DOCSLIB.ORG

Riverdance” – 20 Years, and Still Dancing Strong Citi Wang Dates: May 10 to May 15

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Riverdance” – 20 Years, and Still Dancing Strong Citi Wang Dates: May 10 to May 15 May 2016 Boston’s hometown VOL. 27 #5 journal of Irish culture. $2.00 Worldwide at All contents copyright © 2016 bostonirish.com Boston Neighborhood News, Inc. “Riverdance” – 20 years, and still dancing strong Citi Wang dates: May 10 to May 15 By r. J. donovan SPeCIal to the BIr It seems like only yes- terday the international Irish singing and danc- ing phenomenon “River- dance” first blazed to life. Since opening in Dublin in 1995, the production has dazzled more than 25 million theatergoers across six continents. The milestone 20th An- niversary World Tour will be performing at Boston’s Citi Wang Theatre from May 10 to May 15. “Riverdance” originat- ed as a seven-minute dance number created for the 1994 Eurovision broadcast, the world’s longest-running inter- national television song competition. With a score by Limerick native Bill Whalen, the electrifying performance at Dublin’s Port Theatre was an instant hit, bringing the audience to its feet. Ironically, the extraor- dinary number was not part of the competition. Instead, it was meant The female dance troupe presents “Anna Livia,” an acapella number, in “Riverdance: The 20th Anniversary World Tour.” (Continued on page 13) Rob-McDougal photo Feeney brothers send young talent ‘All Changed, to college to study the gas industry Changed Utterly…’ By MaddIe KIlgannon By Peter F. StevenS BIr CorreSPondent BIr StaFF The Feeney brothers, Fifth of five parts. Greg and Brendan, who In Boston, as elsewhere in the United States, many operate a private utility Irish viewed the rebels as heroes from the first news contractor company in of the revolt. At four minutes past noon on Easter Dorchester, have been Monday, April 24, 1916, Patrick Pearse read the Proc- investing in their work lamation of the Republic from the steps of the General force through a training Post Office, declaring Ireland’s right to exist as a free program conducted at and sovereign nation. Bunker Hill Commu- The Boston Globe ran the entire text of the Irish nity College. The two-year “Declaration of Independence” on May 1, 1916; however, course, which trains stu- the eloquent document alone was not enough to sway dents in every aspect of the many readers – at least not yet. Supporters of Irish gas industry, will graduate home rule continued to denounce the Rising. A num- its first class this month. ber of Boston priests similarly castigated the actions The Gas Utility Technol- of Pearse, James Connolly, Michael Collins, Eamon ogy (GUT) Degree Option de Valera, and company as criminals against proper Program gives graduates authority, “traitors” against a nation [Great Britain] “more than just a piece at war against “the Hun.” of paper,” said Bill Egan, The company headed by Sligo-natives Greg and Brendan Feeney has pioneered a two year Gas Utility Technology program at a local community college. A great many of the Boston Irish did not yet know director of support services will be able to successfully Hill to complement its during school breaks that how to assess the doomed uprising. The local news- at Feeney Brothers Utility complete gas specific per- existing electrical utility allow for students to gain papers carried accounts of Dublin crowds jeering and Services. “The program formance skills and dem- program. Egan says the hands on experience and hurling invective at the ragged, bloodied rebels as they aims to give students all onstrate the ability to work program at Bunker Hill work with other profes- were marched through the streets to prison. Then, the the tools they need in order in teams to accomplish our is “truly a gateway to sionals in the gas utility reprisals by the British came – and everything changed to be safe and effective in objectives.” well paying jobs” in the industry. in Dublin and across the Atlantic in Boston. the field. Our expectation, Egan said that Feeney gas utility industry. The One of the three stu- In London, the Cabinet issued Major-General Sir John upon completion of these Brothers helped to create vocational program incor- Maxwell secret orders that the leaders of the Easter courses, is that graduates a GUT program at Bunker porates paid internships (Continued on page 9) (Continued on page 9) Brian W. O’Sullivan CFP®, ChFc, CLU Partner 234 Copeland Street, Suite 225 Quincy, MA 02169 Tel. 617-479-0075 Ext. 331 Fax 617-479-0071 Brian W. O’Sullivan, CFP ®, ChFC, CLU, is a registered representative of and offers securities, investment advisory and financial planning services through MML Investors Services, LLC, Member [email protected] SIPC. Supervisory Address: 101 Federal Street, Suite 800, Boston, MA 02210 • 617-439-4389 www.commonwealthfinancialgroup.com Page 2 May 2016 BOSTON IRISH RePORTeR