John Midgley Production Sound Mixer
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AMERICAN FILM INSTITUTE NATIONAL COUNCIL Championing the Art of the Moving Image
AMERICAN FILM INSTITUTE NATIONAL COUNCIL Championing the art of the moving image 1 The American Film Institute champions the “The stuff that dreams are made of…” future of the moving image as an art form. AFI was established to preserve and celebrate our nation’s proud film heritage and to ensure that excellence endures We believe in the in this American art form. Over half a century later, we revolutionary power of believe in the revolutionary power of film to bring us together as a nation — as a world — and we forge forward with an visual storytelling to ongoing mission to educate and inspire. share perspectives, And we do it with the support of people like you. inspire empathy and That’s where the AFI National Council comes in — a group that stands tall and proud in the motion picture community, drive culture forward. leading by example through advocacy, influence and a unique alchemy of time, energy and financial support. With a membership that includes passionate film-lovers — like you — the National Council is vital to the success of AFI’s mission. It is my personal hope that you will accept this invitation to join these leaders who believe in the importance of America’s art form and wish to make a difference. Sincerely, Kathleen Kennedy President, Lucasfilm Ltd. Chair, AFI Board of Trustees 2 1 “Art is a nation’s most precious heritage. For it is in our works of art that we reveal to ourselves, and to others, the inner vision which guides Established in 1965, the American Film Institute fulfills the nation’s enduring promise to us as a nation.” educate and inspire artists and audiences through the motion picture art form. -
Jennifer Ricchiazzi, Csa
JENNIFER RICCHIAZZI, CSA www.jenniferricchiazzi.com Selected Film & Television Credits FUTRA DAYS (Pre-Production/Currently Casting) Producer: Ryan David, Orian Williams, David Zonshine. Director/Writer: Ryan David. SHOOTING HEROIN (Post-Production) Producer: Mark Joseph. Director/Writer: Spencer Folmar. Starring: Alan Powell, Cathy Moriarty, Sherilyn Fenn, Nicholas Turturro THE UNSPOKEN (Pre-Production) Winterland Pictures. Producers: Lionel Hicks, Rebecca Tranter. Director/Writer: Andrew Hunt FIGHTING CHANCE (Pre-Production) Producers: Scott Rosenfelt, Ron Winston. Director: Mikael Salomon FALL OF EDEN (Pre-Production) Producer: Mark G Mathis. Director: Susan Dynner. Attached: Dylan McDermott, Brianna Hildebrand. BLINDED BY ED (Pre-Production) Producer: Kristy Lash. Director/Writer: Chris Fetchko. Attached: Katrina Bowden. REAGAN (Pre-Production) Independent. Producer: Mark Joseph; Executive Producer: Dawn Krantz. Director: John G. Avildsen. Attached: Jon Voight and Dennis Quaid. HAUNTING OF THE MARY CELESTE Vertical Entertainment. Producers: Norman Dreyfuss, Brian Dreyfuss, Justin Ambrosino. Writer: David Ross; Executive Producers: Eric Brodeur, Jerome Oliver. Director: Shana Betz. Starring: Emily Swallow. SOLVE Mobile Series. Vertical Networks; Snapchat. THE STOLEN Independent/Cork Films Ltd. Producer/Writer: Emily Corcoran; Executive Producer: Julia Palau. Director/Co-Writer: Niall Johnson. Starring: Alice Eve, Jack Davenport. THE CLAPPER (Tribeca Film Festival 2017) Independent. Producer: Robin Schorr. Director: Dito Montiel. Starring: -
GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Not Your Mother's Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief Intro Music) Rachel: Hello, and Welcome T
Not Your Mother’s Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief intro music) Rachel: Hello, and welcome to Not Your Mother’s Library, a readers’ advisory podcast from the Oak Creek Public Library. I’m Rachel, and once again since Melody’s departure I am without a co-host. This is where you would stick a crying-face emoji. Luckily for everyone, though, today we have a brand new guest! This is most excellent, truly, because we are going to be talking about musicals, and I do not have any sort of expertise in that area. So, to balance the episode out with a more professional perspective, I would like to welcome to the podcast Oak Creek Library’s very own Technical Services Librarian! Would you like to introduce yourself? Joanne: Hello, everyone. I am a new guest! Hooray! (laughs) Rachel: Yeah! Joanne: So, I am the Technical Services Librarian here at the Oak Creek Library. My name is Joanne. I graduated from Carroll University with a degree in music, which was super helpful for libraries. Not so much. Rachel: (laughs) Joanne: And then went to UW-Milwaukee to get my masters in library science, and I’ve been working in public libraries ever since. I’ve always had a love of music since I've been in a child. My mom is actually a church organist, and so I think that’s where I get it from. Rachel: Wow, yeah. Joanne: I used to play piano—I did about 10 years and then quit. (laughs) So, I might be able to read some sheet music but probably not very well. -
