DOCSLIB.ORG

Druckkatalog Als PDF Datei

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Druckkatalog Als PDF Datei Direkte Auktion Art, aber fair 26.— 28. 11. 2020 Impressum Inhalt Herausgeber Direkte Auktion: Holm Friebe, Bettina Semmer 04 Vor wort 161 Georg C. Schneider 345 Kalender und Auktionshaus Jeschke van Vliet Art, aber sexy Friedrichshain Ecke Wilmers- Welche Auktionen wann Beratung der Herausgeber Ralf Grauel dorf Berliner Geschichten stattfinden Redaktion Holm Friebe, Bettina Semmer, Anne Waak, Annette Walter 08 Ausstellungsorte Logo & Art Direktion Raban Ruddigkeit Welche Werke Sie wo 177 Reinald und Irmelin Nohal 346 Gebotsformular Schrift Zoom von Florian Paizs / The designers foundry vorbesichtigen können Kunst aus dem Exil Wo gehen Grafik und Satz Menno Aden, Stephanie Neumann wir hin? Immer nach Hause 347 Anleitung zum Bieten Portraitfotografie Stephanie Neumann 09 Holm Friebe und Liste der Einlieferer Produktion Grauel Publishing GmbH Ist Kunst und kann weg Perlen 193 Jan Kage Litho Europrint Medien GmbH aus Privatsammlungen Gute Kunst … und andere 349 AGB JvV Druck Grafische Werkstatt Franz Pruckner Stories aus der nahen Zukunft 25 Balázs Jádi/Anica Piontek 350 Liste aller Künstler*innen Freigaben für die Abbildung und Bearbeitung der abgebildeten Zentrifugalkräfte From 233 Fehmi Baumbach/ mit Losnummern Kunstwerke liegen vor und können auf Nachfrage eingesehen werden concrete art to exploding form Holm Friebe Independent Existence Der Adresse Jeschke van Vliet Auctions Berlin GmbH Lehrter Strasse 57, Haus 1, 10557 Berlin 41 Fares Al-Hassan/ lange Weg nach Mitte Tel.: +49 (0)30 – 22 66 77 00 Mirjam Siefert Fax: +49 (0)30 – 22 66 77 01 99 Smoke & Mirrors Fotografie 233 Fares Al-Hassan E-Mail: [email protected] Papers & Monsters Works on VAT ID NO DE 237347217 65 Almut Hüfler Paper and on four Legs Es gelten die AGB von Jeschke van Vliet Auctions Berlin GmbH, Einfach durchtauchen abrufbar im Katalog und unter www.jvv-berlin.de Serendipity Now. 249 Petra Stegmann The Sound and the Fury Life’s Kontakte Holm Friebe ([email protected]) +49 171 4828289 81 Maik Schierloh but a walking shadow Bettina Semmer ([email protected]) Sick of Love Anica Piontek ([email protected]) Lebenslänglich 265 Sibylle Jazra/Janine Eggert Balázs Jádi ([email protected]) Material Girls Glanz und Gloria jvv-berlin.de / social networks #direkteauktion 97 Bärbel Brands First Direct Auction - is a self-help-format by and for the Berlin art scene. Alles Fiktion. Alles echt. 281 NBDBKP Niels Betori Diehl/ More than 400 pieces will be auctioned in Berlin and online, most of them coming Barbara K. Prokop straight from the studios. Two thirds of the revenues go to the artists. Date November 26 —28. 2020 113 Kornelius Werhahn-Mees/ SLLS: Stop, Look, Listen, and Oliver Hausner Smell www.jvv-berlin.de/direke auktion Soul Art & Objects 313 Bettina Semmer 129 Maria Ines Plaza Lazo C(h)ampaigners From Manic How to buy a valid ticket Street Preachers to Camp Champagne Drinkers 145 Menno Aden/Pierre Granoux Berlin Banlieue Lage Egal 329 Martin Baaske/ Holm Friebe Shopette Ich soll Sie schön grüßen! Mit freundlicher Unterstützung Dieses Projekt wird unterstützt und der Senatsverwaltung für Kultur wissenschaftlich begleitet vom Lehrstuhl für und Europa Kunstgeschichte der Universität Siegen 2 3 Mit der 1. Direkten Auktion hilft sich die Berliner Kunstszene selbst. Ende November werden in Berlin und im Internet mehr als 400 Werke von über 300 größtenteils in Berlin lebenden und arbeitenden Künstler*innen versteigert, die meisten direkt aus den Ateliers. Zwei Drittel der Erlöse kommen den beteiligten Künstler*innen zugute. Hildebrandt (Lot 341), Rupprecht Arbeiten von Rosemarie Trockel stützung mit Rat, Tat und Geld. Geiger (Lot 003 und 004) und (Lot 400), Walter Dahn (Lot 395), Die Vorbesichtigung wird corona - Timm