Family Game Night Ideas 101112131415161718123456789

Total Page:16

File Type:pdf, Size:1020Kb

Family Game Night Ideas 101112131415161718123456789 Family Game Night Ideas 101112131415161718123456789 Disney Pictionary To play Disney Pictionary you don’t need much! All you need is: 1) Paper 2) A writing utensil 3) A list of movies or characters There is a list of 90 characters and movie titles. It is not all-inclusive so feel free to add or take out titles or names, as you desire. Now just play the way that the classic game of Pictionary is played! Take turns drawing titles or characters and drawing them until your teammates can pick them. If you have enough people you can split into teams and time the drawings, as you would with the board game. Novie Titles • Cars • Aladdin • Bambi • Tangled • Cinderella • Fantasia • Finding Nemo • Sleeping Beauty • Dumbo • Wreck it Ralph • The Emperor's New • Pinocchio Groove • Peter Pan • Lilo and Stitch The Jungle Book • Frozen • • Chicken Little The Lion King • Toy Story • • Bolt Beauty and the Beast • Nonsters, Inc. • • Pocahontas • Snow White • The Princess and the The Hunchback of Frog • • The Nightmare Notre Dame 101 Dalmatians Before Christmas • • Wall-E Lady and the Tramp • Planes • • Hercules • The Incredibles • A Bug's Life • Alice in Wonderland • The Fox and the Hound • The Little Nermaid • Nulan • Up • Tarzan • Brave • The Sword and the Stone • Robin Hood • The Aristocats • The Rescuers Novie Characters • Nickey Nouse • Cinderella • Pinocchio • Ninnie Nouse • Sleeping Beauty • Princess Anna • Goofy • Naleficent • Queen Elsa • Wreck it Ralph • The Genie • Olaf • Peter Pan • Simba • Rapunzel • Pluto • Belle • Flynn Ryder • Donald Duck • The Beast • Wall-E • Sully • Buzz Lightyear • Tiana • Snow White • Woody • Dumbo • Captain Hook • Nike Wasowski • Nemo • Dusty Crophopper • Cruella DeVille • Nr. Incredible • Nulan • Alice in Wonderland • Tarzan • Ariel • Princess Jasmine • Ursula • Lightning NcQueen • Nerida • Nater • Robin Hood • Bambi • Aladdin For fishy races you need: 1) Pieces of foam (or paper or card if you prefer) 2) Some straws 3) Tape 4) Scissors 5) String First cut out fishes, from pieces of foam and decorate them. You could also use paper or card, if you don’t have foam. Then tape a piece of straw to the mouth of the fish, to make it easier for the fish to move along the string. Threaded each fish’s straw onto a piece of string and then tie it tight between two chairs, one for each fish to race on. You’re all set.. Ready..Set.. GO! Blow your fish along the string to see whose fish is faster! Lego Challenge Game Directions 1) Supplies needed: Lego building blocks 2) Pick a challenge card out of a hat or container (make your own challenge cards or use the ideas provided) 3) Complete the challenge on the card 4) Nake it competitive by competing against each other to see who can build what is on the card the fastest 5) You can play by yourself with a timer to challenge how fast you can build as well Example Challenge Cards Animal Cars 3 minute timer A room in the house Favorite food Only green Legos Puppies Occupation Garden Something you can wear 50 pieces Community A Tree Tower Balloon Family Fun Night: A Narathon of activities and all you need are a few balloons! 1. Balloon Keep-up: don’t let the balloon touch the floor. See how long the family can keep it in the air (hint: station big people closer to little people). 2. Balloon Hockey: Use the paper plate “paddles” for this game, but you can also use kitchen utensils. Players had to try and hit the balloon into their team’s “goal.” I made goals out of laundry baskets and placed them across from each other in the living room. 3. Balloon Tennis: Using the “paddles” bump the balloons back and forth to your partner. 4. Balloon Waddle: Stand two kids side by side and place the ball between their hips. Now send them across the room, and see if they can get there without dropping the balloon. 5. Balloon Catch: give half of the players a large mixing bowl and half of the players a balloon. Have them toss the balloon to see if they can catch it in the bowl. 6. Balloon Head Bump: keep their balloon in the air and off the floor only using their heads. If the balloon falls to the floor they are out. Last one with their balloon in the air wins. 7. Balloon Finger Balance: players have to balance their balloon on their finger. Their finger must be in contact with the balloon at all times. 