Bibliography

Total Page:16

File Type:pdf, Size:1020Kb

Bibliography BIBLIOGRAPHY Interviews, correspondence and emails Bishop, Tony, taped interview with author, Adelaide, 24 May 2006. Brook, Donald, taped interview with author, Adelaide, 25 May 2006. ———, email exchange with author, 5 July 2006. Brown, Geoff, interview with author, Mildura Arts Centre, Vic., 2 July 2007. Coleing, Tony, taped interview with author, Canberra, 11 July 2006. Cress, Fred, telephone interview with author, 18 January 2008. Davis, John, taped interviewed by Graeme Sturgeon c. 1975, Sturgeon MS Box 7, National Gallery of Victoria Research Library, Melbourne. ———, taped interview by Paul Sinclair, 3 February 1997. Davis Estate archive, Melbourne. Dennis, Elwyn, telephone interview with author, 25 April 2008. Flugelman, Herbert, taped interview with author, Burradoo, NSW, 28 July 2006. Fraser, Alison, taped interview with author, Melbourne, 28 March 2006. Grounds, Marr, taped interview with author, Penders, NSW, 13 May 2006. Hansen, David, taped interview with author, Melbourne, 3 August 2006 Hutchison, Noel, taped interview with author, Melbourne, 25 June 2007. ———, written correspondence with author, 22 February 2008. Jacks, Robert, telephone interview with author, 6 April 2008. Kenney, James, written correspondence with author, 18 May 2007. Kennedy, Lynette and Leo, written correspondence with author, 22 May 2007. Lendon, Nigel, interview with author, Canberra, 18 October 2005. Lindsay, Robert, interview with author, Frankston, Vic., 12 May 2005. 348 Lucas, Noelene, taped interview with author, Canberra, 18 October 2005. McCullough, Tom, taped interview with author, Mt Martha, Vic., 30 March 2006. ———, written correspondence with author, 13 June and 11 December 2007. ———, email correspondence with author, 18 October 2006, 22 February and 30 May 2007, 26 March 2008. ———, transcript of taped interview by Hazel de Berg, Canberra, 2 December 1976, Hazel de Berg collection: DeB 973, National Library of Australia, Canberra. ———, interview by Geoffrey de Groen, West Pymble, 1 October 1976, unpublished transcription, McCullough Papers PA 97/33, Box 6, State Library of Victoria., Melbourne. Murray White, Clive, taped interview with author, Melbourne, 4 August 2006. ———, email correspondence with author, 30 July and 9 September 2006, 5 December 2007, 3 and 4 January 2008. Parks, Ti, interview with author, London, 28 September 2007. Paroissien, Leon, email correspondence with author, 12 September 2007. Reid, Terry, taped interview with author, 12 December, 2006. ———, email correspondence with author, 19 August 2008. Robertson Swann, Ron, taped interview with author, 23 January, 2006. ———, taped interview by Hazel de Berg, Canberra, 8 December 1969, Hazel de Berg collection: DeB 445-446, National Library of Australia, Canberra. Rumley, Katrina, email correspondence with author, 18 September 2006. Scarlett, Ken, taped interviews with author, Melbourne, 2 April 2006 and 28 June 2007. ———, email correspondence with author, 17 December 2007, 14 January and 3 and 27 February 2008. Sheridan, Noel, taped interview with author, Fremantle, WA, 19 June 2006. Smith, Terry, taped interview with author, Sydney, 11 August 2006. Thomas, Daniel, telephone interview with author, 31 July 2006. Unsworth, Ken, interview with author, Sydney 23 February 2007. 349 Wilson, David, taped interview by Graeme Sturgeon circa 1975, Sturgeon MS Box 7, National Gallery of Victoria Research Library, Melbourne. ———, taped interview with author, Tyabb, Vic., 5 February 2006. Audio-visual Survey 1: John Davis 1978, video recording, Media Resource Centre, Melbourne. Produced for the National Gallery of Victoria. Mildura Sculpture Triennial 1978 1978, documentary film, Argon Films, Sydney. Manuscripts Algeranoff, Harcourt Essex, MS 2376, National Library of Australia, Canberra. McCullough, Thomas G, PA 97/33, State Library of Victoria, Melbourne. Mildura Arts Centre, National Gallery of Victoria Director's General Correspondence 1962-1971, VPRS 12731/P2/6, Public Record Office of Victoria, Melbourne. Smith, Bernard, MS 8680 1938-1999, National Library of Australia, Canberra. Sturgeon, Graeme, Graeme Sturgeon Papers Boxes 1-19, National Gallery of Victoria Research Library, Melbourne. Mildura Arts Centre archives, Mildura Arts Centre, Vic. Ephemera Brook, Donald, archive, Adelaide. McCullough, Tom, correspondence with Tony Coleing, Tony Coleing archive, South West Rocks, NSW. Davis, John Estate, Melbourne. Davis, John, correspondence with Noel Hutchison, Noel Hutchison archive, Melbourne. Davis, John, correspondence with Robert Jacks, Robert Jacks archive, Harcourt, Vic. Scrapbook of newspaper and magazine clippings on modern Australian sculpture, compiled by Lister G. Clark, 1966, National Library of Australia, Canberra. 