Ulrichs (Lot 017). Weitere Georg Dokoupil, Sigmar Polke und kompatibel über den Großraum Highlights unter den Losen sind Julian Schnabel (Lot 405 bis 407). Berlin verteilt; so werden Aus- zwei original am Set benutz- Vom viel zu früh verstorbenen stellungen und Aktionen unter te Filmskripte von Quentin Christoph Schlingensief, der auf anderem bei Jeschke van Vliet, Tarantino (Lot 133 und 134), ein dem Kunstmarkt fast nicht ver- bei LAGE EGAL, den Galerien modifizierter Glücksspielau- treten ist, finden sich gleich zwei qKanya&Kage und Selected tomat der Schauspielerin und seiner raren Arbeiten (Chapter Artists stattfinden. Die Aukti- Filmproduzentin Saralisa Volm 01, Lot 015 und Chapter 14, Lot 300). on wird online auf lot-tissimo, Art, aber sexy. (Lot 255) sowie – als letztes Los Invaluable und diversen anderen der Auktion – der Prototyp des Zweck der Veranstaltung bleibt internationalen Auktionsplatt- REDESIGNDEUTSCHLAND-Stuhls aber, dass die in Berlin lebenden formen durchgeführt; sie wird Berlins 1. Direkte Auktion für Bildende Kunst von Rafael Horzon (Lot 428). Ne- und ansässigen Künstler*innen, live und interaktiv gestreamt ben aktuellen Positionen steht Kunstvermittler*innen und werden auf Facebook und You- also auch ein Stück Stadtkul- Galerist*innen, die es gewohnt tube. Nach Möglichkeit und voll- „Ein Kunstwerk zu verstehen, anberaumte Aktion handelt, die Wir wollen aber niemandem turgeschichte zur Auktion: Vom sind, überall und umsonst „for ständig konform mit den dann heißt, es zu kaufen”, soll Arnulf konsequent alle Beteiligten an damit auf die Füße treten und Maler und Zeichner Jürgen Witt- exposure“ zu arbeiten (Chris geltenden Corona-Hygieneauf- Rainer (Chapter 02, Lot 40 und 41) die Grenzen ihrer Kräfte, ihrer keine Delle in den Kunstmarkt dorf, der gerade als „Tom of Fin- Dercon nannte das treffend die lagen wird an dezentral über die mal gesagt haben. Dies gilt umso Kondition und Konzentration schlagen. Vielmehr wollen wir land der DDR” wiederentdeckt „Enthusiasmusfalle“), endlich Stadt verteilten Locations die mehr in Zeiten wie diesen, da gebracht hat. Und direkt, weil ihn ausbeulen und reparieren. wird, gibt es zwei Werke aus einmal selbst Geld verdienen. Möglichkeit bestehen, live und der ganze Globus von einer Pan- die meisten Werke unmittel- Wir wollen beweisen, dass Kunst der Sammlung seiner „Lieblinge” Deshalb gehen Auktionshaus vor Ort zu bieten. demie geschüttelt wird, die alle bar aus den Studios stammen, und Markt kein Widerspruch zu (Chapter 10, Lot 211 und 212). John und Organisatoren an ihre gleichermaßen betrifft, aber bei einigen Gemälden ist nicht sein brauchen. Dazu haben 19 Bocks Modell für seine epochale Schmerzgrenze. Zwei Drittel (66 Wir alle, das Organisationsteam, die von der Pandemie Versehr- einmal die Farbe ganz trocken. Kurator*innen-Teams mehr als Ausstellung „FischGrätenMelk- Prozent) der Nettoerlöse landen die Kuratoren und das Auk- ten, die Kunst- und Kulturschaf- Wie Martin Kippenberger, der in 400 Kunstwerke und Artefakte Stand” in der temporären direkt bei den Künstler*innen tionshaus haben viel gelernt, fenden, die Soloselbständigen Berlin gearbeitet und gewirkt aus Berlin versammelt, die vom Kunsthalle aus dem Jahr 2010 und Einliefer*innen. Die Kura- alle mussten sich bewegen und mit besonders brachialer Härte hat (manche sagen: sein Geist 26. bis 28. November 2020 drei (Chapter 01, Lot 016) korrespon- tor*innen erhalten noch einmal aufeinander zukommen. Das trifft, weil sie neben ihrer wirkt weiter) es in seiner schön volle Tage lang in den Räumen diert mit zwei Modellen von 10 Prozent, der Rest geht in war stellenweise etwas holp- Gesundheit ihre ökonomische abstoßenden Edition von 1990 des Auktionshauses Jeschke Reinald Nohal für Martin Kip- die Produktion. Zudem bieten rig. Aber es hat sich gelohnt. Existenz gefährdet. Es ist