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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Dc Comics: Wonder Woman: Wisdom Through the Ages Pdf, Epub, Ebook
DC COMICS: WONDER WOMAN: WISDOM THROUGH THE AGES PDF, EPUB, EBOOK Mike Avila | 192 pages | 29 Sep 2020 | Insight Editions | 9781683834779 | English | San Rafael, United States DC Comics: Wonder Woman: Wisdom Through the Ages PDF Book Instead, she receives the ability to transform into the catlike Cheetah, gaining superhuman strength and speed; the ritual partially backfires, and her human form becomes frail and weak. Diana of Themyscira Arrowverse Batwoman. Since her creation, Diana of Themyscira has made a name for herself as one of the most powerful superheroes in comic book existence. A must-have for Wonder Woman fans everywhere! Through close collaboration with Jason Fabok, we have created the ultimate Wonder Woman statue in her dynamic pose. The two share a degree of mutual respect, occasionally fighting together against a common enemy, though ultimately Barbara still harbors jealousy. Delivery: 23rdth Jan. Published 26 November Maria Mendoza Earth Just Imagine. Wonder Girl Earth She returned to her classic look with help from feminist icon Gloria Steinem, who put Wonder Woman — dressed in her iconic red, white, and blue ensemble — on the cover of the first full-length issue of Ms. Priscilla eventually retires from her Cheetah lifestyle and dies of an unspecified illness, with her niece Deborah briefly taking over the alter ego. In fact, it was great to see some of the powers realized in live-action when the Princess of Themyscira made her big screen debut in the Patty Jenkins directed, Wonder Woman. Submit Review. Although she was raised entirely by women on the island of Themyscira , she was sent as an ambassador to the Man's World, spreading their idealistic message of strength and love. -
Wonder Woman Daughter of Destiny
WONDER WOMAN: DAUGHTER OF DESTINY Story by Jean Paul Fola Nicole, Christopher Johnson and Edmund Birkin Screenplay By Jean Paul Nicole, and Andrew Birkin NUMBERED SCRIPT 1st FIRST DRAFT 1/3/12 I279731 Based On DC Characters WARNER BROS. PICTURES INC. 4000 Warner Boulevard Burbank, California 91522 © 2012 WARNER BROS. ENT. All Rights Reserved ii. Dream Cast Lol. Never gonna happen. Might as well go all in since I'm "straight" black male nerd living in a complete fantasy world writing about Wonder Woman. My cast Diana Wonder Woman - Naomi Scott Ares - Daniel Craig Dr. Poison - Saïd Taghmaoui Clio - Dakota Fanning Mala - Riki Lindhome IO - Regina King Laurie Trevor - Beanie Feldstein Etta Candy - Zosia Mammet Hippolyta - Rebecca Hall Hera - Juliet Binoche Steve Trevor - Rafael Casal Gideon - James Badge Dale Antiope (In screenplay referred to as Artemis) - Nicole Beharie or Jodie Comer Dr. Gogan - Riz Ahmed Alkyone - Jennifer Carpenter or Jodie Comer or Nicole Beharie W O N D E R W O M A N - D A U G H T E R O F D E S T I N Y Out of AN OCEAN OF BLOOD RED a shape emerges. An EAGLE SYMBOL. BECOMING INTENSELY GOLDEN UNTIL ENGULFING THE SCREEN IN LIGHT. CROSS FADE: The beautiful FACE OF A WOMAN with fierce pride (30s). INTO FRAME She is chained by the neck and wrists in a filthy prison cell. DAYLIGHT seeps through prison bars. O.S. Battle gongs echo. Hearing gongs faint echo, her EYES WIDEN. PRISONER They've come for me. This is Queen Hippolyta queen of the Amazons and mother to the Wonder Woman. -
SUPERGIRLS and WONDER WOMEN: FEMALE REPRESENTATION in WARTIME COMIC BOOKS By
