Giselle Coming Captured Live in Moscow Soon

Total Page:16

File Type:pdf, Size:1020Kb

Giselle Coming Captured Live in Moscow Soon SEASON 2017 | 2018 GISELLE COMING CAPTURED LIVE IN MOSCOW SOON GISELLE ACT I Ballet in two acts Giselle, a young peasant girl, is madly in love with Albrecht Captured live on October 11, 2015 who swore his love in return. Gamekeeper Hans, himself COPPÉLIA infatuated with Giselle, discovers Albrecht is not the simple DELIBES/VIKHAREV SCHEDULE village boy he pretends to be, but in fact a rich count 4 min Views of Moscow already engaged to the noble Bathilde. Hans confronts 8 min Introduction Albrecht in front of the entire village. Upset by this betrayal, 55 min Act I Giselle goes mad and dies from sadness. 18 min Intermission (with interviews) 60 min Act II ACT II 5 min Bows and Credits At night, Hans and Albrecht take turns mourning in utter grief at Giselle’s tomb. The Wilis, vengeful spirits of women FROM MOSCOW MUSIC ADOLPHE ADAM dead from deceitful love, suddenly appear from the 27 JUN AT 4 PM CHOREOGRAPHY YURI GRIGOROVICH graves. Their impassible queen Myrtha sentences both LIBRETTO T. GAUTIER/J.-H. SAINT-GEORGES men to dance to death. Hans eventually dies of MUSICAL DIRECTION PAVEL KLINICHEV exhaustion. When Albrecht’s turn comes, Giselle intervenes… HOSTED BY KATYA NOVIKOVA Join us on Instagram! CAST @BolshoiBalletinCinema GISELLE SVETLANA ZAKHAROVA #Giselle ALBRECHT SERGEI POLUNIN MYRTHA EKATERINA SHIPULINA Don’t miss exclusive photos and videos from the season HANS DENIS SAVIN 2017-18 of the Bolshoi Ballet in Cinema on our PAS DE DEUX DARIA KHOKHLOVA/IGOR Instagram account! TSVIRKO IN PARTNERSHIP WITH DIRECTED BY VINCENT BATAILLON Bolchoiballetincinema.com Pathé Live @Pathelive_EN / #Bolshoi #Giselle.
Recommended publications
  • Throw Together a Night of Performances by International
    Throw together a night of performances by international dancers, sprinkle in some teenage competition winners’ solos, and call it something cute: That would seem to be the recipe for Youth America Grand Prix’s “Stars of Today Meet the Stars of Tomorrow” gala, happening this Thursday and Friday at the Brooklyn Academy of Music. Except, the name of this annual program is eerily prescient. When you look back at the lists of YAGP medalists from the past 15 years, that “Stars of Tomorrow” moniker is spot-on. They read like something of a Who’s Who of ballet—including several top names who’ve been highlighted in Dance Magazine. Back in 2002, Sarah Lane nabbed the senior bronze medal with an unforgettable performance: After her music stopped 20 seconds into her Paquita variation, she finished the rest in silence. In the audience (which erupted into a spontaneous standing ovation) was American Ballet Theatre artistic director Kevin McKenzie. We ended up putting Lane onDance Magazine‘s cover in June 2007 just before he promoted her to soloist. Jim Nowakowski won the Youth Grand Prix in 2002 before joining Houston Ballet, then took a star turn on “So You Think You Can Dance.” We named him one of Dance Magazine‘s “25 to Watch” this year. That same year, Brooklyn Mack placed third in the classical dance category for senior men. Today, he’s a standout dancer at The Washington Ballet, and partnered Misty Copeland in her first U.S. performance of Swan Lake. Hee Seo took the Grand Prix in 2003.
