DOCSLIB.ORG

Robert Benchley Treasurer S Report

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Robert Benchley Treasurer S Report Robert Benchley Treasurer' S Report Robert Benchley Treasurer' S Report 1 / 2 Robert Benchley · Treasurer: I don't think it's generally known that most of our boys are between the age of fourteen. Share this quote .... Robert Charles Benchley was an American humorist best known for his work as a ... 's early film Shorts, robert benchley shorts the classic `` Treasurer Report!. May 17, 2013 — Humorist Robert Benchley, who stumbled onto a new career while performing a goofy original monologue called “The Treasurer's Report,” ended up writing more ... George S. Kaufman partnered with other playwrights to write .... Robert Charles Benchley was an American humorist best known for his work as a newspaper columnist and film actor. From his beginnings at the Harvard .... by M Riggieri — Robert Benchley. Frank O'Hara ... Suck‖ pg. 104. 9 Ann Leary's Biography—annleary.com ... “Robert Benchley: The Treasurer's Report‖ (Short Film, 1928) -. Feb 28, 2017 — Gradually, poet Dorothy Parker, humorist Robert Benchley, sportswriter ... novelist Edna Ferber, critic and playwright George S. Kaufman and editor ... Benchley's Treasurer's Report led to a career in film shorts (see below).. …writer Robert Benchley, 32, is relieved. He's just come off stage after performing his one-man skit, “The Treasurer's Report,” in his friends' one-off revue, No .... Oct 26, 2013 — Thanks to Dan S. for sharing an interesting article that starts on page 8. If you're getting bored in AA, ... Treasurer Report Dan was unable to attend but sent in the following written report: ... Robert Benchley. (1889 - 1945). robert benchley treasurer's report robert benchley treasurer's report Robert Benchley, a woebegone chronicler of his own inadequacies, was the humorist's humorist, a man beloved by practically everyone but himself.. Struck, Malefic Named To MCA Trustees Board Robert T Shuck '42 and John T ... Elections for president and, secretary-treasurer of the Ath letic Association will ... of the Senate actin° on a report of a Fneesßl committee to reoraanise the clumsy, ... son could count itself proud to bring forth 'Our Town'," states RObert Benchley .... Robert Charles Benchley (September 15, 1889 – November 21, 1945) was an American ... He was elected to the Lampoon's board of directors in his third year. ... A reprise of "The Treasurer's Report" was often requested for future events, and .... Posts about Robert Benchley written by David O. ... Interior and exterior views of the Sikorsky S-38 flying boat. (Frankin Institute, Philadelphia/Calisto ... The cover depicted Benchley performing his famous sketch, The Treasurer's Report.. Jun 1, 2012 — In this lively tribute, today's readers will come to understand why Robert Benchley, George S. Kaufman, and Dorothy Parker represent the ... Erika Stupp von Stuelpnaffel Married In Breivster to Robert DuBois Jr, ... ^Elizabeth Darling Benchley, tdaughter of Mr. and Mrs. Robert Benchley Jr. of New ... Ushers were Robert Erskine of Scarsdale, James Tracy Colby of White Plains and Dr S. ... The bridegroom's father, the late Russell A. Firestone, was treasurer and ... Jun 28, 2014 — ... humorist Robert Benchley called The Treasurer s Report . The closing act was Britania Redington, with Dr. James Wilson on the piano, .... 6 months ending PRESS SWORN GOVERNMENT REPORT for six months ... treasurer , Charles S. Wood ; board of governors , Archibald C. Adam , Walter S. Ball ... Company , Chicago ; Robert Benchley , Dr. W. E. Aughinbaugh and others .. Benchley, Robert. The Treasurer's Report and Other Aspects of Community Singing. Harper & Brothers, 1930. Small 8vo. Book in original black cloth is clean, .... Mar 14, 2020 — Treasurers Statement Report of the Treasurer for the ... In robert benchley his monologue “the treasurer's report,” initially delivered as a skit in .... ... and charming heroines will no longer coyly hiss an “ s ” and growl an " s " . ... or comic exemplified by the Treasurer's Report , a Robert Benchley humorous .... Robert Benchley made the first all-talking short, The Treasurer's Report, ... William S. Paley signed the New York Philharmonic to CBS in a major coup and gave .... ... songwriting) to Robert Benchley and George S. Kaufman. The latter two contributed classic scripts with Benchley's The Treasurer's Report (1923, but actually .... The Treasurer's Report is rarely discussed ... the late Robert Benchley is a recognized mas- ... Q~~~~~~~~~~~C 0 C) t- C)s 00 COONOOoOu t- O11 ,t0 o oC C.. Thomas Heggen, author of Mister Roberts, was a friend of Robert Benchley's son ... Benchley's hilarious movie shorts of yesteryear, The Treasurer's Report.. George S. Kaufman: Once when asked by a press agent, “How do I get my leading [ ... The Treasurer's Report by Robert Benchley Dorothy Parker, The Twenties, ... 