Cruella De Vil Perdita Atta Dot Princess Jasmine Alice

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Cruella De Vil Perdita Atta Dot Princess Jasmine Alice

Cruella de Vil Perdita 101 Dalmatians 101 Dalmatians Atta Dot A Bug’s Life A Bug’s Life 2016 The Game Gal • www.thegamegal.com © Princess Jasmine Alice Copyright Aladdin Alice in Wonderland Kida Bambi’s mother Atlantis: The Lost Empire Bambi Faline Belle Bambi Beauty and the Beast 2016 The Game Gal • www.thegamegal.com © Mrs. Potts Go Go Copyright Beauty and the Beast Big Hero 6 Honey Lemon Penny Forrester Big Hero 6 Bolt Mittens Merida Bolt Brave 2016 The Game Gal • www.thegamegal.com © Queen Elinor Cinderella Copyright Brave Cinderella Fairy Godmother Minnie Mouse Cinderella Disney Cartoons Daisy Duck Dory Disney Cartoons Finding Nemo 2016 The Game Gal • www.thegamegal.com © Anna Elsa Copyright Frozen Frozen Megara Sadness Hercules Inside Out Joy Disgust Inside Out Inside Out 2016 The Game Gal • www.thegamegal.com © Riley Lady Copyright Inside Out Lady and the Tramp Darling Lilo Lady and the Tramp Lilo and Stitch Doris Boo Meet the Robinsons Monsters, Inc. 2016 The Game Gal • www.thegamegal.com © Celia Roz Copyright Monsters, Inc. Monsters, Inc. Mulan The Matchmaker Mulan Mulan Jenny Foxworth Georgette Oliver & Company Oliver & Company 2016 The Game Gal • www.thegamegal.com © Tinker Bell Wendy Darling Copyright Peter Pan Peter Pan Tiger Lily The Blue Fairy Peter Pan Pinocchio Grandmother Pocahontas Willow Pocahontas Pocahontas 2016 The Game Gal • www.thegamegal.com © Maid Marian Lady Kluck Copyright Robin Hood Robin Hood Princess Aurora/ Maleficent Briar Rose Sleeping Beauty Sleeping Beauty Snow White Evil Queen Snow White and the Seven Dwarfs Snow White and the Seven Dwarfs 2016 The Game Gal • www.thegamegal.com © Rapunzel Mother Gothel Copyright Tangled Tangled Jane Kala Tarzan Tarzan Duchess Marie The Aristocats The Aristocats 2016 The Game Gal • www.thegamegal.com © Yzma Big Mama Copyright The Emperor’s New Groove The Fox and the Hound Olivia Flaversham Violet The Great Mouse Detective The Incredibles Elastigirl/Helen Edna Parr The Incredibles The Incredibles 2016 The Game Gal • www.thegamegal.com © Nala Sarabi Copyright The Lion King The Lion King Ariel Ursula The Little Mermaid The Little Mermaid Tiana Miss Bianca The Princess and the Frog The Rescuers 2016 The Game Gal • www.thegamegal.com © Madame Medusa Penny Copyright The Rescuers The Rescuers Joanna the Marahute Goanna The Rescuers Down Under The Rescuers Down Under Mad Madam Mim Andy’s mom The Sword in the Stone Toy Story 2016 The Game Gal • www.thegamegal.com © Bo Peep Jessie Copyright Toy Story Toy Story 2 Mrs. Potato Head Barbie Toy Story 2 Toy Story 3 Bonnie Captain Amelia Toy Story 3 Treasure Planet 2016 The Game Gal • www.thegamegal.com © Ellie Kevin Copyright Up Up EVE Kanga WALL-E Winnie the Pooh Vanellope von Sergeant Calhoun Schweetz Wreck-it Ralph Wreck-it Ralph 2016 The Game Gal • www.thegamegal.com © Copyright .

