself to a group who made literary historyBy Greg HatfieldIt seems my entire life has been connected to the Algonquin Round Table. When I first discovered Harpo Marx, as a youngster, it led me to his autobiography, Harpo Speaks,where I then learned about the Round Table. Alexander Woollcott, George S. Kaufman, Dorothy Parker, Robert Benchley, Franklin P. Adams, Edna Ferber, Heywood Broun, and all the rest who made up the Vicious Circle, became an obsession to me and I had to learn about their lives and, more importantly, their work.Kevin Fitzpatrick has done a remarkable job with this book, putting the group into a historical perspective, and giving the reader a terrific overview of what made the Algonquin Round Table unique and worthy of your time. They were the leading writers and critics of the 1920's, who really did enjoy one another's company, meeting practically every day for lunch for ten years at the Algonquin Hotel.Fitzpatrick says, in one section, that there isn't a day, in this modern era, where someone, somewhere, mentions one of the group in a glowing context (I'm paraphrasing here). The fact remains that the work of Kaufman, Mrs.
[Show full text]
Orson Welles: CHIMES at MIDNIGHT (1965), 115 Min
October 18, 2016 (XXXIII:8) Orson Welles: CHIMES AT MIDNIGHT (1965), 115 min. Directed by Orson Welles Written by William Shakespeare (plays), Raphael Holinshed (book), Orson Welles (screenplay) Produced by Ángel Escolano, Emiliano Piedra, Harry Saltzman Music Angelo Francesco Lavagnino Cinematography Edmond Richard Film Editing Elena Jaumandreu , Frederick Muller, Peter Parasheles Production Design Mariano Erdoiza Set Decoration José Antonio de la Guerra Costume Design Orson Welles Cast Orson Welles…Falstaff Jeanne Moreau…Doll Tearsheet Worlds" panicked thousands of listeners. His made his Margaret Rutherford…Mistress Quickly first film Citizen Kane (1941), which tops nearly all lists John Gielgud ... Henry IV of the world's greatest films, when he was only 25. Marina Vlady ... Kate Percy Despite his reputation as an actor and master filmmaker, Walter Chiari ... Mr. Silence he maintained his memberships in the International Michael Aldridge ...Pistol Brotherhood of Magicians and the Society of American Tony Beckley ... Ned Poins and regularly practiced sleight-of-hand magic in case his Jeremy Rowe ... Prince John career came to an abrupt end. Welles occasionally Alan Webb ... Shallow performed at the annual conventions of each organization, Fernando Rey ... Worcester and was considered by fellow magicians to be extremely Keith Baxter...Prince Hal accomplished. Laurence Olivier had wanted to cast him as Norman Rodway ... Henry 'Hotspur' Percy Buckingham in Richard III (1955), his film of William José Nieto ... Northumberland Shakespeare's play "Richard III", but gave the role to Andrew Faulds ... Westmoreland Ralph Richardson, his oldest friend, because Richardson Patrick Bedford ... Bardolph (as Paddy Bedford) wanted it. In his autobiography, Olivier says he wishes he Beatrice Welles ..
[Show full text]
A Tempest Or, on the flood of Interest In: Sentiment Analysis, Opinion Mining, and the Computational Treatment of Subjective Language
A Tempest Or, on the flood of interest in: sentiment analysis, opinion mining, and the computational treatment of subjective language Lillian Lee Cornell University http://www.cs.cornell.edu/home/llee “Romance should never begin with sentiment. It should begin with science and end with a settlement.” — Oscar Wilde, An Ideal Husband , that has such people in’t According to a Comscore ’07 report and an ’08 Pew survey: 60% of US residents have done online product research. 15% do so on a typical day. 73%-87% of US readers of online reviews of services say the reviews were significant influences. (more on economics later) But 58% of US internet users report that online information was missing, impossible to find, confusing, and/or overwhelming. Creating technologies that find and analyze reviews would answer a tremendous information need. O brave new world People search for and are affected by online opinions. TripAdvisor, Rotten Tomatoes, Yelp, ... Amazon, eBay, YouTube... blogs, Q&A and discussion sites, ... But 58% of US internet users report that online information was missing, impossible to find, confusing, and/or overwhelming. Creating technologies that find and analyze reviews would answer a tremendous information need. O brave new world, that has such people in’t People search for and are affected by online opinions. TripAdvisor, Rotten Tomatoes, Yelp, ... Amazon, eBay, YouTube... blogs, Q&A and discussion sites, ... According to a Comscore ’07 report and an ’08 Pew survey: 60% of US residents have done online product research. 15% do so on a typical day. 73%-87% of US readers of online reviews of services say the reviews were significant influences.
