DOCSLIB.ORG

Wild Child's Expectations

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Wild Child's Expectations K k APRIL 2018 K g VOL. 30 #4 H WOWHALL.ORGk living and recording space. Back in Wimberley, Texas, Matthew Logan Vasquez (Delta Spirit) set up a makeshift studio in Kelsey Wilson’s beloved childhood home -- aban- doned since the floods of 2015 -- where they found the muses that were eager to resurface. The group also tapped the talents of frequent tour mate Chris Boosahda (Shakey Graves), Atlantic Records record- ing artist Max Frost and Grammy- winning producer Adrian Quesada (Groupo Fantasma, Brown Sabbath, Spanish Gold). This album almost immediately settles in to find the band at its most expansive. Songs like “My Town” and the deep-breathing “Eggshells” stretch the spaces between beats like a Chinese fin- ger/time trap. They stop for more WILD CHILD’S EXPECTATIONS than one layover in Detroit, with “Back and Forth” evoking the horn By: Maya Vagner since they left us after their last lead vocalist and violinist. She drums; Cody Ackors on guitar and charts of Arthur Conley and Jackie On Sunday, April 29 the album, Fools. After listening to shrugs. “So we said, ‘Why not just trombone; and Tyler Osmond on Wilson (or even Jens Lekman), and Community Center for the those two songs, I was in deep do all of them?’” bass. These musicians won’t settle “Think It Over” throws an unex- Performing Arts and KLCC proud- need of more. When iTunes When Wild Child finished their for anything less then an infectious pected nod to Sly and the Family ly welcome Wild Child back to the finally released every track, I was last tour and jumped into the stu- blend of perfection. They have Stone. WOW Hall along with special so excited that I blocked my whole dio to start this album, every mem- managed to reach out to many fans The closing track, “Goodbye, guest Stelth Ulvang. day out just so I could listen to the ber had a new idea and a new vibe and touch their hearts. After four Goodnight,” is also the first the Wild Child left me speechless album and analyze every detail. to contribute. Taking this multi- albums they still engage their audi- group recorded, and the one they when I first discovered them. Each song on Expectations is spectral approach to writing was ence with grace in person and believe best epitomizes their jour- Their tone is inviting and relatable different from the others. A child’s the best move by far for this band. through intellectual conversations ney. Scott McMicken’s production and their new album proves just voice tells Alexander Beggins, They also made a list of their within their music. It’s incredible. caught the band off-guard: He that. We’ve all been there before “Don’t think that way.” The track favorite musicians who were also Expectations is an awakening slowed the waltz down to the -- finishing a relationship and mov- that follows -- called “Alex” -- is a great producers -- choosing ones after having failed love. Wilson and tempo of a dirge — or a dirge with ing on to have expectations for the hook-spangled opener that in three they thought would shed a new and Beggins’ voices have a yin yang the levity of a waltz — and built next relationship that are unrealis- breezy minutes builds from a single unique light on specific composi- effect; they fit each other naturally the track up at an almost excruciat- tic. In their new album expecta- ukulele to a lush and playful tions. Then Wild Child set about as they break boundaries and mold ingly slow pace that in the end tions is the common theme. arrangement. The song “Back And chasing an album from studio to a beautiful story with every track gives you what you want from it, On February 9, Wild Child Forth” starts off with an upbeat studio all over the world, never you hear. The route they took but only gives it to you once. released the first two singles from tempo and a hint of repetition saying no to an idea. with this album took them from “At first we were all just trying the record - one produced by Chris that’s hard to ignore. The lyrics Formed in 2010, Wild Child Chris Walla’s studio in Tromso, to understand where he was com- Walla of Death Cab for Cutie are about having someone coming consists of Kelsey Wilson on lead Norway, to a home-built ware- ing from,” says Wilson with a called “Think It Over”, the other back and forth and leading you on vocals and violin; Alexander house studio on the outskirts of laugh, “but the arrangement works produced by Matthew Vasquez of in your life. Beggins on ukulele and vocals; Philadelphia, where Dr. Dog’s Scott out so well — with what the song Delta Spirit called “Expectations”. “We had too many ideas for Sadie Wolfe on cello; Matt McMickens picked up the bass is about and how we felt when we They thought it would hint at how we wanted to make this Bradshaw on keyboards, trumpet, and, “Joined the band for a week”; wrote it — that it ended up being what they have been working on record,” says Kelsey Wilson, the and harmonica; Tom Myers on arranging harmonies and sharing CONTINUED ON PAGE 4 MC CHRIS P2 H ATHIARCHISTS P3 H JOE JACK TALCUM P3 H PIGS ON THE WING P4 H LANDON WORDSWELL & SKYZOO P5 INSIDE THIS ISSUE CAR SEAT HEADREST P2 H ANDREA GIBSON P6 H GREEN EARTH BALL P6 H HYDING JEKYLL, HENRY’S CHILD & JOLLYMON P7 ANNUAL MEMBERSHIP MEETING APRIL 25 This year’s WOW Hall Annual Membership Meeting is on www.wowhall.org. Wednesday, April 25. Doors will open at 6:30 pm for a reception Following the meeting, stick around for a reception in the PAID U.S. Postage U.S. (featuring food and beverages) and the meeting is scheduled to basement. Permit No. 303 No. Permit Eugene, OR 97401 Eugene, run 7:00 – 10:00 pm. Nonprofit Organization CCPA members meet annually to approve a policy statement, 2018 CCPA Membership Meeting Agenda a budget for the upcoming year and to elect members to the WOW Hall Board of Directors. Wednesday, April 25th, WOW Hall This year the membership can elect up to five board members. 6:30 Social and Snacks. Meeting 7pm-10pm. All will be elected to two-year terms. IV. CCPA Mission Statement Completing their terms are board members Marjorie Bridges, V. General Policy Statement Jordan Cogburn, Mike Janes, Jon Silvermoon and Daylon Sloan. VI. Year in Review Continuing CCPA Board members are Aaron Dietrich, VII. State of Finances Hannah Finley, Marlene Monette and Jim Showker. Their terms a. Current Finances end in 2019. b. Presentation of 18’-19’ Budget More members are needed to serve on the Board of Directors. c. Membership Vote to Approve Budget VIII. General Manager Fundraising Presentation CCPA members who can devote time and skills to the organiza- IX. Nomination Board of Directors tion are encouraged to run. To qualify to serve on the board of a, Board Member Nomination and Acceptance directors, one must have been a CCPA member for at least 30 b. BREAK (Ballot Formation during this Time) days prior to the election. c. Ballot Distribution to Membership This meeting is open to the public but only members may d. Nominee Speeches and Q/A vote. A person can become a member by paying membership e. Membership Turn in Ballots dues ($15-35 sliding scale) or by donating ten hours of non-show X. Committee and Staff Reports volunteer time. XI. Public Comments/Open Forum XII. Announcement of New Board of Directors RETURN SERVICE REQUESTED Community Center for the Arts Performing 291 West 8th 97401 OR. Eugene, If you are not a member and want to become one, or wish to XIII. Meeting Adjourned check your membership status, please call 541-687-2746 or stop *A person must have been a CCPA member for 30 days to run for the board by the WOW Hall office. To join or renew via PayPal, go to K k The Community Center for the WOW HALL NOTES Performing Arts is located in the Historic Woodmen of the World Hall (W.O.W. Hall), 291 W 8th, Eugene, Or 97401, (541)687-2746, info@wowhall. org, www.wowhall.org, Box office hours Mon-Fri Noon-6:00 PM. Printed monthly by Western Oregon Webpress, Circulation 3,800, General Support made possible by a grant from Lane Arts Council with support from City of Eugene Cultural Services Division, Copyright 2018 All rights reserved Notes Staff: Copy Editor & Advertising Representative - Bob Fennessy, Layout & Design - James Bateman CCPA Staff: Membership Coordinator & Publicist - Bob Fennessy, Programming Manager - Joshua Finch, Stage Manager - Justin Showker, Asst Stage Manager - Davis Koier, Robert Chappel, Office Manager - Zac Townsend, Bookkeeper - Melissa Swan, Volunteer Coordinator - Kaleah Bishop, House Manager - Jaley Osuna Concessions Managers - Angela Lees, Shawn Lynch, Kambra