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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
SUPERGIRLS and WONDER WOMEN: FEMALE REPRESENTATION in WARTIME COMIC BOOKS By
SUPERGIRLS AND WONDER WOMEN: FEMALE REPRESENTATION IN WARTIME COMIC BOOKS by Skyler E. Marker A Master's paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science. Chapel Hill, North Carolina May, 2017 Approved by: ________________________ Rebecca Vargha Skyler E. Marker. Supergirls and Wonder Women: Female Representation in Wartime Comics. A Master's paper for the M.S. in L.S. degree. May, 2017. 70 pages. Advisor: Rebecca Vargha This paper analyzes the representation of women in wartime era comics during World War Two (1941-1945) and Operation Iraqi Freedom (2001-2010). The questions addressed are: In what ways are women represented in WWII era comic books? What ways are they represented in Post 9/11 comic books? How are the representations similar or different? In what ways did the outside war environment influence the depiction of women in these comic books? In what ways did the comic books influence the women in the war outside the comic pages? This research will closely examine two vital periods in the publications of comic books. The World War II era includes the genesis and development to the first war-themed comics. In addition many classic comic characters were introduced during this time period. In the post-9/11 and Operation Iraqi Freedom time period war-themed comics reemerged as the dominant format of comics. Headings: women in popular culture-- United States-- History-- 20th Century Superhero comic books, strips, etc.-- History and criticism World War, 1939-1945-- Women-- United States Iraq war (2003-2011)-- Women-- United States 1 I. -
Wonder Woman by Gail Simone Omnibus Pdf, Epub, Ebook
WONDER WOMAN BY GAIL SIMONE OMNIBUS PDF, EPUB, EBOOK Gail Simone | 816 pages | 03 Mar 2020 | DC Comics | 9781401292492 | English | United States Wonder Woman by Gail Simone Omnibus PDF Book Like how long and why was she with them. Laura rated it really liked it Apr 15, Amanda Conner and Jimmy Palmiotti. And Wonder Woman's life is changed forever when she faces a monster named Genocide who easily goes toe-to-toe with the Amazon Warrior and beats her! One particular attack could spell the end of the Department of Metahuman Affairs and end Wonder Woman's secret identity of Diana Prince. Simone was replaced on Wonder Woman by J. I also wondered who the outfit Diana was working for. Details if other :. Image Comics. Only registered users can write reviews. March 5, Hellsing Deluxe Volume 2 Kohta Hirano author Format: Hardcover. We are experiencing technical difficulties. Then the guy with no name conveniently pulled these two red gloves out that she and the other Conan type character put on. In , she became the writer for Batgirl. Other editions. Dynamite Entertainment. Gorfinkel Gail Simone. Nicole Shelby rated it it was amazing May 27, Batman: Whatever Happened to the Caped Crusader? Ship to an address. Sophie Rickard Auth Sonja The Red must weigh the awful costs, before the decision is no longer hers to make. To salvage her very existence, she must ally herself with the legendary Beowulf and another fearsome warrior from DC''s past while trapped on a world where her powers have betrayed her. Harley Quinn Vol. -
Regina José Galindo, Rosa Chávez, and Denise Phé-Funchal
GUATEMALAN FEMALE ARTIVISTS ENVISAGE VIOLENCE IN THE 21ST CENTURY: REGINA JOSÉ GALINDO, ROSA CHÁVEZ, AND DENISE PHÉ-FUNCHAL by Leslie Elizabeth Dávila BA in Spanish, University of California Los Angeles, 2007 MA in Spanish, California State University Long Beach, 2012 MA in Hispanic Languages and Literatures, University of Pittsburgh, 2015 Submitted to the Graduate Faculty of the Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Hispanic Languages and Literatures University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Leslie Elizabeth Dávila It was defended on April 5th, 2019 and approved by Thesis Director: Áurea María Sotomayor-Miletti, Professor, Hispanic Languages & Literatures Juan Duchesne Winter, Professor, Hispanic Languages & Literatures Elizabeth Monasterios, Professor, Hispanic Languages & Literatures Rita M. Palacios, Professor, Conestoga College David Tenorio, Assistant Professor, Hispanic Languages & Literatures Jennifer Waldron, Associate Professor, English Literature ii Copyright © by Leslie Elizabeth Dávila 2019 iii GUATEMALAN FEMALE ARTIVISTS ENVISAGE VIOLENCE IN THE 21ST CENTURY: REGINA JOSÉ GALINDO, ROSA CHÁVEZ, AND DENISE PHÉ-FUNCHAL Leslie Elizabeth Dávila, Ph.D. University of Pittsburgh, 2019 This dissertation is the first systematic critical study that examines the language of violence against women as is produced by machista discourse vis-à-vis the language expressed in the works of Regina José Galindo, Rosa Chávez and Denise Phé-Funchal. Following Mary Louise Pratt and Judith Butler’s speech act theories, I argue that Galindo, Chávez and Phé-Funchal redistribute the power that the discourse on violence attempts to have over women’s bodies and social existence in language. -
Fishers of Men