[Show full text]
The Role of Stanislavsky and the Moscow Art Theatre's 1923 And
CULTURAL EXCHANGE: THE ROLE OF STANISLAVSKY AND THE MOSCOW ART THEATRE’S 1923 AND1924 AMERICAN TOURS Cassandra M. Brooks, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2014 APPROVED: Olga Velikanova, Major Professor Richard Golden, Committee Member Guy Chet, Committee Member Richard B. McCaslin, Chair of the Department of History Mark Wardell, Dean of the Toulouse Graduate School Brooks, Cassandra M. Cultural Exchange: The Role of Stanislavsky and the Moscow Art Theatre’s 1923 and 1924 American Tours. Master of Arts (History), August 2014, 105 pp., bibliography, 43 titles. The following is a historical analysis on the Moscow Art Theatre’s (MAT) tours to the United States in 1923 and 1924, and the developments and changes that occurred in Russian and American theatre cultures as a result of those visits. Konstantin Stanislavsky, the MAT’s co-founder and director, developed the System as a new tool used to help train actors—it provided techniques employed to develop their craft and get into character. This would drastically change modern acting in Russia, the United States and throughout the world. The MAT’s first (January 2, 1923 – June 7, 1923) and second (November 23, 1923 – May 24, 1924) tours provided a vehicle for the transmission of the System. In addition, the tour itself impacted the culture of the countries involved. Thus far, the implications of the 1923 and 1924 tours have been ignored by the historians, and have mostly been briefly discussed by the theatre professionals. This thesis fills the gap in historical knowledge.
[Show full text]
The Transnational Sound of Harpo Marx
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 22 | 2021 Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx Marie Ventura Electronic version URL: http://journals.openedition.org/miranda/36228 DOI: 10.4000/miranda.36228 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Marie Ventura, “Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx”, Miranda [Online], 22 | 2021, Online since 02 March 2021, connection on 27 April 2021. URL: http:// journals.openedition.org/miranda/36228 ; DOI: https://doi.org/10.4000/miranda.36228 This text was automatically generated on 27 April 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx 1 Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx Marie Ventura Introduction: a Transnational Trickster 1 In early autumn, 1933, New York critic Alexander Woollcott telephoned his friend Harpo Marx with a singular proposal. Having just learned that President Franklin Roosevelt was about to carry out his campaign promise to have the United States recognize the Soviet Union, Woollcott—a great friend and supporter of the Roosevelts, and Eleanor Roosevelt in particular—had decided “that Harpo Marx should be the first American artist to perform in Moscow after the US and the USSR become friendly nations” (Marx and Barber 297). “They’ll adore you,” Woollcott told him. “With a name like yours, how can you miss? Can’t you see the three-sheets? ‘Presenting Marx—In person’!” (Marx and Barber 297) 2 Harpo’s response, quite naturally, was a rather vehement: you’re crazy! The forty-four- year-old performer had no intention of going to Russia.1 In 1933, he was working in Hollywood as one of a family comedy team of four Marx Brothers: Chico, Harpo, Groucho, and Zeppo.
