Alexa Hatanaka CV Jun 15 2020

Total Page:16

File Type:pdf, Size:1020Kb

Alexa Hatanaka CV Jun 15 2020 ALEXA HATANAKA Collectives: PA System, Embassy of Imagination (EOI) EDUCATION 2012 Printmaking with distinction, OCAD University, Toronto, ON, Canada: BFA 2011 Nanjing Arts Institute, China, OCADU exchange program, traditional Chinese Printmaking SOLO EXHIBITIONS AND COLLABORATIONS 2021 Solo Show (Title TBD), AXENE07, Gatineau, QC, Canada (PA System) 2020 Arctic: Culture and Climate, The British Museum, London, England, UK (PA System + EOI) 2019 Do you want to take the short-cut or the long-cut?, Open Studio Gallery, Toronto, ON, Canada (PA System) 2019 PA System, General Hardware, Toronto, ON, Canada (PA System) 2018 wind wind, The Trace Gallery, Zurich, Switzerland (PA System) 2014 Larding and Barding, The Trace Gallery, Zurich, Switzerland (PA System) 2012 Cultural Persistence, DDR Projects, Long Beach, CA, USA 2012 Evoke’s Pancake House, Montana Gallery, Barcelona, Spain (PA System) 2011 Donnacona, La Place Forte, Paris, France (PA System) 2011 Think Tent, Le Labo, Toronto, ON, Canada 2010 Choose Your Own Adventure, Articulate Baboon, Cairo, Egypt (PA System) 2010 It’ll Come Out in the Wash, 52, Toronto, ON, Canada GROUP EXHIBITIONS 2019 Sinaaqpagiaqtuut/The Long-Cut, Toronto Biennial of Art & The Bentway, Toronto, ON, Canada (PA System + EOI) 2019 Nature As Communities, Dalhousie Art Gallery, Halifax, NS, Canada (PA System + EOI) 2018 uvanga and imagine if, Legislative Assembly of Nunavut Gallery, Iqaluit, NU, Canada (EOI) 2017 Every. Now. Then: Reframing Nationhood, Art Gallery of Ontario, Toronto, ON, Canada (PA System + EOI) 2017 Lightning Speak: Solo and Collaborative Works of Raven Chacon, University of New Mexico Art Gallery, Albuquerque, NM, USA; Fine Arts Center at Colorado College, Colorado Springs, CO, USA (PA System) 2017 Inuuqatigiitsiarniq, The Theatre Centre, Toronto, ON, Canada (EOI) 2017 Darn Windy, Video screenings, Art on Screens, Mississauga, ON, Canada (PA System) 2016 Flow Edge: New Art and Collaborations from the North, Urban Shaman, Winnipeg, MB, Canada; Canada House, London, England, UK; AXENÉO7, Gatineau, QC, Canada (PA System) 2016 Lost Faces, The Trace Gallery, Zurich, Switzerland 2015 Gauge, Video Screening, Nuit Blanche at TIFF Bell Lightbox, Toronto, ON, Canada (PA System) 2015 The Divadale Project, Toronto, ON, Canada 2014 Hard Twist: This is Personal, The Gladstone Hotel, Toronto, ON, Canada 2013 Guanlan International Printmaking Biennale Exhibition, Shenzen, China 2013 Mutual Friends, Parenthesis, Halifax, NS, Canada 2012 This We Know, Planet IndigenUS at the Harbourfront Centre, Toronto, ON, Canada 2012 Artsu Matsuri, Japanese Canadian Cultural Centre, Toronto, ON, Canada 2012 20 Under 30, Ontario Crafts Council, Toronto, ON, Canada 2012 Under 30 at 30, Japanese Paper Place, Toronto, ON, Canada 2012 8 Vignettes, The Music Gallery, Toronto, ON, Canada 2012 Black Sheep, The Gladstone Hotel, Toronto, ON, Canada PUBLIC ART & COLLABORATIVE COMMUNITY PROJECTS 2019 Resolution (Mass of Clarity), Museum of Contemporary Art Toronto and Ontario Science Centre, Toronto, ON, Canada (PA System) 2019 Instant Class Kit (Curated by Vesna Krstich), The Pedagogical Impulse research-creation project 2018 Quviana Parade, Cape Dorset, NU, Canada (EOI & Leah Merskey) 2018 Beginning of/ Nandri, Global Pathways School, Chettipalayam, India (PA System) 2017 Avatittinnik Kamatsiarniq, Relay 150, Toronto, ON, Canada (EOI) 2017 Pijitsirniq, Hamlet of Kinngait, Kinngait, NU, Canada (EOI) 2017 Tunnganarniq, Ottawa School of Art, Ottawa, ON, Canada (EOI) 2017 Embassy of Imagination Installation, Square One, Mississauga, ON, Canada 2016 Picturing the Ward, Toronto, ON, Canada (PA System) 2016 Solidarity Flag, Parkdale Neighbourhood Land Trust, Toronto, ON, Canada (PA System & Sean Martindale) 2016 Aqua Lungs, Wall to Wall, Winnipeg, MB, Canada (PA System & Parr Josephee) 2016 Qanuqtuurniq, MU, Montreal, QC, Canada (EOI) 2016 