Unit: What Did the Romans Do for Us? Term: Summer 2 Year: 3 What Did the Romans Do for Us? Links
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Ancient Roman Lyre
This album is the third in a series, the sequel to Echoes of Ancient Rome and Ode to Ancient Rome. Like the first two albums in the series, The Ancient Roman Lyre features original compositions evoking the lost music of ancient Rome. Most fittingly, they are arranged for a modern evocation of ancient lyres dating from the Hellenistic period and are set to authentic ancient modes. We have precious little indeed of the music of ancient Greece, which was ancient Rome’s teacher in so many things. Of the sixty-one sets of manuscripts, fragments and inscriptions listed by Martin L. West in his Documents of Ancient Greek Music (Oxford, 2001), numbers 23-61 in his list date from the Roman period but are classified and studied as Greek music. Of specifically Roman written music beyond these, vocal or instrumental, we have nothing. This distinction between Greek and Roman music for the Roman time period may be artificial but it does have precedent. Years ago I heard the merest fragment of a musical-verbal phrase ascribed to a composer named Flaccus, a phrase featured in the play Hecyra by Terence: TERENCIO, HECYRA 861 (Terence). Versus 861. Hecyra of Terence. Codex Victorianus Laurentianus XXXVIII-24, saec. X This piece may be heard on track 19 of the recording Musique de la Grece Antique by Atrium Musicae de Madrid (Harmonia Mundi France). The liner notes of the original LP version (all but entirely missing in the CD version but thankfully available as a reprint booklet from John Wheeler) have this to say about the fragment: We have added the only surviving musical fragment of Imperial Rome: four mutilated measures from a work by Terence. -
Music and the Animal World in Hellenic and Roman Antiquity
Under the auspices of the Ministries of Education and Culture Conference on Ancient Hellenic & Roman Music Music and the animal world in Hellenic and Roman antiquity 11-15 July 2016 moisa2016-athens.eu Scientific Committee: • Andrew Barker (University of Birmingham) • Angelo Meriani (University of Salerno) • Joan Silva-Barris (Institut Antoni Pous i Argila, Barcelona) • Daniela Castaldo (University of Salento) • Pauline LeVen (University of Yale) • John Franklin (University of Vermont) • Stefan Hagel (Austrian Academy of Sciences) • David Creese (University of Newcastle) • The members of the Organizing Committee Organizing Committee: • Stelios Psaroudakēs (University of Athens) • Sylvain Perrot (École Française d’Athènes) • Anastasia Georgaki (University of Athens) • Chrestos Terzēs (University of Athens) • Fotis Moschos (University of Athens) MONDAY, 11th University of Athens – Hall of Ceremonies 19:00 Opening of conference • Address and opening: Professor Konstantinos Bouraselis Vice Rector of the National & Kapodistrian University of Athens • Greetings: Professor Eleni Karamalengou The Dean of the School of Philosophy Professor Achilleas Chaldaiakis The Head of the Department of Music Studies Professeur Axexandre Farnoux The Director of L’École Française d’Athènes • Keynote Speaker: François-Bernard Mâche Philology and Zoomusicology • Performance: Athēnaios (218 BC) Paian and hyporchēma to Apollōn Limēnios son of Thoinos (218 BC) Paian and prosodion to Apollōn The choir of the Department of Music Studies under the direction of Professor Nikolaos Maliaras École Française d’Athènes 20:30 Reception • Buffet dinner in the gardens of the French School at Athens • Performance of lyric songs inspired by the cool grove of the Muses, the sweet-voiced nightingale and the waters of the Aegean Hymn to the Muse Mesomedes, cover by Aliki Markantonatou Spring’s angel poetry by Sappho, music by Aliki Markantonatou Damn the culprit! traditional of Lesbos Leda and the Swan improvisation for lyre & double bass My Sea.. -
User's Guide and the Quick Start Guide Before for LIMITED PRODUCT WARRANTY DISCLAIMERS, and LIMITATIONS
