201105 May IMDA

Total Page:16

File Type:pdf, Size:1020Kb

201105 May IMDA May 1 Irish Music & 2011 Bealtaine Dance Association 29th Year, Issue No. 5 The mission of the Irish Music and Dance Association is to support, coordinate, encourage and promote high quality activities and programs in Irish music, dance, and other cultural traditions within the community and to insure the continuation of those traditions. Inside this issue: 2011 Great Northern Irish Pipers' Club Tune of the Month 2 Gaelic Corner 3 Tion ól Tionol Artists 4 Odyssey to Tory Is. 7 Workshop (May 13-15) and Concert (May 14th) May Calendar 8-9 featuring An Leabhragán 10 Blackie O’Connell, Sean Gavin, Patrick DArcy Cu Ceoil 12 + surprise guests The Ceili Calendar 14 Smidirini 15 The Great Northern Irish Pipers' Club (GNIPC) will be holding its tenth tionól (uilleann pipers' gathering) this May 13th-15th in St. Paul. The tionól is a weekend crammed full of workshops and an open-to-the- public concert. To mark the special occasion of this 10th tionol, GNIPC will be bringing (from Ireland) the legendary Michael "Blackie" O'Connell. Joining Blackie will be Dubliner Pat D'Arcy (a perennial GNIPC tionól favorite!) and Chicago-based piper and flute player Sean Gavin (known to audiences for his performances with Bua and Nicgaviskey). The workshop (two days of instruction in the art and music of uilleann piping) will be aboard the Covington Inn at Harriet Island (registration available via GNIPC's website: www.gnipc.org ). The tionol workshops offer the interested and curious an intimate view of this iconic instrument and its music. Even if you don't own a set of pipes, you will find the workshops to be an occasion of fun and inspiration, an eye-opener into the original source of so much of the Irish traditional music that we cherish today. The tionol concert is a wondrous display of some of today's finest traditional musicians. GNIPC is pleased to be hosting the concert for the first time at one of our area's premiere folk venues, The Celtic Junction (836 Prior Avenue N, St. Paul, MN 55104). Show starts at 7:30pm. Tickets are available from the GNIPC website and at the door the night of the show. $10.00 pre-sales available from www.gnipc.org www.IMDAwww.IMDA----MN.orgMN.org (Continued on page 4) Irish Music & 2 Dance Association The IMDA Board is : Tune of the Month by Amy Shaw President: Lisa Conway Treasurer: Mark Malone We’re so saturated with television and other mass media these days, Secretary: Jan Casey that it’s easy to forget that not so long ago, radio was the new thing. Radio Board Members: Suin Swann broadcasting in Ireland began on New Year’s Day in 1926 on the 2RN Ruth McGlynn station, which later became Raidió Éireann. A new CD from RTÉ, Tuning Patrick Cole the Radio , documents some of the traditional music that was broadcast during the early years of Irish radio. The first ten years or so are lost to us, Editor: John Burns because all the music was performed live. Beginning in 1936, some music IMDA Board Meetings are open to the membership. was pre-recorded on acetate discs, and a few of these very fragile discs The Board meets regularly on the First Tuesday of each have been preserved. One of the earliest of these was a studio recording month at 6 pm at Perkins in HarMar. Members are encouraged to verify the time and location shortly before, from 1940 of the great piper, Séamus Ennis, then 21 years of age, playing a as meeting times and locations can change. set of reels including The First House in Connaught and Miss Monaghan. With the Great Northern Irish Pipers Club tionól coming up on May 13-15 Contact Information (see http://www.gnipc.org for more information), I thought a good piping Write to: tune from Séamus Ennis would not go amiss! Irish Music and Dance Association Ennis (1919-1982) was a fascinating character, as I am discovering by 236 Norfolk Ave NW Elk River, MN 55330 reading a recently-published translation of the journal he kept while working for the Irish Folklore Commission ( Going to the Well for Water: Call: 612-990-3122 The Séamus Ennis Field Diary, 1942-1946, edited by Ríonach uí Ógáin, E-mail: [email protected] Cork University Press, 2009). As a full-time collector of music and song for the Commission, his job was to travel to rural areas and get people to Newsletter Submissions allow him to transcribe tunes and songs. He didn’t have a car until 1946, We welcome our readers to submit articles of interest, news, and notices of events to be published in the newsletter. so he got around mostly by bicycle, in all sorts of weather. He was ideally The deadline