Training, Metrolinx & City of Toronto, Toronto, ON, Canada (PA System) 2016 Colour Sphere, Albuquerque, NM, USA (PA System) 2016 Untitled, Stanley Aviation, Denver, CO, USA (PA System) 2015 Darn Windy, CBC: The Collective (PA System) 2015 Jigging Kamiit, Hamlet of Inukjuak, QC, Canada (PA System) 2015 Felled, Ottawa Public Art, Ottawa, ON, Canada (PA System & Adam Cutts) 2015 Shibori, Wayhome Music and Arts Festival, Burl’s Creek, ON, Canada (PA System) 2015 Piliriqatigiingniq, Mural Routes and Nunavut Arts and Crafts Association, Toronto, ON, Canada (EOI) 2015 Walking into the Unknown Tupiq, Burlington Public Art, Burlington, ON, Canada (PA System) 2014 Resting, Denver, CO, USA (PA System) 2014 Row, Concordia University, Montreal, QC, Canada (PA System) 2014 Curtain, NXNE Festival, Mirvish Theatre, Toronto, ON, Canada (PA System) 2014 Mine Your Imagination, West Baffin Eskimo Co-op, Cape Dorset, NU, Canada (EOI) 2014 Year of Reconciliation, Vancouver Public Art, Vancouver, BC, Canada 2013 Private, Glenalmond School, Perthshire, Scotland (PA System) 2013 Happy Anniversary, World Pride 2014, Toronto, ON, Canada (PA System) 2013 Four Ways, Supercrawl, Hamilton, ON, Canada (PA System) 2012 Water, Amos Waites Park, Lakeshore Arts, Toronto, ON, Canada (PA System) 2012 Tourist, Festival Murales, Escosesa Studios, Barcelona, Spain (PA System) 2012 Traveller, Xing Ping, China (PA System) 2012 Pauloosie Qulitalik,Kingulliit Productions, Igloolik, NU, Canada (PA System) 2012 Canada, National Capital Commission, Ottawa, ON, Canada ARTIST TALKS 2019 Exchange Rate, Keynote for National Mural Symposium, Toronto (PA System) 2019 Educator Workshop, Toronto Biennial of Art, Toronto (PA System) 2019 Artist Talk, University of Toronto, Printmaking, Toronto 2019 Artist Talk, OCADU Cultural Community Expo, Toronto 2018 Emergence Conference, Key note panelist, Humber College, Toronto 2017 Embassy of Imagination Artist Talk, The Entangled Gaze: Art Gallery of Ontario and OCAD University Conference, Jackman Hall, Art Gallery of Ontario, Toronto (PA System) 2017 Youth Collaboration and Connectivity: Artist Talk and Activity, Creative Time Summit, Art Gallery of Ontario, Toronto (EOI) 2017 Placemaking Talk, Indigenous Placemaking Council, Ryerson University, Toronto (EOI) 2016 Arts Activism Artist Talk, Living Arts Centre, Mississauga (PA System) 2016 PA System Artist Talk, University of New Mexico, Albuquerque RESIDENCIES 2019 Place des Arts Farrellton, Farrellton, QC 2019 Craft as Contemporary Art, Banff Centre for Arts and Creativity, Banff, BC 2019 Museum of Contemporary Art, Toronto, ON 2018 Ontario Science Centre, Toronto, ON 2016 St. Michael’s Printshop Residency, St. John’s, NL 2015 Kinngait Studios Residency, Kinngait, NU 2013 Guanlan International Printmaking Base Residency, Shenzen, China 2012 Artists in the Park Residency, Beausoleil Island, ON 2010 Chapter 3: ManifesTO Residency, 52 McCaul, Toronto, ON SELECTED SOLO AND COLLABORATIVE GRANTS, RECOGNITIONS, AND AWARDS 2020 Canada Council for the Arts: Travel Grant 2020 Climate Change and Health Adaptation Program (EOI & collaborators) 2019 Jarislowsky Outstanding Artist Fellowship, Banff Centre for Arts and Creativity 2019 Performa: Embassy of Imagination - Sinaaqpagiaqtuut/The Long-Cut, by Charlene K. Lau 2019 Canada Council for the Arts: Concept to Realization Grant 2019 Ontario Arts Council: Visual Arts Project Grant 2019 Ontario Arts Council: Artists in Communities Grant 2019 Canada Council for the Arts: Travel Grant 2018 CMagazine, “Inventory” by Jaimie Isaac 2017 Canada Council for the Arts: New Chapter Grant (PA System) 2017 Inuit Tapiriit Kanatami: Project Funding Support (EOI) 2017 Canadian Heritage: Canada 150, Nunavut 150 (EOI) 2017 Glorious & Free: The Canadians, artist profile, by Rita Field-Marsham and Kim Bozack 2017 Designlines Magazine: “PA System’s Artwork Charts a Course to Canada’s North" 2016 Canadian Art Magazine: A Cross-Canada survey of leading collaborative practices 2016 Canada Council for the Arts: Visual Artist Project Grant 2016 W. Garfield Weston Foundation - Embassy of Imagination project support 2015 Americans for the Arts Public Art Network, Outstanding Works of 2014 2015 Ontario Arts Council: Travel Grant 2015 Canada Council for the Arts: Visual Arts Project Grant 2015 Canadian Heritage: Community Celebrations Pan Am Games Fund (EOI) 2015 Arts Development Grant: Government of Nunavut (EOI) 2014 Canada Council for the Arts: Travel Grant 2014 Ontario Arts Council: Craft Development 2013 Ontario Arts Council: Chalmers Fellowship .