bostonirish.com ICCNE remembers April 24, 1916 A large crowd gathered at the Canton campus of the the altar during Mass held 16 lilies, each labeled with reading of the proclamation. Irish Cultural Centre of New England (ICCNE) on Sun- names of those executed after the 1916 rising. Ciaran Nagle and Tara Novak were the final act day, April 24, to commemorate the 100th anniversary In other features, the Irish tenor Ciaran Nagle gave and what a finale! Their rendition of “The Fields of of the Easter Rising. Fr. Oliver Rafferty S.J., head of the event the solemnity and importance it deserved with Athenry” had all in attendance singing and waving Irish Studies at BC, celebrated the Mass, which fea- his singing of the Irish National Anthem; Fr. delivered their hands in the air! tured the music of Comhaltas Ceoltoiri Eireann and an insightful and gripping speech on Catholicism and the beautiful singing of Maureen McNally. The Irish the Rising; Irish dancers from the Dunleavy, Boyle and Submitted by Maudy Dooher, ICCNE Director of Government was represented by the remarks given Connolly School of Irish dance captured everyone’s at- Programming & Membership. by Consul General Fionnuala Quinlan. Four vases at tention; and the actor Jason McCool’s gave a masterly At left, Ireland Consul General in Boston Fionnuala Quinlan. A special thank you to our two readers whose relatives had a direct involvement in the events of 1916. At right, Patricia O’Neill is a granddaughter of Cecilia Rose O’Neill, nee Conroy, and a grandniece of eileen Ho- gan, nee Conroy, both members of Cumman na mBan of 1916 emer Mezzetti, is a grandniece of elizabeth O’Farrell, member of Cumman na mBan of 1916. – Maudy Dooher Photos Tricia O’Neill Photography Fr. Oliver Rafferty, SJ talked about Catholicism and The Rising. bostonirish.com May 2016 BOSTON IRISH RePORTeR Page 3 Dot native set to take CEO seat at Eversource By BIll Forry who is stepping down from ish, Judge and his wife maintained close ties to and today: These are first edItor the job next month. Mary (Cahill), who was his native neighborhood and second-generation Jim Judge, a native of The 60-year-old Judge also born and raised in throughout his career. immigrant parents trying Dorchester and the son of a is now the executive vice Dorchester, lived on Ash- “Still to this day, Jim to do the best for their Boston Police officer and a president and chief finan- mont Street after their is as comfortable on Ash- families. The objectives school librarian, has been cial officer for Eversource, marriage. He began his mont Street as he is on are the same. College named the new president which has a market value career in the finance of- Wall Street,” Hunt said. Bound and Mark Culliton and CEO of Eversource of over $18 billion, accord- fice of Boston Edison after “He’s never forgotten his and the staff have a pas- Energy, the utility com- ing to the company. He is graduating from Catholic Dorchester roots as evi- sion to shift the paradigm pany that serves 3.6 mil- expected to be elected as Memorial and Babson denced by his support for and interrupt a cycle of lion customers throughout chairman of the company’s College, where he also local organizations.” dysfunction and try to New England. He will board at an annual meet- secured a master’s degree Judge was honored by transform the community. succeed Tom May, the ing next year. in business. College Bound Dorchester They are engaging some company’s longtime chief Born in St. Peter’s par- In an interview with the at its annual gala in 2014. of the most disconnected Reporter, Judge credited He has served on the board youth and leading them the Sisters of Charity of the organization for the into college and a bright at St Peter’s Grammar last decade, according to future.” Joseph Corcoran School with giving him “a College Bound’s president Judge is engaged in tremendous educational Mark Culliton. many other civic endeav- foundation that got me “Jim is a quiet and hum- ors in his personal life, is choice for Robert started. I remember most Jim Judge ble champion for Dorches- serving on the board of of my classmates coming sued by the company ter who put our youth and the United Way of Mas- F. Kennedy honor out of eighth grade and last week. “I have every their future first in all that sachusetts and participat- getting scholarships to confidence in his ability he did,” said Culliton. “He ing on Eversource’s many Joseph E. Corcoran, the founder and chairman of CM or BC High.” to successfully lead Ever- is a Dorchester kid who corporate outreach efforts. the Corcoran Jennison Companies and a national St. Peter’s “was just a source into the future. His did well and understands The company leads an an- pioneer in transforming failed public housing projects great community to grow extensive experience in it’s his responsibility to nual walk for Children’s into successful mixed-income neighborhoods that of- up in.
