The Plunder of Natural Resources in Occupied Territories of Azerbaijan
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About the Artistic and Performing Features of Violin Works Gara Garayev About the Artistic and Performing Features of Violin Works of Gara Garayev
CEYLA GANİOĞLU CEYLA ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV OF VIOLIN WORKS GARA AND PERFORMING FEATURES ARTISTIC THE ABOUT ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV Art Proficiency Thesis by CEYLA GANİOĞLU Department of Bilkent University 2019 Music İhsan Doğramacı Bilkent University Ankara May 2019 ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV The Graduate School of Economics and Social Sciences of İhsan Doğramacı Bilkent University by CEYLA GANİOĞLU In Partial Fulfillment of the Requirements for the Degree of ART PROFICIENCY IN MUSIC THE DEPARTMENT OF MUSIC İHSAN DOĞRAMACI BİLKENT UNIVERSITY ANKARA May 2019 ABSTRACT ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV Ganioğlu, Ceyla Proficiency in Music, Department of Music Supervisor: Prof. Gürer Aykal May 2019 Garayev’s unique talents of music opened a new page in Azerbaijan’s music of 20th century. He adapted an untypical way of making music in which he was able to combine the traditional and the modern type. There are several substances that were brought in music of Azerbaijan by Garayev such as new themes, new images, and new means of composing. He achieved success not only in the areas of the national ballet, choral, and chamber music but also panned out well considering sonata for violin and piano and the violin concerto. These works represents main aspects and characteristics of Garayev’s music like implementation of national traditions while applying new methods of the 20th century, specifically neo-classicism and serial technique. In both sonata for violin and piano and the violin concerto, he reflects a perspective of synthesis of the two musical systems that are the Eastern and the Western. -
Azerbaijan English
AZERBAIJAN AM005-X 1 EBRD BOARD of GOVERNORS’ 30th Annual Meeting July 1, 2021 Written Statement by Mr. Mikayil Jabbarov, Minister of Economy, EBRD Governor for the Republic of Azerbaijan Your Excellency Mr. Chairman, Honourable Ms. President, Fellow Governors, Distinguished Guests, Ladies and Gentlemen, I would like to sincerely thank the European Bank for Reconstruction and Development (EBRD) for the organization of the virtual 30th Annual Meeting of the Board of Governors of the Bank. Let me take this opportunity to congratulate the EBRD on its 30th anniversary and call your attention to another anniversary, later this year. Republic of Azerbaijan marks 30 years since the country gained its independence after collapse of the Soviet Union. Our success in transition towards a market economy is also the EBRD’s success as we have strong and lasting partnership over 29 years. The EBRD has so far invested 3.1 billion EUR through 177 projects in the country. The value of the current portfolio of projects supported by the EBRD in Azerbaijan is more than 1.15 billion EUR. In Azerbaijan, the EBRD helps small and medium-sized businesses grow and succeed through its network of experts. It provides business advice to local small and medium-sized enterprises and has helped more than 1,000 firms to improve their performance and growth. Furthermore, we are currently exploring the prospects of cooperation for the development of trade, SMEs and SOEs. We believe that the Memorandum of Understanding on cooperation between Entrepreneurship Development Fund under the Ministry of Economy and EBRD soon to be signed attests to our mutual intent and commitment towards reinforcing our collaboration. -
The Azerbaijani-Armenian Escalation and Its Ramifications for the Middle East
Position Paper The Azerbaijani-Armenian Escalation and Its Ramifications for the Middle East 05 Oct. 2020 Mohammad Al-Sayyad A researcher of ideological studies at Rasanah Contents Introduction ........................................................ 3 I-The Roots of the Conflict ................................. 4 II-Indicators and Reasons Behind the Latest Eruption of Fighting .......................................... 6 III-The Current Situation on the Ground ............ 9 IV.Regional and International Positions on the Renewed Dispute ............................................. 11 V.The Dangers and the Ramifications of the Conflict at the Regional and International Levels ............................................................... 21 VI.Future Scenarios ......................................... 23 Introduction The Azerbaijani-Armenian crisis witnessed a new escala- tion. Since 1990, it has raged on to varying degrees. On the morning of Saturday, September 27, 2020, Azerbaijan and Armenia announced the resumption of fighting. The two sides blamed one another for triggering the fresh round of fighting. Armenian Prime Minister Nikol Pashinyan announced that Azerbaijan had launched a mis- sile and ground attack on the Nagorno-Karabakh region, an Armenian-majority region which declared its indepen- dence from Azerbaijan in 1992. Meanwhile, the Azerbaija- ni president asserted that Armenia had mounted an attack on Azerbaijani regions located along the line of contact be- tween the two countries, which was demarcated after the end of the major war between the two countries in 1994 that left more than 30,000 people dead and led Armenia to occupy almost 20 percent of Azerbaijani territories. This report intends to offer a realistic portrayal of the scope of the Azerbaijani-Armenian conflict, evaluating the extent of its impact on the Middle East and the conflicts raging therein, and the potential opportunities it offers and challenges it poses to the region’s countries. -