English Motorcycle Bluetooth® Communication System www.harley-davidson.com User’s Guide Boom! Audio 10S CONTENTS SAFETY PRECAUTIONS ................................................................................................4 7 STEREO MUSIC .................................................................................................... 27 7.1 By Bluetooth Wireless Stereo ................................................................................................27 1 INTRODUCTION .......................................................................................................7 7.2 By Stereo Audio Cable ..........................................................................................................28 2 PACKAGE CONTENTS ............................................................................................8 7.3 Music Sharing .......................................................................................................................29 3 INSTALLING THE HEADSET ON YOUR HELMET .............................................. 10 8 INTERCOM ............................................................................................................. 29 8.1 Two-way Intercom .................................................................................................................29 3.1 Installing the Main Unit ..........................................................................................................11 8.2 Three-way Intercom ..............................................................................................................30 -
Inventaris Immateriele Collectie
versie maart 2021 • aanvullingen graag melden bij coördinator 1 immateriële collectie Archeon de immateriële collectie van Archeon Museumpark Archeon beheert niet alleen een collectie tastbare zaken, zoals gebouwen en de inventaris daarvan, maar ook een immateriële collectie. Deze laatste bestaat uit de vakkennis van archeotolken die een bepaald ambacht beheersen of zich een vaardigheid hebben eigen gemaakt op een wijze die past bij de historische periode waarin zij optreden. Feitelijk gaat het om een verzameling werkwoorden die in praktijk gebracht worden. Bijvoorbeeld ‘Gregoriaans zingen’ of ‘middeleeuws broodbakken’. Hier is de eerste inventarisatie van deze collectie in prehistorie, Romeinse tijd en middeleeuwen vastgelegd. Het is een momentopname. De immateriële collectie rust op de schouders van mensen die gaan en komen. Het streven is om deze collectie te bewaren en onderhouden. De inventarisatie ervan is daarbij een eerste stap. De immateriële collectie is niet altijd volledig zichtbaar. Sommige lemma’s in deze collectie zijn zelfs zeer zelden te zien, of slechts voor een enkeling. Toch zijn ook deze onderwerpen van belang. Voor onderzoekers, of voor speciale projecten kan er, op aanvraag, veel informatie uit te putten zijn. Ook zijn er onderwerpen die juist veel in ons park te zien zijn, omdat daar een educatieve publieksactiviteit op is gebaseerd. De verzameling is gelabeld in nummers die verwijzen naar de locatie waar de onderwerpen thuishoren, en in categorieën: ambacht, krijgskunst, kunstvak, textiele vaardigheid, agrarisch, en huishouden. In de toekomst kan deze immateriële collectie via een gedifferentieerde database ontsloten worden. Via de categorieën kan een bezoeker of onderzoeker dan eenvoudiger vinden wat hij zoekt. Uiteraard worden daarbij nooit zomaar persoonsgegevens openbaar gemaakt; het onderdeel ‘continuïteit’, waarin is vastgelegd welke specialisten beschikken over welke vaardigheid blijft afgeschermd. -
Athenaeus' Reading of the Aulos Revolution ( Deipnosophistae 14.616E–617F)
