St GEORGE for ENGLAND April 2021

Total Page:16

File Type:pdf, Size:1020Kb

St GEORGE for ENGLAND April 2021 St GEORGE FOR ENGLAND April 2021 In this edition England, Kingdom, Commonwealth: time to celebrate St George’s Day Visionary England – the Lake District The continuing battle for the English countryside Britain’s famous steam locomotives THE ROYAL SOCIETY OF St GEORGE – The Premier Patriotic Society of England Founded in 1894. Incorporated by Royal Charter. Patron: Her Majesty Queen Elizabeth II £3.50 BATTLE OF BRITAIN HISTORICAL SOCIETY “Never in the field of human conflict was so much owed by so many to so few” Official Newsletter of the Battle of Britain Historical Society 2013 Ltd “Never in the field of human conflict was so much owed by so many to so few” Head Office: Calais View, Channel Way, Fairlight, East Sussex TN35 4BP Editor and Managing Director: Graves Registrar: Membership Secretary: John Pulfer BEM JP Steve Maddock Margaret Pulfer Tel: 01424 814866 Tel: 01895 676004 Tel: 01424 814866 Email: [email protected] [email protected] Email: [email protected] Historian: Nick Hall Tel: 01427 668122 Battle Officia Email: [email protected] of B l NewAUTUMN / WINTER 2017 ritain Histo sletter of the rical Society 2 Issue 156 013 Ltd 100 years of the RAF We are now recruiting new members to join the “Never in the field of human conflict was so much owed by so many to so few” Head Of fice: Ca lais View Editor , Channel W and Managing ay, Fai John Pulfer B rlight, East Su Tel: 01 EM JP Di 424 814866 rector: ssex TN Always Remembered … Never forgotten Email: john Graves Reg 35 4BP Battle of Britain Historical Society 2013 Ltd. atbo Steve M istrar: [email protected] addock Historian: Tel: 01895 676004 Official Newsletter of the Nick Hall stevewmaddock@ Membership Secretary: Margaret Pulfe Battle of Britain Historical Tel: 01427 668122 gmail.com Society 2013 Ltd Email: scam Tel: 01424 814866r pton.1943@ Email: bobh btinternet.com [email protected] Members will receive bi-annual 24 page colour newsletters. SPRING / SUMM ER 2018 Issue 157 The Society has four main aims… • To ensure the Battle of Britain is never forgotten • Head Office: Calais View, Channel Way, Fairlight, East Sussex TN35 4BP Editor and Managing Director: Graves Registrar: John Pulfer BEM JP Membership Secretary: Steve Maddock Margaret Pulfer • To erect plaques in places where the “few’ were educated • Tel: 01424 814866 Tel: 01895 676004 Tel: 01424 814866 Email: [email protected] [email protected] Email: [email protected] Historian: Nick Hall Tel: 01427 668122 Email: [email protected] AUTUMN / WINTER 2018 Issue 158 • To look after the final resting places of the “few” • • To erect granite memorials to the “few” • LIFE MEMBERSHIP STANDARD MEMBERSHIP CORPORATE MEMBERSHIP UK Life members - GB £400 UK members under 18 Years - GB £12 Annual Membership Corporate Members - GB £500 Overseas Life membership - GB £500 UK members over 18 - GB £24 Annual Membership Corporate Sponsor - GB £1500 Overseas members all ages - GB £36 Annual Membership MEMBERSHIP SECRETARY Margaret Pulfer Email: [email protected] Tel: 01424 814866 Web address: www.battleofbritain1940.net $$%# #%)( $#$#!#$%( '#$%) # &%#% &#$!&%)%#% % !# %!#$#'%&$&#$% % #)# ( #% $&#%%%$% ##)# %&$% '% &%&# #% $($% %# &%% ) &! ! #$ $ %# & &%% &# &#)%'%$& #$(%%(#)&#$'!#%&# %%% % #)# &%#!# %$ # #$#) &$ $ #'%% !$$ %# & &# ## $#'$(# # &"&%)*$ &#$ # %%!#$% &$ ## (#$ #) &! ! '#)##'$'*$)#!&$'%% $% '#%) % '%$& &#$% #(##$##$$)"&%)$!#$# # %#%$ # $% # # #% !$ %% #'$% # +0 +))%)$ -0$,)'*(0&$'$- 0".+(- + "$,- + $(("&()'*(0) ( "$,- + #+$-0) "$,- + !!$ (+ ,,!)+)++ ,*)( ( # -.