SUPERGIRLS AND WONDER WOMEN: FEMALE REPRESENTATION IN WARTIME COMIC BOOKS by Skyler E. Marker A Master's paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science. Chapel Hill, North Carolina May, 2017 Approved by: ________________________ Rebecca Vargha Skyler E. Marker. Supergirls and Wonder Women: Female Representation in Wartime Comics. A Master's paper for the M.S. in L.S. degree. May, 2017. 70 pages. Advisor: Rebecca Vargha This paper analyzes the representation of women in wartime era comics during World War Two (1941-1945) and Operation Iraqi Freedom (2001-2010). The questions addressed are: In what ways are women represented in WWII era comic books? What ways are they represented in Post 9/11 comic books? How are the representations similar or different? In what ways did the outside war environment influence the depiction of women in these comic books? In what ways did the comic books influence the women in the war outside the comic pages? This research will closely examine two vital periods in the publications of comic books. The World War II era includes the genesis and development to the first war-themed comics. In addition many classic comic characters were introduced during this time period. In the post-9/11 and Operation Iraqi Freedom time period war-themed comics reemerged as the dominant format of comics. Headings: women in popular culture-- United States-- History-- 20th Century Superhero comic books, strips, etc.-- History and criticism World War, 1939-1945-- Women-- United States Iraq war (2003-2011)-- Women-- United States 1 I. -
Ebook Download Batman: Last Knight on Earth
BATMAN: LAST KNIGHT ON EARTH PDF, EPUB, EBOOK Scott Snyder | 200 pages | 07 Apr 2020 | DC Comics | 9781401294960 | English | United States Batman: Last Knight on Earth PDF Book And I must say, I can't help but 3 parts to this book. Wonder Woman, Duke Thomas, Barbara Gordon and her daughter round out the rest of the team of surviving heroes. And it was hilarious to see the Joker use armour invented by Tim Drake as a new body and become a new Robin. He's wearing a Batman-like costume. About the Author. Within the comic book industry, such partnerships have come and gone throughout time, leaving behind countless monumental tales for others to remember them by. It felt weird for the first half if this I wasn't sure where they were going with this. Given how he himself has always teetered on the brink of sanity, and how the entire premise of everything to do about Batman is honestly kind of crazy if you stop to think about it for a few seconds, this was an intriguing thought. Fortunately, the team learned how to collaborate and Snyder and Capullo even became close friends in the process. Your father Jack in The Shining. Capullo's art is certainly key in bringing this bleak, distorted vision of the DCU to life. Though the remaining heroes want to give up and simply do their best to protect the innocents who are left, the Caped Crusader vows to keep fighting. Is it bad? Jonathan Glapion inks the piece and makes the pencils even better. -
Dailylanguagereview4thgrade.Pdf
Introduction Comprehensive Language Arts Spiraled Review Do you wish you had a great spiral Language Arts Review / Bell Work / Warm Up Work / Homework resource? Need one that covers every 4th grade Language Arts objective, plus some 3rd grade objectives for review? I was always struggling to pull together resources for all my 4th grade needs, plus 3rd grade skills that needed review. I am pleased to publish this comprehensive Language Arts Review that does just that! This resource is a spiral review of all language arts objectives covered by 4th grade Common Core and TEKS (for Texas teachers). Also included are many 3rd grade objectives that need review. -36 Weeks, 5 Days Per Week! -Full-Sized 11” x 8-1/2” practice sheet for each day of the week! -Friday Quiz that includes questions covered during the week! -Use for Warm-Up, Bell Work, Homework or targeted practice! -Easily avoids loss of skills due to lack of practice! Introduction – Page 1 As Warm-Up Work One way to use this comprehensive resource is to use one sheet each day for warm-up or bell work. This should take students about five minutes. Then, review the completed questions with your students. This may take another 5-10 minutes – time very well spent, as you are spiraling through each objective many times throughout the year. On Thursday, students take their completed sheets home and study for the quiz on Friday. This is a great way to communicate to parents what is being studied at school! And parents will love you for the study guide! Friday Quiz Each question on the quiz is a repeat of a question from during the week. -
