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Observing Protest from a Place
VISUAL AND MATERIAL CULTURE, 1300-1700 Knox Giles Knox Sense Knowledge and the Challenge of Italian Renaissance Art El Greco, Velázquez, Rembrandt of Italian Renaissance Art Challenge the Knowledge Sense and FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Sense Knowledge and the Challenge of Italian Renaissance Art FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Visual and Material Culture, 1300–1700 A forum for innovative research on the role of images and objects in the late medieval and early modern periods, Visual and Material Culture, 1300–1700 publishes monographs and essay collections that combine rigorous investigation with critical inquiry to present new narratives on a wide range of topics, from traditional arts to seemingly ordinary things. Recognizing the fluidity of images, objects, and ideas, this series fosters cross-cultural as well as multi-disciplinary exploration. We consider proposals from across the spectrum of analytic approaches and methodologies. Series Editor Dr. Allison Levy, an art historian, has written and/or edited three scholarly books, and she has been the recipient of numerous grants and awards, from the Nation- al Endowment for the Humanities, the American Association of University Wom- en, the Getty Research Institute, the Dumbarton Oaks Research Library of Harvard University, the Whiting Foundation and the Bogliasco Foundation, among others. www.allisonlevy.com. FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Sense Knowledge and the Challenge of Italian Renaissance Art El Greco, Velázquez, Rembrandt Giles Knox Amsterdam University Press FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS This book was published with support from the Office of the Vice Provost for Research, Indiana University, and the Department of Art History, Indiana University. -
LOUIS BETTS, PORTRAIT PAINTER of HIGH SOCIETY: the Meadow Brook Hall Portraits of Alfred G
d LOUIS BETTS, PORTRAIT PAINTER OF HIGH SOCIETY: The Meadow Brook Hall Portraits of Alfred G. Wilson, Matilda R. Wilson, Danny and Frances Dodge, and John F. Dodge Karen A. Morgante Portraiture has a long established tradition in American art. Datable to the colonial limners, portraits were considered a practical mode which enabled an individual to establish his “sense of being” along with ties to his family and position. Throughout the seventeenth and eighteenth-century, it was the dominant art form of the middle class Protestant society. As the country grew and prospered, the wealthy merchants and plantation families had their portraits painted in the style of their mother country. Sir Godfrey Kneller, the official por- traitist of the English aristocracy, established the model for the high court style. The Grand Manner was brought to America with the influx of immigrant painters, and gradually, by Amer- ican-born artists who studied abroad. Patrons expected the painter to capture their likeness, as well as suggest their social position. A new realm of portraiture was opened with the advent of the daguerreotype in the nineteenth-century. As the process evolved, photography provided an affordable means for the masses to have their images recorded for posterity. For some artists, the new visual realism of photography was an aid 24 to capturing an individual in action, a thought, a moment in time; other artists embraced new approaches to portraying their sitter in a more creative way. The early twentieth-century found the national and in- ternational scene in a whirlwind; economic, political, social, and technological changes affected society’s way of life and thinking. -
Sir Anthony Van Dyck
CO N T E N T S k B H u h k e s Sir Anthony Van Dyc . y g St o ‘ List of su c h of the principal w ork s of Van Dyck as are in public Galleries L I ST O F I L L U ST R A T I O N S Portrait of T homas of Savoy Fron t zspzece T he R Coronation of St . osalie by the Child Jesus Minerva at the Forge of Vulcan T h e Virgin and Child with St . Joseph Saint Francis listening to Celestial M usi c Portrait of Prince Rupert of the Palatinate Portrait of Maria Louisa De T a s sis Christ on the Cross T h e Lamentation over Christ J esus bearing the Cross S h his n aint Sebastian , wit angels removing the arrows from wou ds T he Virgin and Child with two Donors Rinaldo and Armida P I ortrait of Charles . Portraits of Prince Charles Louis and Prince Rupert of B avaria Portrait of T h e Duk e of Richmond T h e Virgin and Child with the M agdalen Christ crowned with T horns P S his W Son ortraits of ebastian Leerse , ife and Saint Jerome T h e Drunk en Silenus H M l I enrietta aria , Queen to Char es . Portrait of the Painter P M R t W the ortrait of ary u hven , ife of Artist Portrait of an Artist T h e E mperor T heodosius refused admission 1rto the Church a n Portrait of Cornelius . -