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Digital Surrealism: Visualizing Walt Disney Animation Studios
City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2017 Digital Surrealism: Visualizing Walt Disney Animation Studios Kevin L. Ferguson CUNY Queens College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/205 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Digital Surrealism: Visualizing Walt Disney Animation Studios Abstract There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. Instead, cinema and media studies should pursue a mostly-ignored “digital-surrealism” that uses computer-based methods to transform film texts in radical ways not previously possible. This article describes one such method using the z-projection function of the scientific image analysis software ImageJ to sum film frames in order to create new composite images. Working with the fifty-four feature-length films from Walt Disney Animation Studios, I describe how this method allows for a unique understanding of a film corpus not otherwise available to cinema and media studies scholars. “Technique is the very being of all creation” — Roland Barthes “We dig up diamonds by the score, a thousand rubies, sometimes more, but we don't know what we dig them for” — The Seven Dwarfs There are quite a number of fruitful digital humanities approaches to cinema and media studies, which vary widely from aesthetic techniques of visualizing color and form in shots to data-driven metrics approaches analyzing editing patterns.
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Cars Tangled Finding Nemo Wreck It Ralph Peter Pan Frozen Toy Story Monsters Inc. Snow White Alice in Wonderland the Little Merm
FRIDAY, APRIL 3RD – DISNEY DAY… AT HOME! Activity 1: • Disney Pictionary: o Put Disney movies and character names onto little pieces of paper and fold them in half o Put all of the pieces of paper into a bowl o Then draw it for their team to guess Can add a charade element to it rather than drawing if that is preferred o If there are enough people playing, you can make teams • Here are some ideas, you can print these off and cut them out or create your own list! Cars Tangled Finding Nemo Wreck It Ralph Peter Pan Frozen Toy Story Monsters Inc. Snow White Alice in Wonderland The Little Mermaid Up Brave Robin Hood Aladdin Cinderella Sleeping Beauty The Emperor’s New Groove The Jungle Book The Lion King Beauty and the Beast The Princess and the Frog 101 Dalmatians Lady and the Tramp A Bug’s Life The Fox and the Hound Mulan Tarzan The Sword and the Stone The Incredibles The Rescuers Bambi Fantasia Dumbo Pinocchio Lilo and Stitch Chicken Little Bolt Pocahontas The Hunchback of Notre Wall-E Hercules Dame Mickey Mouse Minnie Mouse Goofy Donald Duck Sully Captain Hook Ariel Ursula Maleficent FRIDAY, APRIL 3RD – DISNEY DAY… AT HOME! The Genie Simba Belle Buzz Lightyear Woody Mike Wasowski Cruella De Ville Olaf Anna Princess Jasmine Lightning McQueen Elsa Activity 2: • Disney Who Am I: o Have each family member write the name of a Disney character on a sticky note. Don’t let others see what you have written down. o Take your sticky note and put it on another family members back.
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To Infinity and Back Again: Hand-Drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation
To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation Haswell, H. (2015). To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation. Alphaville: Journal of Film and Screen Media, 8, [2]. http://www.alphavillejournal.com/Issue8/HTML/ArticleHaswell.html Published in: Alphaville: Journal of Film and Screen Media Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2015 The Authors. This is an open access article published under a Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits distribution and reproduction for non-commercial purposes, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:28. Sep. 2021 1 To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar’s Pioneering Animation Helen Haswell, Queen’s University Belfast Abstract: In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation.