Activity Kit
Activity Kit Copyright (c) 2011 DC Comics. All related characters and elements are trademarks of and (c) DC Comics. (s11) ACTIvITy KIT wORD SCRAMBLE Help Batman solve a mystery by unscrambling the following words! Nermusap __ __ __ __ __ __ __ __ Barrzio __ __ __ __ __ __ __ Matbna __ __ __ __ __ __ Eth Kojre __ __ __ __ __ __ __ __ Redwon Waomn Wactnamo __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ Raincaib __ __ __ __ __ __ __ __ Neerg Nerltan Hheecat __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ Ssrtonie __ __ __ __ __ __ __ __ Eht Shafl __ __ __ __ __ __ __ __ Slirev Naws __ __ __ __ __ __ __ __ __ __ Quamnaa __ __ __ __ __ __ __ Hte Ylaid Neplta __ __ __ __ __ __ __ __ __ __ __ __ __ __ Slio Anle __ __ __ __ __ __ __ __ Msliporote __ __ __ __ __ __ __ __ __ __ Nibor __ __ __ __ __ Maghto Ycti __ __ __ __ __ __ __ __ __ __ Ptknory __ __ __ __ __ __ __ Zamona __ __ __ __ __ __ Vacbtae __ __ __ __ __ __ __ Repow grin __ __ __ __ __ __ __ __ __ Elx Ultroh __ __ __ __ __ __ __ __ __ Copyright (c) 2011 DC Comics. -
Thesis Are Retained by the Author And/Or Other Copyright Owners
Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. Walsh, M. (2018) Comic books & myths: the evolution of the mythological narratives in comic books for a contemporary myth. M.A. thesis, Canterbury Christ Church University. Contact: [email protected] Comic Books & Myths: The Evolution of the Mythological Narratives in Comic Books for a Contemporary Myth by Michael Joseph Walsh Canterbury Christ Church University Thesis submitted for the Degree of MA by Research 2018 CONTENTS Abstract .................................................................................................................................................. iii Acknowledgements ................................................................................................................................ iv The Image of Myth: .............................................................................................................................. -
Injustice League Committee
Queen’s National Model United Nations Conference Kingston, Ontario February 28th-March 2nd 2019 QUEEN’S NATIONAL MODEL UNITED NATIONS CONFERENCE Letter from the Director Hello delegates, My name is Brendan Nugara and I am the director for the Injustice League committee. This committee is inspired by the characters of DC comics, mainly the Assembly of Supervillains, commonly known as the Injustice League, but also as the Legion of Doom. I chose this committee due to my love for DC comics growing up and today, I’m definitely team DC over team Marvel. While this may be an unpopular opinion, I hope it doesn't sway your opinion of this committee. My goal for this committee is for you to enjoy it as much as I enjoyed creating it. If this is your first MUN experience, I hope this committee can inspire you to continue participating in MUN. If this isn’t your first rodeo, I hope for this to be a memorable experience that exceeds your expectations set by past conferences. All the best, Brendan Nugara 1 QUEEN’S NATIONAL MODEL UNITED NATIONS CONFERENCE Table of Contents Background Guide • Preface – 3 • The Justice League – 5 • The Injustice League – 5 • A message from Lex Luthor – 6 • Characters – 6 • Resources – 14 2 QUEEN’S NATIONAL MODEL UNITED NATIONS CONFERENCE Preface A breakdown of the Guide This guide consists of five parts. The first is this Preface, meant to give you an idea of the committee and what is expected from you as a delegate in this committee. Next, there is a brief summary of both the Justice League and the Injustice League, meant to give context to each group in regards to this committee. -
Released 11Th March 2020 BOOM!