8. Balloon Volleyball: Used your couch as a net and hit the balloon across to each other. Each team will hit the balloon and score points when they are able to get the balloon to hit the ground on the opposite side. 9. Balloon Hula: Two players hold up the hula hoop for the others. The object of this game is to use the paddle to hit the balloon through a hula hoop. Some more fun family game night games are: Apples to Apples Bananagrams Party Box The anagram game An awesome game that will drive you of comparisons! bananas as players Made for multiple race to build players ages 12 and crossword grids! For 1 up. to 8 players, ages 7 and up Phase 10 Card Game A fantastic family game for 2 to 6 players. You work your way through sequences using your cards! Spot It A fun, fast-paced, and simple card game that everyone aged 7 years and up can enjoy. Farkel Party Game A game of guts and luck, guaranteed to provide plenty of hootin’ and hollarin’ action for everyone from grade Quelf school to grandpa. Meant A hilarious game for Two to Six Players night winner, that will Age 8 and Up. make you laugh until you cry. There’s no wrong answers just follow the directions on the cards .
Recommended publications
  • Digital Surrealism: Visualizing Walt Disney Animation Studios
    City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2017 Digital Surrealism: Visualizing Walt Disney Animation Studios Kevin L. Ferguson CUNY Queens College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/205 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Digital Surrealism: Visualizing Walt Disney Animation Studios Abstract There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. Instead, cinema and media studies should pursue a mostly-ignored “digital-surrealism” that uses computer-based methods to transform film texts in radical ways not previously possible. This article describes one such method using the z-projection function of the scientific image analysis software ImageJ to sum film frames in order to create new composite images. Working with the fifty-four feature-length films from Walt Disney Animation Studios, I describe how this method allows for a unique understanding of a film corpus not otherwise available to cinema and media studies scholars. “Technique is the very being of all creation” — Roland Barthes “We dig up diamonds by the score, a thousand rubies, sometimes more, but we don't know what we dig them for” — The Seven Dwarfs There are quite a number of fruitful digital humanities approaches to cinema and media studies, which vary widely from aesthetic techniques of visualizing color and form in shots to data-driven metrics approaches analyzing editing patterns.
    [Show full text]
  • Cars Tangled Finding Nemo Wreck It Ralph Peter Pan Frozen Toy Story Monsters Inc. Snow White Alice in Wonderland the Little Merm
    FRIDAY, APRIL 3RD – DISNEY DAY… AT HOME! Activity 1: • Disney Pictionary: o Put Disney movies and character names onto little pieces of paper and fold them in half o Put all of the pieces of paper into a bowl o Then draw it for their team to guess Can add a charade element to it rather than drawing if that is preferred o If there are enough people playing, you can make teams • Here are some ideas, you can print these off and cut them out or create your own list! Cars Tangled Finding Nemo Wreck It Ralph Peter Pan Frozen Toy Story Monsters Inc. Snow White Alice in Wonderland The Little Mermaid Up Brave Robin Hood Aladdin Cinderella Sleeping Beauty The Emperor’s New Groove The Jungle Book The Lion King Beauty and the Beast The Princess and the Frog 101 Dalmatians Lady and the Tramp A Bug’s Life The Fox and the Hound Mulan Tarzan The Sword and the Stone The Incredibles The Rescuers Bambi Fantasia Dumbo Pinocchio Lilo and Stitch Chicken Little Bolt Pocahontas The Hunchback of Notre Wall-E Hercules Dame Mickey Mouse Minnie Mouse Goofy Donald Duck Sully Captain Hook Ariel Ursula Maleficent FRIDAY, APRIL 3RD – DISNEY DAY… AT HOME! The Genie Simba Belle Buzz Lightyear Woody Mike Wasowski Cruella De Ville Olaf Anna Princess Jasmine Lightning McQueen Elsa Activity 2: • Disney Who Am I: o Have each family member write the name of a Disney character on a sticky note. Don’t let others see what you have written down. o Take your sticky note and put it on another family members back.
