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Is Hip Hop Dead?
IS HIP HOP DEAD? IS HIP HOP DEAD? THE PAST,PRESENT, AND FUTURE OF AMERICA’S MOST WANTED MUSIC Mickey Hess Library of Congress Cataloging-in-Publication Data Hess, Mickey, 1975- Is hip hop dead? : the past, present, and future of America’s most wanted music / Mickey Hess. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-275-99461-7 (alk. paper) 1. Rap (Music)—History and criticism. I. Title. ML3531H47 2007 782.421649—dc22 2007020658 British Library Cataloguing in Publication Data is available. Copyright C 2007 by Mickey Hess All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2007020658 ISBN-13: 978-0-275-99461-7 ISBN-10: 0-275-99461-9 First published in 2007 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.praeger.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 CONTENTS ACKNOWLEDGMENTS vii INTRODUCTION 1 1THE RAP CAREER 13 2THE RAP LIFE 43 3THE RAP PERSONA 69 4SAMPLING AND STEALING 89 5WHITE RAPPERS 109 6HIP HOP,WHITENESS, AND PARODY 135 CONCLUSION 159 NOTES 167 BIBLIOGRAPHY 179 INDEX 187 ACKNOWLEDGMENTS The support of a Rider University Summer Fellowship helped me com- plete this book. I want to thank my colleagues in the Rider University English Department for their support of my work. -
Hed Pebroke Full Album Zip
Hed Pe-Broke Full Album Zip Hed Pe-Broke Full Album Zip 1 / 3 2 / 3 If so then you might like the band Hed PE or hed Planet Earth. The group was ... BBE Beat Generation 10th Anniversary Mixtape (Full Length Version). byChris Read ... Keep listening to reveal the tracklist. Why? BBE Beat .... A few months later in August the Hed PE released its 2nd studio album titled “Broke.” The album .... (hed) Planet Earth - Broke - Amazon.com Music. ... Streaming .... Stream Broke [Clean] by (Hed) Planet Earth and tens of millions of other songs on all your .... It is the typical texture of creamed Smooth and lightly thick liquid vegetables. Any quantity of good morels, fresh or dried, however hed pe broke album full zip is a .... Find a (hed) Planet Earth* - Broke first pressing or reissue. Complete your (hed) Planet Earth* collection. Shop Vinyl ... 2 × CD, Album ... Tracklist Hide Credits .... Find a (hed) Planet Earth* - Broke first pressing or reissue. Complete your ... Broke (CD, Album, Enhanced) album cover · More Images ... Tracklist Hide Credits .... 17 Jul 2017 ... (Hed) P.E.-Broke (Japanese Edition) (2000). Nü-Metal / Rapcore. CD 1: 01-Killing Time. 02-Waiting To Die. 03-Feel Good. 04-Bartender.. 15 Feb 2009 ... After releasing three albums on Jive Records, Hed PE left the label to ... Broke is the second studio album by American punk rock band Hed PE. ... Tracklist: Killing Time; Waiting To Die; Feel Good; Bartender; Crazy Legs; Pac .... 30 Dec 2017 ... The Free Hard Music community also provides a free Nu metal, Rapcore music downloads of (Hed) P.E. -
A Search and Retrieval Based Approach to Music Score Metadata Analysis
A Search and Retrieval Based Approach to Music Score Metadata Analysis Jamie Gabriel FACULTY OF ARTS AND SOCIAL SCIENCES UNIVERSITY OF TECHNOLOGY SYDNEY A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy April 2018 CERTIFICATE OF ORIGINAL AUTHORSHIP I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as part of the collaborative doctoral degree and/or fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This research is supported by the Australian Government Research Training Program. Production Note: Signature: Signature removed prior to publication. _________________________________________ Date: 1/10/2018 _________________________________________ i ACKNOWLEGEMENT Undertaking a dissertation that spans such different disciplines has been a hugely challenging endeavour, but I have had the great fortune of meeting some amazing people along the way, who have been so generous with their time and expertise. Thanks especially to Arun Neelakandan and Tony Demitriou for spending hours talking software and web application architecture. Also, thanks to Professor Dominic Verity for his deep insights on mathematics and computer science and helping me understand how to think about this topic in new ways, and to Professor Kelsie Dadd for providing me with some amazing opportunities over the last decade. -
Volume CXXXIV, Number 21, April 28, 2017