Ber- nannte, deren letztes Exemplar van Vliet unter den Hammer penbergers weltumspannende wir den Kurator*innen und Zum Schluss waren die Gren- liner Stil, in Krisenzeiten nicht wir versteigern dürfen: „Vom kommen: Von Emerging bis U-Bahn „Metrostation Dawson Künstler*innen die Möglichkeit, zen fließend und alles im Fluss. zu jammern und wahlweise Erzeuger zum Verbraucher” Established. Von Cheap-Art bis City” von 1995 (Chapter 11, Lot 225 beliebige Anteile ihres Hono- Fluxus! Panta rhei! Wir machen das Wetter, die Politik oder Bill (Chapter 1, Lot 007, haha). Und das Bluechip. Von Postcolonial über und 226). Im Chapter „Kunst aus rars für Künstler*innen oder mit der Direkten Auktion Dinge, Gates für die missliche Gesamt- Geld fließt ebenso direkt in die Post-Internet-Art bis Klassi- dem Exil” versteigert der Mit- wohltätige Zwecke zu spenden. die unerhört sind, und gehen situation verantwortlich zu ma- andere Richtung, dahin, wo es sche Moderne. Lokalgrößen gründer von Exil und Paris-Bar Die Limits der Lose liegen bei 100 an Orte, die noch kein Auge chen, sondern zusammenzurü- dringend gebraucht wird. Wir wie DAG (Lot 257), Charlie Stein und Kunstsammler Reinald Nohal bis 20.000 Euro, bei Stücken zuvor geschaut hat. Deshalb ist cken, die Ärmel hochzukrempeln erweitern die von Joseph Beuys (Lot 200), Moritz Frei (Lot 254), zudem sechs der gesuchten Vi- mit Museums-Charakter auch alles ungewohnt – alles, außer und anzupacken. Die Lage ist (Chapter 02, Lot 037 und 038, Anina Brisolla (Lot 238), Hannah sitenkarten von Dieter Roth, die darüber. Die Summe der Limits gewöhnlich. Wir versteigern ernst, aber nicht hoffnungslos. Chapter 14, Lot 309) in die Welt Sophie Dunkelberg, Isabella dieser allabendlich eigenhändig liegt über 500.000 Euro, die der Dinge, die noch kein Mensch Denn wie sang schon die Ber- gebrachte Gleichung um einen Fürnkäs (Lot 345 und 346) und in der legendären Kreuzberger Taxen bei über einer Million Euro. zuvor
Load more

Recommended publications
  • Observing Protest from a Place
    VISUAL AND MATERIAL CULTURE, 1300-1700 Knox Giles Knox Sense Knowledge and the Challenge of Italian Renaissance Art El Greco, Velázquez, Rembrandt of Italian Renaissance Art Challenge the Knowledge Sense and FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Sense Knowledge and the Challenge of Italian Renaissance Art FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Visual and Material Culture, 1300–1700 A forum for innovative research on the role of images and objects in the late medieval and early modern periods, Visual and Material Culture, 1300–1700 publishes monographs and essay collections that combine rigorous investigation with critical inquiry to present new narratives on a wide range of topics, from traditional arts to seemingly ordinary things. Recognizing the fluidity of images, objects, and ideas, this series fosters cross-cultural as well as multi-disciplinary exploration. We consider proposals from across the spectrum of analytic approaches and methodologies. Series Editor Dr. Allison Levy, an art historian, has written and/or edited three scholarly books, and she has been the recipient of numerous grants and awards, from the Nation- al Endowment for the Humanities, the American Association of University Wom- en, the Getty Research Institute, the Dumbarton Oaks Research Library of Harvard University, the Whiting Foundation and the Bogliasco Foundation, among others. www.allisonlevy.com. FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Sense Knowledge and the Challenge of Italian Renaissance Art El Greco, Velázquez, Rembrandt Giles Knox Amsterdam University Press FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS This book was published with support from the Office of the Vice Provost for Research, Indiana University, and the Department of Art History, Indiana University.