350 Books Alexander, Victoria, Museum and money: the impact of funding on exhibitions, scholarship and management, Indiana University Press, Bloomington IN, 1996. Barrett, Lindsay, The Prime Minister's Christmas card: Blue Poles and cultural politics in the Whitlam era, Power Publications, Sydney, 2001. Becker, Howard, Art worlds, University of California Press, Berkeley, CA,1982. Beilharz, Peter, Imaging the antipodes: Culture, theory and the visual in the work of Bernard Smith, Cambridge University Press, Melbourne, 1997. Belting, Hans, The invisible masterpiece, Reaktion, London, 2001. Bennett, Tony, Michael Emmison, John Frow, Accounting for tastes: Australian everyday cultures, Cambridge University Press, Cambridge and New York, 1999. Blainey, Geoffrey, The tyranny of distance: How distance shaped Australia's history, Sun Books, Melbourne, 1966. ———, Triumph of the nomads: A history of ancient Australia, Sun Books, South Melbourne, 1976. Bonython, Kym, Modern Australian painting and sculpture: a survey of Australian art from 1950 to 1960, Griffin Press, Adelaide, 1960. Bosch, Annette van den, The Australian art world: Aesthetics in a global market, Allen & Unwin, Sydney, 2005. Bourdieu, Pierre, Distinction: A social critique of the judgement of taste, Routledge, London, 1984. ———, Language and symbolic power, translated by Gino Raymond and Matthew Adamson, Polity Press, Cambridge, 1991. ———, The field of cultural production: Essays on art and literature, Polity Press, Cambridge, 1993. ———, The rules of art: Genesis and structure of the literary field, translated by Susan Emanuel, Stanford University Press, Stanford, CA, 1995. ———, and Hans Haake, Free exchange, Polity Press, Cambridge, 1995. Boyd, Robin, The Australian ugliness, F.W. Cheshire, Melbourne, 1960. 351 Brook, Donald, Art, Representation, Education, Perth Institute of Contemporary Art, Perth, 1992. Burger, Peter, Theory of the avant-garde, translated by Michael Shaw, University of Minnesota, Minneapolis, 1984. Burn, Ian, Dialogue: Writings in art history, Allen & Unwin, Sydney, 1991. ———, et al, The necessity of Australian art: an essay about Interpretation, Power Publications, Sydney, 1988. Burnham, Jack, Beyond modern sculpture: The effects of science and technology on the sculpture of this century, George Braziller, New York, 1968. ———, Great western salt works: Essays on the meaning of post-formalist art, George Braziller, New York, 1974. Burns, Tim, A pedestrian series of postcards: What about crosswalks in Mildura? New York - Mildura 1976 Part 1, Burns Family Press, New York, 1976. Burrows, Robert, The sculpture in the home exhibitions :Reconstructing the home and family in post-war Britain, Essays on Sculpture, Henry Moore Institute, Leeds, 2008. Catalano, Gary, An intimate Australia: The landscape and recent Australian art, Hale and Iremonger, Sydney, 1985. ———, The years of hope: Australian art and criticism 1959-1968, Oxford University Press, Melbourne, 1981. Cox, Leonard, National Gallery of Victoria 1961-1968: A search for a collection, National Gallery of Victoria, Melbourne, 1970. Crane, Diana, The transformation of the avant-garde: The New York art world: 1940- 1985, University of Chicago Press, Chicago, 1987. Danto, Arthur, Art the end of art: Contemporary art and the pale of history, P Princeton University Press, Princeton, NJ, 1997. ———, The transfiguration of the commonplace: A philosophy of art, Harvard University Press, Cambridge, Mass., 1981. de Groen, Geoffrey, Conversations with Australian artists, Quartet Books, Melbourne, 1978. 