[Show full text]
The Inventory of the Alexander Woollcott Collection #344
The Inventory of the Alexander Woollcott Collection #344 Howard Gotlieb Archival Research Center WOOLLCOTT, Alexander Purchase: 1971. #l2G Box 1 Folder 1921-1940. Letters from Alexander Woollcott ( #1) 1921 ALS, to Dr. Saunders. October 28. "About 1921 11 marked in pencil on the first page. 2 pp. 1932 TLS, New York, to Mrs. A. P. Saunders, Clinton, N. '/· March 19. 2 pp. Typescript envelope postmarked the same date. TLS, New York, to Mrs. Saunders. October 21. 2 pp. 1936 ALS, Bomciseen,~Vt., to "Louise" October 6, no year marked on letter. 3 pp. Holograph note about Eleanora (van?) Mendelsohn, Viennese actress, who is mentioned in the letter, enclosed. Holograph envelope postmarked October 7. 11 1939 TLS, Beverley Hills, Calif., to "Louise • April 1. 2 pp. Typescript envelope postmarked the same date. 1940 TLS, Bomoseen, Vt., to Mr. Plumley. September 22. 2 pp. Note: Louise is Mrs. Saunders. Dr. Saunders is Arthur Percy Saunders, 1869-1953.~ a ahemist and dean at Hamilton College. WOOLLCOTT, ALEXANDER Purchase: Addenda January 1972 Box 1 Letters from Alexander Woollcott (#1) 1930 TLS. No place, To Miss Schneider, October 3, 1930. 1930 TLS. New York, To Miss Schneider, October 15, 1930. 1934 TLS. New York, to Mr. Scaife t: Roger Livingston Scaife 1875-19513, December 12, 1934. 2 PP• 1936 TLS. New York, to the Rev. Charles Russell Peck, Concord, Mass., no date with typescript envelope postmarked December 7, 1936. 1940 TLS. Fairmont Hotel, San Francisco, to Pierre Monteux (1875-1964), San Francisco, March 27,1940 with envelope postmarked March 26. WOOLLCOTT, Alexander Purchase: November 1977 :Jox 1 Letters from Alexander Woollcott (#1) ALS Carlton Hotel, London to Negley Farson, April 9, 1936, 2 p.
[Show full text]
Journalist in Disguise St
St. Norbert College Digital Commons @ St. Norbert College Pix Media Spring 2009 Journalist in disguise St. Norbert College Follow this and additional works at: https://digitalcommons.snc.edu/pixmedia Recommended Citation St. Norbert College, "Journalist in disguise" (2009). Pix Media. 54. https://digitalcommons.snc.edu/pixmedia/54 This Article is brought to you for free and open access by Digital Commons @ St. Norbert College. It has been accepted for inclusion in Pix Media by an authorized administrator of Digital Commons @ St. Norbert College. For more information, please contact [email protected]. St. Norbert College Magazine - Journalist in disguise: Thomas Kunkel, president of St. Norbert College - St. Norbert College :: ACADEMIC PROGRAMS | ALUMNI | FUTURE STUDENTS | PARENTS | VISITORS (Students, faculty and staff) About SNC | A to Z Index | Directory QUICK LINKS: - Home - Magazine President's message Seven-figure gifts put athletics complex on the fast track Spring 2009 | Finding the Balance Student research goes Galapagos A short course in educationomics Economics lessons find their way to classrooms Journalist in around the world disguise: A look at Mastering the job search two books authored Finding $50 bills in the Web exclusives NFL draft by President Thomas Look here for web-only A short period of Kunkel content that expands economic growth By John Pennington, on topics presented in the An aardvark a day keeps Professor of English the doctor away current St. Norbert College Live! from Schuldes Magazine (PDF). Subscribe “I don’t care what is written about me so long as it isn’t true.” Dorothy Parker (1893- Student research E-newsletter 1967), American writer and goes Galapagos Television Show wit, founding member of the Reporting from one of the Press Releases Algonquin Round Table, and world’s best natural one of the original advisory laboratories.