The Student Newspaper of Lawrence University Since 1884 THELAWRENTIAN VOL. CXXXIV NO. 21 APPLETON, WISCONSIN APRIL 28, 2017 Earth Day celebrations encourage sustainability 4 p.m. on Friday, April 21. The Rikke Sponheim March for Science took place on For The Lawrentian Saturday, April 22 from 3 p.m. to 5 _______________________ p.m. in downtown Appleton. To promote environmental The closing event of the week activism, Greenfire hosted Earth was Earthfest, which was held on Week from April 17-22. The week the Main Hall Green from 1 p.m. featured various activities. Some to 4 p.m. on Sunday. There was were designed to promote enjoy- live music from several groups ing nature, but most events during and local musician Nicholas the the week focused on activism and Transparent. There were tables raising awareness for environ- organized by the Lawrence mental causes. University Gardening Society On Monday, April 17 from (LUGS), Sustainable Lawrence 6:30 p.m. to 8:30 p.m. in the Warch University Garden (SLUG), Bird Campus Center Cinema, Barbara and Nature Club, Lawrence Royal, a veterinarian based in University Women in Science Illinois, gave a presentation called and Greenfire, with activities that “Life’s a Zoo and I’m Your Vet: included flower and herb planting, Wild Health Starts with Wild rock painting and bike repairs, Education” and Matthew Gies, an Food was also provided. organic farmer, presented “From “[Earth Week is] an impor- Chicago Peregrine Falcons to tant reminder that, although Michigan Organic Hops Farming: everyday should be Earth Day, It’s Not As Far As You’d Think.” we often don’t treat it as such,” Both spoke about their occu- said Pike. -
Hip-Hop Pedagogy As Production Practice: Reverse-Engineering the Sample-Based Aesthetic
Journal of Popular Music Education Special issue on Hip-hop Hip-Hop Pedagogy as Production Practice: Reverse-Engineering the Sample-Based Aesthetic Mike Exarchos (a.k.a. Stereo Mike) | London College of Music (University of West London) Introduction Hip-hop1 production practice contains a rich matrix of creative methods within its paradigm, which have the potential to inform and inspire music production pedagogy in higher education. The techno-artistic trajectory of rap production consists of numerous phases that may involve live performance, recording, sampling, synthesis, programming, mixing and mastering. Furthermore, it is not rare for self-contained processes—such as interpolation2 and the creation of content for sampling—to be actualized as developmental phases within the larger production trajectory. The well-documented issues affecting phonographic sampling have given rise to alternative practices, inviting live instrumental musicianship within hip-hop music-making, but also a dependence on synthesized sonics (often as signifiers of geographical and stylistic divergence). As a consequence, contemporary hip-hop production—arguably more than any other commercial music-making form—can provide a dynamic, applied context for the exploration, implementation, interplay and interaction of most phonographic stages conceived of and practiced within popular music production. This is not to say that other musics do not deploy multiple methods within their production processes, or that Hip-Hop exemplifies a sole case of multi-layered—or bricolage—production. After all, many popular musics have borrowed from hip-hop practices, and the rap production paradigm can be traced outside of strict stylistic barriers 1 The terms ‘Hip-Hop’ and ‘Rap’ will be used interchangeably throughout the paper, referring to the musical genre, outputs and practices associated with hip-hop culture and art. -
APRIL 13-14 Evening Date Night: Pizza.” Lu Buckcherry Morris and Susan Lloyd of the BROWN THEATRE Cooking with Christie’Scooking Tues