Load more

Recommended publications
  • Register Now on Improve Your Premises
    FFT.ie International Edition May 2019 Food For Thought THE IRISH HOSPITALITY GLOBAL DIGEST Dublin Beer Cup Awards Who took home the top gongs at this The Mind of the Palate year’s event ..................................p14 with BWG Foodservice The pleasures of the table throughout the event. Spence tray), plus a large conch shell reside in the mind, not is perhaps best known for his with headphones which plays “in the mouth” – perhaps work with Heston Blumenthal, seagulls and crashing waves to the primary message that and Sound of the Sea, the dish evoke a seaside atmosphere Professor Charles Spence of they created in 2007, has been while you eat tasty morsels Somerville College Oxford on the Fat Duck’s menu ever that originated there. has been demonstrating since. “It may seem obvious to us at Catex 2019 in the RDS While the seafood varies with now that the sound of the sea Simmonscourt. the season, the appearance would enhance the experience Grid Finance Professor Spence was of the dish has remained of eating shellfish, but it simply What to look for in your wait staff invited to Catex by BWG much the same - with edible wasn’t before we did it in .......................................................p15 Foodservice and has been sand and foam surrounding 2007,” says Spence. giving fascinating mini- the seafood (and actual sand Spence is proposing nothing symposia at regular times visible below it through a glass less than “a new science of cont. p17 Jägermeister Opens 2019 Scholarship Applications ollowing on from the successful 2018 edition, Jägermeister has opened F In Conversation with..
    [Show full text]
  • Irish Music If You Are a Student, Faculty Member Or Graduate of Wake and Would Like to Play Irish Music This May Be for You
    Irish Music If you are a student, faculty member or graduate of Wake and would like to play Irish music this may be for you. Do you know the difference between a slip jig and a slide? What was the historic connection between Captain O’Neill of Chicago and Irish music? Who was Patsy Touhey and was he American or Irish? What are Uilleann pipes? What is sean-nós singing and is there a connection with Irish poetry? For the answers, join this Irish Music association. GOALS: to have a load of fun playing Irish music and in the process: Create a forum for a dynamic musical interaction recognizing and promoting Irish music Provide an opportunity for musicians to study, learn, and play together in the vibrant Irish folk tradition Promote co-operation between outside music/fine arts departments in Winston-Salem Enhance a community awareness of Irish music, song and culture Expose interested music, and other fine arts, students to an international dimension of folk music based on the Irish tradition as a model Explore the vocal and song traditions in Ireland in the English and Gaelic languages Learn about the history of Irish folk music in America HOW THIS WILL BE DONE: Meet every two weeks and play with a Gaelic-speaking piper and whistler from Ireland, define goals, share pieces, develop a repertoire; organize educational and academic demonstrations/projects; hear historic shellac, vinyl and cylinder recordings of famous pipers, fiddlers, and singers. Play more music. WHAT THIS IS: Irish, pure 100%..... to learn not only common dance music forms including double jigs, reels, hornpipes, polkas but also less common tune forms such as sets, mazurkas, song airs and lullabies etc WHAT THIS IS NOT: Respecting our Celtic brethren, this is NOT Celtic, Scottish, Welsh, Breton, Galician or Canadian/Cape Breton music which is already very well represented by some fine players here in North Carolina.