[Show full text]
All Texts by Genre, Becoming Modern: America in the 1920S
BECOMING MODERN: AMERICA IN THE 1920S PRIMARY SOURCE COLLECTION k National Humanities Center Primary Source Collection BECOMING MODERN: AMERICA IN THE 1920S americainclass.org/sources/becomingmodern A collection of primary resources—historical documents, literary texts, and works of art— thematically organized with notes and discussion questions 1 __Resources by Genre__ ___Each genre is ordered by Theme: THE AGE, MODERNITY, MACHINE, PROSPERITY, DIVISION.___ External sites are noted in small caps. COLLECTIONS: CONTEMPORARY COMMENTARY NONFICTION, FICTION, ILLUSTRATIONS, CARTOONS, etc.* THE AGE 1 “The Age” PROSPERITY 1 “Age of Prosperity” MODERNITY 1 Modern Youth PROSPERITY 2 Business MODERNITY 2 Modern Woman PROSPERITY 3 Consumerism MODERNITY 3 Modern Democracy PROSPERITY 4 Crash MODERNITY 4 Modern Faith DIVISIONS 1 Ku Klux Klan MODERNITY 5 Modern City: The Skyscraper DIVISIONS 2 Black & White MACHINE 1 “Machine Age” DIVISIONS 3 City & Town MACHINE 3 Automobile DIVISIONS 5 Religion & Science MACHINE 5 Radio DIVISIONS 6 Labor & Capital DIVISIONS 7 Native & Foreign DIVISIONS 8 “Reds” & “Americans” POLITICAL CARTOON COLLECTIONS THE AGE 3 –Chicago Tribune political cartoons: 24 cartoons (two per year, 1918-1929) PROSPERITY 1 –“Age of Prosperity”: 12 cartoons PROSPERITY 4 –Crash: 12 cartoons DIVISIONS 1 –Ku Klux Klan: 16 cartoons DIVISIONS 2 –Black & White: 18 cartoons DIVISIONS 4 –Wets & Drys: 8 cartoons DIVISIONS 6 –Labor & Capital: 14 cartoons DIVISIONS 7 –Native & Foreign: 6 cartoons DIVISIONS 8 –“Reds” & “Americans”: 8 cartoons 1 Image: Florine Stettheimer, The Cathedrals of Broadway, oil on canvas, Metropolitan Museum of Art, New York, NY. Gift of Ettie Stettheimer, 1953. 53.24.3. Image: Art Resource, NY. Reproduced by permission of the Metropolitan Museum of Art; cropping permission request in process.
[Show full text]
Worcester Writers Analyses of Denis Leary Robert Benchley Frank O'hara
Worcester Writers Analyses of Denis Leary Robert Benchley Frank O’Hara Michael Riggieri Mathematical Sciences WPI Class of 2011 Advisor: James Dempsey Table of Contents Denis Leary Analysis…………………………………………………………………..1 Denis Leary Bibliography…………………………………………………………….8 Robert Benchley Analysis……………………………………………………………9 Robert Benchley Bibliography…………………………………………………….14 Frank O’Hara Analysis…………………………………………………………………15 Frank O’Hara Bibliography………………………………………………………….23 Denis Leary is a self-proclaimed “asshole”, an Irish drunk, a Willem Dafoe look-a-like, a comedian, a highly revered television actor, movie star, father, author, and most importantly a very funny guy. Throughout his long career, he has been unapologetic and taken no prisoners. He’s taken on subjects like autism, George Bush, the Iraq War, young Hollywood, and even his own faults. Yet, one thing’s for certain, no matter what he does, you will most likely laugh along the way. Denis Colin Leary was born on August 18th 1957 in Worcester, Massachusetts. He is the son of two childhood friends, Nora and John Leary. Nora and John were both from Ireland and actually lived very close to each other and eventually immigrated to the United States. Leary grew up in a stereotypical Irish family household. His parents were straight shooters, telling Leary the truth to whatever question he had. His dad taught him that “not everyone gets to do everything”1. He told Denis that there would be no way that he could become president and that he should do only what he is capable of with what he’s got2. His mother was a big influence on him as well. She was a combination of Mother Theresa, Mary Tyler Moore, and Joe Pesci mixed into a blender3.