Travelling in a Palimpsest
MARIE-SOFIE LUNDSTRÖM Travelling in a Palimpsest FINNISH NINETEENTH-CENTURY PAINTERS’ ENCOUNTERS WITH SPANISH ART AND CULTURE TURKU 2007 Cover illustration: El Vito: Andalusian Dance, June 1881, drawing in pencil by Albert Edelfelt ISBN 978-952-12-1869-9 (digital version) ISBN 978-952-12-1868-2 (printed version) Painosalama Oy Turku 2007 Pre-print of a forthcoming publication with the same title, to be published by the Finnish Academy of Science and Letters, Humaniora, vol. 343, Helsinki 2007 ISBN 978-951-41-1010-8 CONTENTS PREFACE AND ACKNOWLEDGEMENTS. 5 INTRODUCTION . 11 Encountering Spanish Art and Culture: Nineteenth-Century Espagnolisme and Finland. 13 Methodological Issues . 14 On the Disposition . 17 Research Tools . 19 Theoretical Framework: Imagining, Experiencing ad Remembering Spain. 22 Painter-Tourists Staging Authenticity. 24 Memories of Experiences: The Souvenir. 28 Romanticism Against the Tide of Modernity. 31 Sources. 33 Review of the Research Literature. 37 1 THE LURE OF SPAIN. 43 1.1 “There is no such thing as the Pyrenees any more”. 47 1.1.1 Scholarly Sojourns and Romantic Travelling: Early Journeys to Spain. 48 1.1.2 Travelling in and from the Periphery: Finnish Voyagers . 55 2 “LES DIEUX ET LES DEMI-DIEUX DE LA PEINTURE” . 59 2.1 The Spell of Murillo: The Early Copies . 62 2.2 From Murillo to Velázquez: Tracing a Paradigm Shift in the 1860s . 73 3 ADOLF VON BECKER AND THE MANIÈRE ESPAGNOLE. 85 3.1 The Parisian Apprenticeship: Copied Spanishness . 96 3.2 Looking at WONDERS: Becker at the Prado. 102 3.3 Costumbrista Painting or Manière Espagnole? . -
Literary Urbanism, Visuality, and Modernity
LITERARY URBANISM, VISUALITY AND MODERNITY by JOHN BRIGHT TEPE III A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of English College of Arts and Law The University of Birmingham October 2009 [Type text] University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Literary Urbanism and the Symbolist Aesthetic argues that the modern city influences urban writers to develop particular literary-visual practices that translate urban experience into poetry and prose. Chapter one considers how urban planning in Paris during the Second Empire inspired Charles Baudelaire‘s theories of modernity and aesthetic history. Chapter two discusses how A.C. Swinburne translates Baudelairean modernity into an English literary perspective through Sapphic poetry, and the importance Swinburne‘s association with painters has in this process. Swinburne‘s friendship with James McNeill Whistler, for example, results in the ekphrastic poem ―Hermaphroditus,‖ which uses sculpture to comment upon the modern city‘s potential to heighten perceptual consciousness. Chapter three studies the application of ekphrasis in urban writing, especially the way in which Arthur Symons‘ poetry uses symbols to render an immediate awareness of the city. -
Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting at the National Gallery of Art Washington June 18–September 17, 2006
Office of Press and Public Information Fourth Street and Constitution Av enue NW Washington, DC Phone: 202-842-6353 Fax: 202-789-3044 www.nga.gov/press Updated: April 3, 2006 Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting at the National Gallery of Art Washington June 18–September 17, 2006 —Titian’s Concert Champêtre Comes to the U.S. for the First Time— Titian Pastoral Concert ("Concert Champêtre"), c. 1510 oil on canv as unf ramed: 105 x 136.5 cm (41 5/16 x 53 3/4) Musée du Louv re, Departement des Peintures, Paris Photo: Réunion des Musées Nationaux/Art Resource, NY Washington, DC. A major new international exhibition, Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting, will present more than 50 masterpieces from the most exciting period of the Renaissance in Venice. Premiering June 18 through September 17 at the National Gallery of Art, Washington, the exhibition explores the relationships between these and other artists, emphasizes their innovative treatments of new pictorial themes such as the pastoral landscape, and reveals what modern conservation science has discovered about the Venetian painters’ techniques. Two museums with outstanding collections of Renaissance art, the National Gallery of Art, Washington, and the Kunsthistorisches Museum, Vienna, are the exhibition organizers: together they are contributing about one-third of the works on view. Among the most admired masterworks of the Renaissance, Titian’s Pastoral Concert ("Concert Champêtre") (c. 1510), is being lent by the Louvre to the United States for the first time. The exhibition features significant loans from The National Gallery, London; the Prado, Madrid; the Uffizi, Florence; and many other museums and private collections. -
FROM DARKNESS to LIGHT WRITERS in MUSEUMS 1798-1898 Edited by Rosella Mamoli Zorzi and Katherine Manthorne