The University of Maine DigitalCommons@UMaine Honors College 5-2013 Fishers of Men Matthew Tieszen University of Maine - Main Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Fiction Commons, and the Poetry Commons Recommended Citation Tieszen, Matthew, "Fishers of Men" (2013). Honors College. 98. https://digitalcommons.library.umaine.edu/honors/98 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. FISHERS OF MEN Matthew A. Tieszen A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors. (English) The Honors College University of Maine May 2013 Advisory Committee: Richard Brucher, Associate Professor of English, Chair Edith Pratt Elwood, Adjunct Assistant Professor, Honors (Sociology) Jennifer Moxley, Professor of English Steven Evans, Associate Professor, English Dr. Margaret O. Killinger, Rezendes Preceptor for the Arts, Honors College © 2013 Matthew A. Tieszen All Rights Reserved Abstract In writing Fishers of Men, I have had several goals, the first of which is to explore what it means to be human through the experiences of super-humans and supernatural creatures. Secondly, I want to create a world that is recognizable and believable as Earth despite the influence of the supernatural. Finally, I want to represent the presence of the poetic in the everyday. Fishers of Men takes place in near-future New York City. Ravaged by a severe hurricane, much of the city is in ruins. -
Wonder Woman - the Revived Diana - Acts 19
Wonder Woman - The Revived Diana - Acts 19 Diana or Artemis goddesses of agriculture & fertility, etc. Acts 19:24 For a certain man named Demetrius, a silversmith, which made silver shrines for Diana, brought no small gain unto the craftsmen; Acts 19:27,28 So that not only this our craft is in danger to be set at nought; but also that the temple of the great goddess Diana should be despised, & her magnificence should be destroyed, whom all Asia & the world worshippeth. 28 And when they heard these sayings, they were full of wrath, and cried out, saying, Great is Diana of the Ephesians. Acts 19:34,35 But when they knew that he was a Jew, all with one voice about the space of two hours cried out, Great is Diana of the Ephesians. 35 And when the townclerk had appeased the people, he said, Ye men of Ephesus, what man is there that knoweth not how that the city of the Ephesians is a worshipper of the great goddess Diana, and of the image which fell down from Jupiter? Many mother goddesses in the religions of the world are worshipped. mother nature, mother earth, mother russia, etc. 1 John 2:23 Whosoever denieth the Son, the same hath not the Father: (but) he that acknowledgeth the Son hath the Father also. Easton's Revised Bible Dictionary - Diana So called by the Romans; called Artemis by the Greeks, the "great" goddess worshipped among heathen nations under various modifications. Her most noted temple was that at Ephesus. It was built outside the city walls, and was one of the seven wonders of the ancient world. -
“When I'm Bad, I'm Better”
DOI 10.6094/helden.heroes.heros./2020/01/04 Eleonora Sereni 31 “When I’m Bad, I’m Better” From Early Villainesses to Contemporary Antiheroines in Superhero Comics Despite their immensely popular appeal, villains Shades of heroism and villainy: of the superhero genre have been largely relegat- Comic book superheroes – villains – ed to the sidelines of academic discourse, while antiheroes superheroes have, so far, garnered most of the scholarly attention. Considering the essentially sexist nature of the genre (Brown, Modern Super- In superhero comics, heroic and non-heroic char- hero 37), it is then hardly surprising that female acter types are clearly distinguishable from each villains are the most neglected object of critical other in terms of appearance, role/mission, motiv- analysis, despite having an equally longstanding ations, and deeds, and the character types are comic book presence as their male counterparts. commonly grouped into three basic categories: Since at least the 1940s, comic books have been superheroes, villains, and antiheroes. populated by powerful evil women who are the Traditionally, superheroes are dedicated to a protagonists of their own stories. Ranging from self-sacrificing prosocial mission. They are gifted seductive femmes fatales to monstrous figures, with extraordinary powers or highly developed abil- their representation – at its height in the 1940s ities, expressed in their codenames and/or iconic and 1970s – was a symptom of changing cul- costumes which function as markers of their ex- tural mores (Madrid 248-50). However, most of ceptionality and consequent alienation from the the early villainesses have by now faded into ob- world. Contrary to the equally alienated villains, scurity, replaced by countless others who never however, superheroes wish to be part of society. -
Feminine Divine As Comic Book Superhero Jacki Renee Hayes Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2012 Goddess in a cape: Feminine divine as comic book superhero Jacki Renee Hayes Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Religion Commons, and the Women's Studies Commons Recommended Citation Hayes, Jacki Renee, "Goddess in a cape: Feminine divine as comic book superhero" (2012). Graduate Theses and Dissertations. 12684. https://lib.dr.iastate.edu/etd/12684 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Goddess in a cape: Feminine divine as comic book superhero by Jacki Renee Hayes A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: Interdisciplinary Graduate Studies (Social Sciences) Program of Study Committee: Nikki Bado, Major Professor Anastasia Prokos Nathaniel Wade Iowa State University Ames, Iowa 2012 Copyright ©Jacki Renee Hayes, 2012. All rights reserved. ii Table of Contents Introduction: This Girl’s Journey in the World of Comic Books ...................................................... 1 Chapter 1: What is Mythology? ................................................................................................... -