$))*0#)&+'0+)/ )+$(" -# $(" Contents Vol 19. No. 1 – April 2021 Front Cover: The Queen Victoria Memorial in front of Buckingham Palace 4 From the Chairman 5 Editorial 7 My England St George for England The Official Journal of 8 Dambusters The Royal Society of St George 10 Branch News Overseas Reports The Society stands for: 16 I Respect for the Monarchy; Duty to our Sovereign and our Country; 16 St George’s Tax I The cause of England and Englishness. In accordance with our Constitution, the Objects 17 Origins of Easter Traditions of the Society are: Memories of the Battle of 18 News 33 One Britain To foster the love of England and to strengthen England and the Commonwealth by spreading the knowledge of English history, traditions and ideals. England’s Railway Heritage 34 Two To keep fresh the memory of those, in all walks of 38 Letters to the Editor life, who have served England or the Commonwealth in the past in order to inspire 39 Heritage of the leadership in the future. Commonwealth Three To combat all activities likely to undermine the strength of England or the Commonwealth. William Wilberforce 40 Four To further English interests everywhere to ensure that St. George’s Day is properly celebrated and to provide focal points the world over where English 33 men and women may gather together. 41 Obituaries 20 A Saint for all Nations 42 Book Review 23 Cinematic England 43 50/50 Club 25 Book Review 47 Membership Affiliations 27 Overlooked England 28 Visionary England 48 Our Branches 32 England’s Veterans 18 50 Shop Window 17 28 34 ST GEORGE FOR ENGLAND 3 FROM THE CHAIRMAN THE ROYAL SOCIETY OF St GEORGE last year by people that they have loved and The Premier Patriotic Society of England nurtured. Founded in 1894. I should imagine that marrying into the Incorporated by Royal Charter. Royal Family is an enormous challenge, Patron: Her Majesty Queen Elizabeth II and we can only admire those who rise to Chairman: Joanna M. Cadman it so well. To always present yourself well, Published at: The Royal Society of St George, RSSG, P.O. BOX 397, Loughton, IG10 9GN, England to make the right choices and say the right Telephone: 020 3225 5011 things (or not say what you want to say) E-mail: [email protected] Website: www.rssg.org.uk must be completely exhausting from time to Facebook page: www.facebook.com/ time, but there has never been one word of RoyalSocietyofStGeorge Twitter: @RSStGeorge complaint or self-pity from any of the senior Join us on LinkedIn – the Royal Society of StGeorge Official Group Royals. Maybe they are all “trapped”, but Opening times: Monday to Thursday, 10.30 am to 3.30 pm they recognise that they are born into, or Editor: Stuart Millson married into, a life of service and get on with Editorial Address Rumbeams Cottage, Ewhurst Green it. Whilst in some ways they do live a life of Nr Cranleigh, Surrey, GU6 7RR incredible privilege, their life and activities Telephone: 01483 268627 are largely choreographed and controlled by E-mail: [email protected] protocol and tradition and is certainly not as George Andrews, FCIB FCIS FCIArb – President Emeritus Disney would portray the life of a Royal. We Vice Presidents The Earl of Aylesford JP How are you? look up to them, we admire them, their words, The Lord Cope of Berkeley PC THINK WE MUST, almost all of us, be clothes, children and houses fascinate us, and The Lord Butler of Brockwell KG GCB CVO side-swiped and punch drunk by now. Clifford James Trowse – Past Chairman we are more stable as a country because of Mr B M Cronan It’s probably a good thing that most of us them, as well as being admired and respected Mr C P Fairweather I (well, me anyway) didn’t take on board the throughout the world for our constancy. Mrs Esme Robinson Sir Henry Paston-Bedingfeld Bt enormity of a pandemic when it started. If you Her Majesty has devoted much of her life His Excellency Air Chief Marshall Sir Stephen Dalton GCB had told me a year ago that we