6e846d8fd7 TГ©lГ©chargement AGAMA Car Launcher 28006 apk dan abnett pariah epub download forum daughter of invention by julia alvarez pdf Oceans Hillsong United - Remix Aaron Kell heroes-of-might-and-magic-5_(lic) bernina 1080 manual free download leksikon filmskih i televizijskih pojmova pdf download Watch DSBYSKMHD (2021) SkymoviesHD uno Unrated 720p WEB Hindi x265 AAC Bartnitzky Sprachunterricht Heute 15.pdf MileVids – Free HD Video Porn v2020.01 (18+) (Mod) 2 / 2 Robert Benchley Treasurer S Report.
Load more

Recommended publications
  • Modernism 1 Modernism
    Modernism 1 Modernism Modernism, in its broadest definition, is modern thought, character, or practice. More specifically, the term describes the modernist movement, its set of cultural tendencies and array of associated cultural movements, originally arising from wide-scale and far-reaching changes to Western society in the late 19th and early 20th centuries. Modernism was a revolt against the conservative values of realism.[2] [3] [4] Arguably the most paradigmatic motive of modernism is the rejection of tradition and its reprise, incorporation, rewriting, recapitulation, revision and parody in new forms.[5] [6] [7] Modernism rejected the lingering certainty of Enlightenment thinking and also rejected the existence of a compassionate, all-powerful Creator God.[8] [9] In general, the term modernism encompasses the activities and output of those who felt the "traditional" forms of art, architecture, literature, religious faith, social organization and daily life were becoming outdated in the new economic, social, and political conditions of an Hans Hofmann, "The Gate", 1959–1960, emerging fully industrialized world. The poet Ezra Pound's 1934 collection: Solomon R. Guggenheim Museum. injunction to "Make it new!" was paradigmatic of the movement's Hofmann was renowned not only as an artist but approach towards the obsolete. Another paradigmatic exhortation was also as a teacher of art, and a modernist theorist articulated by philosopher and composer Theodor Adorno, who, in the both in his native Germany and later in the U.S. During the 1930s in New York and California he 1940s, challenged conventional surface coherence and appearance of introduced modernism and modernist theories to [10] harmony typical of the rationality of Enlightenment thinking.
    [Show full text]
  • The Algonquin Round Table New York: a Historical Guide the Algonquin Round Table New York: a Historical Guide
    (Read free ebook) The Algonquin Round Table New York: A Historical Guide The Algonquin Round Table New York: A Historical Guide QxKpnBVVk The Algonquin Round Table New York: A Historical Guide GF-51433 USmix/Data/US-2015 4.5/5 From 294 Reviews Kevin C. Fitzpatrick DOC | *audiobook | ebooks | Download PDF | ePub 13 of 13 people found the following review helpful. A great way to introduce yourself to a group who made literary historyBy Greg HatfieldIt seems my entire life has been connected to the Algonquin Round Table. When I first discovered Harpo Marx, as a youngster, it led me to his autobiography, Harpo Speaks,where I then learned about the Round Table. Alexander Woollcott, George S. Kaufman, Dorothy Parker, Robert Benchley, Franklin P. Adams, Edna Ferber, Heywood Broun, and all the rest who made up the Vicious Circle, became an obsession to me and I had to learn about their lives and, more importantly, their work.Kevin Fitzpatrick has done a remarkable job with this book, putting the group into a historical perspective, and giving the reader a terrific overview of what made the Algonquin Round Table unique and worthy of your time. They were the leading writers and critics of the 1920's, who really did enjoy one another's company, meeting practically every day for lunch for ten years at the Algonquin Hotel.Fitzpatrick says, in one section, that there isn't a day, in this modern era, where someone, somewhere, mentions one of the group in a glowing context (I'm paraphrasing here). The fact remains that the work of Kaufman, Mrs.
