Province of Ontario Council for the Arts Audited Financial Statements

Total Page:16

File Type:pdf, Size:1020Kb

Province of Ontario Council for the Arts Audited Financial Statements Province of Ontario Council for the Arts Audited Financial Statements Province of Ontario Council for the Arts Management’s Responsibility for Financial Information The accompanying financial statements of the Province of Ontario Council for the Arts (the OAC) are the responsibility of management and have been prepared in accordance with Canadian public sector accounting standards. Management maintains a system of internal controls designed to provide reasonable assurance that financial information is accurate and that assets are protected. The Board of Directors ensures that management fulfils its responsibilities for financial reporting and internal control. The Finance and Audit Committee and the Board of Directors meet regularly to oversee the financial activities of the OAC, and annually to review the audited financial statements and the external auditor’s report thereon. The financial statements have been audited by the Office of the Auditor General of Ontario, whose responsibility is to express an opinion on the financial statements. The Auditor’s Report that appears as part of the financial statements outlines the scope of the Auditor’s examination and opinion. On behalf of management: Peter Caldwell Director & CEO Jerry Zhang Director of Finance and Administration June 12, 2019 Office of the Auditor General of Ontario Bureau de la verificatrice generale de !'Ontario Independent Auditor's Report To the Province of Ontario Council for the Arts and to the Minister of Tourism, Culture and Sport Opinion I have audited the financial statements of the Province of Ontario Council for the A1ts (operating as Ontario Arts Council), which comprise the statement of financial position as at March 31, 20 I 9 and the statements of operations and changes in fund balances, remeasurement gains and losses and cash flows for the year then ended, and notes to the financial statements, including a summary of significant accounting policies. In my opinion, the accompanying financial statements present fairly, in all material respects, the financialposition of the Ontario A1ts Council as at March 31, 2019 and the results of its operations, its remeasurement gains and losses and its cash flows for the year then ended in accordance with Canadian public sector accounting standards. Basis for Opinion I conducted my audit in accordance with Canadian generally accepted auditing standards. My responsibilities under those standards are fu1ther described in the Auditor's Responsibilities for the Audit of the Financial Statements section of my report. I am independent of the Ontario A1ts Council in accordance with the ethical requirements that are relevant to my audit of the financial statements in Canada, and I have fulfilled my other ethical responsibilities in accordance with these requirements. I believe that the audit evidence I have obtained is sufficient and appropriate to provide a basis for my opinion. Responsibilities of Management and Those Charged with Governance for the Financial Statements Management is responsible for the preparation and fair presentation of these financial statements in accordance with Canadian public sector accounting standards, and for such internal control as management determines is necessary to enable the preparation of financial statements that are free from material misstatement, whether due to f raud or error. 20 Dund.is Street West Su11e 1530 ln preparing the financial statements, management is responsible for assessing the Ontario Arts Toron10. Ont.mo Council's ability to continue as a going concern, disclosing, as applicable, matters relating to MSG 2C2 416-327-2381 going concern and using the going concern basis of accounting unless the Ontario Arts Council ta� �16-327-9862 either intends to cease operations, or has no realistic alternative but to do so. Uy 416-327-6123 Those charged with governance are responsible for overseeing the Ontario Arts Council's 20 rue Dundas ouesl suile 1530 financial reporting process. Toronto (Ontario) MSG 2C2 Auditor's Responsibilities for the Audit of the Financial Statements �16-327-2381 tetecop1our 416-327-9862 ats 416•327-6123 My objectives are to obtain reasonable assurance about whether the financial statements as a whole are free from material misstatement, whether due to fraud or error, and to issue an auditor's 1·,1·11•1.audltor.on.ca report that includes my opinion. Reasonable assurance is a high level of assurance, but is not a Office of the Auditor