would be in the building the Commonwealth into a family of RAF (retd) third lockdown now, that we would have spent equals that represents over a 2.4 billion people Past Presidents: William R Firth Christmas, our birthdays, a long grey winter, from all corners of the globe, something she John Clemence QPM and now a second Easter without our loved Members of Council should be rightly proud of. Chairman – Joanna M. Cadman ones, I think I would have found it very hard to So whatever words of criticism and self Deputy Chairman – Nick Dutt take. It has all anyway been very hard to take, justification come out of Hollywood, we can Vice Chairman – Christopher Houghton but we seem to be almost institutionalised now Honorary Treasurer – Alastair Clement FFA FFTA have complete faith in our Royal Family. We Honorary Secretary – Michael Riley and live with the restrictions imposed on us by know that they welcomed Meghan – you only Chaplain to the Society – Revd. Roderick Leece the pandemic with resignation. And if that is have to remember the wedding, and the joy General Secretary – Elizabeth Lloyd all that we have had to do, we have been lucky. Website Manager – Christopher Houghton on the faces of the Queen and Prince Philip or North of England Co-ordinator – Michael Riley So many people have lost family, friends and the wonderful moment when Prince Charles Youth Representative – Dennis Stinchcombe MBE livelihoods in this last year and face the future walked down the Chapel to meet Meghan, Membership affiliations – Lloyd James with loss and uncertainty. Schools and Projects – Nick Hinchliffe took her arm, and walked with her to her City of London – Paul Herbage, MBE husband to be – to know that everyone wanted Young Professionals Network – Cdr James Nisbet The Queen Young Professionals Network – Farah London her in the Family, everyone could see how It will be Her Majesty’s birthday this month Council member – Lt. Col. Leslie Clarke much Prince Harry loved her and joined in that Council member – Alan Broomhead and the Royal Society of St George will send love. And that went for the rest of us as well. Administration Centre staff her, our Patron, our very best wishes for long General Secretary – Elizabeth Lloyd life and happiness. Next year the Queen will Membership Secretary – Jade King England’s History and Heritage have reigned over us for seventy years and Charitable Trust Members And while I am talking about our pride in Chairman – Bob Smith has done so with unswerving steadfastness, Secretary – Shirley Hankers grace and dignity.
Recommended publications
  • The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
    The Representation of Reality and Fantasy In the Films of Powell and Pressburger 1939-1946 Valerie Wilson University College London PhD May 2001 ProQuest Number: U642581 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642581 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Reality and Fantasy In the Films of Powell and Pressburger: 1939-1946 This thesis will examine the films planned or made by Powell and Pressburger in this period, with these aims: to demonstrate the way the contemporary realities of wartime Britain (political, social, cultural, economic) are represented in these films, and how the realities of British history (together with information supplied by the Ministry of Information and other government ministries) form the basis of much of their propaganda. to chart the changes in the stylistic combination of realism, naturalism, expressionism and surrealism, to show that all of these films are neither purely realist nor seamless products of artifice but carefully constructed narratives which use fantasy genres (spy stories, rural myths, futuristic utopias, dreams and hallucinations) to convey their message.