Morris-Mitzner Custodian - Daniel Noall, Eric Herz, Lighting Director - Cody Owen, Volunteer Staff: Charles Peters, Dan Wathen, Poster Distribution - WOW Hall Poster Crew, CCPA Board of Directors: Chair: Aaron Dietrich, Vice Chair: Mike Janes, Treasurer: Marjorie Bridges, Secretary: Jordan Cogburn, Members: Hannah Finley, Marlene Monette, Jim Showker, Jon Silvermoon, Daylon Sloan MC CHRIS IS BACK! On Sunday, April 15, the Your Pretty Face is Going to Hell for the Cystic Fibrosis Foundation CCPA and University of Oregon and Tight Bros. He was also a through eBay sales and donations Campus Radio 88.1 FM KWVA producer of on air content for collected at live shows. welcome M.C.
Load more

Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Consent Motion to Modify the Settlement
    UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF NEW YORK ----------------------------------------------------------------------- x : : : In re SONY BMG CD Technologies Litigation : No. 05 CV 9575 (NRB) : : : ----------------------------------------------------------------------- x DEFENDANT SONY BMG MUSIC ENTERTAINMENT’S AND CLASS COUNSEL’S AGREED MOTION TO MODIFY THE SETTLEMENT AGREEMENT AND NOTICE FORMS Jeffrey S. Jacobson (JJ-8872) Daniel C. Girard (Pro Hac Vice) DEBEVOISE & PLIMPTON LLP GIRARD GIBBS & 919 Third Avenue & DeBARTOLOMEO LLP New York, New York 10022 601 California Street (212) 909-6000 San Francisco, California 94108 (415) 981-4800 Counsel for Defendant Sony BMG Music Entertainment Scott A. Kamber (SK-5794) KAMBER & ASSOCIATES LLC 19 Fulton Street, Suite 400 New York, New York 10038 (212) 571-2000 Class Counsel 22121933v1 At a hearing on January 6, 2006, the Court granted preliminary approval to a settlement of this consolidated class action matter, and ordered that notice be sent to members of the proposed Settlement Class by February 15, 2006. The parties advised the Court at that hearing that, prior to the notice date, they may seek to amend the Settlement Agreement in ways that would be favorable to the Settlement Class, and to make conforming amendments to the forms of notice that will be disseminated. Consistent with those representations, the parties respectfully request that the Court enter the attached Order, which provides: 1. The Settlement Agreement among the parties is amended to include, as a new
    [Show full text]
  • O Porquê Da Existência De Festivais Punk Na Europa
    Paulo Bettencourt Lemos A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Relatório de estágio em Comunicação e Jornalismo, orientado pelo Doutor Carlos Camponez, apresentado ao Departamento de Informação, Comunicação e Filosofia da Faculdade de Letras da Universidade de Coimbra Julho de 2014 1 Faculdade de Letras A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Ficha Técnica: Tipo de trabalho Relatório de estágio Título A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Autor Paulo Bettencourt Lemos Orientador Doutor Carlos Camponez Júri Presidente: Vogais: 1. 2. Identificação do Curso 2º Ciclo em Comunicação e Jornalismo Data da defesa Classificação 2 Resumo Embora o Punk tenha surgido em finais da década de 70 como uma contra-cultura revolucionária que se opôs aos valores sociais vigentes da sociedade inglesa, rapidamente a indústria absorveu este movimento social. A atual aceitação social da prévia rebeldia Punk deu-se através da sua comercialização, onde foi possível ao mainstream suavizar os seus aspetos mais agressivos popularizando assim agrupamentos musicais do género. A vulgarização do Punk ocorreu deste modo através da incorporação comercial da sua música e estética. Neste relatório de estágio reflete-se sobre o papel e a influência da indústria no Punk. Através de uma análise ao festival Mighty Sounds, compreenderemos como a comercialização desta tribo urbana tornou este fenómeno facilmente reconhecido a nível mundial e qual o impacto da indústria nos movimentos do underground, desconhecidos pelo grande público, e que se encontram fora dos mediatismos comerciais e noticiosos. Palavras-chave: Mighty Sounds, Punk, Música, Festivais de Verão, República Checa, Praga 3 Abstract Although Punk has emerged in the late 70s as a revolutionary counter-culture that opposed the prevailing social values of English society, the industry quickly absorbed this social movement.