Recommended publications
  • Curriculum Vitae
    Cole Swanson | Curriculum Vitae Education University of Toronto Masters of Art, Art History 2013 University of Guelph Bachelor of Arts, Honours: Studio Art 2004 Solo & Dual Exhibitions Spadina House Museum, Toronto Research Project and Solo Exhibition – TBA (forthcoming) 2020 Hamilton Artist Inc, Cannon Gallery, Hamilton Devil’s Colony (forthcoming) 2019 Rajasthan Lalit Kala Academy, Jaipur The Furrow, The Froth 2018 The Open Space Society, Jaipur िमटटी िसटी | Mitti City 2018 Unilever Factory & Design Exchange, Toronto Muzzle and Hoof, Horn and Bone 2017 Expo for Design, Innovation, and Technology Casa Na Ilha, Ilhabela, Brazil Lecanora Muralis 2017 Art Gallery of Guelph, Guelph Out of the Strong, Something Sweet 2016 Jawahar Kala Kendra, Jaipur, India Red Earth 2014 Museum of Northern History, Kirkland Lake Monuments & Melodramas 2012 Le Gallery, Toronto Next Exit (with Jennie Suddick) 2011 Ministry of Casual Living, Victoria, BC Mile Zero (with Jennie Suddick) 2011 Jawahar Kala Kendra, Jaipur, India of a feather 2007 Zero Four Art Space, Chung Li, Taiwan of a feather 2006 The Canadian Trade Office, Taipei, Taiwan of a feather 2006 Stirred a Bird Gallery, Guelph everybody in Flamingo 2005 Zavitz Hall Gallery, Guelph Shauchaalaya/Latrine 2003 Selected Group Exhibitions 2020 The Reach Glimmers of the Radiant Real (Forthcoming) Abbottsford, BC 2019 McIntosh Gallery, University of Western Ontario Glimmers of the Radiant Real (Forthcoming) London Gladstone Hotel Come Up to My Room, Terraflora (Solo) Toronto 2018 Paul Petro Contemporary Art
    [Show full text]
  • Financial Reporting and Is Ultimately Responsible for Reviewing and Approving the Financial Statements
    Treasury Board Secretariat ANNUAL REPORT OF ONTARIO Financial Statements of Government Organizations VOLUME 2B | 2015-2016 7$%/( 2)&217(176 9ROXPH% 3DJH *HQHUDO 5HVSRQVLEOH0LQLVWU\IRU*RYHUQPHQW$JHQFLHV LL $*XLGHWRWKHAnnual Report .. LY ),1$1&,$/ 67$7(0(176 6HFWLRQ ņ*RYHUQPHQW 2UJDQL]DWLRQV± &RQW¶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
    [Show full text]
  • OAC Grant Application • 3Rd Edition
    OAC Grant Application • 3 rd Edition Tips and must-dos for preparing an application to the Ontario Arts Council Ontario Arts Council About the Ontario Arts Council 151 Bloor Street West, 5th Floor Toronto, Ontario, M5S 1T6 The Ontario Arts Council (OAC) is a publicly funded, 416-961-1660 independent agency of the government of Ontario. Toll-free in Ontario: 1-800-387-0058 We have been supporting Ontario-based artists and [email protected] / www.arts.on.ca not-for-profit arts organizations since 1963. OAC’s mission is to promote and assist the development of the arts for the benefit and enjoyment of all Ontarians. Over the years, OAC has fostered stability and growth in Ontario’s arts communities. The Ontario Arts Council welcomes all forms of artistic expression. We are committed to funding art from all the people and regions of Ontario. We offer full service in English and French. All OAC programs are open to Aboriginal artists or arts organizations and artists or arts organizations from diverse cultural communities. OAC Grant Application Survival Guide 4 Introduction ..................................................................................... 3 Grants for Individual Artists and Groups .................................. 