History of Azerbaijan (Textbook)
DILGAM ISMAILOV HISTORY OF AZERBAIJAN (TEXTBOOK) Azerbaijan Architecture and Construction University Methodological Council of the meeting dated July 7, 2017, was published at the direction of № 6 BAKU - 2017 Dilgam Yunis Ismailov. History of Azerbaijan, AzMİU NPM, Baku, 2017, p.p.352 Referents: Anar Jamal Iskenderov Konul Ramiq Aliyeva All rights reserved. No part of this book may be reproduced or transmitted in any form by any means. Electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without permission in writing from the copyright owner. In Azerbaijan University of Architecture and Construction, the book “History of Azerbaijan” is written on the basis of a syllabus covering all topics of the subject. Author paid special attention to the current events when analyzing the different periods of Azerbaijan. This book can be used by other high schools that also teach “History of Azerbaijan” in English to bachelor students, master students, teachers, as well as to the independent learners of our country’s history. 2 © Dilgam Ismailov, 2017 TABLE OF CONTENTS Foreword…………………………………….……… 9 I Theme. Introduction to the history of Azerbaijan 10 II Theme: The Primitive Society in Azerbaijan…. 18 1.The Initial Residential Dwellings……….............… 18 2.The Stone Age in Azerbaijan……………………… 19 3.The Copper, Bronze and Iron Ages in Azerbaijan… 23 4.The Collapse of the Primitive Communal System in Azerbaijan………………………………………….... 28 III Theme: The Ancient and Early States in Azer- baijan. The Atropatena and Albanian Kingdoms.. 30 1.The First Tribal Alliances and Initial Public Institutions in Azerbaijan……………………………. 30 2.The Kingdom of Manna…………………………… 34 3.The Atropatena and Albanian Kingdoms…………. -
Baku, the Philharmonic and Shostakovich
D O C U M E N T A R Y I I I Baku, The Philharmonic and Shostakovich Aida Huseynova On January 27, 2004 a quite special event took place in Baku, A z e r b a i j a n ’s capital: the Azerbaijan State Philharmonic Hall opened after seven years of complete renovation. A splendid ceremony was held in the presence of Ilham A l i y e v, President of the Azerbaijan Republic and other dignitaries. A z e r b a i j a n ’s State Symphonic Orchestra conducted by Rauf Abdullayev also performed works by local composers - big names of the twentieth century in fact - namely which Azerbaijan passed during the common words heard at school at the Uzeyir Hajibeyov, Kara Karaev and past century: N i k o l a y e v s k a y a ( i n end of each day. Baku Philharmonic Fikrat A m i r o v. honour of the last Russian Ts a r, Nicolas had a reputation as one of the best II), Kommunisticheskaya (each city or concert halls in the Soviet Union. The Then came a solo performance by even a small village in the Soviet Union beauty of its architectural design and Mstislav (‘Slava’) Rostropovich of had a street named corresponding to the i n t e r i o r, the perfect acoustics, the B a c h ’s S a r a b a n d e from the Suite No. ruling party) and now I s t i g l a l i y y a t intellect and Eastern warmth of the 3 followed by the premiere of a piece (‘Independence’, in Azerbaijani). -
National Minorities in South Caucasus
Dr. Ahmad Shahidov Azerbaijan Institute for Democracy and Human Rights (AIDHR) www.aidhr.org [email protected] +99450 372 87 30 NATIONAL MINORITIES IN SOUTH CAUCASUS Today, Azerbaijan is distinguished with ethnic diversity. Besides Azerbaijani Turks, Mountain Jews, Tats, Talysh, Kurds, Molokans, Ingiloys, Tsakhurs, Avars, Lezgins, Khynalygs, Buduqlus, Grysz and other ethnic groups live in its territory. Although the representatives of ethnic groups consider themselves as Azerbaijanis but each group has retained distinctive elements of their different culture. This culture is reflected in domestic life, crafts, in kitchen and various ceremonies. Despite the difficulties being experienced by Azerbaijan, due to the unresolved armed conflict that continues more than a decade with neighboring Armenia, which occupies 20 percent of the Azerbaijani territory and the presence of about one million refugees and forcibly displaced persons - victims of ethnic cleansing organized by the Armenian armed forces and terrorist groups, among whom in addition to Azerbaijanis there are persons belonging to various minorities (Kurds, Russians, Jews and others), as well as problems connected with transitional period, the Government of Azerbaijan continues to pursue a consistent policy towards protection of minorities rights. 1 National minorities constitute 9.4 % of the population of the Republic of Azerbaijan. Here is a structural composition of population, languages and places of compact living of persons belonging to national minorities of the Republic of Azerbaijan: Lezgins - 178 thousand, compactly live in the Northern regions of Azerbaijan. Language of communication is Lezgins, relating to the Daghestan branch of the Caucasian languages, as well as Azerbaijani and Russian languages. Russians - 141,7 thousand, compactly live in the industrial cities, as well as a number of rural regions. -