Mamoli Zorzi and Manthorne (eds.) FROM DARKNESS TO LIGHT WRITERS IN MUSEUMS 1798-1898 Edited by Rosella Mamoli Zorzi and Katherine Manthorne From Darkness to Light explores from a variety of angles the subject of museum ligh� ng in exhibi� on spaces in America, Japan, and Western Europe throughout the nineteenth and twen� eth centuries. Wri� en by an array of interna� onal experts, these collected essays gather perspec� ves from a diverse range of cultural sensibili� es. From sensi� ve discussions of Tintore� o’s unique approach to the play of light and darkness as exhibited in the Scuola Grande di San Rocco in Venice, to the development of museum ligh� ng as part of Japanese ar� s� c self-fashioning, via the story of an epic American pain� ng on tour, museum illumina� on in the work of Henry James, and ligh� ng altera� ons at Chatsworth, this book is a treasure trove of illumina� ng contribu� ons. FROM DARKNESS TO LIGHT FROM DARKNESS TO LIGHT The collec� on is at once a refreshing insight for the enthusias� c museum-goer, who is brought to an awareness of the exhibit in its immediate environment, and a wide-ranging scholarly compendium for the professional who seeks to WRITERS IN MUSEUMS 1798-1898 proceed in their academic or curatorial work with a more enlightened sense of the lighted space. As with all Open Book publica� ons, this en� re book is available to read for free on the publisher’s website. Printed and digital edi� ons, together with supplementary digital material, can also be found at www.openbookpublishers.com Cover image: -
Agnès B. Opens « out of Frame & Landscapes », the Second
agnès b. opens « Out of Frame & Landscapes », the second exhibition from her collection, on September 25, 2020, at La Fab. Following on from « The boldness », the inaugural exhibition from the agnès b. collection, agnès will show some of the out-of-frame gazes and landscapes in her collection. Unprecedented associations allow agnès to catalyze new connections between works, in the manner of a large collage suffused with freedom. “A gaze out of frame is often a feature of works that move, impress and overwhelm me. I love the notion of the subject enjoying the freedom to look wherever they want. And the artist's mark of respect for their subject. “It's the polar opposite of characters in commercials staring intensely at us with the sole aim of drawing us in despite ourselves. Sure, Mona Lisa looks straight at us, and that's what people like. Her presence. “But, in the Louvre, the mystery of a portrait of a young man gazing into the distance, Titian's Man with the Glove, is what first captivated 11-year-old me. After falling in love with him, I went back several times as a teenager. Sometimes, I was just missing him. I think his not looking at me is what made me fall so deeply in love. The gaze out of frame opens up the possibility of another space, somewhere else.” agnès In his foreword to the exhibition, Jean de Loisy comments : “The agnès b. collection is free and powerful, like a cloud that flouts borders and aesthetic canons. A collection that is fortunately neither perfect, nor complete, yet a collection that we love.”1 « Out of Frame & Landscapes » in the agnès b. -
The Principles of Success in Literature
The Principles of Success in Literature George Henry Lewes The Project Gutenberg eBook, The Principles of Success in Literature, by George Henry Lewes This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Principles of Success in Literature Author: George Henry Lewes Release Date: December 9, 2003 [eBook #10420] Language: English Character set encoding: US-ASCII ***START OF THE PROJECT GUTENBERG EBOOK THE PRINCIPLES OF SUCCESS IN LITERATURE*** THE PRINCIPLES OF SUCCESS IN LITERATURE by George Henry Lewes This eBook was prepared by Roland Cheney. In the development of the great series of animal organisms, the Nervous System assumes more and more of an imperial character. The rank held by any animal is determined by this character, and not at all by its bulk, its strength, or even its utility. In like manner, in the development of the social organism, as the life of nations becomes more complex, Thought assumes a more imperial character; and Literature, in its widest sense, becomes a delicate index of social evolution. Barbarous societies show only the germs of literary life. But advancing civilisation, bringing with it increased conquest over material agencies, disengages the mind from the pressure of immediate wants, and the loosened energy finds in leisure both the demand and the means of a new activity: the demand, because long unoccupied hours have to be rescued from the weariness of inaction; the means, because this call upon the energies nourishes a greater ambition and furnishes a wider arena. -
Druckkatalog Als PDF Datei
