Camerimage 93 an 1 Maurice Elia

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Camerimage 93 an 1 Maurice Elia Document generated on 09/30/2021 4:54 a.m. Séquences La revue de cinéma Camerimage 93 An 1 Maurice Elia Number 169, February 1994 URI: https://id.erudit.org/iderudit/49956ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this article Elia, M. (1994). Camerimage 93 An 1. Séquences, (169), 8–8. Tous droits réservés © La revue Séquences Inc., 1994 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ H O M M héroïnes fortes de leur liberté sexuelle et plus d'un s'intéressèrent au lesbianisme. Et ce, dans les Mort d'un cinéaste acharné: années 50 ! Les Québécois ne connaissent pas ou connaissent mal Olivia, Le Chevalier d'Eon, Gigi, L'Ingénue libertine, Huis clos et La Garçonne parce qu'à l'époque de leur sortie, ces films furent souvent proscrits par la censure, puis jugés trop osés pour la télé, et enfin trop vieux pour être diffusés tout court. Raymond Garceau Il est ironique que maintenant que nos moeurs les accepteraient, les films d'Audry ne peuvent plus (1919-1994) passer sur le petit écran parce que la majorité de nos chaînes ne passe plus que des produits tournés pour la télévision. Merci donc au festival d'avoir donné à la Cinémathèque Raymond Garceau n'a jamais personnages ce qu'ils avaient à humain ne lui était pas étranger. l'occasion de sortir de ses voûtes reculé devant les nombreux projets dire. Mais, un jour, il s'aventura dans le Huis clos et La Garçonne. proposés et a accepté les Dans les 78 courts et moyens long métrage. De trois films qu'il commandes les plus diverses. Pour métrages portés à son crédit, réalisa, c'est sans doute Et du fils Johanne Larue lui, faire un film c'était rejoindre le énoncer les personnages qu'il a (1971) qui reste le plus crédible. plus de spectateurs possible. Pour filmés nous dit son attachement à Ce chasseur d'images (sa cela, il faut les intéresser. l'homme: le travailleur du sol, le vocation de cinéaste est née de sa CAMERIMAGE 93 AN 1 D'ailleurs, ce qui le préoccupait bedeau, le maire, le cocher, les ferveur pour la photographie) reste Du 22 au 28 novembre dernier avant tout c'était le point de vue draveurs, les pêcheurs, le forestier, un excellent artisan qui a su faire s'est déroulé à Torun (Pologne) le humain. C'est pourquoi ce qui le l'homme du lac, l'infirmière rurale, connaître les gens de chez nous 1er Festival international consacré gênait dans le court métrage, c'était les femmes polices... On pourrait dans leur travail journalier. C'est un aux chefs opérateurs. Onze longs le commentaire. Il lui paraissait lui appliquer avec bonheur la titre qui ne ternira pas. métrages étaient en compétition plus simple de confier aux parole célèbre: Tout ce qui est Léo Bonneville (dont Howards End, L'Odeur de la papaye verte et L'Enfant lion). Présidé par Vittorio Storaro, le jury AVIS IMPORTANT a remis le Grand Prix (Grenouille d'or) à Stuart Dryburgh pour la photographie de The Piano. Un — pour l'abonnement: Prix spécial a été attribué à Gu On s'adresse directement à PERIODICA (voir le bulletin inclus). Changwei pour celle de Adieu ma concubine. Un Prix d'excellence L'abonnement commence toujours avec le nu méro à paraître. pour l'ensemble de son oeuvre a été décerné à Sven Nykvist. — pour les anciens numéros Camerimage 93, placé sous l'égide du Comité de la cinémato­ ^~^ L» v^XKll^». I».«r graphie du ministère polonais de la Il faut s'adresser I ^i^^» Culture et de l'Art, a remporté un uniquement aux énorme succès, les chefs opérateurs HRIRIfl bureaux de la revue, étant souvent éclipsés par les r.... x~ .:. ~ «spiM metteurs en scène et les comé­ 1340, boulevard Saint- diens. La Fédération européenne Joseph, Montréal, des chefs opérateurs en a profité H2J 1M3, pour tenir son assemblée annuelle ï 1 *p à Torun, au cours de laquelle les M participants ont réitéré la nécessité fÊ Tél.: (514) 524-8223 de défendre leurs droits d'auteurs et promis de participer à l'organi­ CCTOM ••• • • sation du prochain festival. Télécopieur: TRUFFAUT lARRECQl» (514)524-8522. w**^^ Maurice Elia Séquences .
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