    [Show full text]
  • Traditional Irish Music Presentation
    Traditional Irish Music Topics Covered: 1. Traditional Irish Music Instruments 2 Traditional Irish tunes 3. Music notation & Theory Related to Traditional Irish Music Trad Irish Instruments ● Fiddle ● Bodhrán ● Irish Flute ● Button Accordian ● Tin/Penny Whistle ● Guitar ● Uilleann Pipes ● Mandolin ● Harp ● Bouzouki Fiddle ● A fiddle is the same as a violin. For Irish music, it is tuned the same, low to high string: G, D, A, E. ● The medieval fiddle originated in Europe in ● The term “fiddle” is used the 10th century, which when referring to was relatively square traditional or folk music. shaped and held in the ● The fiddle is one of the arms. primarily used instruments for traditional Irish music and has been used for over 200 years in Ireland. Fiddle (cont.) ● The violin in its current form was first created in the early 16th century (early 1500s) in Northern Italy. ● When fiddlers play traditional Irish music, they ornament the music with slides, cuts (upper grace note), taps (lower grace note), rolls, drones (also known as a double stop), accents, staccato and sometimes trills. ● Irish fiddlers tend to make little use of vibrato, except for slow airs and waltzes, which is also used sparingly. Irish Flute ● Flutes have been played in Ireland for over a thousand years. ● There are two types of flutes: Irish flute and classical flute. ● Irish flute is typically used ● This flute originated when playing Irish music. in England by flautist ● Irish flutes are made of wood Charles Nicholson and have a conical bore, for concert players, giving it an airy tone that is but was adapted by softer than classical flute and Irish flautists as tin whistle.
    [Show full text]
  • 15Th September
    7 NIGHTS IN LISBON INCLUDINGWIN! FLIGHTS 2019 6th - 15th September www.atasteofwestcork.com Best Wild Atlantic Way Tourism Experience 2019 – Irish Tourism & Travel Industry Awards 1 Seaview House Hotel & Bath House Seaview House Hotel & Bath House Ballylickey, Bantry. Tel 027 50073 Join us for Dinner served nightly or Sunday [email protected] House in Hotel our Restaurant. & Bath House Perfect for Beara & Sheep’s Head walkingAfternoon or aHigh trip Tea to theor AfternoonIslands Sea served on Saturday by reservation. September 26th – 29th 2019 4 Star Country Manor House Enjoy an Organic Seaweed Hotel, set in mature gardens. Enjoy an Organic Seaweed Bath in one IARLA Ó LIONÁIRD, ANTHONY KEARNS, ELEANOR of Bathour Bath in one Suites, of our or Bath a Treatment Suites, in the Highly acclaimed by ornewly a Treatment developed in the Bath newly House. SHANLEY, THE LOST BROTHERS, YE VAGABONDS, Michelin & Good Hotel developed Bath House with hand Guides as one of Ireland’s top 4**** Manor House Hotel- Ideal for Small Intimate Weddings, JACK O’ROURKE, THOMAS MCCARTHY. craftedSpecial woodburning Events, Private Dining outdoor and Afternoon Tea. destinations to stay and dine saunaSet within and four ac rhotes of beaut tub;iful lya manicu perfectred and mature gardens set 4**** Manor House Hotel- Ideal for Small Intimate Weddings, back from the Sea. Seaview House Hotel is West Cork’s finest multi & 100 best in Ireland. recoverySpecial followingEvents, Private Diningactivities and Afternoon such Tea. award winning Country Manor Escape. This is a perfect location for discovering some of the worlds most spectacular scenery along the Wild ****************** Set withinas four walking acres of beaut andifully manicu cycling.red and mature gardens set Atlantic Way.