Released 11th March 2020 BOOM! STUDIOS NOV191231 ALL MY FRIENDS ARE GHOSTS ORIGINAL GN NOV191296 B B FREE #3 (OF 12) CVR A JAN201369 GHOSTED IN LA #9 (OF 12) CVR A KEENAN JAN201370 GHOSTED IN LA #9 (OF 12) CVR B GRACE VAR JAN201350 GO GO POWER RANGERS #30 CVR A MAIN CARLINI JAN201351 GO GO POWER RANGERS #30 CVR B MERCADO VAR NOV191293 JIM HENSON POWER OF DARK CRYSTAL TP VOL 03 JAN201359 JIM HENSON STORYTELLER GHOSTS #1 (OF 4) CVR A WALSH JAN201360 JIM HENSON STORYTELLER GHOSTS #1 (OF 4) CVR B LASZLO JAN208166 JIM HENSON STORYTELLER GHOSTS #1 (OF 4) FOC VAR JAN208167 RED MOTHER #1 4TH PTG JAN208168 RED MOTHER #2 2ND PTG JAN201354 RONIN ISLAND #11 CVR A MILONOGIANNIS JAN201355 RONIN ISLAND #11 CVR B PREORDER YOUNG VAR DARK HORSE COMICS JAN200344 BLACKWOOD MOURNING AFTER #2 (OF 4) CVR A FISH JAN200345 BLACKWOOD MOURNING AFTER #2 (OF 4) CVR B MACLEAN JAN200375 CRIMINAL MACABRE THE BIG BLEED OUT #4 (OF 4) NOV190292 DISNEY ALICE IN WONDERLAND STORY O/T MOVIE IN COMICS HC JAN200385 DISNEY PIXAR INCREDIBLES 2 SLOW BURN #2 (OF 3) CVR A VINCI ( JAN200386 DISNEY PIXAR INCREDIBLES 2 SLOW BURN #2 (OF 3) CVR B KAWAII NOV190295 DISNEY PRINCESS FRIENDS FAMILY FANTASTIC TP JAN200360 ELFQUEST STARGAZERS HUNT #3 (OF 8) NOV190257 KABUKI OMNIBUS TP VOL 02 NOV190287 MACHINE GUN WIZARDS TP NOV190286 NO ONE LEFT TO FIGHT TP NOV190276 STARCRAFT TP VOL 03 SOLDIERS JAN200380 TALES FROM HARROW COUNTY DEATHS CHOIR #4 (OF 4) CVR A FRANQU JAN200381 TALES FROM HARROW COUNTY DEATHS CHOIR #4 (OF 4) CVR B CROOK DC COMICS JAN200613 AQUAMAN GIANT #3 JAN208157 BATMAN #89 2ND -
Asiatic Cheetah
Cheetah 1 Cheetah Cheetah[1] Temporal range: Late Pliocene to Recent Conservation status [2] Vulnerable (IUCN 3.1) Scientific classification Kingdom: Animalia Phylum: Chordata Class: Mammalia Order: Carnivora Family: Felidae Genus: Acinonyx Species: A. jubatus Binomial name Acinonyx jubatus (Schreber, 1775) Type species Acinonyx venator Brookes, 1828 (= Felis jubata, Schreber, 1775) by monotypy Subspecies See text. Cheetah 2 The range of the cheetah The cheetah (Acinonyx jubatus) is a large-sized feline (family Felidae) inhabiting most of Africa and parts of the Middle East. The cheetah is the only extant member of the genus Acinonyx, most notable for modifications in the species' paws. As such, it is the only felid with non-retractable claws and pads that, by their scope, disallow gripping (therefore cheetahs cannot climb vertical trees, although they are generally capable of reaching easily accessible branches). The cheetah, however, achieves by far the fastest land speed of any living animal—between 112 and 120 km/h (70 and 75 mph)[3] [4] in short bursts covering distances up to 500 m (1600 ft), and has the ability to accelerate from 0 to over 100 km/h (62 mph) in three seconds.[5] Etymology The word "cheetah" is derived from the Sanskrit word citrakāyaḥ, meaning "variegated", via the Hindi चीता cītā.[6] Genetics and classification The genus name, Acinonyx, means "no-move-claw" in Greek, while the species name, jubatus, means "maned" in Latin, a reference to the mane found in cheetah cubs. The cheetah has unusually low genetic variability. This is accompanied by a very low sperm count, motility, and deformed flagella.[7] Skin grafts between unrelated cheetahs illustrate the former point in that there is no rejection of the donor skin.