2013 Summer Reading List
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
An Online Open Access Journal ISSN 0975-2935
An Online Open Access Journal ISSN 0975-2935 www.rupkatha.com Volume V, Number 3, 2013 Chief Editor Tirtha Prasad Mukhopadhyay Editor Tarun Tapas Mukherjee Indexing and abstracting Rupkatha Journal is an international journal recognized by a number of organizations and institutions. It is archived permanently by www.archive-it.org and indexed by EBSCO, Elsevier, MLA International Directory, Ulrichs Web, DOAJ, Google Scholar and other organisations and included in many university libraries Additional services and information can be found at: About Us: www.rupkatha.com/about.php Editorial Board: www.rupkatha.com/editorialboard.php Archive: www.rupkatha.com/archive.php Submission Guidelines: www.rupkatha.com/submissionguidelines.php Call for Papers: www.rupkatha.com/callforpapers.php Email Alerts: www.rupkatha.com/freesubscription.php Contact Us: www.rupkatha.com/contactus.php © Rupkatha Journal on Interdisciplinary Studies in Humanities Humanizing the Queen: Reading as Self-discovery and Writing as Redemption in Alan Bennett’s The Uncommon Reader Mihaela Culea Vasile Alecsandri University of Bacău, Romania Abstract This article looks at Alan Bennett’s fictional exercise in The Uncommon Reader (2006/2008), which provides the British monarchy with a human face and analyses the effects of this process of humanization through reading. The introduction presents the background to Bennett’s novella, with special emphasis on the monarchist and anti-monarchist trends in Britain, as well as on the increased popularity of the monarchy as a result of intensive media coverage. The first part also draws the connection between the media craze which exposes the private side of the royalty and Bennett’s disclosure of the humanity of Queen Elizabeth II through the mediation of the world of literature instead of that of tabloids or television. -
John Williams's Butcher's Crossing Anthony
“Young America” and the Anti-Emersonian Western: John Williams’s Butcher’s Crossing Anthony Hutchison In October 1870 Bret Harte published a review of Ralph Waldo Emerson’s latest essay collection Society and Solitude in Overland Monthly, the lively new San Francisco-based literary magazine already being lauded in the East for its “Far Western flavor” and “Pacific freshness” (qtd. in Tarnoff 159). Overall, Harte was content to defer to the celebrated “Sage of Concord,” effectively using the occasion to endorse the idea of Emerson as an authentically national figure wholly worthy of the cultural esteem bestowed upon him by his fellow American citizens. “There remains to Mr. Emerson, we think,” the piece concludes, “the praise of doing more than any other American thinker to voice the best philosophic conclusions of American life and experience” (387). Harte’s forerunning judgement nonetheless sounded a few more equivocal notes. Notably, given his own relatively recent success producing fiction depicting the pioneer mining communities of California, Harte took issue with Emerson’s portrayal of the American West.1 This was presented in the “Civilization” chapter of Society and Solitude where the region is interpreted as a benign domain in which powerful forces of culture and intellect fuse spectacularly with equally formidable currents associated with nature and will. It is in the crucible of this dynamic, Emerson proposes, in typically unrestrained fashion, that a new and substantive national character will be forged: ’Tis wonderful how soon a piano gets into a log-hut on the frontier. You would think they found it under a pine- stump. -
MODERN BRITISH LITERATURE (C. 1900 to 1950) READING LIST
MODERN BRITISH LITERATURE (c. 1900 to 1950) READING LIST Please note that there are two lists below. The first is the full list with the core readings in bold; the second is the core list separated out. You are responsible for all core readings and may incorporate readings from the full list into your tailored list. Unless otherwise noted, selections separated by commas indicate all works students should know. A. FICTION Beckett, Samuel. One of the following: Murphy, Watt, Molloy Bennett, Arnold. Clayhanger Bowen, Elizabeth. The Heat of the Day Butler, Samuel. The Way of All Flesh Chesterton, G.K. The Man Who Was Thursday Conrad, Joseph. Heart of Darkness AND one of: Lord Jim, The Secret Agent, Nostromo, Under Western Eyes Ford, Ford Madox. The Good Soldier Forster, E. M. Howards End, A Passage to India (plus the essays “What I Believe” and “The Challenge of Our Times” in Two Cheers for Democracy) Galsworthy, John. The Man of Property Greene, Graham. One of: Brighton Rock, The Power and the Glory, The Heart of the Matter Huxley, Aldous. Brave New World Joyce, James. Dubliners, A Portrait of the Artist as a Young Man, Ulysses Kipling, Rudyard. Kim Lawrence, D. H. Two of: Sons and Lovers, Women in Love, The Rainbow, The Plumed Serpent Lewis, Wyndham. Tarr, manifestos in BLAST 1 Mansfield, Katherine. “Prelude,” “At the Bay,” “The Garden Party,” “The Daughters of the Late Colonel” (in Collected Stories) Orwell, George. 1984 (or Aldous Huxley, Brave New World) Wells, H. G. One of the following: Ann Veronica, Tono-Bungay, The New Machiavelli West, Rebecca. -