    [Show full text]
  • Dònal Lunny & Andy Irvine
    Dònal Lunny & Andy Irvine Remember Planxty Contact scène Naïade Productions www.naiadeproductions.com 1 [email protected] / +33 (0)2 99 85 44 04 / +33 (0)6 23 11 39 11 Biographie Icônes de la musique irlandaise des années 70, Dònal Lunny et Andy Irvine proposent un hommage au groupe Planxty, véritable référence de la musique folk irlandaise connue du grand public. Producteurs, managers, leaders de groupes d’anthologie de la musique irlandaise comme Sweeney’s Men , Planxty, The Bothy Band, Mozaik, LAPD et récemment Usher’s Island, Dònal Lunny et Andy Irvine ont développé à travers les années un style musical unique qui a rendue populaire la musique irlandaise traditionnelle. Andy Irvine est un musicien traditionnel irlandais chanteur et multi-instrumentiste (mandoline, bouzouki, mandole, harmonica et vielle à roue). Il est également l’un des fondateurs de Planxty. Après un voyage dans les Balkans, dans les années 70 il assemble différentes influences musicales qui auront un impact majeur sur la musique irlandaise contemporaine. Dònal Lunny est un musicien traditionnel irlandais, guitariste, bouzoukiste et joueur de bodhrán. Depuis plus de quarante ans, il est à l’avant-garde de la renaissance de la musique traditionnelle irlandaise. Depuis les années 80, il diversifie sa palette d’instruments en apprenant le clavier, la mandoline et devient producteur de musique, l’amenant à travailler avec entre autres Paul Brady, Rod Stewart, Indigo Girls, Sinéad O’Connor, Clannad et Baaba Maal. Contact scène Naïade Productions www.naiadeproductions.com [email protected] / +33 (0)2 99 85 44 04 / +33 (0)6 23 11 39 11 2 Line Up Andy Irvine : voix, mandoline, harmonica Dònal Lunny : voix, bouzouki, bodhran Paddy Glackin : fiddle Discographie Andy Irvine - 70th Birthday Planxty - A retrospective Concert at Vicar St.
    [Show full text]
  • CRAN Biography 09
    www.cranmusic.com [email protected] CRAN are a unique group in the Irish folk-music world with their highly-individualistic approach and a bewildering array of styles and repertoire. Each member of the trio already had international reputations in their own fields before the band was formed. Desi Wilkinson had become a major force in the field of Irish flute-playing, both at home and abroad; Sean Corcoran was known internationally as one of the leading singers in the Hiberno- English and Gaelic traditions and also as a researcher and teacher; Ronan Browne had not only carved out a name for himself as one of the leading lights among the younger generation of uilleann pipers but he was already giving master-classes in Europe and the U.S.A. CRAN's concert performances are a dazzling display of technical virtuosity combined with fun and humour, banter and stories. The core of their repertoire is their native Irish material - bubbling dance music or haunting slow airs on flute and pipes, and vocals ranging from the highly- ornamented sean-nós songs of Conamara to the rollicking port a'bhéil or mouth music of Donegal. Their Hiberno-English song repertoire (songs from Ireland in English) covers the entire gamut from the old story- telling "long ballads" to lively comic songs of "pure divilment and rascality". They also include material from the related Scots-Gaelic tradition and from the other Atlantic Celts, the Bretons. Discography : Black Black Black Claddagh Records CC63CD 1998 Lover’s Ghost Black Rose Records BRRCD003 2001 Music from the Edge of the World Black Rose Records BRRCD004 2002 The Crooked Stair (’93 Re-release) Black Rose Records BRRCD001 2005 RONAN BROWNE Discography : (uilleann pipes, flutes, The South West Wind - Claddagh,1988 vocals) The Drones & the Chanters - Claddagh, 1994 "One of the finest pipers Riverdance - Celtic Heartbeat, 1994 Afro Celt Sound System I - Real World, 1996 of his generation.
    [Show full text]
  • School of Culinary Arts & Food Technology Winter Newsletter 2016
    Technological University Dublin ARROW@TU Dublin Other resources School of Culinary Arts and Food Technology 2016-12-01 School of Culinary Arts & Food Technology Winter Newsletter 2016 James Peter Murphy Technological University Dublin, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/tfschcafoth Part of the Food and Beverage Management Commons Recommended Citation Murphy, J. (ed). (2016). School of Culinary Arts & Food Technology Winter Newsletter.Dublin, Dublin Institute of Technology. This Other is brought to you for free and open access by the School of Culinary Arts and Food Technology at ARROW@TU Dublin. It has been accepted for inclusion in Other resources by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License School of Culinary Arts and Food Technology, D.I.T Newsletter [Winter 2016] CONTENTS PAGES ‘Ireland’s most famous culinary school celebrates 75 ‘All in the Food’ Book Launch P.1 Special awards ceremony 2016 P.2 years’ Congratulations , good wishes P. 3 On October 11th ‘All in the Food: 75 Years of Cathal Brugha Street’ was offi- Student and colleagues across cially launched by Senator David Norris. The book celebrates The School the media P. 4 of Culinary Arts and Food Technology, DIT - one of the world’s most fa- Upcoming events , Developments P.6 mous culinary schools. Eurotoque,Scholarships,Bakery P. 7 Students success, field trip P. 8 Founded in 1941 it has taught generations of chefs and other food profes- National Hospitality Conference , sionals, many of whom have spread their skills around the world or be- School Culinary Shop P.
