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South Park and Absurd Culture War Ideologies, the Art of Stealthy Conservatism Drew W
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2009-01-01 South Park and Absurd Culture War Ideologies, The Art of Stealthy Conservatism Drew W. Dungan University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Mass Communication Commons, and the Political Science Commons Recommended Citation Dungan, Drew W., "South Park and Absurd Culture War Ideologies, The Art of Stealthy Conservatism" (2009). Open Access Theses & Dissertations. 245. https://digitalcommons.utep.edu/open_etd/245 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. South Park and Absurd Culture War Ideologies, The Art of Stealthy Conservatism Drew W. Dungan Department of Communication APPROVED: Richard D. Pineda, Ph.D., Chair Stacey Sowards, Ph.D. Robert L. Gunn, Ph.D. Patricia D. Witherspoon, Ph.D. Dean of the Graduate School Copyright © by Drew W. Dungan 2009 Dedication To all who have been patient and kind, most of all Robert, Thalia, and Jesus, thank you for everything... South Park and Absurd Culture War Ideologies. The Art of Stealthy Conservatism by DREW W. DUNGAN, B.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department of Communication THE UNIVERSITY OF TEXAS AT EL PASO May 2009 Abstract South Park serves as an example of satire and parody lampooning culture war issues in the popular media. -
SIMPSONS to SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M
CONTEMPORARY ANIMATION: THE SIMPSONS TO SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M. Social Work 134 Instructor: Steven Pecchia-Bekkum Office Phone: 801-935-9143 E-Mail: [email protected] Office Hours: M-W 3:00 P.M.-5:00 P.M. (FMAB 107C) Course Description: Since it first appeared as a series of short animations on the Tracy Ullman Show (1987), The Simpsons has served as a running commentary on the lives and attitudes of the American people. Its subject matter has touched upon the fabric of American society regarding politics, religion, ethnic identity, disability, sexuality and gender-based issues. Also, this innovative program has delved into the realm of the personal; issues of family, employment, addiction, and death are familiar material found in the program’s narrative. Additionally, The Simpsons has spawned a series of animated programs (South Park, Futurama, Family Guy, Rick and Morty etc.) that have also been instrumental in this reflective look on the world in which we live. The abstraction of animation provides a safe emotional distance from these difficult topics and affords these programs a venue to reflect the true nature of modern American society. Course Objectives: The objective of this course is to provide the intellectual basis for a deeper understanding of The Simpsons, South Park, Futurama, Family Guy, and Rick and Morty within the context of the culture that nurtured these animations. The student will, upon successful completion of this course: (1) recognize cultural references within these animations. (2) correlate narratives to the issues about society that are raised. -
“The Superman Exists, and He Is American”: Graphic Novel Film Adaptations and Masculine Heroism in Post-9/11 Culture
Connecticut College Digital Commons @ Connecticut College Film Studies Honors Papers Film Studies Program 2010 “The upS erman Exists, and He is American”: Graphic Novel Film Adaptations and Masculine Heroism in Post-9/11 Culture Richard Charles Abate Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/filmhp Part of the American Film Studies Commons, American Popular Culture Commons, and the Film and Media Studies Commons Recommended Citation Abate, Richard Charles, "“The uS perman Exists, and He is American”: Graphic Novel Film Adaptations and Masculine Heroism in Post-9/11 Culture" (2010). Film Studies Honors Papers. 2. http://digitalcommons.conncoll.edu/filmhp/2 This Honors Paper is brought to you for free and open access by the Film Studies Program at Digital Commons @ Connecticut College. It has been accepted for inclusion in Film Studies Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. “The Superman Exists, and He is American”: Graphic Novel Film Adaptations and Masculine Heroism in Post-9/11 Culture An Honors Thesis presented by Richard Charles Abate to The Department of Film Studies in partial fulfillment of the requirements for Honors in the Major Field Connecticut College New London, Connecticut May 2010 Acknowledgements I would like to thank Professor Nina Martin for advising me throughout this project and for introducing me to the wonderful world of film theory. I would also like to thank my readers, Professor Simon Hay and Professor David Greven, for taking the time to read over drafts of this thesis and for their invaluable comments and constructive criticisms. -
South Park Super Neighborhood