General of Ontario Bureau de la verificatrice ge ne rale de !'Ontario guarantee that an audit conducted in accordance with Canadian generall y accepted auditing standards will always detect a material misstatemenr when it exists. Misstatements can arise rrom fraud or error and are considered material if, individually or in the aggregate, they could reasonably be expected to influence the economic decisions of users taken on the basis of these financial statements. As part of an audit in accordance with Canadian generally accepted auditing standards, I exercise professional judgment and maintain professional skepticism throughout the audit. I also: Identify and assess the risks of material misstatement of the fi nancial statements, whether due to fraud or error, design and perform audit procedures responsive to those risks, and obtain audit evidence that is sufficient and appropriate to provide a basis for my opinion. The risk of not detecting a material misstatement resulting from fraud is higher than for one resulting from error, as fraud may in volve collusion. forgery, intentional omissions, misrepresentations, or the override of internal control. Obtain an understanding of internal control relevant to the audit in order to design audit procedures that are appropriate in the circumstances, but not for the purpose of expressing an opinion on the effectiveness of the Ontario Arts Council's internal control. Evaluate the appropriateness of accounting policies used and the reasonableness of accounting estimates and related disclosures made by management. Conclude on the appropriateness of management's use of the going concern basis of accounting and based on the audit evidence obtained, whether a material uncertainty exists related to events or conditions that may cast significant doubt on the Ontario Arts Council's ability to continue as a going concern. If I conclude that a material uncertainty exists, I am required to draw attention in my auditor's report to the related disclosures in the financial statements or, if such disclosures are inadequate, to modify my opinion. My conclusions are based on the audit evidence obtained up to the date of my auditor's report. However, future events or conditions may cause the Ontari o Arts Council to cease to continue as a going concern. Evaluate the overall presentation, structure and content of the financial statements, including the disclosures, and whether the financial statements represent the underlying transactions and events in a manner that achieves fair presentation. Obtain sufficient appropriate audit evidence regarding the financial in formation of the entities or business activities within the Group to express an opinion on the financial statements. I am 20 Dundas Street West responsible for the direction, supervision and performance of the group audit. I remai n solely Suite 1530 responsible for our audit opinion. Toronto. Ontario MSG 2C2 416-327-2381 I communicate with those charged with governance regarding, among other matters, the planned lax 416-327-9862 scope and timing of the audit and significant audit findings, including any significant deficiencies tty 416-327-6123 in internal control that I identify during my audit. 20, rue Dundas ouest suite 1530 Toronto (Ontario) MSG 2C2 -116-327-2381 Toronto, Ontario Susan Klein, CPA, CA, LPA te1ecop1e ur 416-327-9862 June 12, 2019 Assistant Auditor General ats 416-327-6123 1'1\'l\'1.aud1tor on.ca Financial Statements of PROVINCE OF ONTARIO COUNCIL FOR THE ARTS (OPERATING AS ONTARIO ARTS COUNCIL) And Independent Auditors' Report thereon Year ended March 31, 2019 PROVINCE OF ONTARIO COUNCIL FOR THE ARTS (OPERATING AS ONTARIO ARTS COUNCIL) Statement of Financial Position March 31, 2019, with comparative information for 2018 2019 2018 Restricted and Operating endowment fund funds Total Total Assets Current assets: Cash and cash equivalents $ 2,483,164 $ 4,196,453 $ 6,679,617 $ 6,054,192 Accounts receivable 73,224 — 73,224 41,451 Prepaid expenses 31,503 — 31,503 123,384 2,587,891 4,196,453 6,784,344 6,219,027 Investments (notes 2(b) and 9) 960,225 25,567,285 26,527,510 28,340,228 Capital assets (note 3) 1,340,192 — 1,340,192 1,796,704 $ 4,888,308 $ 29,763,738 $ 34,652,046 $ 36,355,959 Liabilities and Fund Balances Current liabilities: Accounts payable and accrued liabilities $ 1,283,337 $ — $ 1,283,337 $ 524,499 Deferred contributions (note 4) 586,461 — 586,461 1,698,069 Current portion of deferred lease inducement 165,322 — 165,322 165,322 Current portion of employee future benefits (note 2(b)) 404,666 — 404,666 228,356 2,439,786 — 2,439,786 2,616,246 Deferred lease inducement 950,601 — 950,601 1,115,923 Employee future benefits (note 2(b)) — — — 145,037 Fund balances: Invested in capital assets 224,269 — 224,269 515,459 Restricted for endowment purposes (note 5) — 70,311 70,311 70,311 Externally restricted funds (Schedule 2) — 17,317,273 17,317,273 16,188,687 Internally restricted funds (note 6) — 6,683,994 6,683,994 7,172,396 Unrestricted 1,126,818 — 1,126,818 1,648,153 Accumulated remeasurement gains 146,834 5,692,160