DAN LEIGH Production Designer
(3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
GANGS of NEW YORK Außer Konkurrenz GANGS of NEW YORK GANGS of NEW YORK Regie:Martin Scorsese
Wettbewerb/IFB 2003 GANGS OF NEW YORK Außer Konkurrenz GANGS OF NEW YORK GANGS OF NEW YORK Regie:Martin Scorsese USA 2002 Darsteller Amsterdam Vallon Leonardo DiCaprio Länge 168 Min. Bill Cutting Daniel Day-Lewis Format 35 mm, Jenny Everdeane Cameron Diaz Cinemascope Boss Tweed Jim Boadbent Farbe Happy Jack John C.Reilly Johnny Sirocco Henry Thomas Stabliste Pfarrer Vallon Liam Neeson Buch Jay Cocks Walter „Monk“ Steven Zaillian McGinn Brendan Gleeson Kenneth Lonergan McGloin Gary Lewis Story Jay Cocks Shang Stephen Graham Kamera Michael Ballhaus Killoran Eddie Marsan Kameraführung Andrew Rowlands Reverend Raleigh Alec McCowen Kameraassistenz Tom Lappin Mr.Schermerhorn David Hemmings Schnitt Thelma Soonmaker Jimmy Spoils Larry Gilliard,Jr. Mitarbeit James Kwei Hell-Cat Maggie Cara Seymour Pat Buba P.T.Barnum Roger Ashton- Ton Ivan Sharrock Griffiths Musik Howard Shore Einarmiger Priester Peter Hugo Daly Production Design Dante Ferreti Daniel Day-Lewis, Leonardo DiCaprio Junger Amsterdam Cian McCormack Ausstattung Stefano Ortolani Junger Johnny Andrew Gallagher Kostüm Sandy Powell O’Connell Philip Kirk Regieassistenz Joseph Reidy GANGS OF NEW YORK Bills Gang Liam Carney Casting Ellen Lewis Das südliche Manhattan in den 60er Jahren des 19. Jahrhunderts, einer Zeit Gary McCormack Produktionsltg. Michael Hausman großer Unruhen in den USA – das Land steht kurz vor dem Bürgerkrieg. Für David McBlain Produzenten Alberto Grimaldi die arme Bevölkerung von New York tobt der Kampf allerdings schon lange Jennys Mädchen Katherine Wallach Harvey Weinstein – und zwar direkt vor ihrer Haustür. Korruption bestimmt die Politik, Gesetz- Carmen Hanlon Executive Producers Michael Ovitz Ilaria D’Elia Bob Weinstein losigkeit das Alltagsleben; rivalisierende Gangs kämpfen um die Vorherr- Gangmitglieder Nevan Finnegan Rick Yorn schaft auf den Straßen. -
After Disney-Fox, Who's Next?
cc Wednesday, December 20, 2017 latimes.com/news After Disney-Fox, who’s next? Huge deal may force smaller media firms to grow or struggle By MEG JAMES AND RYAN FAUGHNDER TIMES STAFF WRITERS alt Disney Co.'s block- buster deal to buy W much of 21st Century Fox revealed Rupert Murdoch's fear that his media company was not strong enough to survive the digital onslaught — raising questions about how even smaller media com- panies will weather the storm. Since Disney clinched its $52.4- billion deal last week to buy some of Murdoch's most lucrative assets, many wonder which media compa- The entrance of the Metro-Goldwyn-Mayer offices in Santa Monica offices. nies might be next. MGM is among smaller media companies that are considered prime targets for The scramble to bulk up is likely acquisition. (Nick Ut / Associated Press) to force medium-sized players to strike their own deals out of con- nies to sell," predicted Ken Klein- "This is clearly an arms race and cern that they need to grow or get berg, a veteran Los Angeles enter- these companies need to step up left behind as tech giants like Net- tainment business lawyer. "If com- their game," said Lloyd Greif, a Los flix gain more power in Hollywood. panies like Fox are worried, what Angeles investment banker. "We are Sony Pictures Entertainment, are they waiting for?" going to see more creative, accretive CBS Corp., Viacom Inc., Liberty The Disney-Fox deal is just the strategic acquisitions — and acqui- Media Corp., Lionsgate and Metro- latest combination. -
On Using Movies to Inform Conscious Aging Courses