Virginia Woolf's Portraits of Russian Writers
Virginia Woolf’s Portraits of Russian Writers Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Darya Protopopova All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2753-0 ISBN (13): 978-1-5275-2753-9 TABLE OF CONTENTS Note on the Text ........................................................................................ vi Preface ...................................................................................................... vii Introduction ................................................................................................ 1 Russia and the British Search for the Cultural ‘Other’ Chapter One .............................................................................................. 32 Woolf’s Real and Fictional Russians Chapter Two ............................................................................................. 58 Woolf and Dostoevsky: Verbalising the Soul Chapter Three ........................................................................................ -
Cold Chisel to Roll out the Biggest Archival Release in Australian Music History!
Cold Chisel to Roll Out the Biggest Archival Release in Australian Music History! 56 New and Rare Recordings and 3 Hours of Previously Unreleased Live Video Footage to be Unveiled! Sydney, Australia - Under total media embargo until 4.00pm EST, Monday, 27 June, 2011 --------------------------------------------------------------- 22 July, 2011 will be a memorable day for Cold Chisel fans. After two years of exhaustively excavating the band's archives, 22 July will see both the first- ever digital release of Cold Chisel’s classic catalogue as well as brand new deluxe reissues of all of their CDs. All of the band's music has been remastered so the sound quality is better than ever and state of the art CD packaging has restored the original LP visuals. In addition, the releases will also include previously unseen photos and liner notes. Most importantly, these releases will unleash a motherlode of previously unreleased sound and vision by this classic Australian band. Cold Chisel is without peer in the history of Australian music. It’s therefore only fitting that this reissue program is equally peerless. While many major international artists have revamped their classic works for the 21st century, no Australian artist has ever prepared such a significant roll out of their catalogue as this, with its specialised focus on the digital platform and the traditional CD platform. The digital release includes 56 Cold Chisel recordings that have either never been released or have not been available for more than 15 years. These include: A “Live At -
“The Long-Defended Gate”: Juvenilia, the Real Child, and the Aesthetics of Innocence, 1858-1939
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by D-Scholarship@Pitt “THE LONG-DEFENDED GATE”: JUVENILIA, THE REAL CHILD, AND THE AESTHETICS OF INNOCENCE, 1858-1939 by Anna Madeleine Redcay Bachelor of Arts, Princeton University, 2001 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2012 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Anna Madeleine Redcay It was defended on October 7, 2011 and approved by Troy Boone, Associate Professor of English Jean F. Carr, Associate Professor of English; Director of Women’s Studies Amanda Godley, Associate Professor of English Education Dissertation Advisor: Marah Gubar, Associate Professor of English; Director of Children’s Literature Program ii Copyright © by Anna Madeleine Redcay 2012 iii “THE LONG-DEFENDED GATE”: JUVENILIA, THE REAL CHILD, AND THE AESTHETICS OF INNOCENCE, 1858-1939 Anna Madeleine Redcay, Ph.D. University of Pittsburgh, 2012 Scholars frequently protest against reference to the real child in relation to adult-authored children’s literature. My dissertation exposes the fundamental flaw in extending this injunction to the literary production of real children. By recovering the wildly popular, critically acclaimed and bestselling juvenilia of the late nineteenth and early twentieth centuries, I contend that child- authored texts make manifest individual children’s absorption and manipulation of culture. Although critics such as Beverly Lyon Clark aptly note a growing bifurcation of children’s and adult’s literature at the turn of the century, I argue that adult and child authors alike participated in the construction of the “real child” as a trope of literary representation. -
The Prince and the Pauper – Sample Chapter