    [Show full text]
  • Books Spring 2021 Bestselling Titles Worldwide Bestselling Titles for 2019/2020
    BOOKS SPRING 2021 BESTSELLING TITLES WORLDWIDE BESTSELLING TITLES FOR 2019/2020 Published in Published in Rolex 1 April 2020 2 September 2020 The Stylish Life Skiing 34.476 copies Rolex (including previous editions) 23.802 copies Nordic Islands New Extended Edition ISBN 978-3-96171-323-3 ISBN 978-3-8327-3266-0 ISBN 978-3-96171-255-7 ISBN 978-3-96171-323-3 ONLY AVAILABLE IN 9 783961 713233 NORTH AMERICA 9 783961 712557 9 783961 713233 Published in Published in 3 March 2020 4 February 2019 Born to Ice Apollo VII-XVII 20.180 copies 19.514 copies Chicken The Cow ISBN 978-3-96171-123-9 ISBN 978-3-96171-132-1 ISBN 978-3-96171-261-8 ISBN 978-3-96171-184-0 9 783961 711239 9 783961 711321 9 783961 712618 9 783961 711840 NEWCOMER Published in Published in Dogs 5 April 2020 September 2020. nd Diamonds & Pearls Small Flexicover Edition Already in 2 edition! 14.350 copies 14.053 copies Lost Wheels Cities of Silence ISBN 978-3-8327-9705-8 ISBN 978-3-8327-6924-6 ISBN 978-3-96171-258-8 ISBN 978-3-96171-320-2 9 783832 797058 9 783832 769246 9 783961 712588 9 783961 713202 Information on our bestsellers marked with ! and ! can 9be783961 found in 710003the backlist starting on page 64. 1 CONTENTS TENEUES BOOKS SPRING 2021 A TRIBUTE TO MOTHER EARTH | Marsel van Oosten 4 MOUNTAIN ESCAPES | Martin N. Kunz 6 VULNERABLE | Olga Michi 8 LAST OF THEIR KIND | Joachim Schmeisser 10 METROPOLITAN LUXURY | Eric Kuster 12 ARCHITECTURE AND DESIGN REVIEW 14 THE WATCH BOOK – MORE THAN TIME | Gisbert L.
    [Show full text]
  • Impressionist, Modern Art Fetches $290M in New York
    Lifestyle FRIDAY, NOVEMBER 8 , 2013 Rebel dancer takes Moscow theatre to new heights ergei Polunin admits money and fame can me and that is very important. Because not many be an addiction. He says his hero is bad-boy people did,” Polunin said. He admitted that “you Sactor Mickey Rourke. He does not much like get hooked” on the financial rewards that come rehearsing and sometimes prefers not to show with being an international ballet star and said the up. Yet the Ukrainian, 23, is now arguably the fame can be an addiction in itself. “But once you hottest young ballet dancer on the planet, with an have been there and come out you realize how impeccable classical technique, astounding jumps stupid this is. It’s important, like Igor told me, to and a natural gift for acting. In 2012 he caused a ‘stay and do what you do’”. He revealed he had sensation by walking out on the Royal Ballet of received offers for film work, including from Covent Garden in London, which had nurtured his Hollywood, but said they had been for “secondary career since his teens and where he had shot to roles” that would have been “risky” to take. stardom. Polunin’s success has been a huge coup for There was talk of a bad attitude, depression, a the Stanislavsky at a time of great turbulence for row with a top ballerina, and for several months the Bolshoi ballet after an assailant threw acid on Polunin appeared to have retreated to the wilder- its director Sergei Filin, nearly blinding him in an ness.
    [Show full text]
  • Press Information → 2020/21 Season
    Press Information → 2020/21 Season THE VIENNA ① STATE BALLET 2020/21 »Along with my team and my dancers, I intend to work towards developing the Vienna State Ballet into a major hotspot of the art of dance in Austria and Europe forming an ensemble that reflects and inspires the traditions, changes and innovations of the lively metropolis, city of art and music, Vienna.« Martin Schläpfer Martin Schläpfer takes over the direction of the Vienna State Ballet with the 2020 / 21 season. The renowned Swiss choreographer and ballet director has recently led the multi-award-winning Ballett am Rhein Düsseldorf Duisburg to international acclaim. His works fascinate with their intensity, their virtuosity, their deeply moving images and a concise language of movement, which is understood as making music with the body, but always reflects the atmosphere and questions of today’s world. Several performances offer the opportunity to encounter Martin Schläpfer’s art – including two world premieres: Two new pieces for Vienna are being created to Gustav Mahler’s 4th Symphony and Dmitri Shostakovich’s 15th Symphony, which also mark the beginning of the intensive creative dialogue that Martin Schläpfer will be establishing with the artists of his ensemble in the coming years. As director, Martin Schläpfer is a bridge-builder who will naturally continue to cultivate the great ballet traditions, but will also enrich the programme with important contemporary artists and a great variety of choreographic signatures. The masters of American neo-classical ballet George Balanchine and Jerome Robbins will continue to be among the fixed stars of the Vienna repertoire, as will the Dutchman Hans van Manen.