is the 20th o f the preceding month. suited to folklore work. He was not only a piper, but a fiddler, singer, Send to: [email protected] storyteller, a master of local dialects, and had worked at a music printing firm in Dublin. He was tall and charming, made friends everywhere he went, and had a special rapport with musicians. Eventually the Commission got him some portable recording equipment so he could make acetate disc recordings in the field. Ennis collected a wealth of material during his five years at the Commission. He went on to work for Raidió Éireann and the BBC, doing field recording and producing various programs. Tuning the Radio and Going to the Well for Water make for very interesting reading and listening, and are well worth having for their cover photos of Séamus Ennis alone! Usual disclaimers: Any transcription errors are my own. The notation here is not meant to be a substitute for listening. It is simply an aid to learning the tune. www.IMDAwww.IMDA----MN.orgMN.org Irish Music & 3 Dance Association The Gaelic Corner By Will Kenny When we think of pairs of words with opposite across in English in a variety of ways. We have meanings, sometimes they are completely different dí fhostaithe (" un employed"), dí chreideamh (" dis belief"), words -- think "hope" versus "despair" -- and dí bholaíoch (" de odorant"), and dí bheo ("life less "). sometimes one is just the negation of the other, as in the Sometimes we may have more than one option to pair "certain" and "uncertain." One of the things that negate a word. The Irish for "even," in the sense of makes learning another "balanced" or "level," is cothrom . We language fun is that the two can use either éa gothrom or mí chothrom languages do not always map to say "uneven, unbalanced" and it really such pairs the same way. doesn't make much difference which one In Irish, for example, we choose. "certain" is cinnte, and On the other hand, sometimes the "un certain" is éi ginte , a fairly straightforward negation specific prefix makes a difference. The Irish word ceart situation. (The negating prefix éa- or éi- can cause a expresses "right," both in the sense of being "correct" and change in the immediately following consonant, as in in the sense of "a human right." We use dí cheart to this case, from c to g.) But the words for "hope" and express "injustice". But we use mí cheart to say "despair" are also a negation pair: "hope" is typically "incorrect." translated by dóchas , and "despair" is translated by Indeed, mícheart is almost always used as the éa dóchas , or " un hope." opposite of "right" when we want to say "wrong." Most Irish students learn to use trom for "heavy" Reminiscent of the "heavy" and "unheavy" opposites and éadrom for "light" (in weight) fairly early on. And mentioned earlier, in Irish your answers to questions are many of them never notice that they are really using not so much "right" or "wrong" as they are "right" or another negation pair. Éa drom is not so much "light" as "unright." it is " un heavy." Similarly, "shallow" can be translated Thanks to everyone who participated in our annual by éa domhain (" un deep"). And use this éa- prefix spring workshop in April. Instructors Wes Koster, Mary before the word for "end" or "limit," críoch , and you Roguski, Nancy Stenson, and Shane Curran delivered a end up with éa gríoch for something without limit: lot of knowledge wrapped in a lot of fun, and we had a "infinity." great bunch of students. Special thanks to Jim Rogers and In English, we use prefixes like im- and in- and dis the Center for Irish Studies at the University of St. - and un- to negate concepts. Naturally, there are many Thomas for sponsoring this event. negating prefixes in Irish as well, and just as naturally, This workshop also brought a host of new students prefixes do not line up consistently across the two into our Monday night classes, and it will take us a while languages. to absorb that influx of eager new learners. To keep an So " in dependent" and " in sensitive" are translated eye out for future opportunities to join our classes, watch into Irish with the prefix neamh -, producing our web site at www.gaelminn.org . Better yet, sign up for neamh spleách and neamh -mhothólach , respectively. our free monthly newsletter, The GaelMinn Gazette. But then we have do -ite for " in edible" and do fheicthe You'll not only get some tips (in English!) for learning for " in visible," as well as éi deimhin for " in decisive." Irish, you will be sure to see announcements of coming We even have a negating prefix in- in Irish, so that events and courses.