    [Show full text]
  • Cornphíopa Le Chéile” (Hornpipe Together) to Keep Dancers Involved, Unified, As Well As Going Back to Their Traditional Irish Roots
    CONRPHÍOPA LE CHÉILE A Chairde, I hope this email finds you safe & well. Our Marketing subcommittee of the International Workgroup in conjunction with the Music & Dance Committee of CLRG have been working hard and formed the idea to help engage with dancers of all levels throughout the World during this pandemic. We have created a CLRG Global Choreography Challenge named “Cornphíopa le Chéile” (Hornpipe Together) to keep dancers involved, unified, as well as going back to their Traditional Irish Roots. The purpose of this challenge is to promote our dance, our culture, our music and our heritage while allowing dancers all around the World to engage with their teachers and learn a new piece of dance that they might never have the chance to learn again. This is a combined challenge between our wonderful musicians, teachers & dancers from across the Globe. MUSIC; - To date our wonderful musicians have been contacted to invite them to compose 32 bars of a Hornpipe tune. This has to be a new piece of music created exclusively for this challenge and the chosen tunes will be uploaded to the CLRG website on the week of the 20th July, where it will be accessible to all dancers & teachers alike. CHOREOGRAPHY; - The dancers will create their own choreography in a traditional manner including e.g. rocks, cross keys, boxes, drums. They must not include toe walks, double clicks and most importantly it must be danced in a Traditional Style. There will be 3 different age categories Under 13, 13 – 16, 16-20 & Adult. The music speed will be 140.
    [Show full text]
  • 6Th Grade Dance Study Guide
    6th Grade Dance Study Guide History • Dance has been used throughout civilization by various cultures and society to communicate concepts such as customs, self-expression and social interaction. Types of Dance • Square Dance: Performed with partners, in groups of eight forming a square. • Contra Dance: A dance in which couples stand in long lines facing each other, and move in opposite directions. Examples: Virginia Reel • Round/Circle Dance: Round dance is a term used as early as the eighteenth century in Europe for dances in which partners perform in a circle and usually move in a counterclockwise direction. Round dances are also called couple or partner dances. Examples: Heel Toe Polka, Jiffy Mixer, the Waltz, the Polka, Five Foot Two • Line Dancing: A dance performed in a line, usually no partners. Examples: Hot Chocolate, Rollercoaster, Electric Slide • Folk Dance: A Dance performed from customs and traditions of people. Dances that come from countries other than the United States. It is “the dance of the people”. Terminology Closed Dance Position – Girl’s right hand in boy’s left, girl’s left hand on boy’s shoulder; boy’s right hand in middle of girl’s back to guide her. Do-Si-Do - Two dancers face and move toward each other passing right shoulders. Each person then moves to his right, passing in back of the other person and without turning, passes left shoulders and moves backward to place. Line or Contra – type of formation; dancers stand side by side facing in the same direction. Line of Direction – Refers to the direction of movement of dancers around a circle, counterclockwise.