    [Show full text]
  • To Infinity and Back Again: Hand-Drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation
    To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation Haswell, H. (2015). To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation. Alphaville: Journal of Film and Screen Media, 8, [2]. http://www.alphavillejournal.com/Issue8/HTML/ArticleHaswell.html Published in: Alphaville: Journal of Film and Screen Media Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2015 The Authors. This is an open access article published under a Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits distribution and reproduction for non-commercial purposes, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:28. Sep. 2021 1 To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar’s Pioneering Animation Helen Haswell, Queen’s University Belfast Abstract: In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation.
    [Show full text]
  • Amazing Animated ANIMALS Celebrate Disney’S Legacy of Memorable Animated Animal Characters, Including the King of Them All, the LION KING
    Amazing Animated ANIMALS Celebrate Disney’s legacy of memorable animated animal characters, including the King of them all, THE LION KING. 1937 1950 1967 SNOW WHITE CINDERELLA THE JUNGLE BOOK AND THE SEVEN DWARFS Gus, Jaq and Lucifer Bagheera, King Louie, Snow White’s Forest Friends Kaa and Baloo and the Queen’s Raven 1951 ALICE IN WONDERLAND 1970 1940 Cheshire Cat, THE ARISTOCATS PINOCCHIO The White Rabbit Thomas O’Malley, Jiminy Cricket, and many more Duchess, Berlioz, Cleo and Figaro Toulouse and Marie. 1953 1940 PETER PAN 1973 FANTASIA Nana ROBIN HOOD Hyacinth Hippo, Ben Ali Gator, Robin, Maid Marian and friends Madame Upanova and many more 1955 LADY AND THE TRAMP 1977 1941 Lady, Tramp, all their dog friends THE RESCUERS DUMBO and Si & Am Bianca and Bernard Dumbo and Timothy Mouse 1959 1981 SLEEPING BEAUTY THE FOX AND 1942 Samson and Diablo THE HOUND BAMBI Tod and Copper Bambi, Thumper and 1961 the forest animals 101 DALMATIANS 1986 Pongo, Perdita THE GREAT MOUSE DETECTIVE 1949 and the pups Basil, Dr. Dawson and friends THE ADVENTURES OF ICHABOD AND MR. TOAD 1963 1988 J. Thaddeus Toad, Rat, Mole and THE SWORD IN THE STONE OLIVER & COMPANY Angus MacBadger Archimedes Oliver and the gang 1989 2003 2013 THE LITTLE BROTHER BEAR FROZEN MERMAID Kenai, Koda, Swen Flounder, Sebastian Rutt and Tuke and friends 2015 2004 THE GOOD DINOSAUR 1991 HOME ON THE RANGE Arlo and his dinosaur BEAUTY AND Maggie, Mrs. Caloway, Grace family and friends THE BEAST and their barnyard friends Philippe 2016 2005 ZOOTOPIA 1992 CHICKEN LITTLE Judy Hopps, ALADDIN
    [Show full text]
  • Tobacco and Alcohol Use in G-Rated Children's Animated Films
    MEDICINE AND THE MEDIA Tobacco and Alcohol Use in G-Rated Children’s Animated Films Adam O. Goldstein, MD Context Tobacco and alcohol use among youth are major public health problems, Rachel A. Sobel but the extent to which children are routinely exposed to tobacco and alcohol prod- ucts in children’s films is unknown. Glen R. Newman, PT Objective To identify the prevalence and characteristics associated with tobacco and LTHOUGH TOBACCO USE AMONG alcohol use portrayed in G-rated, animated feature films. US adults continues to de- Design All G-rated, animated feature films released between 1937 and 1997 by 5 cline, youth tobacco use is on major production companies (Walt Disney Co, MGM/United Artists, Warner Brothers the rise.1 Research demon- Studios, Universal Studios, and 20th Century Fox) that were available on videotape Astrating causal relationships between to- were reviewed for episodes of tobacco and alcohol use. bacco advertising and youth tobacco con- Main Outcome Measures Presence of tobacco and alcohol use in each film, type sumption has increased criticism of of tobacco or alcohol used, duration of use, type of character using substance (bad, tobacco advertising campaigns like those neutral, or good), and any associated effects. based on the popular cigarette symbols Results Of 50 films reviewed, 34 (68%) displayed at least 1 episode of tobacco or of the Marlboro Man and the cartoon alcohol use. Twenty-eight (56%) portrayed 1 or more incidences of tobacco use, in- character Joe Camel.2-4 Recent pres- cluding all 7 films released in 1996 and 1997. Twenty-five films (50%) included al- sures on tobacco companies to settle all cohol use.