Recommended publications
  • CRAN Biography 09
    www.cranmusic.com [email protected] CRAN are a unique group in the Irish folk-music world with their highly-individualistic approach and a bewildering array of styles and repertoire. Each member of the trio already had international reputations in their own fields before the band was formed. Desi Wilkinson had become a major force in the field of Irish flute-playing, both at home and abroad; Sean Corcoran was known internationally as one of the leading singers in the Hiberno- English and Gaelic traditions and also as a researcher and teacher; Ronan Browne had not only carved out a name for himself as one of the leading lights among the younger generation of uilleann pipers but he was already giving master-classes in Europe and the U.S.A. CRAN's concert performances are a dazzling display of technical virtuosity combined with fun and humour, banter and stories. The core of their repertoire is their native Irish material - bubbling dance music or haunting slow airs on flute and pipes, and vocals ranging from the highly- ornamented sean-nós songs of Conamara to the rollicking port a'bhéil or mouth music of Donegal. Their Hiberno-English song repertoire (songs from Ireland in English) covers the entire gamut from the old story- telling "long ballads" to lively comic songs of "pure divilment and rascality". They also include material from the related Scots-Gaelic tradition and from the other Atlantic Celts, the Bretons. Discography : Black Black Black Claddagh Records CC63CD 1998 Lover’s Ghost Black Rose Records BRRCD003 2001 Music from the Edge of the World Black Rose Records BRRCD004 2002 The Crooked Stair (’93 Re-release) Black Rose Records BRRCD001 2005 RONAN BROWNE Discography : (uilleann pipes, flutes, The South West Wind - Claddagh,1988 vocals) The Drones & the Chanters - Claddagh, 1994 "One of the finest pipers Riverdance - Celtic Heartbeat, 1994 Afro Celt Sound System I - Real World, 1996 of his generation.
    [Show full text]
  • 'I Just Started Crying'
    June 2017 Boston’s hometown VOL. 28 #6 journal of Irish culture. $2.00 Worldwide at All contents copyright © 2017 bostonirish.com Boston Neighborhood News, Inc. ‘I just started cryIng’ needed in Ireland: assertive leaders, political systems that are working By Joe leaRy BiR columniSt At a time when Ireland is facing a serious Brexit crisis in both the North and the South, the need for revital- ized aggressive leadership and functioning political systems is very apparent. Far more than its population merits, Ireland is a coun- try whose sons and daughters lead much of the world. Here in the United States men Commentary and women of Irish heritage have an enormous influence over education, politics, business, our armed forces and religious life. College presidents, chief executives, governors, senators, and other leaders are proud of their Irish heritage, and effective in their jobs. With last month’s resignation of Enda Kenny as Taoiseach and as leader of the major political party Fine Gael, Ireland is searching for new leaders while probably facing new general elections within the year. Enda Kenny is a good man; perhaps not at the top of his class when it comes to intellectual matters, but a hardworking politician with enthusiastic people skills. He was born in Castlebar, Co. Mayo, elected to the Former Vice President Joe Biden and friends at the Seaport Hotel last month. Flavio D photo Parliament in1975 as its youngest member at age 24, replacing his father. Today, at 66 years old, he is the Parliament’s oldest member. Biden a surprise guest at Boston dinner As leader of Fine Gael, Kenny was elected prime minister in March 2011 during the time of Ireland’s By Rowan walRath Martin J.