    [Show full text]
  • All Texts by Genre, Becoming Modern: America in the 1920S
    BECOMING MODERN: AMERICA IN THE 1920S PRIMARY SOURCE COLLECTION k National Humanities Center Primary Source Collection BECOMING MODERN: AMERICA IN THE 1920S americainclass.org/sources/becomingmodern A collection of primary resources—historical documents, literary texts, and works of art— thematically organized with notes and discussion questions 1 __Resources by Genre__ ___Each genre is ordered by Theme: THE AGE, MODERNITY, MACHINE, PROSPERITY, DIVISION.___ External sites are noted in small caps. COLLECTIONS: CONTEMPORARY COMMENTARY NONFICTION, FICTION, ILLUSTRATIONS, CARTOONS, etc.* THE AGE 1 “The Age” PROSPERITY 1 “Age of Prosperity” MODERNITY 1 Modern Youth PROSPERITY 2 Business MODERNITY 2 Modern Woman PROSPERITY 3 Consumerism MODERNITY 3 Modern Democracy PROSPERITY 4 Crash MODERNITY 4 Modern Faith DIVISIONS 1 Ku Klux Klan MODERNITY 5 Modern City: The Skyscraper DIVISIONS 2 Black & White MACHINE 1 “Machine Age” DIVISIONS 3 City & Town MACHINE 3 Automobile DIVISIONS 5 Religion & Science MACHINE 5 Radio DIVISIONS 6 Labor & Capital DIVISIONS 7 Native & Foreign DIVISIONS 8 “Reds” & “Americans” POLITICAL CARTOON COLLECTIONS THE AGE 3 –Chicago Tribune political cartoons: 24 cartoons (two per year, 1918-1929) PROSPERITY 1 –“Age of Prosperity”: 12 cartoons PROSPERITY 4 –Crash: 12 cartoons DIVISIONS 1 –Ku Klux Klan: 16 cartoons DIVISIONS 2 –Black & White: 18 cartoons DIVISIONS 4 –Wets & Drys: 8 cartoons DIVISIONS 6 –Labor & Capital: 14 cartoons DIVISIONS 7 –Native & Foreign: 6 cartoons DIVISIONS 8 –“Reds” & “Americans”: 8 cartoons 1 Image: Florine Stettheimer, The Cathedrals of Broadway, oil on canvas, Metropolitan Museum of Art, New York, NY. Gift of Ettie Stettheimer, 1953. 53.24.3. Image: Art Resource, NY. Reproduced by permission of the Metropolitan Museum of Art; cropping permission request in process.
    [Show full text]
  • Worcester Writers Analyses of Denis Leary Robert Benchley Frank O'hara
    Worcester Writers Analyses of Denis Leary Robert Benchley Frank O’Hara Michael Riggieri Mathematical Sciences WPI Class of 2011 Advisor: James Dempsey Table of Contents Denis Leary Analysis…………………………………………………………………..1 Denis Leary Bibliography…………………………………………………………….8 Robert Benchley Analysis……………………………………………………………9 Robert Benchley Bibliography…………………………………………………….14 Frank O’Hara Analysis…………………………………………………………………15 Frank O’Hara Bibliography………………………………………………………….23 Denis Leary is a self-proclaimed “asshole”, an Irish drunk, a Willem Dafoe look-a-like, a comedian, a highly revered television actor, movie star, father, author, and most importantly a very funny guy. Throughout his long career, he has been unapologetic and taken no prisoners. He’s taken on subjects like autism, George Bush, the Iraq War, young Hollywood, and even his own faults. Yet, one thing’s for certain, no matter what he does, you will most likely laugh along the way. Denis Colin Leary was born on August 18th 1957 in Worcester, Massachusetts. He is the son of two childhood friends, Nora and John Leary. Nora and John were both from Ireland and actually lived very close to each other and eventually immigrated to the United States. Leary grew up in a stereotypical Irish family household. His parents were straight shooters, telling Leary the truth to whatever question he had. His dad taught him that “not everyone gets to do everything”1. He told Denis that there would be no way that he could become president and that he should do only what he is capable of with what he’s got2. His mother was a big influence on him as well. She was a combination of Mother Theresa, Mary Tyler Moore, and Joe Pesci mixed into a blender3.