    [Show full text]
  • Characteristics of Caregivers in Disney Animations
    Original Article pISSN 1226-7503 / eISSN 2383-7624 Psychoanalysis 2019;30(2):25-31 https://doi.org/10.18529/psychoanal.2019.30.2.25 Characteristics of Caregivers in Disney Animations Geon Ho Bahn,1 Seung Yup Lee,2 Minha Hong,3 and Yeon Jung Lee4 1Department of Psychiatry, Kyung Hee University School of Medicine, Seoul, Korea 2Department of Psychiatry, Graduate School, Kyung Hee University, Seoul, Korea 3Department of Psychiatry, Myongji Hospital, Hanyang University School of Medicine, Seoul, Korea 4Department of Psychiatry, Soonchunhyang University College of Medicine, Seoul, Korea Objectives: To assess Disney’s animated films regarding development of the conception of family for children, we examined types and roles of caregivers in films. Methods: The subjects were 54 Disney animations, from Snow White and the Seven Dwarfs (1937) to Moana (2016). The authors found one main character and one person (or animal) as a caregiver, who (which) takes care of a main character in each film. We analyzed the caregivers’ type, and assessed the role as a caregiver was given to a main character, especially in the case where parents are living. Results: In classifying the type of caregivers, 24 (44.5%) cases have both parents (adoptive or biologic) living in the films, no comments about parents in 21 (38.9%) cases, and orphaned main charac- ters in 9 (16.6%) cases. Among the 24 animations in which parent(s) can be identified, caregivers in 9 animations fulfilled full functions fit for the criteria as caregivers.Conclusion : From the perspective of family, Disney animations have an atypical family structure, and reveal an insufficient caregiver role.
    [Show full text]
  • Masculinity, Fatherhood, and the Hardest Bodies in Pixar
    Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature: _____________________________ ______________ David S. Braught Date In Light of Luxo: Masculinity, Fatherhood, and the Hardest Bodies in Pixar By David S. Braught Master of Arts Film Studies _________________________________________ Matthew Bernstein Advisor _________________________________________ Michele Schreiber Committee Member _________________________________________ Eddy Von Mueller Committee Member Accepted: _________________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date In Light of Luxo: Masculinity, Fatherhood, and the Hardest Bodies in Pixar By David S. Braught M.A., Emory University, 2010 B.A., Emory University, 2008 Advisor: Matthew Bernstein, PhD An abstract of A thesis submitted to the Faculty of the James T. Laney School of Graduate Studies of Emory University in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies 2010 Abstract In Light of Luxo: Masculinity, Fatherhood, and the Hardest Bodies in Pixar By David S.