    [Show full text]
  • Text Pages Layout MCBEAN.Indd
    Introduction The great photographer Angus McBean has stage performers of this era an enduring power been celebrated over the past fifty years chiefly that carried far beyond the confines of their for his romantic portraiture and playful use of playhouses. surrealism. There is some reason. He iconised Certainly, in a single session with a Yankee Vivien Leigh fully three years before she became Cleopatra in 1945, he transformed the image of Scarlett O’Hara and his most breathtaking image Stratford overnight, conjuring from the Prospero’s was adapted for her first appearance in Gone cell of his small Covent Garden studio the dazzle with the Wind. He lit the touchpaper for Audrey of the West End into the West Midlands. (It is Hepburn’s career when he picked her out of a significant that the then Shakespeare Memorial chorus line and half-buried her in a fake desert Theatre began transferring its productions to advertise sun-lotion. Moreover he so pleased to London shortly afterwards.) In succeeding The Beatles when they came to his studio that seasons, acknowledged since as the Stratford he went on to immortalise them on their first stage’s ‘renaissance’, his black-and-white magic LP cover as four mop-top gods smiling down continued to endow this rebirth with a glamour from a glass Olympus that was actually just a that was crucial in its further rise to not just stairwell in Soho. national but international pre-eminence. However, McBean (the name is pronounced Even as his photographs were created, to rhyme with thane) also revolutionised British McBean’s Shakespeare became ubiquitous.
    [Show full text]
  • Sargent's Court Reporting Service, Inc. (814) 536-8908 PUBLIC SERVICE COMMISSION of WEST VIRGINIA CHARLESTON * * * * * * * *
    PUBLIC SERVICE COMMISSION OF WEST VIRGINIA CHARLESTON * * * * * * * * * Joan E. Sexton and Bervella * K. Mayhew * v. * 12-0926-W-C Pines Mobile Home Court * * * * * * * * * * HEARING TRANSCRIPT * * * * * * * * * BEFORE: KEITH A. GEORGE, Administrative Law Judge HEARING: Thursday, December 13, 2012 2:00 p.m. LOCATION: Hampshire Co. Courthouse Courtroom, 2nd Floor 66 N. High St, Romney WV Reporter: Barbara J. Jones Any reproduction of this transcript is prohibited without authorization by the certifying agency. Sargent's Court Reporting Service, Inc. (814) 536-8908 2 1 A P P E A R A N C E S 2 3 JOAN SEXTON, PRO SE 4 5 LEONA COLEMAN, PRO SE 6 7 DAWN ANDERSON, PRO SE 8 9 JOHN D. LITTLE, ESQUIRE 10 State of West Virginia 11 Public Service Commission 12 201 Brooks Street 13 P.O. Box 812 14 Charleston, WV 25323 15 Counsel for Staff 16 17 18 19 20 21 22 23 24 25 Sargent's Court Reporting Service, Inc. (814) 536-8908 3 1 INDEX TO WITNESSES 2 3 DISCUSSION AMONG PARTIES 8 - 12 4 WITNESS : JOAN SEXTON 5 TESTIMONY 6 By Ms. Sexton 12 - 20 7 DIRECT EXAMINATION 8 By Ms. Coleman 20 - 22 9 CROSS EXAMINATION 10 By Ms. Anderson 22 - 31 11 DISCUSSION AMONG PARTIES 31 - 33 12 WITNESS : STACY THOMPSON 13 DIRECT EXAMINATION 14 By Ms. Sexton 33 15 EXAMINATION 16 By Judge George 33 - 34 17 CROSS EXAMINATION 18 By Ms. Anderson 35 19 WITNESS : LEONA COLEMAN 20 TESTIMONY 21 By Ms. Coleman 36 - 55 22 CROSS EXAMINATION 23 By Ms. Anderson 55 - 69 24 25 Sargent's Court Reporting Service, Inc.