The Journal of Hellenic Studies http://journals.cambridge.org/JHS Additional services for The Journal of Hellenic Studies: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here New music and its myths: Athenaeus' reading of the Aulos revolution ( Deipnosophistae 14.616e–617f) Pauline A. Leven The Journal of Hellenic Studies / Volume 130 / November 2010, pp 35 - 48 DOI: 10.1017/S0075426910000030, Published online: 19 November 2010 Link to this article: http://journals.cambridge.org/abstract_S0075426910000030 How to cite this article: Pauline A. Leven (2010). New music and its myths: Athenaeus' reading of the Aulos revolution ( Deipnosophistae 14.616e– 617f). The Journal of Hellenic Studies, 130, pp 35-48 doi:10.1017/S0075426910000030 Request Permissions : Click here Downloaded from http://journals.cambridge.org/JHS, IP address: 147.91.1.45 on 23 Sep 2013 Journal of Hellenic Studies 130 (2010) 35−47 DOI: 10.1017/S0075426910000030 NEW MUSIC AND ITS MYTHS: ATHENAEUS’ READING OF THE AULOS REVOLUTION (DEIPNOSOPHISTAE 14.616E−617F) PAULINE A. LEVEN Yale University* Abstract: Scholarship on the late fifth-century BC New Music Revolution has mostly relied on the evidence provided by Athenaeus, the pseudo-Plutarch De musica and a few other late sources. To this date, however, very little has been done to understand Athenaeus’ own role in shaping our understanding of the musical culture of that period. This article argues that the historical context provided by Athenaeus in the section of the Deipnosophistae that cites passages of Melanippides, Telestes and Pratinas on the mythology of the aulos (14.616e−617f) is not a credible reflection of the contemporary aesthetics and strategies of the authors and their works. -
The Official Newsletter of the Jew's Harp Guild
THE OFFICIAL NEWSLETTER OF PLUCK-N-POS T THE JEW’S HARP GUILD 69954 Hidden Valley Lane Cove, OR 97824 USA Volume 13, Issue1 Spring 2009 What’s Inside Jew's Harp ● 2 A Word International from the Executive This issue contains an abundance of news, Director photos and articles contributed by Jew's Harp Guild News enthusiasts from around the world. While ● 3 - 5 Notes many of the words I received got lost in from Italy translation, the music, art, spirit and love of this wonderful instrument, and the folks that ● 6 CD Review hold it dear, did not. Our numbers may be "Underground small relative to other genre but our passion is Sessions" great. ● 7 Guide to As the festival season approaches, I urge you the Guild to play ambassador for our interest; share Denise with others our sites and newsletters, CDs Harrington and YouTube videos... and our passion. ● 7 Bulletin Photo from Spiridon Schischigin - THE I wish to thank Walter Maioli, Spiridon Board & INTERNATIONAL CENTRE AND THE Shishigin, Bernhard Folkestad, Michael KHOMUS (TRUMP) MUSEUM OF THE Pictorial WORLD PEOPLES Painting: see Wright and many others for their con- Archive - http://www.ilkhomus.ru/ tributions to this and other newsletters. Phono Harp Have fun this summer and keep on harpin'. ● 8 New Mark D. Poss - editor / webmaster - The Jew's Harp Guild Tutorials 2009 North American Jew's Harp Festival Norsk Jew’s Harp Festival 2009 July 31 to August 2 will be 18th – 20th Sept. in Gjøvik Friday, Saturday, Sunday http://www.munnharpe.no/ Bay City, Oregon Norsk_Munnharpeforum_eng.html -
Remembering Music in Early Greece
REMEMBERING MUSIC IN EARLY GREECE JOHN C. FRANKLIN This paper contemplates various ways that the ancient Greeks preserved information about their musical past. Emphasis is given to the earlier periods and the transition from oral/aural tradition, when self-reflective professional poetry was the primary means of remembering music, to literacy, when festival inscriptions and written poetry could first capture information in at least roughly datable contexts. But the continuing interplay of the oral/aural and written modes during the Archaic and Classical periods also had an impact on the historical record, which from ca. 400 onwards is represented by historiographical fragments. The sources, methods, and motives of these early treatises are also examined, with special attention to Hellanicus of Lesbos and Glaucus of Rhegion. The essay concludes with a few brief comments on Peripatetic historiography and a selective catalogue of music-historiographical titles from the fifth and fourth centuries. INTRODUCTION Greek authors often refer to earlier music.1 Sometimes these details are of first importance for the modern historiography of ancient 1 Editions and translations of classical authors may be found by consulting the article for each in The Oxford Classical Dictionary3. Journal 1 2 JOHN C. FRANKLIN Greek music. Uniquely