Recommended publications
  • Curriculum Vitae
    Cole Swanson | Curriculum Vitae Education University of Toronto Masters of Art, Art History 2013 University of Guelph Bachelor of Arts, Honours: Studio Art 2004 Solo & Dual Exhibitions Spadina House Museum, Toronto Research Project and Solo Exhibition – TBA (forthcoming) 2020 Hamilton Artist Inc, Cannon Gallery, Hamilton Devil’s Colony (forthcoming) 2019 Rajasthan Lalit Kala Academy, Jaipur The Furrow, The Froth 2018 The Open Space Society, Jaipur िमटटी िसटी | Mitti City 2018 Unilever Factory & Design Exchange, Toronto Muzzle and Hoof, Horn and Bone 2017 Expo for Design, Innovation, and Technology Casa Na Ilha, Ilhabela, Brazil Lecanora Muralis 2017 Art Gallery of Guelph, Guelph Out of the Strong, Something Sweet 2016 Jawahar Kala Kendra, Jaipur, India Red Earth 2014 Museum of Northern History, Kirkland Lake Monuments & Melodramas 2012 Le Gallery, Toronto Next Exit (with Jennie Suddick) 2011 Ministry of Casual Living, Victoria, BC Mile Zero (with Jennie Suddick) 2011 Jawahar Kala Kendra, Jaipur, India of a feather 2007 Zero Four Art Space, Chung Li, Taiwan of a feather 2006 The Canadian Trade Office, Taipei, Taiwan of a feather 2006 Stirred a Bird Gallery, Guelph everybody in Flamingo 2005 Zavitz Hall Gallery, Guelph Shauchaalaya/Latrine 2003 Selected Group Exhibitions 2020 The Reach Glimmers of the Radiant Real (Forthcoming) Abbottsford, BC 2019 McIntosh Gallery, University of Western Ontario Glimmers of the Radiant Real (Forthcoming) London Gladstone Hotel Come Up to My Room, Terraflora (Solo) Toronto 2018 Paul Petro Contemporary Art
    [Show full text]
  • Financial Reporting and Is Ultimately Responsible for Reviewing and Approving the Financial Statements
    Treasury Board Secretariat ANNUAL REPORT OF ONTARIO Financial Statements of Government Organizations VOLUME 2B | 2015-2016 7$%/( 2)&217(176 9ROXPH% 3DJH *HQHUDO 5HVSRQVLEOH0LQLVWU\IRU*RYHUQPHQW$JHQFLHV LL $*XLGHWRWKHAnnual Report .. LY ),1$1&,$/ 67$7(0(176 6HFWLRQ ņ*RYHUQPHQW 2UJDQL]DWLRQV± &RQW¶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
    [Show full text]
  • OAC Grant Application • 3Rd Edition
    OAC Grant Application • 3 rd Edition Tips and must-dos for preparing an application to the Ontario Arts Council Ontario Arts Council About the Ontario Arts Council 151 Bloor Street West, 5th Floor Toronto, Ontario, M5S 1T6 The Ontario Arts Council (OAC) is a publicly funded, 416-961-1660 independent agency of the government of Ontario. Toll-free in Ontario: 1-800-387-0058 We have been supporting Ontario-based artists and [email protected] / www.arts.on.ca not-for-profit arts organizations since 1963. OAC’s mission is to promote and assist the development of the arts for the benefit and enjoyment of all Ontarians. Over the years, OAC has fostered stability and growth in Ontario’s arts communities. The Ontario Arts Council welcomes all forms of artistic expression. We are committed to funding art from all the people and regions of Ontario. We offer full service in English and French. All OAC programs are open to Aboriginal artists or arts organizations and artists or arts organizations from diverse cultural communities. OAC Grant Application Survival Guide 4 Introduction ..................................................................................... 3 Grants for Individual Artists and Groups .................................. 3 What Kind of Projects Can You Do with an OAC Grant? ............. 4 Briefly, the process… Who Can Apply? ............................................................................. 5 • Eligibility—make sure you are eligible to apply • Find the right grant program • Read—make sure you understand the application and guidelines • Gather information and brainstorm Which Program Do I Choose? ..................................................... 7 OAC Contacts .................................................................................................7 • Writing—start with a draft What’s in an Application? ......................................................................... 8 • Ask for feedback on your draft How Do I Apply? .........................................................................................