    [Show full text]
  • Proceedings of the Toronto TEAM/ACES Workshop
    Distribution Category; Magnetic Fusion Energy (UC-U2Q) ANL/FPP/TH—254 DE91 011348 ANL/FPP/TM-251 ARGONNE NATIONAL LABORATORY 9700 South Cass Avenue Argonne, Illinois 60439-4801 PROCEEDINGS OF THE TORONTO TEAN/ACES WORKSHOP AT ONTARIO HYDRO 25 AND 26 OCTOBER 1990 Larry R. Turner Editor March 1991 Work supported by Office of Fusion Energy U.S. Department of Energy Under Contract W-31-1G9-Eng-38 MASTER TABLE OP CONTENTS Page ABSTRACT 1 1. INTRODUCTION - L. Turner 2 2. SUMMARY - N.J. Diserens 3 3. ACES WELCOMING hEMABKS - D. Stein 10 4. PRESENTATIONS ON ACES PROBLEM 1 - H. Sabbagh 13 5. PRESENTATION ON TEAM 8 PROBLEM - H. Sabbagh 23 6. PRESENTATION ON TEAM PROBLEM 9 - N. Ida 36 7. PRESENTATION ON TEAM PROBLEM 13 - A. Bossavit JJ9 8- PRESENTATION ON TEAM PROBLEM 1H - 0. Biro 59 9. SUGGESTIONS FOR NEW TEST PROBLEMS 9.1 Wire Grid Model of Antennas - A. Leoni and V. Bernasconi ... 79 9.2 Suggested ACES Problems - H. Sabbagh 8«* APPENDIX A.I WORKSHOP PARTICIPANTS 91* iii PROCEEDINGS OF THE TORONTO TEAM/ACES UORKSHOP AT ONTARIO HYDRO 25 AND 26 OCTOBER 1990 Larry R. Turner Editor ABSTRACT The third TEAM workshop of the third series was held at Ontario Hydro in Toronto, 25-16 October 1990. There were ^5 participants from ten countries, making it the largest North American workshop to date. It was also the first joint ACES/TEAM workshop. Presentations were made on ACES Problem 1 and TEAM Problems 8, 9, 13, and 1*1. The proceedings contain presentations on those problems, a summary by N.J.
    [Show full text]
  • National Historic Landmark Nomination Northwestern
    NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 NORTHWESTERN BRANCH, NHDVS Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Northwestern Branch, National Home for Disabled Volunteer Soldiers Other Name/Site Number: Northwestern Branch, National Home for Disabled Volunteer Soldiers Historic District; National Soldiers Home Historic District; Clement J. Zablocki Medical Center, Department of Veterans Affairs 2. LOCATION Street & Number: 5000 West National Avenue Not for publication: City/Town: Milwaukee Vicinity: State: WI County: Milwaukee Code: 079 Zip Code: 53295 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): ___ Public-Local: District: _X_ Public-State: ___ Site: ___ Public-Federal: ___ Structure: ___ Object: _X_ Number of Resources within Property Contributing Noncontributing 23 16 buildings 3 sites 2 2 structures 2 1 objects 30 19 Total Number of Contributing Resources Previously Listed in the National Register: 31 Name of Related Multiple Property Listing: DRAFT NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 NORTHWESTERN BRANCH, NHDVS Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ____ nomination ____ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60.