MACMILLAN READERS ELEMENTARY LEVEL MARK TWAIN The Prince and the Pauper Retold by Chris Rose MACMILLAN 1 The Birth of the Prince and the Pauper Nearly five hundred years ago in London, two baby boys were born on the same day. One family wanted their baby very much. This baby wore beautiful, expensive clothes. His family and lots of servants took care of him. He was Edward Tudor, the future King of England. Everybody in England wanted this baby. When he arrived, the country was very happy. There was a holiday, and everybody had big parties. People kissed each other and danced in the streets. The other baby boy’s family were very poor and they did not want another baby. This baby was called Tom Canty. Nobody danced for him. He was a pauper and he wore rags. 8 For nine years, Tom Canty lived in a small house near London Bridge. About one hundred thousand people lived in the old city of London then, perhaps more. Some parts of London were very rich but London Bridge was very poor. The houses were made of wood and they had small, dark windows. The streets were narrow and dirty and there were too many people. There was always a horrible smell because people threw rubbish on the streets. Tom lived in a house in Offal Court. Many poor families lived in that house and it was often a noisy and dangerous place to live. Every night people shouted and argued. There were always lots of fights. Tom’s family lived in one room on the third floor of the house. -
VS. Naipaul: a Bibliographical Update (198 7-94)
VS. Naipaul: A Bibliographical Update (198 7-94) KELVIN JARVIS JLHIS IS A bibliographical update of my V. S. Naipaul: A Selective Bibliography with Annotations: 195J-198J, covering the period 1987-94. Since 1 g87 (when An Enigma of Arrival: A Novel in Five Sections appeared), Naipaul has published three books—A Turn in the South ( 1989), India: A Million Mutinies Now ( 1990), and A Way in the World ( 1994)—and more than 18 substantial pieces, in addition to delivering various lectures and acceptance speeches. This checklist is arranged in six parts. Part I contains Naipaul's most recent writings and comments, listed under three head• ings: published books, articles, and interviews, with entries given chronologically. Part II covers recent bibliographical listings of his work. Part III includes 16 full-length books written about him. Part PV lists articles on him in books, reference volumes, journals, and magazines. Part V has book reviews and critical studies of his individual books. And Part VI itemizes doctoral theses exclu• sively or partly on him. Conference papers have featured prominently in the spate of attention Naipaul continues to generate; these papers are usu• ally quite elusive to trace, particularly if they are not published collectively and within a reasonably short time frame. Thus this checklist omits offerings on Naipaul from conferences and all foreign-language citations. It also excludes newspaper articles with imprints prior to 1987. The Enigma of Arrival spans Naipaul's life in England and echoes a finality in his writing career. The protagonist of this novel writes: "with time passing, I felt mocked by what I had already done; it seemed to belong to a time of vigour, now past for good. -
Post-War English Literature 1945-1990
Post-War English Literature 1945-1990 Sara Martín Alegre P08/04540/02135 © FUOC • P08/04540/02135 Post-War English Literature 1945-1990 Index Introduction............................................................................................... 5 Objectives..................................................................................................... 7 1. Literature 1945-1990: cultural context........................................ 9 1.1. The book market in Britain ........................................................ 9 1.2. The relationship between Literature and the universities .......... 10 1.3. Adaptations of literary works for television and the cinema ...... 11 1.4. The minorities in English Literature: women and post-colonial writers .................................................................... 12 2. The English Novel 1945-1990.......................................................... 14 2.1. Traditionalism: between the past and the present ..................... 15 2.2. Fantasy, realism and experimentalism ........................................ 16 2.3. The post-modern novel .............................................................. 18 3. Drama in England 1945-1990......................................................... 21 3.1. West End theatre and the new English drama ........................... 21 3.2. Absurdist drama and social and political drama ........................ 22 3.3. New theatre companies and the Arts Council ............................ 23 3.4. Theatre from the mid-1960s onwards ....................................... -
Conference Exhibitors