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Amazing Animated ANIMALS Celebrate Disney’S Legacy of Memorable Animated Animal Characters, Including the King of Them All, the LION KING
Amazing Animated ANIMALS Celebrate Disney’s legacy of memorable animated animal characters, including the King of them all, THE LION KING. 1937 1950 1967 SNOW WHITE CINDERELLA THE JUNGLE BOOK AND THE SEVEN DWARFS Gus, Jaq and Lucifer Bagheera, King Louie, Snow White’s Forest Friends Kaa and Baloo and the Queen’s Raven 1951 ALICE IN WONDERLAND 1970 1940 Cheshire Cat, THE ARISTOCATS PINOCCHIO The White Rabbit Thomas O’Malley, Jiminy Cricket, and many more Duchess, Berlioz, Cleo and Figaro Toulouse and Marie. 1953 1940 PETER PAN 1973 FANTASIA Nana ROBIN HOOD Hyacinth Hippo, Ben Ali Gator, Robin, Maid Marian and friends Madame Upanova and many more 1955 LADY AND THE TRAMP 1977 1941 Lady, Tramp, all their dog friends THE RESCUERS DUMBO and Si & Am Bianca and Bernard Dumbo and Timothy Mouse 1959 1981 SLEEPING BEAUTY THE FOX AND 1942 Samson and Diablo THE HOUND BAMBI Tod and Copper Bambi, Thumper and 1961 the forest animals 101 DALMATIANS 1986 Pongo, Perdita THE GREAT MOUSE DETECTIVE 1949 and the pups Basil, Dr. Dawson and friends THE ADVENTURES OF ICHABOD AND MR. TOAD 1963 1988 J. Thaddeus Toad, Rat, Mole and THE SWORD IN THE STONE OLIVER & COMPANY Angus MacBadger Archimedes Oliver and the gang 1989 2003 2013 THE LITTLE BROTHER BEAR FROZEN MERMAID Kenai, Koda, Swen Flounder, Sebastian Rutt and Tuke and friends 2015 2004 THE GOOD DINOSAUR 1991 HOME ON THE RANGE Arlo and his dinosaur BEAUTY AND Maggie, Mrs. Caloway, Grace family and friends THE BEAST and their barnyard friends Philippe 2016 2005 ZOOTOPIA 1992 CHICKEN LITTLE Judy Hopps, ALADDIN
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Tobacco and Alcohol Use in G-Rated Children's Animated Films
MEDICINE AND THE MEDIA Tobacco and Alcohol Use in G-Rated Children’s Animated Films Adam O. Goldstein, MD Context Tobacco and alcohol use among youth are major public health problems, Rachel A. Sobel but the extent to which children are routinely exposed to tobacco and alcohol prod- ucts in children’s films is unknown. Glen R. Newman, PT Objective To identify the prevalence and characteristics associated with tobacco and LTHOUGH TOBACCO USE AMONG alcohol use portrayed in G-rated, animated feature films. US adults continues to de- Design All G-rated, animated feature films released between 1937 and 1997 by 5 cline, youth tobacco use is on major production companies (Walt Disney Co, MGM/United Artists, Warner Brothers the rise.1 Research demon- Studios, Universal Studios, and 20th Century Fox) that were available on videotape Astrating causal relationships between to- were reviewed for episodes of tobacco and alcohol use. bacco advertising and youth tobacco con- Main Outcome Measures Presence of tobacco and alcohol use in each film, type sumption has increased criticism of of tobacco or alcohol used, duration of use, type of character using substance (bad, tobacco advertising campaigns like those neutral, or good), and any associated effects. based on the popular cigarette symbols Results Of 50 films reviewed, 34 (68%) displayed at least 1 episode of tobacco or of the Marlboro Man and the cartoon alcohol use. Twenty-eight (56%) portrayed 1 or more incidences of tobacco use, in- character Joe Camel.2-4 Recent pres- cluding all 7 films released in 1996 and 1997. Twenty-five films (50%) included al- sures on tobacco companies to settle all cohol use.
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Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature: _____________________________ ______________ David S. Braught Date In Light of Luxo: Masculinity, Fatherhood, and the Hardest Bodies in Pixar By David S. Braught Master of Arts Film Studies _________________________________________ Matthew Bernstein Advisor _________________________________________ Michele Schreiber Committee Member _________________________________________ Eddy Von Mueller Committee Member Accepted: _________________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date In Light of Luxo: Masculinity, Fatherhood, and the Hardest Bodies in Pixar By David S. Braught M.A., Emory University, 2010 B.A., Emory University, 2008 Advisor: Matthew Bernstein, PhD An abstract of A thesis submitted to the Faculty of the James T. Laney School of Graduate Studies of Emory University in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies 2010 Abstract In Light of Luxo: Masculinity, Fatherhood, and the Hardest Bodies in Pixar By David S.
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Aristocats Study-Com
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