3 What Kind of Projects Can You Do with an OAC Grant? ............. 4 Briefly, the process… Who Can Apply? ............................................................................. 5 • Eligibility—make sure you are eligible to apply • Find the right grant program • Read—make sure you understand the application and guidelines • Gather information and brainstorm Which Program Do I Choose? ..................................................... 7 OAC Contacts .................................................................................................7 • Writing—start with a draft What’s in an Application? ......................................................................... 8 • Ask for feedback on your draft How Do I Apply? .........................................................................................
    [Show full text]
  • Ontario Government Acronyms
    ACSP COSINE Archaeology Customer Service Project Coordinated Survey Information Network Exchange ADP (MNR database) Assistive Devices Program EBR AGO Environmental Bill of Rights Art Gallery of Ontario EODC ARF Eastern Ontario Development Corporation Addiction Research Foundation EQAO ATOP Educational Quality and Accountability Office Access to Opportunities Program ERC BUC Education Relations Commission Biosolids Utilization Committee (Pronounced: BUCK, as in BUCboard) FCOISA Foreign Cultural Objects Immunity from Seizure CAATs Act Colleges of Applied Arts and Technology FIPPA Freedom of Information and Protection of Privacy CAMH Act Centre for Addiction and Mental Health FSCO CCAC Financial Services Commission of Ontario Community Care Access Centres GAINS CISO Guaranteed Annual Income System Criminal Intelligence Service Ontario GO CORPAY Government of Ontario Corporate Payroll. Maintained by (as in Go Transit or GO-NET) Human Resources System Branch GO-ITS LCBO Government of Ontario Information and Liquor Control Board of Ontario Technology Standards LEAP GTS Learning, Earning and Parenting (program) Government Translation Service LLBO HOP Liquor Licence Board of Ontario Home Oxygen Program (under ADP) LRIF Locked-in Retirement Income Fund IDO Investment and Development Office MAG Ministry of the Attorney General IESO Independent Electricity System Operator MBS Management Board Secretariat ILC Independent Learning Centre MCI Ministry of Citizenship and Immigration IMPAC Interministerial Provincial Advisory MCL Committee Ministry of
    [Show full text]
  • MANGAARD C.V 2019 (6Pg)
    ANNETTE MANGAARD Film/Video/Installation/Photography Born: Lille Værløse, Denmark. Canadian Citizen Education: MFA, Gold Medal Award, OCAD University 2017 BIO Annette Mangaard is a Danish born Canadian media artist and filmmaker who has recently completed her Masters in Interdisciplinary Art, Media and Design. Her installation work has been shown around the world including: the Armoury Gallery, Olympic Site in Sydney Australia; Pearson International Airport, Toronto; South-on Sea, Liverpool and Manchester, UK; Universidad Nacional de Río Negro, Patagonia, Argentina; and Whitefish Lake, First Nations, Ontario. Mangaard has completed more then 16 films in more than a decade as an independent filmmaker. Her feature length experimental documentary on photographer Suzy Lake and the history of feminism screened as part of the INTRODUCING SUZY LAKE exhibition October 2014 through March 2015 at the Art Gallery of Ontario. Mangaard was nominated for a Gemini for Best Director of a Documentary for her one hour documentary, GENERAL IDEA: ART, AIDS, AND THE FIN DE SIECLE about the celebrated Canadian artists collective which premiered at Hot Doc’s in Toronto then went on to garner accolades around the world. Mangaard’s one hour documentary KINNGAIT: RIDING LIGHT INTO THE WORLD, about the changing face of the Inuit artists of Cape Dorset premiered at the Art Gallery of Ontario and was invited to Australia for a special screening celebrating Canada Day with the Canadian High Commission. Mangaard’s body of work was presented as a retrospective at the Palais de Glace, Buenos Aires, Argentina in 2009 and at the PAFID, Patagonia, Argentina in 2013. In 1990 Mangaard was invited to present solo screenings of her films at the Pacific Cinematheque in Vancouver, Canada and in 1991 at the Kino Arsenal Cinematheque in Berlin, West Germany.