valuable, for instance, is Herodotus’ allusion to an Argive musical efflorescence in the late sixth century,2 nowhere else explicitly attested (3.131–2). In other cases we learn less about real musical history than an author’s own biases and predilections. Thus Plato describes Egypt as a never-never- land where no innovation was ever permitted in music; it is hard to know whether Plato fabricated this statement out of nothing to support his conservative and ideal society, or is drawing, towards the same end, upon a more widely held impression—obviously superficial—of a foreign, distant culture (Laws 656e–657f). -
And Anti-Augustan Readings of Propertius Book Four Matthew Angelosanto Union College - Schenectady, NY
Union College Union | Digital Works Honors Theses Student Work 6-2011 The olitP ical Properties: Pro- and Anti-Augustan Readings of Propertius Book Four Matthew Angelosanto Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the Poetry Commons Recommended Citation Angelosanto, Matthew, "The oP litical Properties: Pro- and Anti-Augustan Readings of Propertius Book Four" (2011). Honors Theses. 934. https://digitalworks.union.edu/theses/934 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. i The Political Propertius: Pro- and Anti-Augustan Readings of Propertius Book Four By M. Angelosanto ********* Submitted in partial fulfillment of the requirements for Honors in the Department of Classics UNION COLLEGE March, 2011 ii ABSTRACT ANGELOSANTO, MATTHEW The Political Propertius: Pro- and anti- Augustan readings of Propertius Book Four. Department of Classics, March 2011. ADVISOR: Stacie Raucci Propertius was a Roman elegist writing during the early years of Augustus’ reign as emperor. His fourth and final book of elegies has long confounded scholars due to its drastic shift in subject matter from love elegy to aetiology. So, too, did the poet’s political stance seem to change: vehemently anti-Augustus in his earlier books, a number of poems in his fourth seem to extol both the sociopolitical climate of Augustan Rome as well as the emperor himself. -
ANCIENT TERRACOTTAS from SOUTH ITALY and SICILY in the J
ANCIENT TERRACOTTAS FROM SOUTH ITALY AND SICILY in the j. paul getty museum The free, online edition of this catalogue, available at http://www.getty.edu/publications/terracottas, includes zoomable high-resolution photography and a select number of 360° rotations; the ability to filter the catalogue by location, typology, and date; and an interactive map drawn from the Ancient World Mapping Center and linked to the Getty’s Thesaurus of Geographic Names and Pleiades. Also available are free PDF, EPUB, and MOBI downloads of the book; CSV and JSON downloads of the object data from the catalogue and the accompanying Guide to the Collection; and JPG and PPT downloads of the main catalogue images. © 2016 J. Paul Getty Trust This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042. First edition, 2016 Last updated, December 19, 2017 https://www.github.com/gettypubs/terracottas Published by the J. Paul Getty Museum, Los Angeles Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.getty.edu/publications Ruth Evans Lane, Benedicte Gilman, and Marina Belozerskaya, Project Editors Robin H. Ray and Mary Christian, Copy Editors Antony Shugaar, Translator Elizabeth Chapin Kahn, Production Stephanie Grimes, Digital Researcher Eric Gardner, Designer & Developer Greg Albers, Project Manager Distributed in the United States and Canada by the University of Chicago Press Distributed outside the United States and Canada by Yale University Press, London Printed in the United States of America Library of Congress Cataloging-in-Publication Data Names: J. -
The Commentaries of Caesar, by Anthony Trollope