    [Show full text]
  • Ontario Government Acronyms
    ACSP COSINE Archaeology Customer Service Project Coordinated Survey Information Network Exchange ADP (MNR database) Assistive Devices Program EBR AGO Environmental Bill of Rights Art Gallery of Ontario EODC ARF Eastern Ontario Development Corporation Addiction Research Foundation EQAO ATOP Educational Quality and Accountability Office Access to Opportunities Program ERC BUC Education Relations Commission Biosolids Utilization Committee (Pronounced: BUCK, as in BUCboard) FCOISA Foreign Cultural Objects Immunity from Seizure CAATs Act Colleges of Applied Arts and Technology FIPPA Freedom of Information and Protection of Privacy CAMH Act Centre for Addiction and Mental Health FSCO CCAC Financial Services Commission of Ontario Community Care Access Centres GAINS CISO Guaranteed Annual Income System Criminal Intelligence Service Ontario GO CORPAY Government of Ontario Corporate Payroll. Maintained by (as in Go Transit or GO-NET) Human Resources System Branch GO-ITS LCBO Government of Ontario Information and Liquor Control Board of Ontario Technology Standards LEAP GTS Learning, Earning and Parenting (program) Government Translation Service LLBO HOP Liquor Licence Board of Ontario Home Oxygen Program (under ADP) LRIF Locked-in Retirement Income Fund IDO Investment and Development Office MAG Ministry of the Attorney General IESO Independent Electricity System Operator MBS Management Board Secretariat ILC Independent Learning Centre MCI Ministry of Citizenship and Immigration IMPAC Interministerial Provincial Advisory MCL Committee Ministry of
    [Show full text]
  • MANGAARD C.V 2019 (6Pg)
    ANNETTE MANGAARD Film/Video/Installation/Photography Born: Lille Værløse, Denmark. Canadian Citizen Education: MFA, Gold Medal Award, OCAD University 2017 BIO Annette Mangaard is a Danish born Canadian media artist and filmmaker who has recently completed her Masters in Interdisciplinary Art, Media and Design. Her installation work has been shown around the world including: the Armoury Gallery, Olympic Site in Sydney Australia; Pearson International Airport, Toronto; South-on Sea, Liverpool and Manchester, UK; Universidad Nacional de Río Negro, Patagonia, Argentina; and Whitefish Lake, First Nations, Ontario. Mangaard has completed more then 16 films in more than a decade as an independent filmmaker. Her feature length experimental documentary on photographer Suzy Lake and the history of feminism screened as part of the INTRODUCING SUZY LAKE exhibition October 2014 through March 2015 at the Art Gallery of Ontario. Mangaard was nominated for a Gemini for Best Director of a Documentary for her one hour documentary, GENERAL IDEA: ART, AIDS, AND THE FIN DE SIECLE about the celebrated Canadian artists collective which premiered at Hot Doc’s in Toronto then went on to garner accolades around the world. Mangaard’s one hour documentary KINNGAIT: RIDING LIGHT INTO THE WORLD, about the changing face of the Inuit artists of Cape Dorset premiered at the Art Gallery of Ontario and was invited to Australia for a special screening celebrating Canada Day with the Canadian High Commission. Mangaard’s body of work was presented as a retrospective at the Palais de Glace, Buenos Aires, Argentina in 2009 and at the PAFID, Patagonia, Argentina in 2013. In 1990 Mangaard was invited to present solo screenings of her films at the Pacific Cinematheque in Vancouver, Canada and in 1991 at the Kino Arsenal Cinematheque in Berlin, West Germany.