    [Show full text]
  • Ies Plurilingüe Fontexería – 2020-2021 – Inglés Ii – 03/05/2021 Name: ______2º Bacharelato A/B
    IES PLURILINGÜE FONTEXERÍA – 2020-2021 – INGLÉS II – 03/05/2021 NAME: __________________________________________________ 2º BACHARELATO A/B Read the instructions to the questions very carefully and write all your answers in English. Answer ONLY 4 OF THE 6 QUESTIONS BELOW. If you answer more than four questions, only the first four questions will be marked . QUESTION 1. READ THE TEXT A AND ANSWER THE THREE QUESTIONS BELOW: (2.5 points) 1.1. Write a summary of text A in English, including the most important points, using your own words. (Approximately 50 words; 0.75 points). 1.2. Indicate whether the following statements are true or false (T/F) according to text A. Copy that part (and ONLY that part) of the text which justifies your answer. (1 point; 0.25 each) a. Mediterranean diet is linked to good health. B. Cretans were not thought to eat so healthily. c. The conclusions of the study were generally accepted. d. He never lost faith in his conclusions. 1.3. Find words or phrases in text A that correspond in meaning to the words and definitions given here: (0.75 points; 0.25 each) a. detailed B. considered c. significant TEXT A It didn’t take the food industry long to realize that putting “Mediterranean diet” on its products or advertising would make consumers immediately associate the term with healthy eating, even in the case of industrial-grade pizza, alcoholic drinks, or snacks packed with salt, sugar and the wrong kind of fats. Scientific interest in the Mediterranean diet dates at least from 1953, when an epidemiologist called Leland G.
    [Show full text]
  • ORLANDO, FL National Season Finale! WORKSHOP SCHEDULE THURSDAY JULY 15 FRIDAY JULY 16 SPECIAL OPPORTUNITIES SPECIAL OPPORTUNITIES
    ORLANDO, FL JULY 13-18, 2021 NATIONAL SEASON FINALE! NATIONAL Executive Director Joe Lanteri General Manager Travis Fritsche Dear Dance Friends, Programs Manager Diane Rose We are excited to welcome you to the New York City Dance Alliance Production Manager National Season Finale! What a year we have all shared! As an Lionel Christian organization, it is impossible to adequately express the heartfelt gratitude we feel – always, but especially this season. Every studio Registration/Event Manager owner, dance teacher, dancer, and dance parent shares in this Katie Calder celebration. Each of you has contributed to the continued success of Event Manager NYCDA. Without a doubt, our NYCDA family is THE BEST! This entire Eimile Davis event is dedicated to YOU... and the legacy you have helped us to create. Tour Event Manager Marika Matuszak For years, NYCDA has set the standard of excellence within our Office Manager industry. We continue to redefine the ‘dance convention’ by offering Vanessa Pereira each and every dancer the tools needed to empower themselves... in ONY Competition Manager dance and in life. We are committed to providing unique experiences, Michelle Schindledecker unmatched scholarship opportunities, and professional resources. This week is your time to push the boundaries, explore, and grow. Administrative Associate Jaden Young We all have much to celebrate. Let’s dance together, enjoy each other Temple Kemezis and applaud each other’s growth and success every step of the way. Production Team What a family.... what an alliance!