    [Show full text]
  • White Paper on Francophone Arts and Culture in Ontario Arts and Culture
    FRANCOPHONE ARTS AND CULTURE IN ONTARIO White Paper JUNE 2017 TABLE OF CONTENTS SUMMARY 05 BACKGROUND 06 STATE OF THE FIELD 09 STRATEGIC ISSUES AND PRIORITY 16 RECOMMANDATIONS CONCLUSION 35 ANNEXE 1: RECOMMANDATIONS 36 AND COURSES OF ACTION ARTS AND CULTURE SUMMARY Ontario’s Francophone arts and culture sector includes a significant number of artists and arts and culture organizations, working throughout the province. These stakeholders are active in a wide range of artistic disciplines, directly contribute to the province’s cultural development, allow Ontarians to take part in fulfilling artistic and cultural experiences, and work on the frontlines to ensure the vitality of Ontario’s Francophone communities. This network has considerably diversified and specialized itself over the years, so much so that it now makes up one of the most elaborate cultural ecosystems in all of French Canada. However, public funding supporting this sector has been stagnant for years, and the province’s cultural strategy barely takes Francophones into account. While certain artists and arts organizations have become ambassadors for Ontario throughout the country and the world, many others continue to work in the shadows under appalling conditions. Cultural development, especially, is currently the responsibility of no specific department or agency of the provincial government. This means that organizations and actors that increase the quality of life and contribute directly to the local economy have difficulty securing recognition or significant support from the province. This White Paper, drawn from ten regional consultations held throughout the province in the fall of 2016, examines the current state of Francophone arts and culture in Ontario, and identifies five key issues.
    [Show full text]
  • Redefining Public Art in Toronto — Vision and Recommendations
    Thus in contrast to Toronto, public art in Montreal is a core municipal and provincial service. Dedicated budgets, a compulsory per cent for art program, and ample staff provide resources for the city to integrate public art into the texture and fabric of urban experience and to experiment with both traditional and novel approaches to doing so. Figure 29. BGL, La vélocité des lieux, 2015. Crédit photo/photo credit: Guy L'Heureux, 2015. 88 In 2017, Montreal is celebrating Canada 150 (as is Toronto), the 375th anniversary of the founding of Montreal, and the 50th anniversary of Expo 67. While Canada 150 is generating a good amount of programming in both cities, it is not resulting in many public art projects in Toronto. In Montreal, however, Canada 150 and that city’s 375th anniversary celebrations have generated a good number of public art projects, such as La Balade pour la Paix, among others. There is a conscious effort by the City of Montreal to use the 375th anniversary as a platform for public art to generate international prestige. Key findings This section summarizes some of the main findings of our research. I. Collaboration between stakeholders While BAP and MCC are the two major public art stakeholders in Montreal, they operate alongside and in collaboration with other public institutions. These strong collaborative relationships are a crucial part of Montreal’s successful public art initiatives. Currently, there are two important clusters of collaboration between museums, universities, and the City. • Zone Éducation-Culture is a forthcoming public art hub on Bishop Street, a zone shared by the Quartier du Musée and the Quartier Concordia in the Ville-Marie borough.