    [Show full text]
  • Skins Uk Download Season 1 Episode 1: Frankie
    skins uk download season 1 Episode 1: Frankie. Howard Jones - New Song Scene: Frankie in her room animating Strange Boys - You Can't Only Love When You Want Scene: Frankie turns up at college with a new look Aeroplane - We Cant Fly Scene: Frankie decides to go to the party anyway. Fergie - Glamorous Scene: Music playing from inside the club. Blondie - Heart of Glass Scene: Frankie tries to appeal to Grace and Liv but Mini chucks her out, then she gets kidnapped by Alo & Rich. British Sea Power - Waving Flags Scene: At the swimming pool. Skins Series 1 Complete Skins Series 2 Complete Skins Series 3 Complete Skins Series 4 Complete Skins Series 5 Complete Skins Series 6 Complete Skins - Effy's Favourite Moments Skins: The Novel. Watch Skins. Skins in an award-winning British teen drama that originally aired in January of 2007 and continues to run new seasons today. This show follows the lives of teenage friends that are living in Bristol, South West England. There are many controversial story lines that set this television show apart from others of it's kind. The cast is replaced every two seasons to bring viewers brand new story lines with entertaining and unique characters. The first generation of Skins follows teens Tony, Sid, Michelle, Chris, Cassie, Jal, Maxxie and Anwar. Tony is one of the most popular boys in sixth form and can be quite manipulative and sarcastic. Michelle is Tony's girlfriend, who works hard at her studies, is very mature, but always puts up with Tony's behavior.
    [Show full text]
  • ROSALIND-Film-Links
    THE PLAY “AS YOU LIKE IT” THE WOMAN ROSALIND SOME LINKS FOR YOUR VIEWING PLEASURE YOUTUBE…. FILM PRODUCTION TWENTIETH CENTURY FOX (1936) Directed by Paul Czinner Laurence Olivier, Elisabeth Bergner, Sophie Stewart With English Captions: https://www.youtube.com/watch?v=wFChichBoPI&t=16s Without English Captions: https://www.youtube.com/watch?v=RxBwHQSbUdY&list=RDCMUCWNH6WeWgwMaWbO_ 5VfhiTQ&start_radio=1&t=24 BBC – THE OPEN UNIVERSITY “AS YOU LIKE IT” DOCUMENTARY (2016) Award-winning British Actress Fiona Shaw Lectures, Scene Study with Exercises https://www.youtube.com/watch?v=1bTlH-EQSJE&t=2202s FULL AMATEUR PRODUCTIONS THE PUBLIC THEATER OF MINNESOTA SHAKESPEARE FESTIVAL (2013) Filmed Outdoor Stage Production https://www.youtube.com/watch?v=dDVnVpgzG5U&t=6848s SHAKESPEARE BY-THE-SEA (2015) Filmed Live Outdoor Stage Production https://www.youtube.com/watch?v=ZTSaCh02s8U&list=PLH0M7jdxVB3vfSQjS6gAMm6M3h Ox6cXP-&index=25 AUDIO RECORDING LIBRIVOX AUDIOBOOKS (2019) https://www.youtube.com/watch?v=hhcLW0FaCBk OREGON SHAKESPEARE FESTIVAL (1950) https://www.youtube.com/watch?v=8yOhKvUtF3c&t=5539s KANOPY- FREE Through many Maine Public Libraries with Library card FILM PRODUCTION THE BBC SERIES – COMPLETE PLAYS OF SHAKESPEARE (1978) Directed by Basil Coleman Helen Mirren, Brian Stirner, Richard Pasco AMAZON PRIME VIDEO…… FILM PRODUCTIONS ROYAL SHAKESPEARE COMPANY (2019) Directed by Kimberly Sykes & Robert Lough Lucy Phelps , Antony Byrne , Sophie Khan Levy ROYAL SHAKESPEARE COMPANY (2010) Directed by Michael Boyd Jonjo O'Neill , Katy Stephens
    [Show full text]
  • 2016 Study Guide 2016 Study Guide
    2016 STUDY GUIDE 2016 STUDY GUIDE EDUCATION PROGRAM PARTNER AS YOU LIKE IT BY WILLIAM SHAKESPEARE DIRECTOR JILLIAN KEILEY TOOLS FOR TEACHERS sponsored by PRODUCTION SUPPORT is generously provided by M. Fainer and by The Harkins/Manning Families In Memory of James & Susan Harkins INDIVIDUAL THEATRE SPONSORS Support for the 2016 Support for the 2016 Support for the 2016 Support for the 2016 season of the Festival season of the Avon season of the Tom season of the Studio Theatre is generously Theatre is generously Patterson Theatre is Theatre is generously provided by provided by the generously provided by provided by Claire & Daniel Birmingham family Richard Rooney & Sandra & Jim Pitblado Bernstein Laura Dinner CORPORATE THEATRE PARTNER Sponsor for the 2016 season of the Tom Patterson Theatre Cover: Cyrus Lane, Petrina Bromley. Photography by Don Dixon. Table of Contents The Place The Stratford Festival Story ........................................................................................ 1 The Play The Playwright: William Shakespeare ........................................................................ 3 A Shakespearean Timeline ......................................................................................... 4 Plot Synopsis ............................................................................................................... 6 Cast of Characters ...................................................................................................... 7 Sources, Origins and Production History ..................................................................
