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Heft 4-14.Indd Herausgegeben im Auftrag der Karl-Lamprecht-Gesellschaft e. V. (KLG) / European Network in Universal and Global History (ENIUGH) von Matthias Middell und Hannes Siegrist Redaktion Gerald Diesener (Leipzig), Andreas Eckert (Berlin), Ulf Engel (Leipzig), Harald Fischer-Tiné (Zürich), Marc Frey (München), Eckhardt Fuchs (Braunschweig), Frank Hadler (Leipzig), Silke Hensel (Münster), Madeleine Herren (Basel), Michael Mann (Berlin), Astrid Meier (Halle), Katharina Middell (Leipzig), Matthias Middell (Leipzig), Ursula Rao (Leipzig), Dominic Sachsenmaier (Bremen), Hannes Siegrist (Leipzig), Stefan Troebst (Leipzig), Michael Zeuske (Köln) Anschrift der Redaktion Global and European Studies Institute Universität Leipzig Emil-Fuchs-Str. 1 D – 04105 Leipzig Tel.: +49 / (0)341 / 97 30 230 Fax.: +49 / (0)341 / 960 52 61 E-Mail: [email protected] Internet: www.uni-leipzig.de/comparativ/ Redaktionssekretärin: Katja Naumann ([email protected]) Comparativ erscheint sechsmal jährlich mit einem Umfang von jeweils ca. 140 Seiten. Einzelheft: 12.00 €; Doppelheft 22.00 €; Jahresabonnement 50.00 €; ermäßigtes Abonnement 25.00 €. Für Mitglieder der KLG / ENIUGH ist das Abonne ment im Mitgliedsbeitrag enthalten. Zuschriften und Manuskripte senden Sie bitte an die Redaktion. Bestellungen richten Sie an den Buchhandel oder direkt an den Verlag. Ein Bestellformular fi nden Sie unter: http://www.uni-leipzig.de/comparativ/ Wissenschaftlicher Beirat Gareth Austin (London), Carlo Marco Belfanti (Brescia), Christophe Charle (Paris), Catherine Coquery-Vidrovitch (Paris), Michel Espagne (Paris), Etienne François (Paris / Berlin), Michael Geyer (Chicago), Giovanni Gozzini (Siena), Regina Grafe (Evanston / Chicago), Margarete Grandner (Wien), Michael Harbsmeier (Roskilde), Heinz- Gerhard Haupt (Florenz), Konrad H. Jarausch (Chapel Hill), Hartmut Kaelble (Berlin), Markéta Křižova (Prag), Wolfgang Küttler (Ber- lin), Marcel van der Linden (Amsterdam), Hans-Jürgen Lüsebrink (Saarbrücken), Barbara Lüthi (Köln), Attila Melegh (Budapest), Alexey Miller (Moskau), Patrick O’Brien (London), Diego Olstein (Pittsburgh), Juan Carmona Pidal (Madrid), Lluis Roura y Aulinas (Barcelona), Jürgen Schriewer (Berlin), Hagen Schulz-Forberg (Aar- hus), Alessandro Stanziani (Paris), Edoardo Tortarolo (Turin), Eric Vanhaute (Gent), Peer Vries (Wien), Susan Zimmermann (Budapest) Leipziger Universitätsverlag GmbH Oststraße 41 D – 04317 Leipzig Tel. / Fax: +49 / (0)341 / 990 04 40 [email protected] www.univerlag-leipzig.de Doing culture under state-socialism: Actors, events, and interconnections Herausgegeben von Beata Hock Leipziger Universitätsverlag Comparativ. Zeitschrift für Globalgeschichte und vergleichende Gesellschaftsforschung / hrsg. von Matthias Middell und Hannes Siegrist – Leipzig: Leipziger Univ.-Verl. ISSN 0940-3566 Jg. 24, H. 4. Doing culture under state-socialism: Actors, events, and interconnections. – 2014 Doing culture under state-socialism: Actors, events, and interconnections. Hg. von Beata Hock – Leipzig: Leipziger Univ.-Verl., 2015 (Comparativ; Jg. 24, H. 4) ISBN 978-3-86583-934-3 Der dieser Publikation zugrunde liegende Workshop wurde mit Mitteln des Bundes- ministeriums für Bildung und Forschung unter dem Förderkennzeichen 01UG0710 gefördert, die Finanzierung der Druckkosten erfolgt aus FKZ 01UG1410. Die Verantwortung für den Inhalt dieser Veröffentlichung liegt bei den Autoren. © Leipziger Universitätsverlag GmbH, Leipzig 2015 Comparativ. Zeitschrift für Globalgeschichte und vergleichende Gesellschaftsforschung 24 (2014) 4 ISSN 0940-3566 ISBN 978-3-86583-934-3 Inhaltsverzeichnis Aufsätze Beata Hock Doing culture under state-socialism: Actors, events, and interconnections: An introduction 7 Edit Sasvári Eastern Europe Under Western Eyes. The “Dissident Biennale”, Venice, 1977 12 Victoria Harms Central Europe in Manhattan: Why Hungarian dissidents mattered to New York intellectuals 23 Michael Esch Transfers, Netzwerke und produktive Missverständnisse: Plastic People, Velvet Underground und das Verhältnis zwischen westlicher und östlicher Dissidenz 1965–1978 39 Jeannine Harder Polnische Filmplakate aus transnationaler Sicht. Die Wurzeln der „Polnischen Schule der Plakatkunst“ in den 1950er Jahren 58 Marcus Kenzler „Sozialismus war für mich auch Glaubenssache.