On Using Movies to inform Conscious Aging Courses Over the past 4 years I have taught nine, eight-week Conscious Aging courses at Sydney University’s Centre for Continuing Education in Australia. In 2010, I attended the first International Sage-ing Conference in Denver, CO, where Judy Steiert (CSL) gave an inspiring presentation on using movies to inform the Sage-ing materials. I was hooked. Having taught a number of 8-week courses (2 hours/week) without the use of movies, I came home to Australia and designed a course around 8 movies. I extended each class to 3 hours, to allow the time to watch a movie each week and leave some time for discussion. Using movies is a powerful tool for illustrating Sage-ing themes and allows students to really ‘get’, with an emotional catharsis, the importance of the various processes described as necessary in the sage-ing journey. Students find it much easier to discuss and relate to the topics, when they’re portrayed in the lives of characters in a film, than having to find examples in their own experience. It gives them extra time and space to locate the emotions and events and do the required harvesting and healing work in their own lives. Fiction, speaks to deep truths in ourselves. By addressing universal themes, it also allows us to see that we are not alone; it points to the communion of all people and by holding up a mirror to our shared humanity, allows us to see ourselves more clearly. I have found using movies to illustrate and guide the discussion and exploration of the Sage-ing process extremely rewarding and wanted to share some information about the movies I have used with Sage- ing International members. -
Awards / Nominations
STEVEN PRICE COMPOSER CREDITS AWARDS & NOMINATIONS BAFTA TV CRAFT AWARD 2016 THE HUNT Original Music ACADEMY AWARD 2013 GRAVITY Best Original Score BAFTA AWARD 2013 GRAVITY Original Music GOLDEN GLOBE AWARD GRAVITY NOMINATION 2013 Best Original Score CRITICS CHOICE AWARD 2013 GRAVITY Best Score WORLD SOUNDTRACK AWARD GRAVITY NOMINATIONS Film Composer of the Year and Best Original Film Score of the Year FEATURE FILMS ARCHIVE Philip Herd, Luc Roeg, prods. Independent Film Company Gavin Rotherty, dir. OPHELIA Daniel Bobker, Paul Hanson, Sarah Curtis, Bobker / Kruger Films Ehren Kruger, prods. Claire McCarthy, dir. WONDERLAND Karen Rosenfelt, Kendra Haaland, prods. Paramount Pictures Dylan Brown, dir. AMERICAN ASSASSIN Lorenzo Di Bonaventura, Nick Wechsler, Di Bonaventura Pictures / CBS Films prods. Michael Cuesta, dir. BABY DRIVER Tim Bevan, Eric Fellner, Nina Park, prods. TriStar / Working Title Edgar Wright, dir. SUICIDE SQUAD Charles Roven, Richard Suckle, prods. Warner Bros. David Ayer, dir. FURY Bill Block, John Lesher, Ethan Smith, prods. Columbia Pictures David Ayer, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 STEVEN PRICE GRAVITY David Heyman, Geyer Kosinski, prods. Warner Bros. Alfonso Cuaron, dir. THE WORLD’S END Tim Bevan, Eric Fellner, prods. Working Title Edgar Wright, dir. MARLEY Charles Steel, prod. Cowboy Films Kevin Macdonald, dir. ATTACK THE BLOCK Nira Park, James Wilson, prods. Big Talk Joe Cornish, dir. SCOTT PILGRIM VS THE WORLD Eric Glitter, Nira Park, Marc Platt, Universal Edgar Wright, prods. *Additional Music Edgar Wright, dir. THE BOAT THAT ROCKED Hilary Bevan Jones, Tim Bevan, Working Title Eric Fellner, prods. *Additional Music Richard Curtis, dir. MR. BEANS HOLIDAY Peter Bennett-Jones, Tim Bevan, Working Title Eric Fellner, prods. -
ANNETTE BENING Miramar College a Star Is Born at Mesa College
WITH EXCELLENCE SAN DIEGO COMMUNITY COLLEGE DISTRICT FALL 2018 City College Mesa College ANNETTE BENING Miramar College A Star is Born at Mesa College Continuing Education Story on page 06 CHANCELLOR’S MESSAGE KEEPING THE PROMISE On September 20, we made great strides in the Now in its third year of operation, the San Diego ongoing fundraising campaign for the San Diego Promise has grown from 186 students in 2016 to Promise in a special gala event, which was headlined more than 2,100 students today who meet the criteria by Mesa College alumna and film and theatre star of being first-time, full-time students taking 12 or Annette Bening. The event was a resounding success, more units. These students benefit from the waiver of raising over $200,000, which was $100,000 more than tuition and fees, and also are provided textbook grants the goal, with all proceeds benefiting students in the in recognition of the fact that textbooks can be more Promise program. This funding has been added to the expensive than the cost of enrollment. $820,000 that has been raised thus far. We are deeply This unprecedented opportunity is possible in grateful to Ms. Bening for her devotion to our efforts large part because of donors, both large and small, to serve community college students. She has given throughout the San Diego region, including hundreds a great boost to the second phase of our fundraising of San Diego Community College District employees campaign. who contribute through the payroll deduction option. Although the first year of the San Diego Promise is now financed through state funding provided under Assembly Bill 19, the second year of the San Diego Promise program and the additional benefits are funded entirely through philanthropy.