    [Show full text]
  • School Show Study Guide
    420 East Packer Avenue Bethlehem, PA 18015-3179 (610) 758-2787 www.ZoellnerArtsCenter.org School Show Study Guide: Wednesday, March 13, 2019 at 10:00am Baker Hall at Zoellner Arts Center USING THIS STUDY GUIDE Dear Educator, On Wednesday, March 13, your class will attend a performance by Murphy’s Celtic Legacy, at Lehigh University’s Zoellner Arts Center in Baker Hall. You can use this study guide to engage your students and enrich their Zoellner Arts Center field trip. Materials in this guide include information about the performance, what you need to know about coming to a show at Zoellner Arts Center and interesting and engaging activities to use in your classroom prior to and following the performance. These activities are designed to go beyond the performance and connect the arts to other disciplines and skills including: Dance Culture Expression Social Sciences Teamwork Choreography Before attending the performance, we encourage you to: Review the Know before You Go items on page 3 and Terms to Know on pages 9. Learn About the Show on pages 4. Help your students understand Ireland on pages 11, the Irish dance on pages 17 and St. Patrick’s Day on pages 23. Engage your class the activity on pages 25. At the performance, we encourage you to: Encourage your students to stay focused on the performance. Encourage your students to make connections with what they already know about rhythm, music, and Irish culture. Ask students to observe how various show components, like costumes, lights, and sound impact their experience at the theatre. After the show, we encourage you to: Look through this study guide for activities, resources and integrated projects to use in your classroom.
    [Show full text]
  • Brittany Haas: Violin & Vocals Susie Petrov: Piano & Accordion
    abdesign bc A Proud Supporter of The New Harmony Music Festival & School -Informing Citizens -Empowering Families -Strengthening Community Listen Live at WNIN.ORG TV 9.1 & 9.2, Cable 12 &13 FROM THE FESTIVAL DIRECTOR christopher layer Welcome to season three... Celebrating Life In The Presence Of Music...And Architecture! elcome festival friends to the third New Harmony Music Festival & School! Welcome Wto community, freedom, and the harmony of sounds in soaring spaces, old ballads in historic theaters, and morning serenades out of doors while nature bestows her gifts upon us in this harmonious spiritual mecca for the soul. I invite you to bring your own joy and enthusiasm for musical creation to bear on our offerings in this cradle of life and sharing. Drink deep from the font of exploration and linger long in the land of things creative. On behalf of Clem Penrose and all of the New Harmony Artists Guild, dear listener, you are invited! This season... his year we celebrate the bicentennial of the town of New Harmony and the unique ways our historic Tsurroundings and structures shape how our ears receive our music. Stephanie Meeks, the Director of the National Trust For Historic Preservation, has graciously written a short letter of greeting to the festival, as we feature some our special architecture around town during festival. We are thrilled to be performing an outdoor concert at 9 o’clock on Saturday morning, July 12 in the Philip Johnson Roofless Church featuring a nine foot Steinway piano courtesy of H & H Music in Evansville. Classical and traditional music inspired by works of architecture through history will fill the bill of fare for this very special “first” in festival history.
    [Show full text]
  • Mixed Martial Arts
    COMPILED BY : - GAUTAM SINGH STUDY MATERIAL – SPORTS 0 7830294949 Mixed Martial Arts - Overview Mixed Martial Arts is an action-packed sport filled with striking and grappling techniques from a variety of combat sports and martial arts. During the early 1900s, many different mixed-style competitions were held throughout Europe, Japan and the Pacific Rim. CV Productions Inc. showed the first regulated MMA league in the US in 1980 called the Tough Guy Contest, which was later renamed as Battle of the Superfighters. In 1983, the Pennsylvania State Senate passed a bill which prohibited the sport. However, in 1993, it was brought back into the US TVs by the Gracie family who found the Ultimate Fighting Championships (UFC) which most of us have probably heard about on our TVs. These shows were promoted as a competition which intended in finding the most effective martial arts in an unarmed combat situation. The competitors fought each other with only a few rules controlling the fight. Later on, additional rules were established ensuring a little more safety for the competitors, although it still is quite life-threatening. A Brief History of Mixed Martial Arts THANKS FOR READING – VISIT OUR WEBSITE www.educatererindia.com COMPILED BY : - GAUTAM SINGH STUDY MATERIAL – SPORTS 0 7830294949 The history of MMA dates back to the Greek era. There was an ancient Olympic combat sport called as Pankration which had features of combination of grappling and striking skills. Later, this sport was passed on to the Romans. An early example of MMA is Greco-Roman Wrestling (GRW) in the late 1880s, where players fought without few to almost zero safety rules.
    [Show full text]