    [Show full text]
  • AMERICAN LITERATURE, 1910-1940 Frye Art Museum
    AMERICAN LITERATURE, 1910-1940 Frye Art Museum Instructor: Cody Walker DATES: August 4-7, 2009, 10:15 a.m.-12:45 p.m. PREREQUISITES: None NUMBER OF CREDITS OR CEU’s: One credit or 10 clock hours COURSE DESCRIPTION: This course will consider some of the major developments in American literature between the years 1910 and 1940. We’ll look at the rise of literary Modernism, noting parallel tendencies in the visual arts whenever possible. We’ll examine the social forces that impacted the poets and prose writers of the time. And we’ll subject ourselves again and again to F. Scott Fitzgerald’s test of a first-rate intelligence: “the ability to hold two opposed ideas in the mind at the same time, and still retain the ability to function.” COURSE OBJECTIVES: The participant will gain a basic familiarity with some of the major American schools of writing of the early 20th century. Furthermore, the participant will discover points of contact among the writers themselves, and among the writers and other artists of the period. Best-case scenario: the participant leaves the class ready to make Walt Whitman’s long deferred vision a reality. From Whitman’s 1856 letter to Ralph Waldo Emerson: “The time is at hand when inherent literature will be a main part of These States, as general and real as steam-power, iron, corn, beef, fish.” STUDENT EXPECTATIONS: 1. Attend all sessions 2. Participate in discussions as appropriate 3. For credit, research one literary development and present this research in written form INSTRUCTOR: Cody Walker (M.F.A., Ph.D.) is the 2009 Amy Clampitt Resident Fellow in Lenox, Massachusetts.
    [Show full text]
  • Did Hollywood Take Theatre "By Hook Or by Crook?"" (2018)
    BearWorks MSU Graduate Theses Fall 2018 AsDid with Hollywood any intellectual T prakoject,e Theatr the contente "b andy Hook views expr oressed by Cr inook?" this thesis may be considered objectionable by some readers. However, this student-scholar’s work has been Catherine S. Wright Missourijudged t oState hav eUniv academicersity, Catherine845@liv value by the student’e.missouristate.edus thesis committee members trained in the discipline. The content and views expressed in this thesis are those of the student-scholar and are not endorsed by Missouri State University, its Graduate College, or its employees. Follow this and additional works at: https://bearworks.missouristate.edu/theses Part of the Acting Commons, Applied Ethics Commons, Art Education Commons, Business and Corporate Communications Commons, Business Law, Public Responsibility, and Ethics Commons, Collective Bargaining Commons, Comparative Philosophy Commons, Digital Humanities Commons, Dramatic Literature, Criticism and Theory Commons, E-Commerce Commons, Ethics and Political Philosophy Commons, History of Philosophy Commons, Intellectual History Commons, International and Comparative Labor Relations Commons, Legal Commons, Metaphysics Commons, Other Business Commons, Other Classics Commons, Other Film and Media Studies Commons, Other Theatre and Performance Studies Commons, Performance Management Commons, Philosophy of Science Commons, Playwriting Commons, Public History Commons, Screenwriting Commons, Social and Behavioral Sciences Commons, Social History Commons, Technical and Professional Writing Commons, Television Commons, Theatre History Commons, Unions Commons, and the United States History Commons Recommended Citation Wright, Catherine S., "Did Hollywood Take Theatre "by Hook or by Crook?"" (2018). MSU Graduate Theses. 3320. https://bearworks.missouristate.edu/theses/3320 This article or document was made available through BearWorks, the institutional repository of Missouri State University.