    [Show full text]
  • IDC Marketscape Names Accenture a Digital Strategy Leader | Accenture
    IDC MarketScape IDC MarketScape: Worldwide Digital Strategy Consulting Services 2021 Vendor Assessment Douglas Hayward IDC MARKETSCAPE FIGURE FIGURE 1 IDC MarketScape Worldwide Digital Strategy Consulting Services Vendor Assessment Source: IDC, 2021 June 2021, IDC #US46766521 Please see the Appendix for detailed methodology, market definition, and scoring criteria. IDC OPINION This study represents the vendor assessment model called IDC MarketScape. This research is a quantitative and qualitative assessment of the characteristics that explain a vendor's current and future success in the digital strategy consulting services marketplace. This study assesses the capabilities and business strategies of 13 prominent digital strategy consulting services vendors. This evaluation is based on a comprehensive framework and a set of parameters expected to be most conducive to success in providing digital strategy consultancy. A significant component of this evaluation is the inclusion of digital strategy consulting buyers' perception of both the key characteristics and the capabilities of these providers. This client input was provided primarily from the vendors' clients, supplemented with a worldwide survey. Key findings include: . Consultancies are getting the basics right. Reference clients that IDC spoke with were impressed by the quality of the people from the leading digital strategy consultancies. On average, reference clients gave consultancies highest scores for people quality, action orientation, and client-specific insight. This indicates that digital strategy consultancies are getting the basics right — they are recruiting smart and empathetic people and are training and developing them well, they are getting to know their clients inside out, and they are producing very useful advice as a result. Clients want to be challenged more than ever by their digital strategy consultants.
    [Show full text]
  • LOUIS BETTS, PORTRAIT PAINTER of HIGH SOCIETY: the Meadow Brook Hall Portraits of Alfred G
    d LOUIS BETTS, PORTRAIT PAINTER OF HIGH SOCIETY: The Meadow Brook Hall Portraits of Alfred G. Wilson, Matilda R. Wilson, Danny and Frances Dodge, and John F. Dodge Karen A. Morgante Portraiture has a long established tradition in American art. Datable to the colonial limners, portraits were considered a practical mode which enabled an individual to establish his “sense of being” along with ties to his family and position. Throughout the seventeenth and eighteenth-century, it was the dominant art form of the middle class Protestant society. As the country grew and prospered, the wealthy merchants and plantation families had their portraits painted in the style of their mother country. Sir Godfrey Kneller, the official por- traitist of the English aristocracy, established the model for the high court style. The Grand Manner was brought to America with the influx of immigrant painters, and gradually, by Amer- ican-born artists who studied abroad. Patrons expected the painter to capture their likeness, as well as suggest their social position. A new realm of portraiture was opened with the advent of the daguerreotype in the nineteenth-century. As the process evolved, photography provided an affordable means for the masses to have their images recorded for posterity. For some artists, the new visual realism of photography was an aid 24 to capturing an individual in action, a thought, a moment in time; other artists embraced new approaches to portraying their sitter in a more creative way. The early twentieth-century found the national and in- ternational scene in a whirlwind; economic, political, social, and technological changes affected society’s way of life and thinking.
    [Show full text]
  • Sir Anthony Van Dyck
    CO N T E N T S k B H u h k e s Sir Anthony Van Dyc . y g St o ‘ List of su c h of the principal w ork s of Van Dyck as are in public Galleries L I ST O F I L L U ST R A T I O N S Portrait of T homas of Savoy Fron t zspzece T he R Coronation of St . osalie by the Child Jesus Minerva at the Forge of Vulcan T h e Virgin and Child with St . Joseph Saint Francis listening to Celestial M usi c Portrait of Prince Rupert of the Palatinate Portrait of Maria Louisa De T a s sis Christ on the Cross T h e Lamentation over Christ J esus bearing the Cross S h his n aint Sebastian , wit angels removing the arrows from wou ds T he Virgin and Child with two Donors Rinaldo and Armida P I ortrait of Charles . Portraits of Prince Charles Louis and Prince Rupert of B avaria Portrait of T h e Duk e of Richmond T h e Virgin and Child with the M agdalen Christ crowned with T horns P S his W Son ortraits of ebastian Leerse , ife and Saint Jerome T h e Drunk en Silenus H M l I enrietta aria , Queen to Char es . Portrait of the Painter P M R t W the ortrait of ary u hven , ife of Artist Portrait of an Artist T h e E mperor T heodosius refused admission 1rto the Church a n Portrait of Cornelius .