    [Show full text]
  • ARTIST INDEX(Continued)
    ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) JAN CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 16 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 12, 17 JUSTIN BIEBER A40 2, 18, 19, 31; AC 8, 13; OLIVIA COLMAN CL 7 FLEETWOOD MAC B200 36, 109; BL 6; INT 17; I PREVAIL RKA 20 LIL DURK B200 2, 116; RBA 1; RLP 1; A40 37; 21 SAVAGE B200 40; RBA 20; RLP 20; H100 55; DA 33, 39; H100 4, 6, 18, 36; HA 4, 11, 50; HD JOHN COLTRANE JZ 14 PCA 2, 39; HD 47 THE IRISH CHAMBER ORCHESTRA CL 9 DA 26; H100 8, 59, 74, 84,
    [Show full text]
  • Road Notez 100 Monkeys June 29 Murat Egyptian Room Indianapolis a “Day-Long Celebration of the Motor City.” ? & the Mysterians W/Joey O Band Aug
    --------------- Calendar • On The Road --------------- Kid Rock is playing another hometown gig .38 Special w/Southside Johnny & The Asbury Jukes July 30 Fraze Pavilion Kettering, OH in Detroit’s Comerica Park on August 12. 10 Years ($12 adv., $15 d.o.s.) Aug. 12 Piere’s Fort Wayne The show will headline what is being called Road Notez 100 Monkeys June 29 Murat Egyptian Room Indianapolis a “day-long celebration of the Motor City.” ? & The Mysterians w/Joey O Band Aug. 13 DeKalb Outdoor Theatre Auburn Sammy Hagar and the Wabos will open CHRIS HUPE The Afters w/This Fire’s Embrace, Everyday Sunday & Spoken Sept. 10 Rochester City Park Rochester for Kid Rock, and tickets go on sale June Air Supply ($25) Aug. 6 Foellinger Theatre Fort Wayne 11 at 10 a.m. Incidentally, Rock recently donated $50,000 to Detroit charities, making Alice Cooper w/Ace Frehley Aug. 27 DTE Energy Music Theatre Clarkston, MI Alison Krauss & Union Station feat. Jerry Douglas June 9 White River State Park Indianapolis good on a promise he made in response to criticism he recently received for displaying a Alison Krauss & Union Station feat. Jerry Douglas June 10 Fraze Pavilion Kettering, OH Confederate flag onstage during performances. Alison Krauss & Union Station feat. Jerry Douglas ($29.50-$49.50) Sept. 8 Fox Theatre Detroit The first Inked Magazine Tour will feature The Damned Things as the headliner and will All Time Low w/Cartel, The Cab & We Are The In Crowd Aug. 25 Murat Egyptian Room Indianapolis Ambrosia July 14 C2G Music Hall Fort Wayne hit stages in Chicago, Detroit, Cincinnati and Cleveland in late August.