    [Show full text]
  • Modernism in Life Magazine (New York, 1883–1936) Céline Mansanti
    Mainstreaming the Avant-Garde: Modernism in Life Magazine (New York, 1883–1936) Céline Mansanti Journal of European Periodical Studies, 1.2 (Winter 2016) ISSN 2506-6587 DOI: http://dx.doi.org/10.21825/jeps.v1i2.2644 Content is licensed under a Creative Commons Attribution 4.0 Licence The Journal of European Periodical Studies is hosted by Ghent University Website: ojs.ugent.be/jeps To cite this article: Céline Mansanti, ‘Mainstreaming the Avant-Garde: Modernism in Life Magazine (New York, 1883–1936)’, Journal of European Periodical Studies, 1.2 (Winter 2016), 113–28 Mainstreaming the Avant-Garde: Modernism in Life Magazine (New York, 1883–1936) Céline Mansanti University of Picardie Jules Verne ABSTRACT This paper explores the relationship between literary modernism and mainstream culture within a little-studied American magazine, Life (New York, 1884-1936). It does so by looking at three ways in which Life presented modernism to its readers: by quoting modernist writing, and, above all, by satirizing modernist art, and by offering didactic explanations of modernist art and literature. By reconsidering some of the long-established divisions between high and low culture, and between ‘little’ and ‘bigger’ magazines, this paper contributes to a better understanding of what modernism was and meant. It also suggests that the double agenda observed in Life — both satirical and didactic — might be a way of defining middlebrow magazines. KEYWORDS literary modernism, mainstream, Life, American periodicals, avant-garde, middlebrow 113 Mainstreaming the Avant-Garde Research Issues and Life In order to better understand what modernism was and meant, current periodical research is turning more and more towards non-modernist, big-circulation magazines, looking at the complex ways modernism is represented beyond the well-studied circles of its ‘natural’ audiences — namely experimental, low-circulation, ‘little’ magazine producers and readers.
    [Show full text]
  • The Sex Life of the Polyp by Steve Massa
    The Sex Life of the Polyp By Steve Massa Essayist, theatre critic, and Algonquin Round Table regu- regular lar Robert Benchley made his first movie appearance in series of 1928. Although his focus was on writing, Benchley had “How been performing mock lectures in the character of a To...” com- bumbling speaker since his days in college. The routine edies, was known as “The Treasurer’s Report,” and he first offi- where he cially performed it in 1922 for the Algonquin’s amateur took his production “No Siree!” It was a highlight of the show and everyman afterwards Irving Berlin and producer Sam Harris per- hero, Joe suaded him to do it in the 1923 edition of their annual Doakes, Broadway show “The Music Box Revue.” Making a huge through hit there, Benchley was in demand and after 273 perfor- the pitfalls mances in the revue he went on a ten week vaudeville and mine- tour with the piece. When sound hit the motion picture fields of industry he was tapped to put it on film. everyday Robert Benchley in a photo promoting his appearance life. Classics at New York’s Selwyn Theatre in 1928, the same year This was not Benchley’s first brush with the movies. In of the series “Polyp” was released. Courtesy Library of Congress Prints & Photographs Online Collection 1926 he had gone to Hollywood to work on the titles of include the Raymond Griffith feature comedy “You’d Be Sur- “How to be a Detective” (1936), “The Romance of Diges- prised.” He stayed on to contribute “additional material” tion” (1937), and “A Night at the Movies” (1937).
    [Show full text]
  • Metro-Goldwyn-Mayer Short Story
    FOUR OUT OF TEN WINS! The record speaks for itself! There can be no question as to which company won the Quigley Short Subject Annual Exhibitor Vote. The results appeared on Page 21 of Motion Picture Herald, issue of Jan. 11, 1941, as follows: M-G-M 4 Next Company 3 Next Company 1 Next Company 1 Next Company 1 Leadership means doing the unusual first! Here's M-G-M's newest idea: Watch for this great short Tapping an unexplored field, subject! Short story masterpieces at last "THE On the screen— the first is HAPPIEST MAN 'THE HAPPIEST MAN ON EARTH" ON EARTH" One of M-G-M's most important steps featuring In years of short subject leadership. PAUL KELLY VICTOR KILLIAN Get ready for PETE SMITH'S "PENNY TO THE RESCUE," another Prudence Penny cookery The O. Henry Memorial comedy in Technicolor. It's swell. Also CAREY WILSON'S "MORE ABOUT NOSTRADAMUS/' Award -Winning Short Story a sequel to the prediction short that fascinated the nation. Scanned from the collections of The Library of Congress Packard Campus for Audio Visual Conservation www.loc.gov/avconservation Motion Picture and Television Reading Room www.loc.gov/rr/mopic Recorded Sound Reference Center www.loc.gov/rr/record 7 Quicker'n a wink' playing on the current program with 'Escape' is proving a sensation of unusual quality. Comments from our patrons are most enthusiastic. The sub- ject is a rare blending of scientific and entertaining units into an alto- gether delightful offering that is definitely boxoffice. This is an as- sured fact based on the number of calls we are receiving to inquire the screening time of the subject." BRUCE FOWLER, Mgr.