    [Show full text]
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]
  • Shakespeare, William Shakespeare
    Shakespeare, William Shakespeare. Julius Caesar The Shakespeare Ralph Richardson, Anthony SRS Caedmon 3 VG/ Text Recording Society; Quayle, John Mills, Alan Bates, 230 Discs VG+ Howard Sackler, dir. Michael Gwynn Anthony And The Shakespeare Anthony Quayle, Pamela Brown, SRS Caedmon 3 VG+ Text Cleopatra Recording Society; Paul Daneman, Jack Gwillim 235 Discs Howard Sackler, dir. Great Scenes The Shakespeare Anthony Quayle, Pamela Brown, TC- Caedmon 1 VG/ Text from Recording Society; Paul Daneman, Jack Gwillim 1183 Disc VG+ Anthony And Howard Sackler, dir. Cleopatra Titus The Shakespeare Anthony Quayle, Maxine SRS Caedmon 3 VG+ Text Andronicus Recording Society; Audley, Michael Horden, Colin 227 Discs Howard Sackler, dir. Blakely, Charles Gray Pericles The Shakespeare Paul Scofield, Felix Aylmer, Judi SRS Caedmon 3 VG+ Text Recording Society; Dench, Miriam Karlin, Charles 237 Discs Howard Sackler, dir. Gray Cymbeline The Shakespeare Claire Bloom, Boris Karloff, SRS- Caedmon 3 VG+ Text Recording Society; Pamela Brown, John Fraser, M- Discs Howard Sackler, dir. Alan Dobie 236 The Comedy The Shakespeare Alec McCowen, Anna Massey, SRS Caedmon 2 VG+ Text Of Errors Recording Society; Harry H. Corbett, Finlay Currie 205- Discs Howard Sackler, dir. S Venus And The Shakespeare Claire Bloom, Max Adrian SRS Caedmon 2 VG+ Text Adonis and A Recording Society; 240 Discs Lover's Howard Sackler, dir. Complaint Troylus And The Shakespeare Diane Cilento, Jeremy Brett, SRS Caedmon 3 VG+ Text Cressida Recording Society; Cyril Cusack, Max Adrian 234 Discs Howard Sackler, dir. King Richard The Shakespeare John Gielgud, Keith Michell and SRS Caedmon 3 VG+ Text II Recording Society; Leo McKern 216 Discs Peter Wood, dir.
    [Show full text]
  • Leonard Bernstein (1918-1990)
    NOTES ON THE PROGRAM An Introduction Voltaire and Bernstein’s Candide plunge us from a fool’s world of naiveté to a pain- ful world of war, natural disasters, tragedy, fear of commitment, fear of facts, all cast under a cloud of faux sentimentality—yet with a wink towards truth and love. What an honor it is for The Knights to celebrate Leonard Bernstein in his musical home of Tanglewood with a work that encompasses all of his brilliant contradictions. Bernstein was both a man of his century and ahead of his time—socially, politically, and musically—which makes his centennial feel youthful and timely if not timeless. He lived through some of the world’s darkest times of war, fear, and terror, and his outpouring of joy, love, humor, love, generosity, love, and truth spill from him like it has from only a few geniuses before him. “You’ve been a fool, and so have I.... We’re neither pure, nor wise, nor good” (Voltaire, Candide). Bernstein found a fellow optimis- tic jester in Voltaire. Voltaire wrote “It is love; love, the comfort of the human species, the preserver of the universe, the soul of all sentient beings, love, tender love.” Bernstein’s music embodies this senti- ment. Together, they show us many beautiful and joyous puzzle pieces that connect our imperfect best-of-all-possible-worlds. ERIC JACOBSEN, THE KNIGHTS Leonard Bernstein (1918-1990) “Candide” A Very Brief History Bernstein composed Candide from 1954 through August 1956, with Hershy Kay assisting with the orchestration; the libretto was by Lillian Hellman, based on the novella Candide, ou l’Optimisme, by Voltaire, the pen name of François-Marie Arouet (1694-1778).