    [Show full text]
  • Moments of Bliss Now Seem Rare but the Magic Is Still There for Those Who
    ISSUE 27 VOLUME 5 Proudly Serving Celts in North America Since 1991 JULY/AUGUST 2018 HIGHLIGHTS INSIDE THIS ISSUE Moments of bliss now seem rare but the magic is still there for those who seek By MAURA DE FREITAS JIM KELLY, Ireland’s Ambassador to Canada, recently sat down with The Celtic Connection to discuss Ireland’s current posi- IDSUMMER, a tion in the Eurozone and its evolving relationship with Canada, time of revery in particular the new Consulate of Ireland which will open in and enchant- Vancouver this September. [Pages 10 & 11] Mment when na- ture is ripe and filled with abundance in an- ticipation of the coming har- vest. In the folklore of former centu- FAIRY LIGHTS by Margaret Tarrant [1888-1959]. Margaret was ries, midsummer was a time born in Battersea, a suburb of south London. She studied at when fairies and their mischief the Clapman School of Art and later at the Guildford School of were afoot. It is also a time of Art. In the 1920s, Tarrant helped to popularize fairies in a long- romance and the supernatural running series of titles on the theme such as ‘The Forest Fair- ...and wonderful memories. ies’, ‘The Pond Fairies’, and ‘The Twilight Fairies’. As a child, I remember lying in the long grass on a warm summer’s day when I ished and buzzed with energy, while home the realization that time is fleet- lived on a farm in the country. the intoxicating fragrances of summer ing and these moments of bliss are rare. filled my senses.
    [Show full text]
  • Frankie Lane & Paul Kelly Fri Dec 28Th, Minogues Bar, Tulla
    Frankie Lane & Paul Kelly Fri Dec 28th, Minogues Bar, Tulla Doors 9:30 pm, Admission : €15 Do Check out our new MYSPACE PAGE FOR SOME AUDIO/VIDEO OF PAST SHOWS AND PHOTOGRAPHS ETC AT: http://www.myspace.com/claregigs Our Next show is Frankie Lane ( Guitar, Dobro and Vocals) and Paul Kelly (Violin and Mandolin). These guys have been with us in Minogues the last two years at Christmas time and have delivered marvellous performances that reside in the musical memories of our patrons. A night with Frankie Lane & Paul Kelly is a night of fun and wild entertainment. They are one of the best-known duos touring in Ireland at the moment. What sets Frankie and Paul apart from other duos is the sheer scope of their material. You'll hear Irish Traditional tunes and songs, American Folk, Western Swing, Jazz, Classical, Bluegrass, and even a Gypsy number or two! As one of Ireland’s best-known performers and traditional musicians of international renown, Frankie Lane is the original front man of the legendary Fleadh Cowboys. During their sparkling career in the 1980s, Frankie’s live performances were famed for being fun-filled as well as tremendous - he regularly scaled high balconies in his quest to drive the audience wild, and usually managed! In fact, the “Fleadhs” gathered a huge fan base at the Olympia Theatre and went on to support legendary performers such as Bob Dylan, U2, The Pogues, Emmylou Harris and B.B.King. Paul Kelly has been at the heart of the music scene in Ireland since the early eighties.
    [Show full text]
  • Read an Cruitire 2018
    An CRUITIRE Vol. 5 No. 1 Nollaig / December 2018 1 Contents 3 Cairde na Cruite Events 22 The Life and Work of Charles Egan 3 An Chúirt Chruitireachta 2018 24 John F. Larchet Remembered 8 Spring Concert at the Pearse Museum 27 In Memoriam: Seosamh Seoighe, Joe Joyce 9 Cairde na Cruite at the Mansion House 28 News and Events 10 Cairde na Cruite on National Harp Day 37 Festivals 11 National Lottery Good Causes Awards 38 In Memoriam: Garech de Brún 13 An Chúirt Chruitireachta 2019 39 In Memoriam: Aileen McArdle 15 Lá na Cruite, National Harp Day 40 Premières of New Works for Harp 16 Highest Harp and Piano Concert 41 New Harp Albums and Publications 18 Colm Ó Meachair Tribute Concert 42 Cairde na Cruite Publications 20 My memories of Colm Ó Meachair 43 Irish Harp Makers 21 Tionól Harp and Pipes: M.G. Laois 44 Harp Tuition at Summer Schools and Festivals Cover photo courtesy of Seána Davey following a concert in Marley House, on 24th August 2018 in honour of the late harp maker Colm Ó Meachair. Photo by Michael Duggan. AN CRUITIRE EDITOR Caitríona Rowsome EDITORIAL COMMITTEE Áine Ní Dhubhghaill, Aibhlín McCrann, Caitríona Rowsome CAIRDE NA CRUITE PRESIDENT Sheila Larchet Cuthbert COMMITTEE Chairperson: Áine Ní Dhubhghaill; Secretary: Helen Price; Treasurer: Kieran Cummins; Cormac de Barra; Rachel Duffy; Dearbhail Finnegan; Minutes Secretary: Fiona Gryson; Kathleen Loughnane; Festival Director: Aibhlín McCrann; Harp Hire: Caitríona Rowsome; Deirdre Ní Bhuachalla-Malone; Síofra Ní Dhubhghaill; Méabh McKenna; Tara Viscardi REGISTERED CHARITY No. CHY 9687 CONTACT Email: [email protected] Website: www.cairdenacruite.com www.facebook.com/CairdeNaCruite MEMBERSHIP Family €30 p.a.