352 Dickie, George, Art and the aesthetic: An institutional analysis, Cornell University Press, Ithaca, NY, 1974. Edwards, Geoffrey, Lenton Parr: Vital presences, Beagle Press, Sydney, 1999. English, James F., The economy of prestige: Prizes, awards and the circulation of cultural value, Harvard University Press, Cambridge, Mass., and London, 2005. Foster, Hal, The anti-aesthetic: Essays on postmodern culture, New Press, New York, 2002. Gardner, Graham, In the Mallee bare and wild: The development of a country high school, Swan Hill High School, 1927-1977, Swan Hill High School, Swan Hill, Vic., 1977. Green, Charles, Peripheral vision: Contemporary Australian art 1970 - 1994, Craftsman House, Sydney, 1995. ———, The third hand: Collaboration in art from conceptualism to postmodernism, University of New South Wales Press, Sydney, 2001. Grenfell, Michael, Pierre Bourdieu: Agent provocateur, Continuum, London and New York, 2004. Grenfell, Michael and Cheryl Hardy, Art rules: Pierre Bourdieu and the visual arts, Berg Publishers, Oxford and New York, 2007. Haga, Tore and Michel Tapie, Avant-garde art in Japan, Harry N. Abrahms, New York, 1962. Hasumi, Toshimitsu, Zen in Japanese art: A way of spiritual experience, translated from
Recommended publications
  • Brass Bands of the World a Historical Directory
    Brass Bands of the World a historical directory Kurow Haka Brass Band, New Zealand, 1901 Gavin Holman January 2019 Introduction Contents Introduction ........................................................................................................................ 6 Angola................................................................................................................................ 12 Australia – Australian Capital Territory ......................................................................... 13 Australia – New South Wales .......................................................................................... 14 Australia – Northern Territory ....................................................................................... 42 Australia – Queensland ................................................................................................... 43 Australia – South Australia ............................................................................................. 58 Australia – Tasmania ....................................................................................................... 68 Australia – Victoria .......................................................................................................... 73 Australia – Western Australia ....................................................................................... 101 Australia – other ............................................................................................................. 105 Austria ............................................................................................................................
    [Show full text]
  • Scientists' Houses in Canberra 1950–1970
    EXPERIMENTS IN MODERN LIVING SCIENTISTS’ HOUSES IN CANBERRA 1950–1970 EXPERIMENTS IN MODERN LIVING SCIENTISTS’ HOUSES IN CANBERRA 1950–1970 MILTON CAMERON Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Cameron, Milton. Title: Experiments in modern living : scientists’ houses in Canberra, 1950 - 1970 / Milton Cameron. ISBN: 9781921862694 (pbk.) 9781921862700 (ebook) Notes: Includes bibliographical references and index. Subjects: Scientists--Homes and haunts--Australian Capital Territority--Canberra. Architecture, Modern Architecture--Australian Capital Territority--Canberra. Canberra (A.C.T.)--Buildings, structures, etc Dewey Number: 720.99471 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Sarah Evans. Front cover photograph of Fenner House by Ben Wrigley, 2012. Printed by Griffin Press This edition © 2012 ANU E Press; revised August 2012 Contents Acknowledgments . vii Illustrations . xi Abbreviations . xv Introduction: Domestic Voyeurism . 1 1. Age of the Masters: Establishing a scientific and intellectual community in Canberra, 1946–1968 . 7 2 . Paradigm Shift: Boyd and the Fenner House . 43 3 . Promoting the New Paradigm: Seidler and the Zwar House . 77 4 . Form Follows Formula: Grounds, Boyd and the Philip House . 101 5 . Where Science Meets Art: Bischoff and the Gascoigne House . 131 6 . The Origins of Form: Grounds, Bischoff and the Frankel House . 161 Afterword: Before and After Science .