City of Houston Department of Health and Human Services 1999-2003 Office of Surveillance and Public Health Preparedness CommunityCommunity HealthHealth ProfilesProfiles South Park Super Neighborhood Providing Health Information for Community Action Community Health Profiles 1999-2003 This community health profile highlights impor- Introduction tant health issues facing the residents of the South Park Super Neighborhood. In Houston, a “super neighborhood” is a geo- graphically defined area where residents, civic organizations, institutions and businesses work together to identify, plan, and set priorities to address the needs and concerns of their com- munity. The boundaries of each super neighbor- hood rely on major physical features such as bayous or freeways to group together contigu- ous communities that share common physical characteristics, identity or infrastructure. South Park Super Neighborhood will hereinafter be referred to as “South Park”. It is the intention of the Houston Department of Health and Human Services (HDHHS), in devel- oping health profiles such as this, to promote a better understanding by local residents, commu- nity-based organizations, community leaders, medical providers, and the public health commu- nity of the unique character and circumstances of our various communities, and to draw atten- tion to those matters that contribute to the great- est of health disparities among the citizens of our growing, culturally and ethnically diverse city. Table of Contents This profile also represents an effort on the part of HDHHS to provide a “baseline” of indicators of health in our communities, against which fu- ture trends in conditions can be measured and Community Resources………...................3 monitored, and appropriate public health ac- The Super Neighborhood at a Glance..….4 tions, taken. -
Instructor's Guide
DRAWN TO THE GODS Religion and Humor in The Simpsons, South Park, and Family Guy Instructor’s Guide Dives into a new world of religious satire illuminated through the layers of religion and humor that make up the The Simpsons, South Park, and Family Guy. Drawing on the worldviews put forth by three wildly popular animated shows – The Simpsons, South Park, and Family Guy– David Feltmate demonstrates how ideas about religion’s proper place in American society are communicated through comedy. The book includes discussion of a wide range of American religions, including Protestant and Catholic Christianity, Judaism, Islam, Buddhism, Native American Religions, New Religious Movements, “Spirituality,” Hinduism, and Atheism. Along the way, readers are shown that jokes about religion are influential tools for teaching viewers how to interpret and judge religious people and institutions. Feltmate develops a picture of how each show understands 304 pages | Paper | 978-1-4798-9036-1 Religion and communicates what constitutes good religious practice as well as which traditions they seek to exclude on the basis of Contents: race and ethnicity, stupidity, or danger. From Homer Simpson’s • Chapter Summaries with Discussion Questions spiritual journey during a chili-pepper induced hallucination to and Recommended Episodes South Park’s boxing match between Jesus and Satan to Peter • Questions for Reflection Griffin’s worship of the Fonz, each show uses humor to convey • Supplementary Assignments a broader commentary about the role of religion in public life. Through this examination, an understanding of what it means to "Without a doubt, I will use this delightful, well-researched, well-crafted monograph in my media, religion, and popular culture courses. -
Frank Miller's Sin City
FRANK MILLER’S SIN CITY: A DAME TO KILL FOR Production Notes Publicity materials are available at: twcpublicity.com Running Time: 102 mins MPAA Rating: TBD 1 FRANK MILLER’S SIN CITY: A DAME TO KILL FOR Production Notes Co-directors Frank Miller and Robert Rodriguez reunite to bring Miller's visually stunning "Sin City" graphic novels back to the screen in 3D in FRANK MILLER’S SIN CITY: A DAME TO KILL FOR. In a town where justice doesn't prevail, the desperate want vengeance and ruthless murderers find themselves with vigilantes on their heels. Their paths cross in Sin City’s famous Kadie's Club Pecos. The film opens with fan-favorite “Just Another Saturday Night,” when Marv (Mickey Rourke) finds himself in the center of carnage as he tries to remember the preceding events. “The Long, Bad Night” tells the tale of Johnny, a cocky young gambler (Joseph Gordon-Levitt) taking his chances with the biggest villain in Sin City, Senator Roark (Powers Boothe). The central story, Miller’s acclaimed "A Dame To Kill For," features Dwight McCarthy (Josh Brolin) in his final confrontation with the woman of his dreams and nightmares, Ava Lord (Eva Green). “Nancy’s Last Dance" follows Nancy Callahan (Jessica Alba) in the wake of John Hartigan’s (Bruce Willis) selfless suicide. Driven insane by grief and rage, she will stop at nothing to get revenge. 2 RETURNING TO SIN CITY When FRANK MILLER’S SIN CITY opened in April 2005, the film was a critical and global box office success. Breaking new ground, the movie was filmed entirely on green screen and brought Miller’s black and white graphic novels to life. -