Project Gutenberg's The Commentaries of Caesar, by Anthony Trollope This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org/license Title: The Commentaries of Caesar Author: Anthony Trollope Release Date: November 9, 2017 [EBook #55926] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK THE COMMENTARIES OF CAESAR *** Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Books project.) Ancient Classics for English Readers EDITED BY THE REV. W. LUCAS COLLINS, M.A. C Æ S A R The Volumes published of this Series contain HOMER: THE ILIAD, BY THE EDITOR. HOMER: THE ODYSSEY, BY THE SAME. HERODOTUS, BY GEORGE C. SWAYNE, M.A. Late Fellow of Corpus Christi College, Oxford. The following Authors, by various Contributors, are in preparation:— VIRGIL. HORACE. ÆSCHYLUS. SOPHOCLES. ARISTOPHANES. CICERO. JUVENAL. XENOPHON. OTHERS WILL FOLLOW. A Volume will be published on the 1st of every alternate Month, price 2s. 6d. T H E C O M M E N T A R I E S OF C Æ S A R BY ANTHONY TROLLOPE WILLIAM BLACKWOOD AND SONS EDINBURGH AND LONDON MDCCCLXX CONTENTS. CHAP. PAGE I. INTRODUCTION, 1 FIRST BOOK OF THE WAR IN GAUL.—CÆSAR DRIVES FIRST THE SWISS AND II. 28 THEN THE GERMANS OUT OF GAUL.—B.C. -
Consumer Reports: Seth Price
ARTISTS CONSUMER REPORTS Consumer Reports: Seth Price BY The Editors of ARTnews POSTED 11/16/18 11:58 AM Seth Price is a New York-based multi-disciplinary artist whose work was included in the 2002 and 2008 editions of the Whitney Biennial, the 2011 Venice Biennale, and dOCUMENTA (13) in 2012. He has been the subject of survey exhibitions at Institute of Contemporary Arts, London, the Stedelijk Museum, Amsterdam, and the Museum Brandhorst in Munich. In 2015, the artist published the novel, Fuck Seth Price; the same year, he created Organic Software, a website that uses data-mining techniques to present information on notable art collectors and their political donation history. Price’s first show in six years at Petzel Gallery’s Chelsea space, “Hell Has Everything,” is on view until January 5. For Price’s comprehensive Report, we follow the artist as he prepares for the opening of Hell Has Everything. A bit of a “Consumer Reports” traditionalist, Price attempts to keep things focused on the reason that we all came here in the first place: straight up, hardcore media consumption. That means Power 105 (bucking a long trend of Hot 97 shoutouts), the French animated children’s series LoliRock (care of his daughter), plenty of books (Knausgaard,Xenofeminism) and a few podcasts. Plus some creative eBaying, The Great British Bake Off, and a bunch more–even stuff that doesn’t have to do with media at all. —John Chiaverina Tuesday, October 30 6:50 a.m. Buried somewhere deep inside the domicile, awaken to the new age “chimes” ringtone. -
History Culture and Built Environment – I– Sara 1101
SCHOOL OF BUILDING AND ENVIRONMENT DEPARTMENT OF ARCHITECTURE UNIT – I - HISTORY CULTURE AND BUILT ENVIRONMENT – I– SARA 1101 UNIT 1 CULTURE AND ARTS Role of art, art reality, perception, representation categories of art in terms of media and technique, paintings, sculpture, film- basic characteristics and development of each field, aspects of literature, performing arts - theatre, dance, music with examples from different cultural contexts. Objective: To introduce the various art forms both stabile and mobile and to understand the relationship between arts and culture. Methodology: Role of art, art reality, perception, Visual presentation and Discussion Representation categories of art in terms of media and technique, paintings, sculpture, film Development of each field, Aspects of Power point presentation literature, performing arts theatre, dance, music Examples from different cultural contexts. Group assignment, discussion Art and culture Culture is everything that human beings create in the world, in the physical space. Every single thing that we create is a culture. Art is one of the aspects of culture. It is a much defined creative approach to making objects or making concepts. It is defined as a physical thing that we create be it a painting or a movie or whatever. So it is almost like creating. It is a craft or a skill by which we create an object. It is a defined activity and it is a much defined product. Whereas the culture is everything, what we are surrounded by. Art represents people, cultures, values, and perspectives on living, but it does much more. While bringing us pleasure, art teaches us. While reading or contemplating a painting our minds go elsewhere.