    [Show full text]
  • White Paper on Francophone Arts and Culture in Ontario Arts and Culture
    FRANCOPHONE ARTS AND CULTURE IN ONTARIO White Paper JUNE 2017 TABLE OF CONTENTS SUMMARY 05 BACKGROUND 06 STATE OF THE FIELD 09 STRATEGIC ISSUES AND PRIORITY 16 RECOMMANDATIONS CONCLUSION 35 ANNEXE 1: RECOMMANDATIONS 36 AND COURSES OF ACTION ARTS AND CULTURE SUMMARY Ontario’s Francophone arts and culture sector includes a significant number of artists and arts and culture organizations, working throughout the province. These stakeholders are active in a wide range of artistic disciplines, directly contribute to the province’s cultural development, allow Ontarians to take part in fulfilling artistic and cultural experiences, and work on the frontlines to ensure the vitality of Ontario’s Francophone communities. This network has considerably diversified and specialized itself over the years, so much so that it now makes up one of the most elaborate cultural ecosystems in all of French Canada. However, public funding supporting this sector has been stagnant for years, and the province’s cultural strategy barely takes Francophones into account. While certain artists and arts organizations have become ambassadors for Ontario throughout the country and the world, many others continue to work in the shadows under appalling conditions. Cultural development, especially, is currently the responsibility of no specific department or agency of the provincial government. This means that organizations and actors that increase the quality of life and contribute directly to the local economy have difficulty securing recognition or significant support from the province. This White Paper, drawn from ten regional consultations held throughout the province in the fall of 2016, examines the current state of Francophone arts and culture in Ontario, and identifies five key issues.
    [Show full text]
  • Redefining Public Art in Toronto — Vision and Recommendations
    Thus in contrast to Toronto, public art in Montreal is a core municipal and provincial service. Dedicated budgets, a compulsory per cent for art program, and ample staff provide resources for the city to integrate public art into the texture and fabric of urban experience and to experiment with both traditional and novel approaches to doing so. Figure 29. BGL, La vélocité des lieux, 2015. Crédit photo/photo credit: Guy L'Heureux, 2015. 88 In 2017, Montreal is celebrating Canada 150 (as is Toronto), the 375th anniversary of the founding of Montreal, and the 50th anniversary of Expo 67. While Canada 150 is generating a good amount of programming in both cities, it is not resulting in many public art projects in Toronto. In Montreal, however, Canada 150 and that city’s 375th anniversary celebrations have generated a good number of public art projects, such as La Balade pour la Paix, among others. There is a conscious effort by the City of Montreal to use the 375th anniversary as a platform for public art to generate international prestige. Key findings This section summarizes some of the main findings of our research. I. Collaboration between stakeholders While BAP and MCC are the two major public art stakeholders in Montreal, they operate alongside and in collaboration with other public institutions. These strong collaborative relationships are a crucial part of Montreal’s successful public art initiatives. Currently, there are two important clusters of collaboration between museums, universities, and the City. • Zone Éducation-Culture is a forthcoming public art hub on Bishop Street, a zone shared by the Quartier du Musée and the Quartier Concordia in the Ville-Marie borough.