Gruda Mpp Me Assis.Pdf
MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM SOUTH PARK ASSIS 2011 MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM SOUTH PARK Dissertação apresentada à Faculdade de Ciências e Letras de Assis – UNESP – Universidade Estadual Paulista para a obtenção do título de Mestre em Psicologia (Área de Conhecimento: Psicologia e Sociedade) Orientador: Prof. Dr. José Sterza Justo Trabalho financiado pela CAPES ASSIS 2011 Dados Internacionais de Catalogação na Publicação (CIP) Biblioteca da F.C.L. – Assis – UNESP Gruda, Mateus Pranzetti Paul G885d O discurso politicamente incorreto e do escracho em South Park / Mateus Pranzetti Paul Gruda. Assis, 2011 127 f. : il. Dissertação de Mestrado – Faculdade de Ciências e Letras de Assis – Universidade Estadual Paulista Orientador: Prof. Dr. José Sterza Justo. 1. Humor, sátira, etc. 2. Desenho animado. 3. Psicologia social. I. Título. CDD 158.2 741.58 MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM “SOUTH PARK” Dissertação apresentada à Faculdade de Ciências e Letras de Assis – UNESP – Universidade Estadual Paulista para a obtenção do título de Mestre em Psicologia (Área de Conhecimento: Psicologia e Sociedade) Data da aprovação: 16/06/2011 COMISSÃO EXAMINADORA Presidente: PROF. DR. JOSÉ STERZA JUSTO – UNESP/Assis Membros: PROF. DR. RAFAEL SIQUEIRA DE GUIMARÃES – UNICENTRO/ Irati PROF. DR. NELSON PEDRO DA SILVA – UNESP/Assis GRUDA, M. P. P. O discurso do humor politicamente incorreto e do escracho em South Park. -
Fresh Buffet Opens At
MONDAY The Voice of Hawai‘i April 11, 2005 Inside News 2 Opinions 4,5 Comics | Crossword 6 Features 7 Ka Leo O Hawai‘i Sports 8 VOL. XCIX ISSUE 132 THE UNIVERSITY OF HAWAI‘I AT MANOA¯ www.kaleo.org Celebrate the Earth Fresh buffet Volunteers helped to build the main Earth Dome for the University of Hawai’i Earth Day Celebration on Friday, April 22, from 10 a.m to 10 opens at UHM p.m at the UH-Manoa Sustainability Courtyard. There will be teach in sessions Govinda’s food quinoa and organic salads. and action-oriented exhibits “We’re trying to make it as inter- in the Earth Dome to learn esting as possible, but at the same how to build grass-roots com- time we don’t want to clash with Ono is unexplainably munity change. Other exhib- Pono,” said Tejaprakash, President of its are the Malama’aina ISKON Hawai`i. nourishing Hands-On Project, the Global Govinda’s is working in partner- Goods Bazaar, Super Market, ship with the UH Office of By Michelle Takiguchi and Global Village Sustainability and Ono Pono, an Ka Leo Staff Writer Performances. established vegetarian kiosk in the After months of obstacles, area, to increase the popularity of the Govinda’s Buffet, a new vegetarian courtyard by offering healthy, deli- DIANA KIM kiosk, welcomes everyone to join for cious meals. Ka Leo O Hawai‘i lunch in the University of Hawai`i Govinda’s offers Ala Carte Sustainability Courtyard today. options as well as full meals to cater The buffet is an extension of the to the finances of college students. -
Going Down to South Park: Reporting the News on Television’S Most Politically and Socially Irreverent Animated Series
Going Down to South Park: Reporting the News on Television’s Most Politically and Socially Irreverent Animated Series By Todd Smilovitz Abstract The image of the journalist on South Park is not one to be proud of. Journalists appear on more than half of the episodes in the show’s first nine seasons, but they are mostly purveyors of news that is opinionated, baseless, soft, sentimental, naïve, late-breaking and/or sensationalistic. Behind all of this shallow reporting is a quest by news media for ratings: the profit motive distorts news. The fact that almost all South Park journalism is broadcast news, which naturally tends to focus on sound bites rather than in-depth analysis, only enhances this effect. Whether the image of the journalist on South Park is a reflection of the modern American media, or vice versa, is left unsettled and to the eye of the beholder. * * * “A Sexy Action News Team Special Report: ‘Cough Medicine Abuse in School’ with the Sexy Action School News Team. It’s the report you can’t afford to miss.”1 -- Announcer setting up the boys’ final attempt to grab high ratings for their elementary school news show While this Sexy Action News Team special report could actually be seen as investigative journalism, it only comes about after more sensationalistic methods for becoming the number Going Down to South Park By Todd Smilovitz 2 one South Park Elementary School news show fail. In other words, the serious, investigative content of the show is only incidental to the profit motive. Live, late-breaking special reports by eyewitness news teams are the real king of South Park journalism. -
Legal Notice Before Comedy South Park