“ Über die Darstellung Lateinamerikas und die Verwendung christlicher Symbolik in der Kunst der DDR 68 Forum Christoph Nübel Wie global war der Erste Weltkrieg? Der „Weltkrieg“ aus Sicht der deutschen Provinz 84 6 | Inhalt Buchbesprechungen Nico Slate: Colored Cosmopolitanism. The shared struggle for freedom in the United States and India, Cambridge, Mass. 2012 Maria Framke 108 Thomas Fischer: Die Souveränität der Schwachen. Lateinamerika und der Völkerbund, 1920–1936, Stuttgart 2012 Klaas Dykmann 111 Sadik J. Al-Azm: Secularism, Fundamentalism and the Struggle for the Meaning of Islam. Collected Essays on Politics and Religion, 3 vol., Berlin 2014 Helmut Goerlich 114 Maren Möhring: Fremdes Essen. Die Geschichte der ausländischen Gastronomie in der Bundesrepublik Deutschland, München 2012 Laura Rischbieter 116 William G. Martin: South Africa and the World Economy. Remaking Race, State, and Region, Rochester 2013 Angela Glodschei 120 Boike Rehbein: Kaleidoskopische Dialektik. Kritische Theorie nach dem Aufstieg des globalen Südens, Konstanz 2013 Michael Schramm 122 Akira Iriye (Hrsg.): 1945 bis Heute. Die globalisierte Welt (= Geschichte der Welt, Bd. 6), München 2013 Dietmar Rothermund 125 Robert Foltin: Und wir bewegen uns noch. Zur jüngeren Geschichte sozialer Bewegungen in Österreich, Wien 2011 Micha Fiedlschuster 127 Autorinnen und Autoren 131 Doing culture under state-socialism: Actors, events, and interconnections: An introduction Beata Hock The main title of the present issue of Comparative “Doing culture under state-social- ism” appears to sufficiently identify both a time period and a geographical location. In the articles below, however, this period is explicitly or implicitly framed as the Cold War, which conceptually places actors, events and interconnections (as indicated in the subtitle) in a broader transnational context. It is in reaction to an emerging research area that the Cold War is being proposed as a meaningful frame for drafting a more globally inscribed cultural history of East Central Europe. These were decades in which interna- tional relations were defined by conflicting world views and in which the domains of both high and popular culture were heavily drawn into the sphere of political competi- tion. Nevertheless, the role that culture – its mainstream or dissident variations – cultural exchange and cultural politics played in the development of the Cold War is still far from being fully charted. Part of this incomplete picture is that the cultural production of state-socialist Eastern Europe has received little serious scholarly attention for over a decade immediately following the political system change in the region. A narrow set of narrative constructs has been in general use to account for the cultural politics of the socialist era. The crudest formulations have viewed the artistic output of the pre-1989 period as well-designed manipulation of the communist propaganda and ideology, inca- pacitated through structures of censorship and the isolation secured by the Iron Curtain. This undifferentiated image has been often projected onto the entire East Block and the entire four or five decades. Authors exploring Cold War Cultures or the Cultural Cold War, however, increasingly acknowledge that “cold warriors” on both sides of the Iron Comparativ | Zeitschrift für Globalgeschichte und vergleichende Gesellschaftsforschung 24 (2014) Heft 4, S. 7–11. 8 | Beata Hock Curtain massively deployed culture as an instrument in both international relations and diplomacy.1 The selection of articles below is based on material presented at an international work- shop held in June 2013 at the Leipzig Centre for the History and Culture of East Central Europe (GWZO). The workshop brought together researchers whose work engages with the transnational networks and the cross-border flow of cultural actors (artists, intel- lectuals, cultural politicians, politically active individuals, etc.), intellectual trends and cultural practices that never ceased despite the relevance of the Iron Curtain and national borders. These investigations also reckon with institutional structures and policies that constrained or enabled these flows in the given period. On the occasion of the workshop, two research interests and projects met. One of them was the GWZO research group “Ostmitteleuropa Transnational” studying the conditions and challenges of globalisation in East-Central European history in an extended time frame, from the late 19th century to the present, with a special focus on the period of state-socialism.2 The research method of the group is not only transnational but also trans- or interdisciplinary as the work straddles the major fields of political, economic, and cultural history as well as the study of migration and international organisations. The workshop was at the same time the closing event of a research-based exhibition project Agents and Provocateurs,3 surveying certain forms of confrontation: agency and provocation, both understood as dissenting artistic attitudes. The project explored to what degree these attitudes have proved to be viable forms of protest in different and changing political contexts. Starting out from the counter-cultural scenes of state-socialist
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