    [Show full text]
  • Dorothy Rothschild Parker
    Dorothy Rothschild Parker August 22, 1893 – June 7, 1967 Celebrated Conversationalist renowned for her literary contributions and founder/member of the “Algonquin Round Table” Dorothy Parker Rothschild represented one of the most accomplished feminist and successful literary writers in women’s history. Living from 1893-1967, she became known as one of the most brilliant writers from the early 1900s. Born in West End, New Jersey, and attaining her success from New York, she became one of the most brilliant writers that revolutionized American thinking then and after. Dorothy Parker lived a full and prosperous life, even though she did not have a happy childhood. Growing up, having bad relationships with her father and stepmother, she never had the privilege of growing up with a mother. Her mother died on July 20, 1897, when Dorothy was only four years of age, and her father died shortly after on December 28, 1913. Right before the death of her father was the passing away of her “brother Henry, who died on the passage home from a vacation with his wife Lissie aboard a first class steamship the Titanic, which sank in 1912.” (source link dead) As a sad woman, stung with depression and alcoholism her entire adult life, she had a successful and productive life. In 1916, at the age of 23, she joined the editorial staff of Vogue. Then in 1917 she started working for as a theater critic for Vanity Fair, who had published her first poem entitled “Any Porch,” (1914), in which she received $12. Vanity Fair became a significant variable in her life in that she met her associates whom she would form the Algonquin Round Table/Vicious Circle, an intellectual and renowned literary circle.
    [Show full text]
  • The Cocoanuts the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
    Insights A Study Guide to the Utah Shakespeare Festival The Cocoanuts The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the inter- pretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. The Study Guide is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, publication manager and editor; Phil Hermansen, art director. Copyright © 2016, Utah Shakespeare Festival. Please feel free to download and print The Study Guide, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespearean Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Tasso Feldman (above) as Harpo (Silent Red), Jim Poulos as Chico (Willie Wony Diddydony), and John Plumpis as Mr. Hammer (Groucho) in The Cocoanuts, 2016. The Cocoanuts Contents Information on the Play About the Playwright 4 Characters 7 Synopsis 7 Scholarly Articles on the Play The Marx Brothers on Broadway 8 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 About the Playwright: The Cocoanuts By Rachelle Hughes Almost a century ago Pulitzer Prize-winning playwright George S. Kauffman joined his creative genius with Songwriter’s Hall of Fame composer and lyricist Irving Berlin to write the Marx Brothers’ first movie and second Broadway play, The Cocoanuts.
    [Show full text]
  • Robert Benchley
    42 QUOTATIONS Robert Benchley (1889-1945) Robert Benchley was a comic performer in many Hollywood movies, a humor columnist and a theater critic. He got his start at Harvard by doing comic impersonations of professors and classmates. His graduation was delayed when he turned in a senior thesis on an international fishing dispute from the point of view of a codfish. Benchley is likely to pop up in any sophisticated comedy of the 1930s as a genteel little man in a business suit with slicked hair, a thin mustache and an impish manner. He got so popular he starred in his own short movies as a lecturer who explained with muddled placidity such topics as “How to Sleep” and “How to Watch Football.” His style of sedate satire, appealing to a rational sense of absurdity and using puns and wordplay is in the Neoclassical tradition of Oliver Wendell Holmes. James Thurber said that Benchley’s columns were the only reason people read the New Yorker and he described his fellow humorist as “presenting the commonplace as remarkable.” Benchley belonged to the celebrated Algonquin Round Table of wits with the legendary Dorothy Parker, with whom he had an affair. Peter Benchley, the author of Jaws, is his grandson. ORDER OF TOPICS: youth, autobiographical, arguing, working, drinking, literature, humor, women, human nature, America, dogs, old age, death: YOUTH When I was a child I was of an affectionate disposition, but not enough to get arrested. AUTOBIOGRAPHICAL I'm no good in the morning even after I've had my coffee. The only real cure for a hangover is death.
    [Show full text]