    [Show full text]
  • Irish Scene and Sound
    IRISH SCENE AND SOUND IRISH SCENE AND SOUND Identity, Authenticity and Transnationality among Young Musicians Virva Basegmez Stockholm Studies in Social Anthropology, 57 2005 IRISH SCENE AND SOUND Identity, Authenticity and Transnationality among Young Musicians Doctoral dissertation © Virva Basegmez 2005 Stockholm Studies in Social Anthropology, 57 Cover design by Helen Åsman and Virva Basegmez Cover photo by Virva Basegmez Department of Social Anthropology Stockholm University S-106 91 Stockholm Sweden All rights reserved. This book, or parts thereof, may not be reproduced in any form without the written permission of the author. ISBN 91-7155-084-4 Printed by Elanders Gotab, Stockholm 2005 This book is distributed by Almqvist & Wiksell International P.O. Box 76 34 S-103 94 Stockholm Sweden E-mail: [email protected] To Tilda and Murat CONTENTS Acknowledgements x 1 INTRODUCTION: SCENES IN THE SCENE 1 Irish national identity: past and present dislocation 5 Anthropology of Ireland, rural and urban 14 Fields in the field 16 Media contexts, return visits and extended ethnography 20 The Celtic Tiger and the Irish international music industry 22 Outline of the chapters 28 2 GENRE, SOUND AND PATHWAYS 31 Studies of popular music and some theoretical orientations 31 The concept of genre: flux, usage, context 34 Genre, style and canonisation 37 Music genres in Ireland 39 Irish traditional music and its revival 39 Irish rock music and indies 44 Showbands, cover bands and tribute bands 45 Folk rock and Celtic music 47 Fusions, world music,
    [Show full text]
  • SPECIAL MUSICAL PERFORMANCE SHARON SHANNON Irish Button Accordion Musician ______
    SPECIAL MUSICAL PERFORMANCE SHARON SHANNON Irish Button Accordion Musician _________________________________________________ Sharon Shannon the button accordion player from Co Clare, Ireland has recorded and toured with a who's who of the Irish and Global Music Industry, including Bono, Adam Clayton, Sinead O’Connor, Jackson Browne, John Prine, Steve Earle, The RTE Concert Orchestra, The Chieftains, The Waterboys, Willie Nelson, Nigel Kennedy, Alison Krauss and Shane MacGowan. Her 12 studio recorded albums to date have all been very different and groundbreaking mixing traditional Irish with reggae, country, Native American, bluegrass, rap, dance, African, French Canadian. The genre-defying star has had multi-platinum album sales and has had several number one albums, singles and DVDs in her home country. Her album Galway Girl went 4 times platinum in Ireland with the title track winning her the Meteor award two years running for the most downloaded song. However, her career took a massive upward trajectory when in the late 80s she was asked to joined the seminal rock band The Waterboys. Her first show with that band, to an audience of 50,000, was the on main stage at perhaps the most well-known music festival on earth- Glastonbury. Her subsequent debut album was released worldwide and was to become the biggest selling record by a traditional artiste in Ireland. She has entertained US Presidents Clinton at the White House and Obama in Dublin and Irish Presidents Robinson and MacAleese on presidential visits to Poland and Australia respectively. She recently accompanied Irish president Michael D. Higgins on his official tour of China.