Western Xenophobia Demonstrated in Karabakh
Western xenophobia demonstrated in Karabakh The case of Karabakh has clearly demonstrated double standards of the Western civilization. Despite the conventional reasoning about the values of multiculturalism, the West sends the world an unambiguous message: Muslim sacred sites and cultural monuments can be destroyed, Christian ones – in no case! In May 1988 more than 90% of the 14,000 population of the city of Shusha [1] were Azerbaijanis. The city had 184 registered architectural monuments [2]. On May 8-9, 1992, Armenian militias captured the city of Shusha. Hovik Vardumyan, who fought on the Armenian side has published in 2012 a book dedicated to the occupation of Shusha [3]. He used the memoirs of other participants in the hostilities from the Armenian side and documents of the Armenian militias’ commanders. The tale of the events of May 8-9th, 1992 by Vardumyan includes the description of especially massive shelling of the city’s 18th century fortress and battles, which were fought in the area of the mosque [4]. On May 11th, 1992, the interim president of Azerbaijan, Yagub Mammadov, sent a missive to Russian President Boris Yeltsin. It said that “the city of Shusha is practically destroyed” [5]. In the same month, the Minister of Culture of Azerbaijan, Polad Bulbuloglu, sent messages to UNESCO Director Frederic Mayor, to the Secretary General of the International Council of Museums Elisabeth de Port, as well as to the Ministers of Culture of European countries [6]. The message contained a request to protect cultural and historical monuments of Shusha. The Azerbaijani minister indicated the following: “In this once beautiful city – resort, rich in monuments of ancient architecture and art, museums of the history of the city and Karabakh, memorial museums of the founders of Azerbaijani professional music and vocal art Uzeyir Hajibeyov and Bul-Bul, a branch of the State Carpet Museum, Shusha art gallery were created. -
The Nagorno-Karabakh Settlement Revisited: Is Peace Achievable?
The Nagorno-Karabakh Settlement Revisited: Is Peace Achievable? LEVON ZOURABIAN Abstract: The twelve years of negotiations on the settlement of the Nagorno- Karabakh conflict, since the May 12, 1994, cease-fire, have failed to produce any tangible results. The key issues of contention pertain not only to the final status of Nagorno-Karabakh, but also to the methodology used to settle the conflict and the format of the negotiations. Whether Nagorno-Karabakh should directly par- ticipate in the negotiations, and if there should be a package or step-by-step solu- tion to the conflict, is crucial. Those issues have also become a matter of bitter political argument within Armenia and Azerbaijan, which impedes constructive dialogue. Currently, there is a lack of legitimacy and political will in both the Armenian and Azerbaijani leadership to solve the conflict, while Nagorno- Karabakh has been effectively left out of the negotiations. However, this should not dissuade international organizations from seeking a concrete solution, based on modern trends in international legal practices. Key words: Minsk Group, Nagorno-Karabakh, OSCE he Nagorno-Karabakh conflict, which mars relations between Armenia and TAzerbaijan and impedes the political stability and economic development of the South Caucasus, has a long history and deep roots. Its main political cause lies in the contradiction between the aspirations for national self-determination of the predominantly Armenian-populated enclave and Azerbaijan’s claim of ter- ritorial integrity to its Soviet-defined boundaries. Although the Bolsheviks grant- ed sovereignty over the overwhelmingly Armenian-populated oblast of Nagorno- Karabakh to Azerbaijan in 1921, the people of Nagorno-Karabakh have since questioned this decision. -
The Land of Fire - Azerbaijan
Beat: Travel THE LAND OF FIRE - AZERBAIJAN AZERBAIJAN Baku, 14.02.2016, 20:08 Time USPA NEWS - Today, we would like to talk about a miraculous country of Azerbaijan with its unlimited natural resources, centuries- old culture, history and ancient people, whose lifestyle presents a unique and harmonious combination of the traditions and ceremonies of different cultures and civilizations. Azerbaijan is a geographical name. On the one hand this name is linked with the population, which lived in this region for thousand of years before our era, and who were mostly fire-worshippers. Local population considered that fire was their God and so they worshipped the fire. "Azer" means fire. The Turkic name "Azer" was used for this territory for a long time. The word "Azer" consists of two parts - "az" and "er". In Turkic languages, "az" means a good intention and a fate of success. Thus, the word "Azer" means "a brave man", "a brave boy", "the fire keeper". The word "Azerbaijan" originates from the name of an ancient Turkish tribe, who resided in those territories. Azerbaijan is one of the most ancient sites of humankind. The humankind was present here at every stage of their historical development. There were living settlements in Azerbaijan even at the earliest stages of humankind. Azerbaijan made its own contribution into the establishment of the current culture and civilization, progress and dialectics. The time kept a range of ancient archeological and architectural monuments for us. The ancient headstones, manuscripts and models of carpets, preserved to the present times from the ancient ages, can provide much information to those who can and want to read them. -