    [Show full text]
  • Sergei Polunin Über Den Tag, Als Er Sich Das Konterfei Von Wladimir Putin Tätowieren Ließ Quelle: Dvt
    „Ich wusste sehr früh schon, dass es Engel gibt und Dämonen“ Stand: 27.01.2019 | Lesedauer: 18 Minuten Von Dagmar von Taube Chefreporterin "Ich ging rein und sagte zu dem Tätowierer: 'Ich will Putin'": Sergei Polunin über den Tag, als er sich das Konterfei von Wladimir Putin tätowieren ließ Quelle: DvT Meisterhaft und durchgeknallt, Sergei Polunin ist der provokanteste Star der Ballettwelt. Er liebt Putin und sagt, Weicheier und Dicke gehörten geschlagen. Sein Social-Media-Auftritt verstörte. Zeit für ein klares Gespräch. 49 Seine Sprünge, seine Drehungen, diese Erhabenheit! Sergei Polunin wird als Meistertänzer und James Dean der Ballettwelt gefeiert. Mit drei Jahren fing er an, mit 19 galt er als größtes Talent seiner Generation. Mit 29 flog er jetzt aus gleich zwei Opernhäusern raus. Denn der gebürtige Ukrainer, inzwischen auch russischer Staatsbürger, schwärmt für Putin und spricht verächtlich über verweichlichte Männer und träge Dicke. „Fette Leute“ müsse man „ohrfeigen“, weil deren „Faulheit“ nicht zu akzeptieren sei, postete er auf Instagram. Männer seien „schwach“, „peinlich“. Sie sollten Wölfe, Kämpfer sein, aber weil sie Frauen nicht mehr „ficken“, müssten diese nun die Männerrolle übernehmen. Sein Instagram-Account wurde gesperrt. Diese Woche war er auf der Münchner DLD-Konferenz. Sein Händedruck ist überraschend zart, der Tänzer gar nicht so groß und muskulös. Das Kraftvolle, das, was ihn so angriffslustig auf Fotos wirken lässt, sind seine etwas unheimlichen Augen, sein starrer Blick, und seine Tattoos. Sergei Polunin hat bestimmt 20 Gramm Tinte unter der Haut. Dann steht er vor einem. Er lächelt schüchtern. Erstaunlich verschämt senkt sich sein Blick. Ein Fehler ist aufgetreten.
    [Show full text]
  • The Royal Ballet Collection RELEASE DATE 24 SEPTEMBER 2021
    RELEASE DATE 24 SEPTEMBER 2021 The Royal Ballet Collection The Royal Ballet A 15-disc set celebrating the talent of The Royal Ballet at a special, lower price "... [the] performance exemplified the Royal Ballet’s high standards of seamless, naturalistic and musically attentive dance acting." (The New York Times – Swan Lake) Over a decade of dance is represented here with no fewer than 22 ballets in this magnificent 15-disc collection of stunning performances by The Royal Ballet, including spectacular stagings of well-known narrative ballets, era-defining abstract works and show-stopping shorter ballets. 19th-century masterpieces, heritage works by Frederick Ashton and Kenneth MacMillan, and contemporary classics by The Royal Ballet’s Resident Choreographer Wayne McGregor and Artistic Associate Christopher Wheeldon are here performed by Royal Ballet dancers past and present. A special edition book contains articles about The Royal Ballet, its repertory and its choreographers, as well as full synopses for all the narrative ballets, richly illustrated with striking photographs of the productions. This title is a re-packaging of The Royal Ballet Collection (OA1222BD / OABD7210BD) at budget price, including the same content and booklet as the original release (which will be discontinued). 15 X DVD / 15 X BLU-RAY Ballets included: Cat: OA1338BD / OABD7292BD UPC: 809478013389 / 809478072928 • Sylvia with Darcey Bussell and Roberto Bolle • The Sleeping Beauty with Alina Cojocaru and Duration: approx. 1737 minutes Federico Bonelli Audio: LPCM
    [Show full text]