    [Show full text]
  • European Influences in the Fine Arts: Melbourne 1940-1960
    INTERSECTING CULTURES European Influences in the Fine Arts: Melbourne 1940-1960 Sheridan Palmer Bull Submitted in total fulfilment of the requirements of the degree ofDoctor ofPhilosophy December 2004 School of Art History, Cinema, Classics and Archaeology and The Australian Centre The University ofMelbourne Produced on acid-free paper. Abstract The development of modern European scholarship and art, more marked.in Austria and Germany, had produced by the early part of the twentieth century challenging innovations in art and the principles of art historical scholarship. Art history, in its quest to explicate the connections between art and mind, time and place, became a discipline that combined or connected various fields of enquiry to other historical moments. Hitler's accession to power in 1933 resulted in a major diaspora of Europeans, mostly German Jews, and one of the most critical dispersions of intellectuals ever recorded. Their relocation to many western countries, including Australia, resulted in major intellectual and cultural developments within those societies. By investigating selected case studies, this research illuminates the important contributions made by these individuals to the academic and cultural studies in Melbourne. Dr Ursula Hoff, a German art scholar, exiled from Hamburg, arrived in Melbourne via London in December 1939. After a brief period as a secretary at the Women's College at the University of Melbourne, she became the first qualified art historian to work within an Australian state gallery as well as one of the foundation lecturers at the School of Fine Arts at the University of Melbourne. While her legacy at the National Gallery of Victoria rests mostly on an internationally recognised Department of Prints and Drawings, her concern and dedication extended to the Gallery as a whole.
    [Show full text]
  • Grounds, Boyd and the Philip House
    4. Form Follows Formula: Grounds, Boyd and the Philip House Figure 4.1 Philip House, view from north-east Photograph: Ben Wrigley, 2011 John Philip was brought to Canberra as part of Frankel’s ambitious postwar recruitment program, and was appointed head of a new agricultural physics group at the CSIRO. Regarded as Australia’s leading environmental physicist, he was elected a Fellow of the Australian Academy of Science in 1967. His wife, Frances (‘Fay’), was an accomplished artist who was related to the Boyds via the Mills and à Becketts, and had attended the Murrumbeena State School in Victoria with Mary and Arthur Boyd. Many of Frances’s portraits of Australia’s leading scientists and academics—including Sir Mark Oliphant, Doug Waterhouse, John Jaeger, William Rogers, Patrick Moran and Manning Clark—are held in the collections of the Australian Academy of Science and The Australian National University. The Philip House, at 42 Vasey Crescent, Campbell, is one of three adjacent houses by Grounds, Romberg and Boyd that are known collectively as the Vasey Crescent Group. The other two houses in the group are the Blakers House and the Griffing House. Grounds and Boyd were both involved with these houses. All three were designed by Grounds, who arranged initial briefings, recorded 101 Experiments in Modern Living the clients’ requirements and prepared sketches from late 1959 through to early 1960. Boyd met with the clients in January 1960, and took control of the houses from May of that year as Grounds prepared for a three-month overseas trip.1 The Philip House is important for two reasons.
    [Show full text]
  • Lands of Tasmania" an E1tor Was Made in Each of These Averages, B
    (No. 28.) 18 6 4. TASMANIA. L E G I S L A T I V E C O U N C 1 L. L A N D S OF T A S M A N I A. Laid on the Table by Mr. Whyte, and ordered by the Council to be printed, July 1, 1864. .. OF TAS1\1ANIA; COMPILED FROM THE OF~CIAL RECORDS OF THE SURVEY DEPARTMENT, BY ORDER OF THE HONORABLE THE COLONIAL TREASURER Made up to the 31st December, 1862. «ar;mani,t: JAMES BARNARD, GOVERNMENT PRINTER, HOBART TOWN. \ 18 6 4. T A B LE OF C O N T E N T S. PAGE PREFACE •••••.••••••••••••••••••• 3 Area of Tasmania, with alienated and unalienated Lands ...........••... , • . 17 Population of Tasmania •. , ..... , . • . • • . • • . • . • . • . ib. Ditto of Towns .................•••.........•.......... _. 18 · Country Lands granted and sold since 1804 ..•• , •• , ..•....•....... , . • • • . 19 Town Lands sold ..••••......•.......••••...••• , . • . 20 'fown Lands sold for Cash under " The Waste Lands Act" . • • • • • • . 21 Deposits forfeited on ditto. • • • • • • . • . ... , . • • . • . • . 40 Town Lands sold on Credit .......... , ......••.. , , ......... , ..•.... , . , . 42 Agricultuml Lands sold for Cash, under 18th Sect. of '' The Waste Lands Act". 4'5 Ditto on Credit, ditto ...• .', . • . • . • • • • . • . • 46 Ditto for Cash, under 19th Sect. of" The Waste Lands Act" . 49 Ditto on Credit, ditto ....•••••.•....... , , ....... , ....• •... , . • • • • • . 51 Ditto for Cash at Public Auction .••••.............•••.••. , , • . 62 Deposits forfeited on ditto ...... , ........• , .......•.. , . • . 64 Agricultural Lands sold on Credit at Public Auction , •.•••••..•••••.• , . 65 Pastoral Lands sold for CashJ under 18th Sect. of" The ·waste Lands Act" .. , . 71 Ditto on Credit, ditto .•••...•....••..••..•..••............• , • . • • . ib. Ditto for Cash at Public Auction ....•.•.•.•...... , . • • . • . • • . • . 73 Deposits forfeited on ditto •.••••............•., • , • • . • • • . • • • . 74 Pastoral Lands sold on Credit at Public Auction......