    [Show full text]
  • Alexa Hatanaka CV Jun 15 2020
    ALEXA HATANAKA Collectives: PA System, Embassy of Imagination (EOI) EDUCATION 2012 Printmaking with distinction, OCAD University, Toronto, ON, Canada: BFA 2011 Nanjing Arts Institute, China, OCADU exchange program, traditional Chinese Printmaking SOLO EXHIBITIONS AND COLLABORATIONS 2021 Solo Show (Title TBD), AXENE07, Gatineau, QC, Canada (PA System) 2020 Arctic: Culture and Climate, The British Museum, London, England, UK (PA System + EOI) 2019 Do you want to take the short-cut or the long-cut?, Open Studio Gallery, Toronto, ON, Canada (PA System) 2019 PA System, General Hardware, Toronto, ON, Canada (PA System) 2018 wind wind, The Trace Gallery, Zurich, Switzerland (PA System) 2014 Larding and Barding, The Trace Gallery, Zurich, Switzerland (PA System) 2012 Cultural Persistence, DDR Projects, Long Beach, CA, USA 2012 Evoke’s Pancake House, Montana Gallery, Barcelona, Spain (PA System) 2011 Donnacona, La Place Forte, Paris, France (PA System) 2011 Think Tent, Le Labo, Toronto, ON, Canada 2010 Choose Your Own Adventure, Articulate Baboon, Cairo, Egypt (PA System) 2010 It’ll Come Out in the Wash, 52, Toronto, ON, Canada GROUP EXHIBITIONS 2019 Sinaaqpagiaqtuut/The Long-Cut, Toronto Biennial of Art & The Bentway, Toronto, ON, Canada (PA System + EOI) 2019 Nature As Communities, Dalhousie Art Gallery, Halifax, NS, Canada (PA System + EOI) 2018 uvanga and imagine if, Legislative Assembly of Nunavut Gallery, Iqaluit, NU, Canada (EOI) 2017 Every. Now. Then: Reframing Nationhood, Art Gallery of Ontario, Toronto, ON, Canada (PA System + EOI) 2017
    [Show full text]
  • Financial Statements of PROVINCE of ONTARIO
    Financial Statements of PROVINCE OF ONTARIO COUNCIL FOR THE ARTS (OPERATING AS ONTARIO ARTS COUNCIL) And Independent Auditors' Report thereon Year ended March 31, 2020 Province of Ontario Council for the Arts Management’s Responsibility for Financial Information The accompanying financial statements of the Province of Ontario Council for the Arts (the OAC) are the responsibility of management and have been prepared in accordance with Canadian public sector accounting standards. Management maintains a system of internal controls designed to provide reasonable assurance that financial information is accurate and that assets are protected. The Board of Directors ensures that management fulfils its responsibilities for financial reporting and internal control. The Finance and Audit Committee and the Board of Directors meet regularly to oversee the financial activities of the OAC, and annually to review the audited financial statements and the external auditor’s report thereon. The financial statements have been audited by the Office of the Auditor General of Ontario, whose responsibility is to express an opinion on the financial statements. The Auditor’s Report that appears as part of the financial statements outlines the scope of the Auditor’s examination and opinion. On behalf of management: Carolyn Vesely CEO Jerry Zhang Director of Finance and Administration July 17, 2020 INDEPENDENT AUDITOR’S REPORT To the Province of Ontario Council for the Arts and to the Minister of Heritage, Sport, Tourism and Culture Industries Opinion I have audited the financial statements of the Province of Ontario Council for the Arts (operating as Ontario Arts Council), which comprise the statement of financial position as at March 31, 2020 and the statements of operations and changes in fund balances, remeasurement gains and losses and cash flows for the year then ended, and notes to the financial statements, including a summary of significant accounting policies.
    [Show full text]
  • Vital Arts and Public Value
    Vital Arts and Public Value A BLUEPRINT FOR 2014-2020 Background For more than 50 years, the Ontario Arts Council (OAC) has played an essential role in supporting the growth and success of the province’s arts community. Established in 1963, OAC was founded with a mandate to foster the creation and production of art for the benefit of all Ontarians. Thanks to the Government of Ontario’s long-term investment in OAC, this province has built an extraordinarily robust arts infrastructure, one that is highly regarded in many other jurisdictions. OAC’s staff is responsible for more than 60 granting programs, while a 12-person volunteer board of directors, appointed by Ontario’s Lieutenant Governor in Council, oversees OAC policies and governance. OAC granting programs support arts disciplines, including craft, dance, literature, music, theatre, media arts and visual arts, as well as multidisciplinary arts. Other programs focus on particular kinds of arts activity – arts education, community arts – or on specific areas, such as skills development, audience development, touring, distribution and dissemination. Some OAC programs have distinct goals, such as Northern Arts, which is solely for artists and arts groups in northern Ontario, and Access and Career Development, which funds professional development activities for Aboriginal arts professionals and arts professionals of colour. OAC also has two offices that focus specifically on Aboriginal Arts and on Francophone Arts. An increasing number of Ontario artists and arts organizations are working across disciplines and moving seamlessly through various art forms. OAC’s programs are inclusive and respond to arts organizations and individual artists who are developing new ways of working, creating and presenting.