Time: 04-12-2012 18:12 User: bdgray PubDate: 04-13-2012 Zone: KY Edition: 1 Page Name: D4 Color: CyanMagentaYellowBlack D4 | FRIDAY,APRIL 13,2012 | THE COURIER-JOURNAL VELOCITY | courier-journal.com/features KY FOOD EVENTS SELUAH: Band was different from the start, butstature grew Dinners Continued from Page D1 Flamenco and tapas Tonight, from 7to9p.m., Blu sings for arevitalized Seluah, Seluah’s Italian Grille at the Marriott Louisville Downtown, 280 W. which reunited in 2010. “Bands members found Jefferson St., will present a don’toften get asecond chance. the chemistry night of flamenco music and It’ssomething incredibly vindi- was still there. dance by Flamenco Louisville. The menu will offer tapas, cating for us, personally.” sangria and such Spanish dishes Seluah’sreturn fully blossoms as paella. Call (502) 671-4285. Italian wine dinner this week with the release of Tuesday, 6:30 p.m., Varanese, “Red Parole,” which captures a 2106Frankfort Ave., will host a bigger,bolder version of the six-course Italian dinner paired with wines chosen by Tim band that made “Seluah.” The Stratman of Vanguard Wines, album’srelease is being cele- who recently toured Italian brated Sunday at Zanzabar,and wineries. Dishes will include scallop the rest of 2012 will be spent carpaccio with peach Bellini finishing the writing of another sorbet, grilled flatbread pizza record and touring whenever with white bean puree and prosciutto, wild boar osso possible. bucco, and an almond basket “Red Parole” caps Seluah’s with sour honey and mascar- pone ice cream. unexpected and unplanned re- The dinner and wine pairings turn, which has included national will be $65. -
2015 Year in Review
Ar#st Album Record Label !!! As If Warp 11th Dream Day Beet Atlan5c The 4onthefloor All In Self-Released 7 Seconds New Wind BYO A Place To Bury StranGers Transfixia5on Dead Oceans A.F.I. A Fire Inside EP Adeline A.F.I. A.F.I. Nitro A.F.I. Sing The Sorrow Dreamworks The Acid Liminal Infec5ous Music ACTN My Flesh is Weakness/So God Damn Cold Self-Released Tarmac Adam In Place Onesize Records Ryan Adams 1989 Pax AM Adler & Hearne Second Nature SprinG Hollow Aesop Rock & Homeboy Sandman Lice Stones Throw AL 35510 Presence In Absence BC Alabama Shakes Sound & Colour ATO Alberta Cross Alberta Cross Dine Alone Alex G Beach Music Domino Recording Jim Alfredson's Dirty FinGers A Tribute to Big John Pa^on Big O Algiers Algiers Matador Alison Wonderland Run Astralwerks All Them Witches DyinG Surfer Meets His Maker New West All We Are Self Titled Domino Jackie Allen My Favorite Color Hans Strum Music AM & Shawn Lee Celes5al Electric ESL Music The AmazinG Picture You Par5san American Scarecrows Yesteryear Self Released American Wrestlers American Wrestlers Fat Possum Ancient River Keeper of the Dawn Self-Released Edward David Anderson The Loxley Sessions The Roayl Potato Family Animal Hours Do Over Self-Released Animal Magne5sm Black River Rainbow Self Released Aphex Twin Computer Controlled Acous5c Instruments Part 2 Warp The Aquadolls Stoked On You BurGer Aqueduct Wild KniGhts Wichita RecordinGs Aquilo CallinG Me B3SCI Arca Mutant Mute Architecture In Helsinki Now And 4EVA Casual Workout The Arcs Yours, Dreamily Nonesuch Arise Roots Love & War Self-Released Astrobeard S/T Self-Relesed Atlas Genius Inanimate Objects Warner Bros. -
The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians. -
Martin Luther King Jr., Cesar Chavez, and the Images of Their Movements
MIXED UP IN THE MAKING: MARTIN LUTHER KING JR., CESAR CHAVEZ, AND THE IMAGES OF THEIR MOVEMENTS A Dissertation presented to the Faculty of the Graduate School University of Missouri-Columbia In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by ANDREA SHAN JOHNSON Dr. Robert Weems, Jr., Dissertation Supervisor MAY 2006 © Copyright by Andrea Shan Johnson 2006 All Rights Reserved The undersigned, appointed by the Dean of the Graduate School, have examined the dissertation entitled MIXED UP IN THE MAKING: MARTIN LUTHER KING JR., CESAR CHAVEZ AND THE IMAGES OF THEIR MOVEMENTS Presented by Andrea Shan Johnson A candidate for the degree of Doctor of Philosophy of History And hereby certify that in their opinion it is worthy of acceptance. __________________________________________________________ Professor Robert Weems, Jr. __________________________________________________________ Professor Catherine Rymph __________________________________________________________ Professor Jeffery Pasley __________________________________________________________ Professor Abdullahi Ibrahim ___________________________________________________________ Professor Peggy Placier ACKNOWLEDGEMENTS I owe thanks to many people for helping me in the completion of this dissertation. Thanks go first to my advisor, Dr. Robert Weems, Jr. of the History Department of the University of Missouri- Columbia, for his advice and guidance. I also owe thanks to the rest of my committee, Dr. Catherine Rymph, Dr. Jeff Pasley, Dr. Abdullahi Ibrahim, and Dr. Peggy Placier. Similarly, I am grateful for my Master’s thesis committee at Indiana University-Purdue University at Indianapolis, Dr. Annie Gilbert Coleman, Dr. Nancy Robertson, and Dr. Michael Snodgrass, who suggested that I might undertake this project. I would also like to thank the staff at several institutions where I completed research. -