[Show full text]
Chicago Writer to Give Visual Presentation on Quincy-Born Algonquin Round Table Member & Artist Neysa Mcmein
Chicago Writer to Give Visual Presentation on Quincy-Born Algonquin Round Table Member & Artist Neysa McMein Chicago writer and poet Cynthia Gallaher will debut her nonfiction book, “Frugal Poets’ Guide to Life: How to Live a Poetic Life, Even If You Aren’t a Poet” at Quincy Art Center, Quincy, Illinois, on Saturday, June 17 at 2 p.m. During this free event, she’ll give a talk and visual presentation on her Quincy-born relative, artist Neysa McMein. Neysa McMein, born in Quincy in 1888, left Quincy after high school to attend the School of the Art Institute of Chicago before heading east, where she created hundreds of magazine covers, developed the first iconic image of Betty Crocker, and became a member of the famous Algonquin Round Table in New York City, which included writer Dorothy Parker and comic Harpo Marx. McMein’s ancestral relative, Cynthia Gallaher, who holds a degree in art history, helped curate a Neysa McMein art retrospective at Quincy Art Center in 2004 and now returns to the art center to revisit McMein’s work in her PowerPoint visual presentation as well as spotlight McMein’s appearance in “Frugal Poets’ Guide to Life.” "Frugal Poets' Guide to Life" is part memoir, part life-coaching for poets (or those who’d like to live like one) and part creativity guide. “Frugal Poets’ Guide to Life” is a book to nurture any creative person, whether he or she is a #musician, #composer, #dancer, #artist, #fiction, #nonfiction or #drama #writer, or a #poet. This event is part of Frugal Poets' Guide to Life 2017 10-city book tour, partially supported by an Individual Artists Program Grant from the City of Chicago Department of Cultural Affairs & Special Events, as well as a grant from the Illinois Arts Council Agency, a state agency through federal funds provided by the National Endowment for the Arts.
[Show full text]
Sponsors of Writing and Workersâ•Ž Education in the 1930S
Community Literacy Journal Volume 11 Issue 1 Fall, Special Issue: Building Engaged Article 3 Infrastructure Fall 2016 Write. Persist. Struggle: Sponsors of Writing and Workers’ Education in the 1930s Deborah Mutnick Dr. Long Island University - Brooklyn Campus, [email protected] Follow this and additional works at: https://digitalcommons.fiu.edu/communityliteracy Recommended Citation Mutnick, Deborah. “Write. Persist. Struggle: Sponsors of Writing and Workers’ Education in the 1930s.” Community Literacy Journal, vol. 11, no. 1, 2016, pp. 10–21, doi:10.25148/clj.11.1.009245. This work is brought to you for free and open access by FIU Digital Commons. It has been accepted for inclusion in Community Literacy Journal by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. community literacy journal Write. Persist. Struggle: Sponsors of Writing and Workers’ Education in the 1930s Deborah Mutnick Organizations like the John Reed Clubs and the WPA Federal Writers’ Project, as well as publications like The New Masses can be seen as “literacy sponsors” of the U.S. literary left in the 1930s, particularly the young, the working class, and African American writers. The vibrant, inclusionary, activist, literary culture of that era reflected a surge of revolutionary ideas and activity that seized the imagination of a generation of writers and artists, including rhetoricians like Kenneth Burke. Here I argue that this history has relevance for contemporary community writing projects, which collectively lack the political cohesiveness and power of the national and international movements that sponsored the 1930s literary left but may anticipate another global period of struggle for democracy in which writers and artists can play a significant role.
[Show full text]