    [Show full text]
  • Organization of a Large Scale Music Event: Planning and Production
    Organization of a large scale music event: planning and production Tatiana Caciur Thesis MUBBA 2012 Abstract 17.1.2012 MUBBA Author or authors Group or year of Tatiana Caciur entry 2008 Title of report Number of Organization of a large scale music event: planning and pages and production. appendices 54 + 4 Teacher/s or supervisor/s Heta-Liisa Malkavaara Live entertainment is currently one of the few vital components of the music industry as it struggles to survive in the XXI century and conform to the drastic changes on the music market. Music events occur in great amount on a daily basis and it is important to plan and produce them in the right manner in order to stay relevant and secure one‟s place on the market. This report introduces various crucial matters that require attention during event organization process, such as marketing and strategic planning, communication and promotion, risk management, event programming and capacity management, to name a few. The 5-phase project management model is applied as the base on which this thesis is built. The research is conducted by comparing the theoretical and practical approach used in the music event business. The practical approach is based on examinations and interviews with the world market leader in live entertainment – Live Nation. An additional analysis of practices used in other large and successful music events in Europe and USA is also conducted. As this thesis shows, the practical approach is often easier and less rigorous than the theory. Some of the steps in this process may be simply omitted due to being considered of little relevance by the management team, many other are outsourced to professional agencies depending on requirements (security, catering).
    [Show full text]
  • Wyborczy Wymuszał, Postrzelił Pobił, Byliśmy Na Fali Mińsk 1939 W Kolorze Tylko W Komiksie
    KWESTIONARIUSZ WYMUSZAŁ, TU NIE TRAFIA BYLIŚMY ZBIGNIEWA POBIŁ, SIĘ PRZYPADKIEM NA FALI BUCZKOWSKIEGO POSTRZELIŁ Nakład: 10 000 egz. BEZPŁATNY TYGODNIK SPOŁECZNO-KULTURALNY NR 43/44 (159/160) / 29 października 2014 r. ISSN NR 2083-5787 ELEMENTARZ WYBORCZY + DODATEK: WYBORY SAMORZĄDOWE 2014 www.strefaminsk.pl MIŃSK 1939 W KOLORZE TYLKO W KOMIKSIE Komiks można kupić: - w siedzibie tygodnika „Strefa Mińsk” przy ul. Świętokrzyskiej 5 w Mińsku w godz. 10-16, - w kwiaciarni Viro przy ul. Dąbrówki 42a w Mińsku, - w księgarni przy ul. Warszawskiej 180, naprzeciwko kościoła, - w kiosku przy ul. Topolowej (LOTTO), - w kiosku na stacji PKP (hol), - zamówić telefonicznie pod nr. tel. 501 460 499, - zamówić przez email: [email protected] i otrzymać pocztą. Wydanie w oprawie miękkiej kosztuje 21 zł, a w oprawie twardej 29,90 zł. STREFA NACZELNEGO To pięknie, gdy człowiek STREFY NUMERU jest dumny ze swego miasta, lecz jeszcze piękniej, Strefa informacji str. 4 gdy miasto też może być Nie przegap – kalendarz imprez z niego dumne. Strefa kryminalna str. 7 Wymuszał, pobił, postrzelił i pijani kie- Abraham Lincoln rowcy na ulicach Wybory samorządowe zbliżają się wielkimi krokami. Czuć już w powietrzu to napię- Strefa młodych str. 8 cie, które towarzyszyć nam będzie do 16 listopada – bo przecież wszystko może się Byliśmy na fali zdarzyć. I pewnie się zdarzy, ale nie dajmy się zwariować. W końcu to tylko wybory, a my będziemy obdarzać zaufaniem ludzi, którzy mają nas reprezentować na różnych Strefa urzędowa str. 10 szczeblach władzy samorządowej. Zróbmy więc to z głową, czyli tak jak trzeba, a nie daj- Elementarz wyborczy my się prowokować emocjonalnym manipulantom, dla których podzieleni i skłóceni mieszkańcy miasta, gminy, powiatu to bezmyślne owce prowadzone na polityczną rzeź.