Legal Notice Before Comedy South Park Segmented Huey tumbles very avoidably while Laurie remains newsless and coyish. Perpendicularly versional, Shelton systematised strangler and creneled chalices. Erastian Sergeant equilibrate, his soakage fine recesses spatially. Ult library titles are launching an orca escape a beginning, south park before they want Episode highlights include the evil corrupt company executive I am say the law. At 'South Park' show room above Oak Brook school that in session mkay. The Simpsons came under fire earlier this issue when critics most prominently comedian Hari Kondabolu and his documentary The Problem. Watch the Park season 22 episode 1 online Comedy. Jeff Dunham's Pandemic Holiday Special Draws Strong. The audacity of 'high Park' critiquing Chinaand Viacom's. Comedy Central via Facebook Over increase two decades South wall has earned its same share of fans and critics A Canadian judged once. The executioner throws a legal notice before comedy south park? The parody article includes a well-crafted fake statement from a Yelp. For nearly 13 years the irreverent to denounce it mildly cartoon show. Stan looks like glenn beck and legal notice before comedy south park before saving everyone looks like kyle. Watch a bunch of barely distinguishable people fight less love from three. South Park Season 23 Episode 1 Mexican Joker is a fucked up episode about. South as They Killed Kenny T-Shirt Notice Unisex product Attention girls as this paddle a unisex product it will run their little bit larger Therefore you who want. Clips and content related to get long-running comedy cartoon from. -
South Park's Satan: Sympathetic
SOUTH PARK’S SATAN: SYMPATHETIC CHARACTER AND CRITICAL CULTURAL MIRROR by Joshua Casper A thesis proposal submitted to the faculty of The University of North Carolina at Charlotte in partial fulfillment of the requirements for the degree of Master of Arts in Religious Studies Charlotte 2020 Approved by: _________________________ Dr. Sean McCloud _________________________ Dr. Alexandra Kaloyanides _________________________ Dr. Eric Hoenes Del Pinal ii ©2020 Joshua Casper ALL RIGHTS RESERVED iii ABSTRACT JOSHUA CASPER. South Park Satan: Sympathetic Character and Critical Cultural Mirror. (Under the Direction of DR. SEAN MCCLOUD) In this thesis, I argue that Satan in South Park is portrayed as a sympathetic character who acts as both a role model of individuality and responsibility in a manner that supports what religious studies scholar David Feltmate refers to as the "unseen order" proffered by the show's creators. I will support this argument through three case studies that compares Satan to other prominent South Park characters: Jesus, Saddam Hussein, and Mr. Garrison. This thesis engages with several different fields of scholarly work, including religious studies, media studies, and popular culture studies. While this work is influenced by such scholarship, the main subject, South Park’s Satan, has not been the focus of any work on religion, media, and popular culture broadly, or scholarship on South Park specifically. In this manner, I hope to add to the existing literature on South Park and religion and popular culture studies. I will discuss Lisle Dalton, Eric Greene, Jane Iwamura, David Feltmate, and Scott Poole and show how they will help me set up the main arguments of my analysis. -
South Park's Ambiguoues Satiric Expression
SOUTH PARK'S AMBIGUOUES SATIRIC EXPRESSION MICHAEL ADRIAAN VITTALI This Master Thesis is carried out as a part of the education at the University of Agder and is therefore approved as a part of this education. However, this does not imply that the University answers for the methods that are used or the conclusions that are drawn. University of Agder, May 2010 Faculty of Humanities and Education Department of Foreign Languages and Translation Acknowledgements Firstly, I would like to thank my advisor Michael J. Prince. He shares my fascination with South Park, and as such he has been a great help. Thank you pointing me in the right direction and giving me great advice and encouragement. Thanks for letting me write about one of my favorite shows. Second, thanks must also be given to “The Mexican” for showing me a lot of excess fat which needed to be trimmed in my thesis. Thanks for the “editing”. Lastly, I would like to thank my girlfriend Maren, who stuck by me while I analyzed South Park against her will every time it came on TV. She has also been a great help in showing me the usefulness of the comma. Table of Contents Introduction and Background........................................................….1 Chapter 1: The Inner Workings of South Park ………………........ .6 The Animation ………………………………………………..….....6 Satire and the Carnivalesque Nature of South Park …………..…. 11 Chapter 2: What’s So Funny? ……………………………….….... 20 South Park in Action …………………………………………..… 21 Chapter 3: South Park and the War on Terror ………………...… 26 Chapter 4: Voting and the Rights of Cows ………………….…... 37 Summing Up: South Park’s Ambiguous Satire ……..……….….