  • The White Crow
    Presents THE WHITE CROW A film by Ralph Fiennes (127 mins, United Kingdom/France, 2018) Language: Russian, English & French Distribution Publicity Mongrel Media Inc Bonne Smith 1352 Dundas St. West Star PR Toronto, Ontario, Canada, M6J 1Y2 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com THE WHITE CROW The Cast Rudolf Nureyev OLEG IVENKO Clara Saint ADÈLE EXARCHOPOULOS Alexander Pushkin RALPH FIENNES Pierre Lacotte RAPHAËL PERONNAZ Xenia Pushkin CHULPAN KHAMATOVA Yuri Soloview SERGEI POLUNIN Claire Motte CALYPSO VALOIS Teja Kremke LOUIS HOFMANN Gregory Alexinsky OLIVIER RABOURDIN Ravshana Kurkova FARIDA NUREYEV Strizhevsky ALEKSEY MOROZOV THE WHITE CROW The Filmmakers Director RALPH FIENNES Writer DAVID HARE Produced by GABRIELLE TANA Executive Producers ROSE GARNETT JOE OPPENHEIMER ANNE SHEEHAN PETER WATSON MARIE-GABRIELLE STEWART LISA WOLOFSKY LIAM NEESON STEPHANIE COLEMAN ANYA RECORDATI WAYNE MARC GODFREY ROBERT JONES Producers RALPH FIENNES CAROLYN MARKS BLACKWOOD ANDREW LEVITAS FRANÇOIS IVERNEL Co-Producers MARK COOPER MEG CLARK Associate Producers SAM GORDON LAURA COATES Director of Photography MIKE ELEY Production Designer ANNE SEIBEL Costume Designers MADELINE FONTAINE Composer ILAN ESHKERI Editor BARNEY PILLING Casting ALLA PETELINA ELODIE DEMY NENAD PAVLOVIC ANJA DIHRBERG Make-Up and Hair Designer LIZZI LAWSON ZEISS THE WHITE CROW Synopsis A young man of just 23, dressed in a black beret and a dark narrow suit, is on an airplane flying from St Petersburg to Paris. It is 1961 and Rudolf Nureyev, not yet the imperious figure of legend, is a member of the world-renowned Kirov Ballet Company, travelling for the first time outside the Soviet Union.
    [Show full text]
  • Annual Review 2010/11 Contents
    REVIEW 2010/11 The ROY AL OPERA HOUSE ANNUAL REVIEW 2010/ 11 ww.roh.org.uk ondon WC2E 9DD ondon WC2E elephone +44 (0)20 7240 1200 elephone +44 (0)20 7240 Managing Editor, Dan Foulkes for Milknosugar for Dan Foulkes Managing Editor, 211775 Charity no. Registered Royal Opera House Opera Royal Garden Covent L T w Roberta Marquez and Sergei Polunin Giselle The REVIEW 2010/11 OVER THE LAST DECADE: Attendances in the main auditorium increased by 3.4% and we played to 92% capacity We have consistently welcomed over 640,000 audience members to Covent Garden each year We have developed a global cinema programme that reached over 230,000 people last year Participation in our Education programme has grown by 126% ENABLED BY INCREASES IN: Turnover 113% Generosity from Friends, patrons, donors, trusts, foundations and sponsors 214% Substantially increased new commercial income streams CONSEQUENTLY: Our reliance on ACE subsidy decreased by 35% ROYAL OPERA HOUSE ANNUAL REVIEW 2010/11 CONTENTS S S BOARD OF TRUSTEES DEVELOPMENT COMMITTEE Simon Robey (Chairman) Simon Robey (Chairman) Baroness Blackstone The Countess of Chichester CONTENTS The Countess of Chichester Sir Simon Robertson Sir David Clementi Dame Gail Ronson DBE Sir Nicholas Hytner Danny Wyler Professor Margaret Maden Lady Young of Graffham Nicholas Prettejohn ENGAGEMENT, EDUCATION AND ACCESS Heather Rabbatts CBE 1 Chief Executive 7 Sir Simon Robertson COMMITTEE Professor Margaret Maden (Chairman) Dame Gail Ronson DBE 2 Chairman 13 Roland Rudd Baroness Blackstone Anthony Salz Deborah Bull CBE
    [Show full text]
  • Ein Einziges Versagen Auf Zwei Beinen (Sergej Polunin)