    [Show full text]
  • X********X************************************************** * Reproductions Supplied by EDRS Are the Best That Can Be Made * from the Original Document
    DOCUMENT RESUME ED 302 264 IR 052 601 AUTHOR Buckingham, Betty Jo, Ed. TITLE Iowa and Some Iowans. A Bibliography for Schools and Libraries. Third Edition. INSTITUTION Iowa State Dept. of Education, Des Moines. PUB DATE 88 NOTE 312p.; Fcr a supplement to the second edition, see ED 227 842. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Annotated Bibllographies; *Authors; Books; Directories; Elementary Secondary Education; Fiction; History Instruction; Learning Resources Centers; *Local Color Writing; *Local History; Media Specialists; Nonfiction; School Libraries; *State History; United States History; United States Literature IDENTIFIERS *Iowa ABSTRACT Prepared primarily by the Iowa State Department of Education, this annotated bibliography of materials by Iowans or about Iowans is a revised tAird edition of the original 1969 publication. It both combines and expands the scope of the two major sections of previous editions, i.e., Iowan listory and literature, and out-of-print materials are included if judged to be of sufficient interest. Nonfiction materials are listed by Dewey subject classification and fiction in alphabetical order by author/artist. Biographies and autobiographies are entered under the subject of the work or in the 920s. Each entry includes the author(s), title, bibliographic information, interest and reading levels, cataloging information, and an annotation. Author, title, and subject indexes are provided, as well as a list of the people indicated in the bibliography who were born or have resided in Iowa or who were or are considered to be Iowan authors, musicians, artists, or other Iowan creators. Directories of periodicals and annuals, selected sources of Iowa government documents of general interest, and publishers and producers are also provided.
    [Show full text]
  • Rockschool Male Vocals Grade 3
    Introductions & Information Title Page Male Vocals Grade 3 Performance pieces, technical exercises and in-depth guidance for Rockschool examinations www.rslawards.com Acknowledgements Acknowledgements Published by Rockschool Ltd. © 2014 under license from Music Sales Ltd. Catalogue Number RSK091411R ISBN: 978-1-912352-33-3 This edition published July 2017 | Errata details can be found at www.rslawards.com AUDIO Backing tracks produced by Music Sales Limited Supporting test backing tracks recorded by Jon Musgrave, Jon Bishop and Duncan Jordan Supporting test vocals recorded by Duncan Jordan Supporting tests mixed at Langlei Studios by Duncan Jordan Mastered by Duncan Jordan MUSICIANS Neal Andrews, Lucie Burns (Lazy Hammock), Jodie Davies,Tenisha Edwards, Noam Lederman, Beth Loates-Taylor, Dave Marks, Salena Mastroianni, Paul Miro, Ryan Moore, Jon Musgrave, Chris Smart, Ross Stanley, T-Jay, Stacy Taylor, Daniel Walker PUBLISHING Compiled and edited by James Uings, Simon Troup, Stephen Lawson and Stuart Slater Internal design and layout by Simon and Jennie Troup, Digital Music Art Cover designed by Philip Millard, Philip Millard Design Fact Files written by Stephen Lawson, Owen Bailey and Michael Leonard Additional proofing by Chris Bird, Ronan Macdonald, Jonathan Preiss and Becky Baldwin Cover photography © JSN Photography / WireImage / Getty Images Full transcriptions by Music Sales Ltd. SYLLABUS Vocal specialists: Martin Hibbert and Eva Brandt Additional consultation: Emily Nash, Stuart Slater and Sarah Page Supporting tests composition:
    [Show full text]
  • ARTIST TITLE FORMAT Marie-Mai Elle Et
    ARTIST TITLE FORMAT Marie-Mai Elle et Moi 12" vinyl Brandi Carlile A Rooster Says 12" The Trews No Time For Later (Limited Edition) 2XLP Charli XCX Vroom Vroom EP 12" EP Ron Sexsmith Hermitage (RSD20EX) 12" vinyl Grouplove Broken Angel 12" My Chemical Romance Life On The Murder Scene (RSD20 EX) LP Black Keys Let's Rock (45 RPM Edition)(RSD20 EX) 2-LP k.d. lang & the Reclines Angel With A Lariat (RSD20 EX) LP k.d. lang Drag (RSD20 EX) 2-LP Phenomenon (Music From The Motion Picture) Music From The Motion Picture (RSD20 EX) 2-LP Music From the X-Files: The Truth and the Light Mark Snow (RSD20 EX) LP Batman & Robin (Music From and Inspired By Music From And Inspired By The Motion Picture) (RSD20 EX) 2-LP Avalon (Original Motion Picture Score) (RSD20 Randy Newman EX) LP Lethal Weapon (Original Motion Picture Soundtrack Soundtrack) (RSD20 EX) LP Metroland (Music and Songs From The Film Mark Knopfler (RSD20 EX) LP Austin Powers: The Spy Who Shagged Me Music From The Motion Picture Soundtrack (RSD20 EX) LP Music From The Motion Picture: Austin Powers In Soundtrack Goldmember (RSD20 EX) LP Randy Newman The Natural (RSD20 EX) LP Tonight In The Dark We're Seeing Colors (RSD20 Tegan and Sara EX) LP Gary Clark Jr. Pearl Cadillac (feat. Andra Day) (RSD20 EX) 10" EP Gorillaz G-Sides (RSD20 EX) LP Gorillaz D-Sides (RSD20 EX) 3-LP Neil Young Homegrown (RSD20 EX) LP Biffy Clyro Moderns (RSD20 EX) 7" Wale Wow…That's Crazy (RSD20 EX) LP Skid Row Slave To The Grind (Expanded) 2LP Live from the Apollo Theatre Glasgow Feb Alice Cooper 19.1982 2LP - 140gram black vinyl Fleetwood Mac The Alternate Rumours 1LP, 180gram, black vinyl 5-LP, 180-gram vinyl, with Grateful Dead Buffalo 5/9/77 10th-side etching.
    [Show full text]
  • L the Charlatans UK the Charlatans UK Vs. the Chemical Brothers
    These titles will be released on the dates stated below at physical record stores in the US. The RSD website does NOT sell them. Key: E = Exclusive Release L = Limited Run / Regional Focus Release F = RSD First Release THESE RELEASES WILL BE AVAILABLE AUGUST 29TH ARTIST TITLE LABEL FORMAT QTY Sounds Like A Melody (Grant & Kelly E Alphaville Rhino Atlantic 12" Vinyl 3500 Remix by Blank & Jones x Gold & Lloyd) F America Heritage II: Demos Omnivore RecordingsLP 1700 E And Also The Trees And Also The Trees Terror Vision Records2 x LP 2000 E Archers of Loaf "Raleigh Days"/"Street Fighting Man" Merge Records 7" Vinyl 1200 L August Burns Red Bones Fearless 7" Vinyl 1000 F Buju Banton Trust & Steppa Roc Nation 10" Vinyl 2500 E Bastille All This Bad Blood Capitol 2 x LP 1500 E Black Keys Let's Rock (45 RPM Edition) Nonesuch 2 x LP 5000 They's A Person Of The World (featuring L Black Lips Fire Records 7" Vinyl 750 Kesha) F Black Crowes Lions eOne Music 2 x LP 3000 F Tommy Bolin Tommy Bolin Lives! Friday Music EP 1000 F Bone Thugs-N-Harmony Creepin' On Ah Come Up Ruthless RecordsLP 3000 E David Bowie ChangesNowBowie Parlophone LP E David Bowie ChangesNowBowie Parlophone CD E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone 2 x LP E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone CD E Marion Brown Porto Novo ORG Music LP 1500 F Nicole Bus Live in NYC Roc Nation LP 2500 E Canned Heat/John Lee Hooker Hooker 'N Heat Culture Factory2 x LP 2000 F Ron Carter Foursight: Stockholm IN+OUT Records2 x LP 650 F Ted Cassidy The Lurch Jackpot Records7" Vinyl 1000 The Charlatans UK vs.
    [Show full text]