    [Show full text]
  • LOOKING AHEAD TASK FORCE Table of Contents
    Ontario Museum Association Baldwin Street ONTARIO’S MUSEUMS Toronto, ON MT L Tel: - - LOOKING AHEAD Toll-free: --OMA- TOWARDS A STRATEGIC VISION AND ACTION PLAN members.museumsontario.ca Join the conversation: facebook.com/museumsontario or tweet #ONmuseums For questions about Ontario’s Museums please contact [email protected]. LOOKING AHEAD TASK FORCE TAble of Contents Foreword � Executive Summary � The Vision & Action Plan � Next Steps �� Ontario’s Museums �� Embracing Change �� ����: The Strategic Vision �� Vibrant & Vital Museums �� For questions about this document please contact [email protected] Relevant & Meaningful Collections �� Ontario Museum Association �� Baldwin Street Toronto, ON M�T �L� Strong & Successful Sector �� Tel: ���-���-���� Toll-free: �-���-OMA-���� Effective & Collaborative Workforce �� members.museumsontario.ca Framework for an Action Plan �� Join the conversation: facebook.com/museumsontario or tweet #ONmuseums���� Description of Framework Components �� Research & Assessment �� Roles & Relationships �� The Action Plan �� Action Areas �� Join the Conversation �� The Looking Ahead Task Force and Ontario Museum Association gratefully acknowledge the many people and Appendix �: About Looking Ahead �� organizations, without whom our work would not have been possible. Acknowledgements �� Selected References �� Funding for this work was provided by: 4 5 To achieve this vision, we must be open to critical our hope that Ontario’s Museums ���� will and ongoing self-assessment. Furthermore, strongly position museums to partner with all Ontario’s museums need to work together levels of government, and to be increasingly strategically to advance the sector. Our group relevant to all Ontarians. believes a focus on sector capacity building is needed. This paper is a first step in that direction. Along with my colleagues, I would like to thank those who graciously gave of their time in Ontario’s Museums ���� suggests a framework interviews, completed surveys and participated — a strategic vision and action plan.
    [Show full text]
  • 2020 STATISTICAL REPORT a YEAR LIKE NO OTHER Championing Access and Privacy in Times of Uncertainty Contents
    2020 STATISTICAL REPORT A YEAR LIKE NO OTHER Championing Access and Privacy in Times of Uncertainty Contents Requests by the public under FIPPA/MFIPPA .............1 Part X of the Child, Youth and Family Services Act .........................................................44 Provincial compliance ..................................................... 3 Correction of personal information Municipal compliance ...................................................12 — compliance ..................................................................49 Requests by the public under PHIPA .........................28 Privacy breaches under Part X of CYFSA ..................51 PHIPA compliance ..........................................................29 IPC tribunal statistics ....................................................53 Privacy breaches under PHIPA .................................... 41 Privacy/Health Privacy/CYFSA complaints ..............55 Privacy breaches by cause ..........................................42 ACCESS Requests by the public under FIPPA/MFIPPA There were 44,167 freedom of information (FOI) requests filed across Ontario in 2020, a 27 per cent decrease from 2019, when 60,394 were filed. Total FOI requests filed by jurisdiction and records type Personal information General records Total Municipal 13,704 12,397 26,101 Provincial 6,951 11,115 18,066 Total 20,655 23,512 44,167 Total FOI requests completed by jurisdiction and records type Personal information General records Total Municipal 13,953 11,615 25,568 Provincial 6,919
    [Show full text]