    [Show full text]
  • Financial Statements of PROVINCE of ONTARIO
    Financial Statements of PROVINCE OF ONTARIO COUNCIL FOR THE ARTS (OPERATING AS ONTARIO ARTS COUNCIL) And Independent Auditors' Report thereon Year ended March 31, 2020 Province of Ontario Council for the Arts Management’s Responsibility for Financial Information The accompanying financial statements of the Province of Ontario Council for the Arts (the OAC) are the responsibility of management and have been prepared in accordance with Canadian public sector accounting standards. Management maintains a system of internal controls designed to provide reasonable assurance that financial information is accurate and that assets are protected. The Board of Directors ensures that management fulfils its responsibilities for financial reporting and internal control. The Finance and Audit Committee and the Board of Directors meet regularly to oversee the financial activities of the OAC, and annually to review the audited financial statements and the external auditor’s report thereon. The financial statements have been audited by the Office of the Auditor General of Ontario, whose responsibility is to express an opinion on the financial statements. The Auditor’s Report that appears as part of the financial statements outlines the scope of the Auditor’s examination and opinion. On behalf of management: Carolyn Vesely CEO Jerry Zhang Director of Finance and Administration July 17, 2020 INDEPENDENT AUDITOR’S REPORT To the Province of Ontario Council for the Arts and to the Minister of Heritage, Sport, Tourism and Culture Industries Opinion I have audited the financial statements of the Province of Ontario Council for the Arts (operating as Ontario Arts Council), which comprise the statement of financial position as at March 31, 2020 and the statements of operations and changes in fund balances, remeasurement gains and losses and cash flows for the year then ended, and notes to the financial statements, including a summary of significant accounting policies.
    [Show full text]
  • Vital Arts and Public Value
    Vital Arts and Public Value A BLUEPRINT FOR 2014-2020 Background For more than 50 years, the Ontario Arts Council (OAC) has played an essential role in supporting the growth and success of the province’s arts community. Established in 1963, OAC was founded with a mandate to foster the creation and production of art for the benefit of all Ontarians. Thanks to the Government of Ontario’s long-term investment in OAC, this province has built an extraordinarily robust arts infrastructure, one that is highly regarded in many other jurisdictions. OAC’s staff is responsible for more than 60 granting programs, while a 12-person volunteer board of directors, appointed by Ontario’s Lieutenant Governor in Council, oversees OAC policies and governance. OAC granting programs support arts disciplines, including craft, dance, literature, music, theatre, media arts and visual arts, as well as multidisciplinary arts. Other programs focus on particular kinds of arts activity – arts education, community arts – or on specific areas, such as skills development, audience development, touring, distribution and dissemination. Some OAC programs have distinct goals, such as Northern Arts, which is solely for artists and arts groups in northern Ontario, and Access and Career Development, which funds professional development activities for Aboriginal arts professionals and arts professionals of colour. OAC also has two offices that focus specifically on Aboriginal Arts and on Francophone Arts. An increasing number of Ontario artists and arts organizations are working across disciplines and moving seamlessly through various art forms. OAC’s programs are inclusive and respond to arts organizations and individual artists who are developing new ways of working, creating and presenting.