    [Show full text]
  • The Relation Between Cesarean Birth and Child Cognitive Development Received: 10 March 2017 Cain Polidano1, Anna Zhu1 & Joel C
    www.nature.com/scientificreports OPEN The relation between cesarean birth and child cognitive development Received: 10 March 2017 Cain Polidano1, Anna Zhu1 & Joel C. Bornstein 2 Accepted: 16 August 2017 This is the frst detailed study of the relation between cesarean birth and child cognitive development. Published: xx xx xxxx We measure diferences in child cognitive performance at 4 to 9 years of age between cesarean-born and vaginally-born children (n = 3,666) participating in the Longitudinal Study of Australian Children (LSAC). LSAC is a nationally representative birth cohort surveyed biennially. Using multivariate regression, we control for a large range of confounders related to perinatal risk factors and the socio- economic advantage associated with cesarean-born children. Across several measures, we fnd that cesarean-born children perform signifcantly below vaginally-born children, by up to a tenth of a standard deviation in national numeracy test scores at age 8–9. Estimates from a low-risk sub-sample and lower-bound analysis suggest that the relation is not spuriously related to unobserved confounding. Lower rates of breastfeeding and adverse child and maternal health outcomes that are associated with cesarean birth are found to explain less than a third of the cognitive gap, which points to the importance of other mechanisms such as disturbed gut microbiota. The fndings underline the need for a precautionary approach in responding to requests for a planned cesarean when there are no apparent elevated risks from vaginal birth. Cesarean sections can save lives, but rates well above the World Health Organization’s recommended 15% ceiling in most developed countries suggest that many procedures are unnecessary1.
    [Show full text]
  • AIA REGISTER Jan 2015
    AUSTRALIAN INSTITUTE OF ARCHITECTS REGISTER OF SIGNIFICANT ARCHITECTURE IN NSW BY SUBURB Firm Design or Project Architect Circa or Start Date Finish Date major DEM Building [demolished items noted] No Address Suburb LGA Register Decade Date alterations Number [architect not identified] [architect not identified] circa 1910 Caledonia Hotel 110 Aberdare Street Aberdare Cessnock 4702398 [architect not identified] [architect not identified] circa 1905 Denman Hotel 143 Cessnock Road Abermain Cessnock 4702399 [architect not identified] [architect not identified] 1906 St Johns Anglican Church 13 Stoke Street Adaminaby Snowy River 4700508 [architect not identified] [architect not identified] undated Adaminaby Bowling Club Snowy Mountains Highway Adaminaby Snowy River 4700509 [architect not identified] [architect not identified] circa 1920 Royal Hotel Camplbell Street corner Tumut Street Adelong Tumut 4701604 [architect not identified] [architect not identified] 1936 Adelong Hotel (Town Group) 67 Tumut Street Adelong Tumut 4701605 [architect not identified] [architect not identified] undated Adelonia Theatre (Town Group) 84 Tumut Street Adelong Tumut 4701606 [architect not identified] [architect not identified] undated Adelong Post Office (Town Group) 80 Tumut Street Adelong Tumut 4701607 [architect not identified] [architect not identified] undated Golden Reef Motel Tumut Street Adelong Tumut 4701725 PHILIP COX RICHARDSON & TAYLOR PHILIP COX and DON HARRINGTON 1972 Akuna Bay Marina Liberator General San Martin Drive, Ku-ring-gai Akuna Bay Warringah
    [Show full text]
  • Inge King Eulogy