Trevor Tolley Jazz Recording Collection
TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre. -
Steve Smith Steve Smith
• SPEED • POWER • CONTROL • ENDURANCE • SPECIAL TECHNIQUE ISSUE STEVESTEVE SMITHSMITH VVITALITAL TTECHECH TTALKALK BBUILDUILD SSUPERUPER CCHOPSHOPS!! BBOZZIOOZZIO,, PPHILLIPSHILLIPS,, BBISSONETTEISSONETTE,, BBELLSONELLSON,, WWECKLECKL,, AANDND MMOREORE TTHEHE TTECHNICALECHNICAL EEDGEDGE HHUNDREDSUNDREDS OOFF GGREATREAT EEXERCISESXERCISES FFOROR YYOUROUR HHANDSANDS AANDND FFEETEET WIN JJOHNOHN DDOLMAYANOLMAYAN Exciting Sights OOFFFF TTHEHE RRECORDECORD And Sounds From Sabian & Hudson Music TTHEHE MMANYANY KKITSITS OOFF BBILLILL BBRUFORDRUFORD $4.99US $6.99CAN 05 WIN A Drum Lesson With Tico Torres 0 74808 01203 9 Contents ContentsVolume 27, Number 5 Cover photo by Alex Solca STEVE SMITH You can’t expect to be a future drum star if you haven’t studied the past. As a self-proclaimed “US ethnic drummer,” Steve Smith has made it his life’s work to explore the uniquely American drumset— and the way it has shaped our music. by Bill Milkowski 38 Alex Solca BUILDING SUPER CHOPS 54 UPDATE 24 There’s more than one way to look at technique. Just ask Terry Bozzio, Thomas Lang, Kenny Aronoff, Bill Bruford, Dave Weckl, Paul Doucette Gregg Bissonette, Tommy Aldridge, Mike Mangini, Louie Bellson, of Matchbox Twenty Horacio Hernandez, Simon Phillips, David Garibaldi, Virgil Donati, and Carl Palmer. Gavin Harrison by Mike Haid of Porcupine Tree George Rebelo of Hot Water Music THE TECHNICAL EDGE 73 Duduka Da Fonseca An unprecedented gathering of serious chops-increasing exercises, samba sensation MD’s exclusive Technical Edge feature aims to do no less than make you a significantly better drummer. Work out your hands, feet, and around-the-drums chops like you’ve never worked ’em before. A DIFFERENT VIEW 126 TOM SCOTT You’d need a strongman just to lift his com- plete résumé—that’s how invaluable top musicians have found saxophonist Tom Scott’s playing over the past three decades. -
Eversley Bradwell, Sean.Pdf (2.991Mb)
ALWAYS ROOM AT THE TOP: BLACK STUDENTS AND EDUCATIONAL POLICY IN ITHACA, NY A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Sean W. Eversley Bradwell January 2009 © 2009 Sean W. Eversley Bradwell ALWAYS ROOM AT THE TOP: BLACK STUDENTS AND EDUCATIONAL POLICY IN ITHACA, NY Sean W. Eversley Bradwell, Ph.D. Cornell University 2009 Frequently referred to as the achievement gap, racial disparities in educational outcomes are reported in school districts across the nation. Most educational research focuses on this crisis in urban communities, and overcrowded classrooms, underfunded schools, unqualified teachers as well as inadequate resources are some of the commonly identified causes. However, racial disparities are equally found in top- rated districts where these factors are least likely to exist. The growing body of research documenting racial disparities in top-rated districts has challenged the conventional wisdom about the origin, causes, and solutions of racial disparities in schools. Drawing on tenets from Afrocentricity and critical race theory, this dissertation explores educational inequity and related policy in a top-rated, suburban school district. The project examines the historic roots of racial disparities in this district and employs qualitative interviews with black students as a means to analyze and better understand how students experience these disparities. On the basis of this investigation and its findings, policy recommendations are made for the purpose of helping districts such as the one studied close their education gap. Ultimately, the study also concludes that educational reforms will be ineffective unless they address the fact that racial disparities are often linked to and rooted in institutionalized policies and practices that are deeply entrenched and protected at the community level.