The Evolution of Female Superheroes in Comics and Film
Digital Commons @ Assumption University Honors Theses Honors Program 2020 Super or Sexist? The Evolution of Female Superheroes in Comics and Film Jordan Gablaski Assumption College Follow this and additional works at: https://digitalcommons.assumption.edu/honorstheses Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Gablaski, Jordan, "Super or Sexist? The Evolution of Female Superheroes in Comics and Film" (2020). Honors Theses. 84. https://digitalcommons.assumption.edu/honorstheses/84 This Honors Thesis is brought to you for free and open access by the Honors Program at Digital Commons @ Assumption University. It has been accepted for inclusion in Honors Theses by an authorized administrator of Digital Commons @ Assumption University. For more information, please contact [email protected]. SUPER OR SEXIST? THE EVOLUTION OF FEMALE SUPERHEROES IN COMICS AND FILM Jordan Gablaski Faculty Supervisor: Becky DiBiasio Ph.D. English Department A Thesis Submitted to Fulfill the Requirements of the Honors Program at Assumption College Spring 2020 Gablaski 1 INTRODUCTION In March of 2019 – on International Women’s Day to be exact – Captain Marvel became the first film in the Marvel Cinematic Universe (MCU) to feature a solo female lead. After eleven years of Marvel movies, many fans of the epic series believed this moment to be long overdue. However, despite the excitement, many fans also believed that such an honor should -
How the American Comic Book Has Been Shaped by War
Chapman University Chapman University Digital Commons War and Society (MA) Theses Dissertations and Theses Spring 5-2021 The Infinite Crisis: How the American Comic Book Has Been Shaped by War Winston Andrus Chapman University, [email protected] Follow this and additional works at: https://digitalcommons.chapman.edu/war_and_society_theses Part of the American Art and Architecture Commons, American Literature Commons, American Material Culture Commons, American Popular Culture Commons, Asian Art and Architecture Commons, Asian History Commons, Book and Paper Commons, Children's and Young Adult Literature Commons, Fiction Commons, Graphic Design Commons, Illustration Commons, Military History Commons, Modern Literature Commons, Political History Commons, Printmaking Commons, Social History Commons, United States History Commons, and the Women's History Commons Recommended Citation Andrus, Winston. "The Infinite Crisis: How the American Comic Book has been Shaped yb War." Master's thesis, Chapman University, 2021. https://doi.org/10.36837/chapman.000279 This Thesis is brought to you for free and open access by the Dissertations and Theses at Chapman University Digital Commons. It has been accepted for inclusion in War and Society (MA) Theses by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. The Infinite Crisis: How the American Comic Book has been Shaped by War A Thesis by Winston Andrus Chapman University Orange, CA Submitted in partial fulfillment of the requirements for the degree of Master of Arts May, 2021 Committee in charge Dr. Stephanie Takaragawa-Chair Dr. Justine Van Meter Dr. Kyle Longley The Infinite Crisis: How the American Comic Book has been Shaped by War Copyright © 2021 by Winston Andrus III ACKNOWLEDGEMENTS There are a number of giants whose shoulders I would like to thank for standing on. -
The Hidden Power of Superheroes the Ability of Superhero Movies to Influence Political Attitudes
The Hidden Power of Superheroes The Ability of Superhero Movies to Influence Political Attitudes Justin Cole i Abstract Although the literature on superheroes has expanded in recent years, it has neglected to examine whether superhero movies can affect political views. This oversight is regrettable given the recent surge in the popularity of superhero movies that engage directly with political issues such as The Dark Knight (2008), Iron Man 3 (2013), and Captain America: Civil War (2016). After a lengthy historical exploration of superheroes and a thematic analysis of these superhero movies – which collectively demonstrate that superheroes are an enduring cultural phenomenon as well as provide the theoretical underpinnings of their ability to effect attitudinal change – this study used a two-wave panel experiment to evaluate the extent to which superhero movies could cause attitudinal change. Ultimately, this study found that a significant percentage of participants changed their views on various policies related to the war on terror including torture, mass surveillance, military spending, and foreign intervention as a result of watching these superhero movies. These findings demonstrate that further research in this area is essential, particularly so long as superhero movies continue to receive critical and popular acclaim. ii Acknowledgements First and foremost, I would like to express my gratitude to my adviser, Dr. Cori Dauber, for the guidance and advice that she provided me. Despite not even enjoying superheroes herself, she had immense faith in the value of my research, which helped propel me across the finish line. Besides my adviser, I would like to thank the other member of my thesis committee: Dr.