    [Show full text]
  • Desmontando a Un Analisis, De Su Tecnica, Y De Su Obra
    desmontando a un Analisis, de su tecnica, y de su obra Autor: Eduardo Aracil Campos Tutor: Francisco Javier Consuegra Panaligan Grado en Humanidades Curso académico 2018-2019 Desmontando a Banksy Eduardo Aracil Campos Título del trabajo: Desmontando a Banksy. Un análisis de su técnica y de su obra Firma del autor Firma del tutor académico Eduardo Aracil Campos Francisco Javier Consuegra Panaligan Trabajo de Fin de Grado Grado en Humanidades Facultad de Filosofía y Letras 2 Desmontando a Banksy Eduardo Aracil Campos Resumen La historia del arte urbano es la de la recuperación del espacio público de las ciudades por quienes realmente lo habitan, por aquellos que, en su vida rutinaria, en demasiadas ocasiones anodina, transitan por calles y barrios a menudo decadentes, desvencijados, abandonados… una suerte de figuras casi autómatas, fantasmales, que, sin embargo, al encontrarse con una obra de arte urbano salen de su aletargamiento y esbozan una sonrisa… o fruncen el ceño. En esta polaridad del arte urbano, en esa línea tan fina que separa vandalismo de arte, se mueve como pez en el agua Banksy, un artista que ha dado ese impulso definitivo que necesitaba el street art para presentarse ante la sociedad como un arte vanguardista, original, crítico y reflexivo, pero ante todo universal, accesible a todos los estratos sociales. Esa universalidad es la que representa Banksy y es el valor que el artista de Bristol da a su obra, una obra que, sin embargo, cada vez más frecuentemente es objeto de especulación por las galerías de arte y las casas de subasta. Podemos afirmar que Banksy es ya un fenómeno de masas del que se han escrito chorros de tinta y se han retuiteado miles de mensajes o compartido cientos de noticias.
    [Show full text]
  • King Salman Embraces 'Selfie' on Tour of Asia
    SUBSCRIPTION SATURDAY, MARCH 4, 2017 JAMADA ALTHANI 6, 1438 AH No: 17157 E-passport helps Banksy opens Torres counts Kuwait’s Schengen Walled Off Hotel days to return visa waiver2 bid in26 Bethlehem after48 head clash King Salman embraces ‘selfie’ on tour of Asia Min 10º 150 Fils Lighthearted pics, clips shared millions of times Max 25º JAKARTA: Saudi Arabia’s King Salman has embraced the “selfie”, tak- ing part in a number of lighthearted self-shot pictures and videos during his tour of Asia that contrast with the pomp and formality of most of the monarch’s trips abroad. In the first days of a lengthy regional tour, the king has appeared with top-ranking officials in Indonesia and Malaysia in pictures and clips that have been shared online millions of times. Indonesian President Joko Widodo shared on Facebook a video of himself dining with the king at the presidential palace in Bogor, near the capital Jakarta. In the video, both men comment on the vis- it, the first to Indonesia by a Saudi king in nearly five decades, and give viewers a rare peek into a state event. As Widodo holds what appears to be a phone camera, the king is seen dining before com- menting in Arabic on his 12-day visit to Indonesia, the longest leg of his month-long tour of Asia. “I’m very happy to be here in Indonesia and with the Indonesian people,” King Salman says to the camera, as an interpreter sitting behind him translates into Bahasa Indonesia. The king was also pho- tographed posing for a selfie with former president Megawati Sukarnoputri and her daughter Puan Maharani, who is a member of Widodo’s cabinet.
    [Show full text]
  • Travelling in a Palimpsest
    MARIE-SOFIE LUNDSTRÖM Travelling in a Palimpsest FINNISH NINETEENTH-CENTURY PAINTERS’ ENCOUNTERS WITH SPANISH ART AND CULTURE TURKU 2007 Cover illustration: El Vito: Andalusian Dance, June 1881, drawing in pencil by Albert Edelfelt ISBN 978-952-12-1869-9 (digital version) ISBN 978-952-12-1868-2 (printed version) Painosalama Oy Turku 2007 Pre-print of a forthcoming publication with the same title, to be published by the Finnish Academy of Science and Letters, Humaniora, vol. 343, Helsinki 2007 ISBN 978-951-41-1010-8 CONTENTS PREFACE AND ACKNOWLEDGEMENTS. 5 INTRODUCTION . 11 Encountering Spanish Art and Culture: Nineteenth-Century Espagnolisme and Finland. 13 Methodological Issues . 14 On the Disposition . 17 Research Tools . 19 Theoretical Framework: Imagining, Experiencing ad Remembering Spain. 22 Painter-Tourists Staging Authenticity. 24 Memories of Experiences: The Souvenir. 28 Romanticism Against the Tide of Modernity. 31 Sources. 33 Review of the Research Literature. 37 1 THE LURE OF SPAIN. 43 1.1 “There is no such thing as the Pyrenees any more”. 47 1.1.1 Scholarly Sojourns and Romantic Travelling: Early Journeys to Spain. 48 1.1.2 Travelling in and from the Periphery: Finnish Voyagers . 55 2 “LES DIEUX ET LES DEMI-DIEUX DE LA PEINTURE” . 59 2.1 The Spell of Murillo: The Early Copies . 62 2.2 From Murillo to Velázquez: Tracing a Paradigm Shift in the 1860s . 73 3 ADOLF VON BECKER AND THE MANIÈRE ESPAGNOLE. 85 3.1 The Parisian Apprenticeship: Copied Spanishness . 96 3.2 Looking at WONDERS: Becker at the Prado. 102 3.3 Costumbrista Painting or Manière Espagnole? .