    [Show full text]
  • LOOKING AHEAD TASK FORCE Table of Contents
    Ontario Museum Association Baldwin Street ONTARIO’S MUSEUMS Toronto, ON MT L Tel: - - LOOKING AHEAD Toll-free: --OMA- TOWARDS A STRATEGIC VISION AND ACTION PLAN members.museumsontario.ca Join the conversation: facebook.com/museumsontario or tweet #ONmuseums For questions about Ontario’s Museums please contact [email protected]. LOOKING AHEAD TASK FORCE TAble of Contents Foreword � Executive Summary � The Vision & Action Plan � Next Steps �� Ontario’s Museums �� Embracing Change �� ����: The Strategic Vision �� Vibrant & Vital Museums �� For questions about this document please contact [email protected] Relevant & Meaningful Collections �� Ontario Museum Association �� Baldwin Street Toronto, ON M�T �L� Strong & Successful Sector �� Tel: ���-���-���� Toll-free: �-���-OMA-���� Effective & Collaborative Workforce �� members.museumsontario.ca Framework for an Action Plan �� Join the conversation: facebook.com/museumsontario or tweet #ONmuseums���� Description of Framework Components �� Research & Assessment �� Roles & Relationships �� The Action Plan �� Action Areas �� Join the Conversation �� The Looking Ahead Task Force and Ontario Museum Association gratefully acknowledge the many people and Appendix �: About Looking Ahead �� organizations, without whom our work would not have been possible. Acknowledgements �� Selected References �� Funding for this work was provided by: 4 5 To achieve this vision, we must be open to critical our hope that Ontario’s Museums ���� will and ongoing self-assessment. Furthermore, strongly position museums to partner with all Ontario’s museums need to work together levels of government, and to be increasingly strategically to advance the sector. Our group relevant to all Ontarians. believes a focus on sector capacity building is needed. This paper is a first step in that direction. Along with my colleagues, I would like to thank those who graciously gave of their time in Ontario’s Museums ���� suggests a framework interviews, completed surveys and participated — a strategic vision and action plan.
    [Show full text]
  • 2020 STATISTICAL REPORT a YEAR LIKE NO OTHER Championing Access and Privacy in Times of Uncertainty Contents
    2020 STATISTICAL REPORT A YEAR LIKE NO OTHER Championing Access and Privacy in Times of Uncertainty Contents Requests by the public under FIPPA/MFIPPA .............1 Part X of the Child, Youth and Family Services Act .........................................................44 Provincial compliance ..................................................... 3 Correction of personal information Municipal compliance ...................................................12 — compliance ..................................................................49 Requests by the public under PHIPA .........................28 Privacy breaches under Part X of CYFSA ..................51 PHIPA compliance ..........................................................29 IPC tribunal statistics ....................................................53 Privacy breaches under PHIPA .................................... 41 Privacy/Health Privacy/CYFSA complaints ..............55 Privacy breaches by cause ..........................................42 ACCESS Requests by the public under FIPPA/MFIPPA There were 44,167 freedom of information (FOI) requests filed across Ontario in 2020, a 27 per cent decrease from 2019, when 60,394 were filed. Total FOI requests filed by jurisdiction and records type Personal information General records Total Municipal 13,704 12,397 26,101 Provincial 6,951 11,115 18,066 Total 20,655 23,512 44,167 Total FOI requests completed by jurisdiction and records type Personal information General records Total Municipal 13,953 11,615 25,568 Provincial 6,919
    [Show full text]
  • Ontario Arts Council Annual Report 2019-2020
    ONTARIO ARTS COUNCIL ANNUAL REPORT 2019-2020 In accordance with the provision of Section 12 of the Arts Council Act, I respectfully submit the report covering the activities of the Ontario Arts Council from April 1, 2019 to March 31, 2020. Rita Davies Chair Ontario Arts Council ONTARIO ARTS COUNCIL 2019-2020 ANNUAL REPORT 2 CONTENTS About the Ontario Arts Council 4 Core Business Achievements 6 A Snapshot of Outreach Activities 8 Granting Highlights 9 Year in Review 10 Outcome-Based Performance Measures 15 Outcomes, Measures and Indicators 17 Risk Events 20 Analysis of Financial Performance 21 OAC Financial Statements 22 Management’s Responsibility for Financial Information 23 Independent Auditor’s Report 24 Statement of Financial Position 26 Statement of Operations and Changes in Fund Balances 27 Statement of Remeasurement Gains and Losses 28 Statement of Cash Flows 29 Notes to Financial Statements 30 Board Members 45 Executive Staff 46 Credits 47 ONTARIO ARTS COUNCIL 2019-2020 ANNUAL REPORT 3 ABOUT THE ONTARIO ARTS COUNCIL For more than a half century, the Ontario Arts Council (OAC) has played a vital role in promoting and supporting the development of the arts for the enjoyment and benefit of all Ontarians. OAC has fostered the growth of Ontario’s arts infrastructure by funding individual artists and arts organizations in all artistic disciplines and in all regions of the province. OAC is an agency of the Government of Ontario’s Ministry of Heritage, Sport, Tourism and Culture Industries and has a publicly appointed board of directors. The 12-member volunteer board ensures that OAC activities align with the organization’s mandate.
    [Show full text]