South Central Modern Language Association 74th Annual Conference October 5-7, 2017 Renaissance Tulsa Hotel & Convention Center Tulsa, Oklahoma SCMLA CONFERENCE PROGRAM A PDF version of this program is available on our website: www.southcentralmla.org South Central Modern Language Association University of Oklahoma 780 Van Vleet Oval Kaufman Hall 203 Norman, OK 73019 Phone: (405) 325-6011 Fax: (405) 325-3720 Email: [email protected] Web: www.southcentralmla.org 1 TABLE OF CONTENTS 2017 Executive Committee ..........................................................3 Special Thanks ............................................................................4 Conference Hosts ........................................................................5 Friends of SCMLA ........................................................................6 Sustaining Departmental Members .............................................7 SCMLA Life and Honorary Members ............................................8 2017 Conference Exhibitors .........................................................9 Schedule of Events .................................................................... 10 Summary of Conference by Session Type ................................... 11 Conference Program ................................................................. 18 Reminder to Chairs ................................................................... 67 2018 SCMLA Deadlines ............................................................. 68 SCMLA Grants, Awards and Prizes ............................................ -
5.0-6.0 the Lost Gate Card, Orson Scott 5.8 Danny North Knew From
5.0-6.0 The Lost Gate Card, Orson Scott 5.8 Danny North knew from early childhood that his family was different, and that he was different from them. While his cousins were learning how to create the things that commoners called fairies, ghosts, golems, trolls, werewolves, and other such miracles that were the heritage of the North family, Danny worried that he would never show a talent, never form an outself. He grew up in the rambling old house, filled with dozens of cousins, and aunts and uncles, all ruled by his father. Their home was isolated in the mountains of western Virginia, far from town, far from schools, far from other people. There are many secrets in the House, and many rules that Danny must follow. There is a secret library with only a few dozen books, and none of them in English — but Danny and his cousins are expected to become fluent in the language of the books. While Danny's cousins are free to create magic whenever they like, they must never do it where outsiders might see. Unfortunately, there are some secrets kept from Danny as well. And that will lead to disaster for the North family. The Gate Thief Card, Orson Scott 5.3 In this sequel to The Lost Gate, bestselling author Orson Scott Card continues his fantastic tale of the Mages of Westil who live in exile on Earth in The Gate Thief, a novel of the Mither Mages. Here on Earth, Danny North is still in high school, yet he holds in his heart and mind all the stolen outselves of thirteen centuries of gatemages. -
THE HILL Karen Bass
THE HILL Karen Bass GRADES 7+ / ENGLISH THEMES Survival • Racial Tensions • Cree Legend • Fear Friendship • Changing Perspectives THE STORY WEB RESOURCES “Karen Bass draws on the Cree legend of the Wîhtiko for her • Author Website: http://www.karenbass.ca/ latest YA novel, which blends adventure, horror, and some good • Publisher Website - Book: old-fashioned coming-of-age wisdom….The dynamic between the http://pajamapress.ca/book/the_hill/ boys is the best part of the narrative, and will open many readers’ • Publisher Website - author: eyes to the issues of race, class, and privilege.” http://pajamapress.ca/author/karen_bass/ —Quill & Quire Editor’s Choice ADDITIONAL RESOURCES BOOK SUMMARY • Saskatchewan Indian Cultural Centre’s “Oral Tradition: The Beginning of The Cree World” Jared’s plane has crashed in the Alberta wilderness, and Kyle http://www.sicc.sk.ca/archive/heritage/ ethnography/cree/origin/oral.html is first on the scene. When Jared insists on hiking up the highest hill in search of cell phone reception, Kyle hesitates; his Cree • The Canadian Encyclopedia’s “Cree” http://www.thecanadianencyclopedia.ca/en/ grandmother has always forbidden him to go near it. article/cree/ • The Canadian Encyclopedia’s “Social Conditions of Aboriginal People” http://www.thecanadianencyclopedia.ca/en/ AUTHOR PROFILE article/native-people-social-conditions/ • Centre for Social Justice’s “Aboriginal KAREN BASS is a multi-award-winning author Issues” http://www.socialjustice.org/index. of novels for young adult readers. Graffiti Knight php?page=aboriginal-issues won the CLA Young Adult Book Award, the • Indigenous and Northern Affairs Canada’s Geoffrey Bilson Award for Historical Fiction “The Learning Circle: Classroom Activities for Young People, the R.