Azerbaijan's Journey Through Jazz
Art 40 www.irs-az.com 43, SPRING 2020 Ian PEART Saadat IBRAHIMOVA Azerbaijan’s journey through jazz - Another Sarabski Milestone - www.irs-az.com 41 Art Outstanding Azerbaijani composer Uzeyir Hajibeyov istory, geography and character have Azerbaijani was finally persuaded to take on the role of Leyli. As for people ideally placed to enrich their own cul- Majnun, the role proved to be the springboard for the Hture with the best of the many others that pass long and distinguished career of Huseyngulu Sarabski. this way. Cultural exchange was a feature of the ancient An operatic tenor, Sarabski was equally proficient at Silk Road and is likely to continue as the current Belt and singing mugham and in 1926 was a soloist with the Road Initiative progresses. This has been no one-way Eastern Orchestra entrancing Moscow audiences with process; spot the carpets from this region that found traditional songs and music1. Remember that family their way into Renaissance paintings. And over the last name, its reappearance 83 years later forms the second hundred years or so, Azerbaijan has made remarkable part of this story. contributions to cross-cultural exchanges of music. As if Uzeyir bey did not do enough in introducing Musical pioneer opera, promoting local culture and women’s eman- On 12 January 1908, an opera was staged in a Baku cipation among other more liberal social values in his theatre. Composed by the 22-year-old Uzeyir Hajibeyov, theatrical works, he was also instrumental in the found- it was the first opera in the Muslim East; the first to fea- ing of the Azerbaijan State Conservatoire in 1920 (since ture traditional Azerbaijani folk instruments alongside 1991 the Baku Academy of Music). -
Libretto - Leyli and Majnun Mugham Opera in Five Acts (1908) by Uzeyir Hajibeyov and Jeyhun Hajibeyli
Libretto - Leyli and Majnun Mugham Opera in Five Acts (1908) by Uzeyir Hajibeyov and Jeyhun Hajibeyli From HAJIBEYOV.com, a website celebrating the legacy of Uzeyir Hajibeyov © 2002 Azerbaijan International Translation (Azeri to English): Gulnar Aydamirova Editing: Jala Garibova, Jean Patterson, Betty Blair Webmaster: Arzu Aghayeva Characters: Geys (Majnun)—Lyrical Tenor Leyli—Lyrical Soprano Geys’ father—Tenor Geys’ mother—Mezzo-soprano Ibn Salam—Tenor Nofal—Baritone Zeyd—Tenor First Arab—Tenor Second Arab—Tenor Matchmakers, messengers, guests, schoolboys and girls Prologue Chorus: My soul burns from separation; I cry bloody tears. The people are awakened by my moaning. Will my bad luck reverse itself? Bloody tears pour from my eyes Because I want to see your beautiful face. Darling, it’s spring, the season of flowers, Won’t the floating waters blur? 1 Act 1 The curtain goes up. At a meadow near the school, Majnun is waiting for Leyli to arrive. (Based on the mugham Mahur-Hindi) Majnun: My soul is burning because of separation, I want to join with my beloved’s soul. I’m miserable because I’m alone, I want the remedy of seeing my beloved. I’m a nightingale that moans, and my moaning is not for nothing. I’m in a cage lamenting, I want a flower garden. Leyli: I’ve been groaning since love overtook me. What kind of trouble is this that has overtaken me? I don’t have the power to explain to anybody the sorrow of my heart. I’ve become sick because of separation. (Based on the mugham Shikasteyi-Fars. -
Statesmen and Public-Political Figures
Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I A L L I B R A R Y CONTENTS STATESMEN, PUBLIC AND POLITICAL FIGURES ........................................................... 4 ALIYEV HEYDAR ..................................................................................................................... 4 ALIYEV ILHAM ........................................................................................................................ 6 MEHRIBAN ALIYEVA ............................................................................................................. 8 ALIYEV AZIZ ............................................................................................................................ 9 AKHUNDOV VALI ................................................................................................................. 10 ELCHIBEY ABULFAZ ............................................................................................................ 11 HUSEINGULU KHAN KADJAR ............................................................................................ 12 IBRAHIM-KHALIL KHAN ..................................................................................................... 13 KHOYSKI FATALI KHAN ..................................................................................................... 14 KHIABANI MOHAMMAD ..................................................................................................... 15 MEHDİYEV RAMİZ ...............................................................................................................