    [Show full text]
  • Beannachtaí Na Nollag Christmas Blessings by Mary Mcsweeney
    December 2013 Boston’s hometown VOL. 24 #12 journal of Irish culture. $1.50 Worldwide at All contents copyright © 2013 Boston Neighborhood News, Inc. bostonirish.com Beannachtaí na Nollag Christmas Blessings by Mary McSweeney Stop paying big bank fees! Switch to Simply Free Checking at Mt. Washington Bank and start saving today! Switch to Mt. Washington Bank today and take advantage of these great conveniences: - Access to 50,000 Totally FREE Allpoint ATMs Worldwide. Sign up now and - 24-hour Driveup ATMs - FREE Online Banking and BillPay choose either an - Mobile Banking - 9 convenient locations throughout Boston Electric Wine Opener or With Mt. Washington Bank’s Simply Free Checking and Stainless Steel 1.5 Stainless Steel 1.5 Quart Slow Cooker Simply Free Business Checking, you’ve got choices! Quart Slow Cooker - FREE! Connecting All Oces 617.268.0379 www.MtWashingtonBank.com Member FDIC | Member DIF Partners Electric Wine Opener In Com munity Banking Customer purchases checks. We reserve the right to substitute an item of similar value. In the event the value of the free gift exceeds $10, the bank is required to report the gift on Form 1099-INT. The recipient is responsible for all applicable taxes. Allston branch now open! Page 2 December 2013 BOSTON IRISH RePORTeR Worldwide at www.bostonirish.com GeRARD’S ADAMS CORNeR 772 - 776 Adams Street Dorchester, MA 02124 617-282-6370 Geraghty ASSOCIATES PROPERTY MANAGERS Studio and 1-Bedroom Apartments Available in the desirable Cedar Grove section of Dorchester. Studios reasonably priced; “Landfall,” Lithograph by John Skelton (1924-2009) 1-bedroom units; Matted and framed in custom moulding measuring 29” x 22” heat and hot water included.
    [Show full text]
  • Arts in Action 2021 Programme
    ART AS LEGACY 02 A NOTE FROM THE INTERIM DIRECTOR In 2020, Arts in Action lost its founding artistic my colleagues have had to come to terms with her director and producer Mary McPartlan. The sudden passing, what I have come to reflect on is circumstances of this sudden loss and our world that her boundless energy has in no way dissipated situation with Covid-19 have led to the presentation or left us, but instead has left so many seeds of a limited programme this year while we plan as and hearts touched that the force that was Mary a university for Arts in Action’s future after Mary’s McPartlan will shape this campus and creative arts passing. community for generations to come. The theme of this year’s limited programme is art There is a line in Lin-Manuel Miranda’s ground- as legacy. breaking U.S. musical Hamilton about legacy, namely that it is “planting seeds in a garden you • The legacy left by Mary McPartlan as the will never see,” an obsession that the musical’s anti- programme draws on many of her frequent hero Alexander Hamilton only begins to mistrust collaborators and will provide opportunities at the very moment of his death. My experience to reflect on her legacy in pre-presentation of Mary was that she joyfully and totally devoted materials and post-show talkbacks her life to planting seeds and nurturing the seeds • What we learn about the power of art as underway that she came across around her, as legacy because of how Mary approached Arts in her own passionate support of my career and in Action’s growth over the years within NUI own well-being as a colleague.