    „Ein einziges Versagen auf zwei Beinen“ Von Dagmar von Taube, Chefreporterin (Die Welt), 17.04.2019, Lesedauer: 10 Minuten Ballettschule in Kherson, Royal Ballet School „White Lodge“ mit elf, mit 17 kam er zur Londoner Royal Opera, Quelle: Niklas Haze Sergei Polunin verprellte Opernhäuser, löste Shitstorms aus und zerfetzte sich für Künstler David LaChapelle sein Knie. Jetzt tritt er mit Nurejew auf, im Kino. Das „Beast of Ballet“ über die Anatomie einer tanzenden Schmerztablette. Ein übersichtlich möbliertes Zimmer mit Bad, Topfpflanzen, das Sofa ist zu einem sloppy Bett aufgeklappt. Sein Zuhause in London-Soho, das er zur Untermiete bewohnt. Andere sitzen im Pub. Sergei Polunin befüllt an einem Freitagabend noch eine Waschtrommel mit Frottee und Socken. Während des Wartens kriegt man viel mit vom ewigen Ein- und Auscheckprozess seines Alltags. Morgen geht’s wieder weiter, nach Belgrad diesmal. Telefonate. Auf der Küchentheke liegt zwischen Reiswaffeln und Wasserflaschen praktisch immer alles parat: Einwegrasierer, Ladestecker, „Costa Azzurra“, der Unisex-Duft von Tom Ford, Tabletten und Wundsalben. Der Tänzer gilt in der Ballettwelt als meisterhaft - und durchgeknallt. Aus seiner Verehrung für Wladimir Putin macht der Ukrainer, der inzwischen auch russischer Staatsbürger ist, kein Geheimnis. Er ließ sich den russischen Präsidenten, der als Kopf hinter dem Krieg in seiner Heimat gilt und Massenmörder Assad stützt, auf die Brust tätowieren. Sein Social-Media-Auftritt verstörte. Sein Bad- Boy-Image pflegte er mit Hingabe. Männer würden verweichlichen und gehörten geschlagen, postete der 29-Jährige auf Instagram und erntete einen gewaltigen Shitstorm. „Ich war zerstörerisch eine Weile, auch mit meiner Karriere“, sagt Polunin jetzt. In einem Interview, das wir Anfang des Jahres mit ihm führten, hat er sich zu seinen verschrobenen Ansichten erklärt, seine Kommentare auf Instagram inzwischen gelöscht.
    [Show full text]
  • Sergei Polunin: One Giant Leap for British Ballet
    Sergei Polunin: One giant leap for British ballet Sergei Polunin makes his debut in Manon. The Ukrainian explains how he combines dance stardom with plans to open a celebrity tattoo parlour by Jessica Duchen, 8 November 2011 Stage lights, says Sergei Polunin, can conceal as much as they illuminate. Perhaps it's just as well, because among this youthful Ukrainian's ventures into body art beyond ballet is a simulation of tiger scratches on his torso. "Nobody really noticed my tattoos," he remarks. "I put Sellotape or pancake make-up over them, but you'd be surprised how much you can't see when the lights hit." What you can see of Polunin, the Royal Ballet's youngest principal dancer, is mightily impressive. Long-limbed, with a radiant openness about his upper body, a spacious musicality and an apparently weightless, stratospheric jump, at only 21 he's a persuasive candidate to be British ballet's biggest hope. One bedazzled critic, reviewing him in Rhapsody earlier this year, even declared him "better than Baryshnikov" – praise indeed. This season is packed with vital landmarks and debuts for him: tonight, he makes his debut in Manon as Des Grieux, the luxury-seeking heroine's unfortunate lover. Soon there's his first Romeo in Kenneth MacMillan's Romeo and Juliet and an international cinecast of The Sleeping Beauty in which he is the Prince. Polunin looks like a young man in a hurry, but in fact he is lucky to be alive. Aged eight, he contracted pneumonia; one of his lungs stopped working and the local hospital sent him home still ill after six weeks.
    [Show full text]