    [Show full text]
  • Literary Urbanism, Visuality, and Modernity
    LITERARY URBANISM, VISUALITY AND MODERNITY by JOHN BRIGHT TEPE III A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of English College of Arts and Law The University of Birmingham October 2009 [Type text] University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Literary Urbanism and the Symbolist Aesthetic argues that the modern city influences urban writers to develop particular literary-visual practices that translate urban experience into poetry and prose. Chapter one considers how urban planning in Paris during the Second Empire inspired Charles Baudelaire‘s theories of modernity and aesthetic history. Chapter two discusses how A.C. Swinburne translates Baudelairean modernity into an English literary perspective through Sapphic poetry, and the importance Swinburne‘s association with painters has in this process. Swinburne‘s friendship with James McNeill Whistler, for example, results in the ekphrastic poem ―Hermaphroditus,‖ which uses sculpture to comment upon the modern city‘s potential to heighten perceptual consciousness. Chapter three studies the application of ekphrasis in urban writing, especially the way in which Arthur Symons‘ poetry uses symbols to render an immediate awareness of the city.
    [Show full text]
  • Treasure Valley Intelligent Transportation Systems (ITS) Strategic Plan
    Treasure Valley Intelligent Transportation Systems (ITS) Strategic Plan September 2006 Prepared By: McFarland Management, LLC In Association With: ~ Treasure Valley ITS Strategic Plan ~ Table of Contents EXECUTIVE SUMMARY ...........................................................................................................................................ES-1 1. Introduction......................................................................................................................................................... 1-1 1.1 Background ............................................................................................................................................... 1-1 1.2 Purpose..................................................................................................................................................... 1-3 1.3 Potential Benefits of Intelligent Transportation Systems ........................................................................... 1-3 1.4 Participants................................................................................................................................................ 1-4 1.5 Report Contents ........................................................................................................................................ 1-5 2. Existing Conditions............................................................................................................................................ 2-1 2.1 Historical Perspective...............................................................................................................................
    [Show full text]
  • Pattern Synthesis and Polarization Optimization of a Conical Array
    JOURNAL OF ELECTRONIC SCIENCE AND TECHNOLOGY, VOL. 9, NO. 1, MARCH 2011 71 Pattern Synthesis and Polarization Optimization of a Conical Array Qing-Qiang He, Yu-Hong Liang, and Bing-Zhong Wang Abstract⎯A feasible method for synthesizing milli- is fixed with respect to the surface of the platform[9]. In [10], meter-wave conical array and optimizing low cross- an adaptive array theory is applied to a conformal antenna polarization is proposed. Starting from the far-field array to synthesize a mainbeam with optimized polarization superposition principle, an efficient approach including employing dual polarized patch antennas as radiators. In element mutual coupling and mounted platform effects [11], the low cross-polarization of an arc-array is optimized is used to calculate the far-field patterns. A coordinate by using the alternating projection method. However, these transform is applied to create polarization quantities, synthesis techniques mentioned above mostly neglect the and a general process for the element polarized pattern element mutual couplings, and the effect of the mounted transformation is performed. Corresponding numerical platform is also not rigorously taken into account. example is given and the desired sidelobe level and low In the paper, our research presents a new method to cross-polarization are optimized. The numerical results synthesize millimeter-wave conical array including the indicate the proposed method is valid. effects of element mutual couplings and mounted platform. [12] Index Terms⎯Conical array, coordinate transform- Based on the active element pattern technique , a conical ation, low cross-polarization, genetic algorithm, pattern array model is firstly created and polarization quantities synthesis.
    [Show full text]