Direkte Auktion Art, aber fair 26.— 28. 11. 2020 Impressum Inhalt Herausgeber Direkte Auktion: Holm Friebe, Bettina Semmer 04 Vor wort 161 Georg C. Schneider 345 Kalender und Auktionshaus Jeschke van Vliet Art, aber sexy Friedrichshain Ecke Wilmers- Welche Auktionen wann Beratung der Herausgeber Ralf Grauel dorf Berliner Geschichten stattfinden Redaktion Holm Friebe, Bettina Semmer, Anne Waak, Annette Walter 08 Ausstellungsorte Logo & Art Direktion Raban Ruddigkeit Welche Werke Sie wo 177 Reinald und Irmelin Nohal 346 Gebotsformular Schrift Zoom von Florian Paizs / The designers foundry vorbesichtigen können Kunst aus dem Exil Wo gehen Grafik und Satz Menno Aden, Stephanie Neumann wir hin? Immer nach Hause 347 Anleitung zum Bieten Portraitfotografie Stephanie Neumann 09 Holm Friebe und Liste der Einlieferer Produktion Grauel Publishing GmbH Ist Kunst und kann weg Perlen 193 Jan Kage Litho Europrint Medien GmbH aus Privatsammlungen Gute Kunst … und andere 349 AGB JvV Druck Grafische Werkstatt Franz Pruckner Stories aus der nahen Zukunft 25 Balázs Jádi/Anica Piontek 350 Liste aller Künstler*innen Freigaben für die Abbildung und Bearbeitung der abgebildeten Zentrifugalkräfte From 233 Fehmi Baumbach/ mit Losnummern Kunstwerke liegen vor und können auf Nachfrage eingesehen werden concrete art to exploding form Holm Friebe Independent Existence Der Adresse Jeschke van Vliet Auctions Berlin GmbH Lehrter Strasse 57, Haus 1, 10557 Berlin 41 Fares Al-Hassan/ lange Weg nach Mitte Tel.: +49 (0)30 – 22 66 77 00 Mirjam Siefert Fax: +49 (0)30 – 22 66 77 01 99 Smoke & Mirrors Fotografie 233 Fares Al-Hassan E-Mail: [email protected] Papers & Monsters Works on VAT ID NO DE 237347217 65 Almut Hüfler Paper and on four Legs Es gelten die AGB von Jeschke van Vliet Auctions Berlin GmbH, Einfach durchtauchen abrufbar im Katalog und unter www.jvv-berlin.de Serendipity Now. -
A Wanderer in Paris by the Same Author
.* ^'^' v^ •o ^^^ ^-c^ ^^.c.^' "^ ,* ^ # v*K^ A WANDERER IN PARIS BY THE SAME AUTHOR A WANDERER IN LONDON A WANDERER IN HOLLAND OVER BEMERTON'S listener's lure anne's terrible good-nature the open road the gentlest art THE ladies' PAGEANT SOME FRIENDS OF MINE CHARACTER AND COMEDY THE LIFE OF CHARLES LAMB ONE DAY AND ANOTHER HOTEL DE SEN'S THE RUK DE LHOTEL DE VILLE A WANDERER IN PARIS BY i E. V. LUCAS 1^ " " ril go and chat with Paris ^ — Romeo andJuliet W 1 I SIXTEEN ILLUSTRATIONS IN COLOUR BY WALTER DEXTER AND TH RTY-TWO REPRODUCTIONS FROM WORKS OF ART ) "Nzia ^axk TH : MACMILLAN COMPANY 1909 ^// rights reser-ved J f Copyright, 1909, By the MACMILLAN COMPANY, Set up and electrotyped. Published September, 19* ri A 2 4 6 5 6 SEP :17 1909 Nnrbjootr ^regs J. S. Gushing Co. — Berwick & Smith Norwood, Mass., U.S.A. i PREFACE A LTHOUGH the reader will quickly make -^^^ the discovery for himself, I should like here to emphasise the fact that this is a book about Paris and the Parisians written wholly from the outside, and containing only so much of that city and its citizens as a foreigner who has no French friends may observe on holiday visits. I express elsewhere my indebtedness to a few French authors. I have also been greatly assisted in a variety of ways, but especially in the study of the older Paris streets, by my friend Mr. Frank Holford. E. V. L. CONTENTS CHAPTER I PAGE The English Gates of Paris i CHAPTER II The Ile de la Cnt 9 CHAPTER III Notre Dame 31 CHAPTER IV Saint Louis and his Island 54 CHAPTER V The Marais 61 CHAPTER VI The Louvre: I. -
High Ren Research Assignment.Pdf
Te Italian High Renaisance This assignment asks you to research a specific artist from the Italian High Renaissance and present your findings to the class. This should be completed by going on line to reputable sites. It is highly recommended you consult www.KhanAcademy.org. The website has a great search feature and is loaded with videos by art history experts that can walk you through important pieces from these artists. Obviously, you can run a typical Google search that includes the artist’s name and the title together. With its constant update of high-resolution images, Wikipedia is a great resource, but don’t neglect other search results that may come from museums’ websites. These usually have better information in a more easily accessible format. Here’s your plan: First: Research your artist and find a quality biography along with information about his philosophy and style. Second: Write notes for yourself about the artist. Do not just print off and highlight a biography. Rewrite this information in your own words. Third: Look up your artist’s works listed on the back of this page. At home, print copies of each work and annotate them. Each image should take up approximately 40% of the page, leaving room for you to annotate. Finally: Write the title of the work and any information about the work you can find. If the painting includes a narrative, note the story, so you can share it with us in your presentation. You might talk about line, light, detail, symbolism, color, etc. when you discuss the pieces with the class.