    [Show full text]
  • Lúnasa Karan Casey
    Courtesy Fli Artists Courtesy Con Kelleher Con Christmas with LÚNASA Featuring KARAN CASEY Guitar Ed Boyd Uilleann Pipes and Whistles Cillian Vallely Stand-up Bass Trevor Hutchinson Flutes and Whistles Kevin Crawford Fiddles and Whistles Seán Smyth Featuring Guest Vocalist Karan Casey PROGRAM There will be an intermission. //////////////////////////////////////////////////////////////////////////////////////////////// Sunday, December 7 at 7 PM Zellerbach Theatre 10 // ANNENBERG CENTER LIVE PROGRAM NOTES Featuring guest singers and dancers, Lúnasa and Karan Casey create a musical, spoken word and entertainment tapestry that transports the audience back to Ireland in the days leading up to Christmas. ABOUT THE ARTISTS Lúnasa Lúnasa is made up of Kevin Crawford (flutes, low whistles and tin whistles), Trevor Hutchinson (double bass), Ed Boyd (guitar), Seán Smyth (fiddle and low whistle) and Cillian Vallely (uilleann pipes and low whistles). The band has sold more than quarter of a million albums with tens of thousands of individual track downloads over an impressive back catalogue of seven highly acclaimed and award-winning albums. Lúnasa is internationally acknowledged as being the finest traditional Irish instrumental band of recent times, renowned for stunning shows honed by superb musicianship and a constant touring cycle. They have performed close to 2,000 shows across 36 countries since the band formed in 1997. Concert appearances include renowned venues such as The Hollywood Bowl, National Concert Hall (Dublin), Sydney Opera House, World Trade Centre, Moscow International House of Music and an invitation to appear at the White House. Lúnasa’s inventive arrangements and bass-driven grooves have steered Irish acoustic music into surprising new territory. Their recordings have been hailed as some of the best and most important world music albums anywhere, while their blend of intelligence, innovation, virtuosity and passion has brought them to the forefront of Celtic music.
    [Show full text]
  • Liverpool Philharmonic What's on April – August 2019
    Liverpool Philharmonic What's On April – August 2019 Featuring: • Katherine Jenkins • Rumours of Fleetwood Mac • John Barrowman • The Music of John Williams for Spielberg • Nashville Classics Box Office: 0151 709 3789; liverpoolphil.com Facebook: LiverpoolPhilharmonic Twitter: liverpoolphil Instagram: liverpool_philharmonic Contents Royal Liverpool Philharmonic is grateful to the following supporters ........................................................................ 5 Feature: Summer Classics ........................................................ 9 Over the Rainbow: Best of Broadway..................................... 9 Beethoven's Seventh .............................................................. 9 L'Après Midi ............................................................................ 9 Petrenko's Summer Classics ................................................ 10 Nashville Classics ................................................................. 10 Contemporary Music................................................................ 10 Stairway to Heaven: Led Zeppelin Masters .......................... 10 King of Ghosts ...................................................................... 11 An Evening of Songs and Stories Art Garfunkel .................. 12 Collabro ................................................................................ 12 1 Rumours of Fleetwood Mac.................................................. 13 The Solid Silver 60s Show.................................................... 13 George .................................................................................
    [Show full text]
  • Riverdance” – 20 Years, and Still Dancing Strong Citi Wang Dates: May 10 to May 15
    May 2016 Boston’s hometown VOL. 27 #5 journal of Irish culture. $2.00 Worldwide at All contents copyright © 2016 bostonirish.com Boston Neighborhood News, Inc. “Riverdance” – 20 years, and still dancing strong Citi Wang dates: May 10 to May 15 By r. J. donovan SPeCIal to the BIr It seems like only yes- terday the international Irish singing and danc- ing phenomenon “River- dance” first blazed to life. Since opening in Dublin in 1995, the production has dazzled more than 25 million theatergoers across six continents. The milestone 20th An- niversary World Tour will be performing at Boston’s Citi Wang Theatre from May 10 to May 15. “Riverdance” originat- ed as a seven-minute dance number created for the 1994 Eurovision broadcast, the world’s longest-running inter- national television song competition. With a score by Limerick native Bill Whalen, the electrifying performance at Dublin’s Port Theatre was an instant hit, bringing the audience to its feet. Ironically, the extraor- dinary number was not part of the competition. Instead, it was meant The female dance troupe presents “Anna Livia,” an acapella number, in “Riverdance: The 20th Anniversary World Tour.” (Continued on page 13) Rob-McDougal photo Feeney brothers send young talent ‘All Changed, to college to study the gas industry Changed Utterly…’ By MaddIe KIlgannon By Peter F. StevenS BIr CorreSPondent BIr StaFF The Feeney brothers, Fifth of five parts. Greg and Brendan, who In Boston, as elsewhere in the United States, many operate a private utility Irish viewed the rebels as heroes from the first news contractor company in of the revolt.
    [Show full text]