    [Show full text]
  • Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
    Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense.
    [Show full text]
  • 1 an AGE of KINGS (BBC TV, 1960) Things Have Moved on in Fifty Years
    1 AN AGE OF KINGS (BBC TV, 1960) BBC VIDEO 5 disc set; ISBN 1-4198-7901-4, Region 1 only Tom Fleming, Robert Hardy Things have moved on in fifty years. In 1960 (I was sixteen), we didn’t have a television, and I had to prevail upon my school-friends to let me cycle round to their houses every alternate Thursday to watch this series. 1 Now, I can sit in my armchair and watch it straight through on my computer on DVD, with sound coming through the headphones. I count An Age of Kings as the single most important cultural event in my entire life, more important even than being in Trevor Nunn’s first-ever Shakespeare production ( Hamlet ) the previous year. It taught me what Shakespeare was about, and I’ve never forgotten it. Over ten years ago, seeing that it was on at the NFT, I went down to see some odd bits. Approaching Michael Hayes, the director, I said, “What you did here provided me with the single most important cultural event of my life”. He looked at me suspiciously: “You seem a bit young to say that”, he said, and turned away. I went up to Peter Dews, the producer: “What you did here provided me with the single most important cultural event of my life” – “Good!” he grunted, and turned away. So much for the creative team. Were they really as boring as that in 1960? (In fact Dews died shortly after our brief chat.) Paul Daneman said in an accompanying NFT lecture that the cast spent every morning talking, and didn’t start rehearsals till after lunch.
    [Show full text]
  • A Historical Sociology of London's Smaller Company Markets
    The rise and fall of the penny-share offer: A historical sociology of London’s smaller company markets Dr Philip Roscoe School of Management The University of St Andrews The rise and fall of the penny-share offer: A historical sociology of London’s smaller company markets Dr Philip Roscoe School of Management The University of St Andrews page 1 Philip Roscoe ©Philip Roscoe School of Management The University of St Andrews The University of St Andrews is a charity registered in Scotland: No SC013532. page 2 Contents 1. Summary findings . 5 2. Introductory remarks . 8 3. Dog tracks and matched-bargains. 10 . 3.1. Gorgonzola Hall . 10 3.2. S Jenkins & Son. .15 . 3.3 Big Bang . 19 . 4. Regulation, technology, and the birth of OFEX. 23. 4.1 OTC, USM and Third Market. .23 . 4.2 Formalizing 535.2: J P Jenkins Ltd. 29. 4.3 The market’s ‘place’ . .35 . 5. Elite lobbying and the AIM? . .44 . 5.1. ‘Firestorm’ . 44. 5.2. Building a market . 52 5.3 Privatized regulation . 55 . 6. 1995 to 2000: Dotcom bubble and IPO boom . 62 6.1 The advisory ecosystem and raising funds on OFEX . .66 7. Bear market travails and the end of OFEX . 71 . 7.1. The decision to float on AIM . 74 7.2. The Jenkins family loses control. 79 . 8. From 2004 to 2010: Markets at war. 82 8.1. AIM’s change of direction. 83. 8.2. The new contender – PLUS Markets . 88 8.3. Project Tortoise. .95 . 8.4. Head to head with AIM.
    [Show full text]