    [Show full text]
  • Aristocats Study-Com
    The Jefferson Performing Arts Society Presents A Study Companion 1118 Clearview Pkwy, Metairie, LA 70001 Ph 504.885.2000 Fx 504.885.3437 [email protected] www.jpas.org Page - 1 - Table of Contents Teacher Notes……………………………………………………………..3 Louisiana Content Standards………………………………..…………….5 Background……………………………………………………………….6 The Film and the Play……………………………………………………8 Compare and Contrast…………………………………………………14 Grade Level Expectations: English……………………………………..27 Voice Acting in Animated Films………………………………………..29 Grade Level Expectations: English……………………………………41 Scales and Arpeggios…………………………………………………….42 Page - 2 - Teacher Notes Everybody wants to be a cat! Madame's jealous butler Edgar cat-naps Duchess and her Aristokittens and abandons them in the Parisian countryside. What's a cat to do? Luckily, Thomas O'Malley and his rag-tag bunch of Alley Cats come to their rescue! This feline adventure starring an all-kid cast is sure to get you tapping your feet to its hep, jazzy beat! The JPAS presentation of Disney’s Aristocats kids is directed by Matias Grau III with Music and Lyrics by Richard M. Sherman and Robert B. Sherman and Al Rinker and Floyd Huddleston. The music was adapted and arranged by Bryan Louiselle Bryan Louiselle also provided additional music and lyrics. The Book was adapted by Michael Bernard, who provided additional lyrics. Based on the 1970 Disney Film THE ARISTOCATS, DISNEY’S ARISTOCATS KIDS is presented through a special arrangement with Music Theatre International (MTI). Disney’s Aristocats was originally planned to be a T.V. show. It also was the first Disney film to be completed after Walt Disney died. The Background section provides information on how the story was developed and how it was transformed from T.V.
    [Show full text]
  • Cruella De Vil Perdita Atta Dot Princess Jasmine Alice
    Cruella de Vil Perdita 101 Dalmatians 101 Dalmatians Atta Dot A Bug’s Life A Bug’s Life 2016 The Game Gal • www.thegamegal.com © Princess Jasmine Alice Copyright Aladdin Alice in Wonderland Kida Bambi’s mother Atlantis: The Lost Empire Bambi Faline Belle Bambi Beauty and the Beast 2016 The Game Gal • www.thegamegal.com © Mrs. Potts Go Go Copyright Beauty and the Beast Big Hero 6 Honey Lemon Penny Forrester Big Hero 6 Bolt Mittens Merida Bolt Brave 2016 The Game Gal • www.thegamegal.com © Queen Elinor Cinderella Copyright Brave Cinderella Fairy Godmother Minnie Mouse Cinderella Disney Cartoons Daisy Duck Dory Disney Cartoons Finding Nemo 2016 The Game Gal • www.thegamegal.com © Anna Elsa Copyright Frozen Frozen Megara Sadness Hercules Inside Out Joy Disgust Inside Out Inside Out 2016 The Game Gal • www.thegamegal.com © Riley Lady Copyright Inside Out Lady and the Tramp Darling Lilo Lady and the Tramp Lilo and Stitch Doris Boo Meet the Robinsons Monsters, Inc. 2016 The Game Gal • www.thegamegal.com © Celia Roz Copyright Monsters, Inc. Monsters, Inc. Mulan The Matchmaker Mulan Mulan Jenny Foxworth Georgette Oliver & Company Oliver & Company 2016 The Game Gal • www.thegamegal.com © Tinker Bell Wendy Darling Copyright Peter Pan Peter Pan Tiger Lily The Blue Fairy Peter Pan Pinocchio Grandmother Pocahontas Willow Pocahontas Pocahontas 2016 The Game Gal • www.thegamegal.com © Maid Marian Lady Kluck Copyright Robin Hood Robin Hood Princess Aurora/ Maleficent Briar Rose Sleeping Beauty Sleeping Beauty Snow White Evil Queen Snow White and the Seven
    [Show full text]
  • Goldie's Movie Recommendations with an Iowa Connection
    Movie Recommendations With an Iowa Connection Family Movies Super Hero Movies + Cheaper by the Dozen (2003) + Aquaman (2018) Features Ashton Kutcher (Cedar Rapids) Features Jason Momoa (raised in Norwalk) + Happy Feet (2006) + Batman v Superman: Dawn of Justice Features the voice of Elijah Wood (Cedar Rapids) (2016) + Monsters University (2013) Features Jason Momoa (raised in Norwalk) Features the voice of Marcia Wallace (Creston) + Captain America: The Winter Soldier (2014) + Open Season (2006) + Captain America: Civil War (2016) Features the voice of Ashton Kutcher + Avengers: Infinity War (2018) (Cedar Rapids) + Avengers: Endgame (2019) Co-directed by Joe Russo, University of Iowa + Peter Pan (1953) graduate Peter Pan voiced by Bobby Driscoll (Cedar Rapids) + Justice League (2018) Features Jason Momoa (raised in Norwalk) + Pitch Perfect (2012) Features Adam DeVine (Waterloo) + Superman Returns (2006) Features Brandon Routh (Norwalk) + Sky High (2005) Features Cloris Leachman (Des Moines) Sports Movies + The Brave Little Toaster (1987) + Angels in the Outfield (1994) Original story written by Thomas Disch Features Tony Danza, University of Dubuque (Des Moines) graduate Produced by Thomas Wilhite (Keswick) + Field of Dreams (1989) + The Croods (2013) Filmed in Dyersville, Iowa Features the voice of Cloris Leachman + Final Season (2007) (Des Moines) Based on Norway, Iowa’s winning baseball + The Lego Batman Movie (2017) program, is filmed in eastern Iowa (including Features the voice of Adam DeVine (Waterloo) Shellsburg and Cedar Rapids)
    [Show full text]
  • Gender Stereotypes in Disney Princesses' Animated Movies: The
    PEOPLE’S DEMOCRATIC REPUBLIC OF ALGERIA Ministry of Higher Education and Scientific Research University of Tlemcen Faculty of Letters and Languages Department of English Gender Stereotypes in Disney Princesses’ Animated Movies: The Case of Cinderella (1950) and Beauty and the Beast (1991) Dissertation Submitted to the Department of English as partial fulfillment of the Master’s Degree in Literature and Civilization Presented by: Supervised by: Ms. ZOUICHENE Rahma Prof. Faiza SENOUCI Co-supervisor: Ms. Meryem MENGOUCHI Board of Examiners Dr. Fatiha BELMERABET President Prof. Faiza SENOUCI Supervisor Ms. Meryem MENGOUCHI Co-Supervisor Mrs. Souad HAMIDI Examiner Academic Year: 2018/2019 Dedications I dedicate this work to The shining sun of my days and the moonlight in my nights, my beautiful beloved mother and my dear father! To my backup, my heart and reason to live, My brother Abduljalile To my sister Ahlem and my brother Abdulwaheb To Sarah. H and Ibtissem. L And to all my friends and family members i Acknowledgements First and foremost, praise to almighty Allah, he who bestowed me with divine blessings and guidance when writing this work. My sincere thanks go to Professor Faiza SENOUCI, my dear respected supervisor, whose advices, kindness, and support paved the way for this work to be fulfilled. Additional heartfelt thanks to you for always believing in me. With deepest gratitude, I share the credit of my dissertation with Ms. Meryem MENGOUSHI. You are the candle light that illuminated my way towards fulfilling this work which would have remained a simple idea without the invaluable help and guidance you provided me with.
    [Show full text]
  • 1 to Infinity and Back Again: Hand-Drawn Aesthetic and Affection
    1 To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar’s Pioneering Animation Helen Haswell, Queen’s University Belfast Abstract: In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation. La Luna (Enrico Casarosa) marks a pivotal shift in Pixar’s short film canon by displaying hand-drawn artwork and man-made textures. Widely considered the innovators of computer-generated animation, Pixar is now experimenting with 2D animation techniques and with textures that oppose the clean and polished look of mainstream American animation. This article aims to outline the significant technological developments that have facilitated an organic aesthetic by suggesting that nostalgia dictates a preference for a more traditional look. It will also argue that this process pioneered by Pixar has in turn influenced the most recent short films of Walt Disney Animation Studios. Pixar Animation Studios has been at the forefront of cutting-edge digital animation for over twenty-five years. The phenomenal success of Toy Story (John Lasseter, 1995), the world’s first fully computer-generated animated feature film, saw the “widespread popularization of 3D computer animation technologies in both animated and live action cinema” (Montgomery 7). Not only has the technology developed by Pixar become an industry standard for filmmaking, but the studio’s aesthetic style epitomises contemporary mainstream animation. While Colleen Montgomery argues that the technology pioneered by Pixar has “displaced hand-drawn traditions in mainstream American animation” (8), we are now witnessing Pixar’s experimentation with traditional 2D animation techniques and with textures that are organic and imperfect.
    [Show full text]