    Inge King Memorial Service NGV Great Hall, Monday 9 May 2016, 10:30 am I’m deeply honoured to be speaking today about Inge’s extraordinary career. I’m conscious of there being many others eminently qualified to speak, including Professors Judith Trimble and Sasha Grishin, each of whom have published eloquent monographs on Inge, and Professors Margaret Plant and Jenny Zimmer, who have both written informed, extended essays for two of Inge’s earliest survey exhibitions. In addition the NGV’s curator of Australian art, David Hurlston, and former NGV curator and recently retired director of the Geelong Gallery, Geoffrey Edwards, have both worked closely with Inge in the sensitive presentation of two retrospectives held here at the gallery, in 1992 and 2014. In the presence of such a wealth of knowledge and experience, I’m frankly humbled to have been asked to speak. I’d like to briefly mention how I came to know Inge, if only to contextualise my appearance here. Inge was arguably the best-known member of the Centre Five group, which forms the subject of my PhD thesis. I began reading about her work in 2008, while still living in Ireland and planning a return to Australia after a nine-year absence. The reading prompted faint memories of seeing her work at the Queensland Art Gallery while still a student in Brisbane. The following year, six months after embarking on doctoral studies at Melbourne University, I finally met my appointed supervisor, Professor Charles Green, who had until then been on sabbatical. One of the first things he said to me at that meeting was: ‘Now, you do know I’m Inge King’s godson, don’t you?’ Well, no, I didn’t.
    [Show full text]
  • MASTER AIA Register of Significant Architecture February2021.Xls AUSTRALIAN INSTITUTE of ARCHITECTS REGISTER of SIGNIFICANT BUILDINGS in NSW MASTER
    AUSTRALIAN INSTITUTE OF ARCHITECTS REGISTER OF SIGNIFICANT BUILDINGS IN NSW MASTER O A & K HENDERSON / LOUIS A & K HENDERSON OF MELBOURNE, 1935 1940 1991, 1993, T&G Building 555 Dean Street Albury Albury City 4703473Card HENDERSON rear by LOUIS HARRISON 1994, 2006, 2008 H Graeme Gunn Graeme Gunn 1968-69 Baronda (Yencken House) Nelson Lake Road, Nelson Lagoon Mimosa Rocks Bega Valley 4703519 No Card National Park H Roy Grounds Roy Grounds 1964 1980 Penders Haighes Road Mimosa Rocks Bega Valley 4703518 Digital National Park Listing Card CH [architect not identified] [architect not identified] 1937 Star of the Sea Catholic 19 Bega Street Tathra Bega Valley 4702325 Card Church G [architect not identified] [architect not identified] 1860 1862 Extended 2004 Tathra Wharf & Building Wharf Road Tathra Bega Valley 4702326 Card not located H [architect not identified] [architect not identified] undated Residence Bega Road Wolumla Bega Valley 4702327 Card SC NSW Government Architect NSW Government Architect undated Public School and Residence Bega Road Wolumla Bega Valley 4702328 Card TH [architect not identified] [architect not identified] 1911 Bellingen Council Chambers Hyde Street Bellingen Bellingen 4701129 Card P [architect not identified] [architect not identified] 1910 Federal Hotel 77 Hyde Street Bellingen Bellingen 4701131 Card I G. E. MOORE G. E. MOORE 1912 Former Masonic Hall 121 Hyde Street Bellingen Bellingen 4701268 Card H [architect not identified] [architect not identified] circa 1905 Residence 4 Coronation Street Bellingen Bellingen
    [Show full text]
  • Mimosa Rocks National Park Plan of Management
    Mimosa Rocks National Park Plan of Management MIMOSA ROCKS NATIONAL PARK PLAN OF MANAGEMENT NSW National Parks and Wildlife Service Part of the Department of Environment, Climate Change and Water February 2011 This plan of management was adopted by the Minister for Climate Change and the Environment on 2nd February 2011. Acknowledgments This plan of management is based on a draft plan prepared by staff of the Far South Coast Region of the NSW National Parks and Wildlife Service (NPWS), part of the Department of Environment, Climate Change and Water. Aerial photograph by Andrew Brown Photography. Photograph of Aragunnu Beach by Preston Cope, NPWS. Inquiries about this park or this plan of management should be directed to the Ranger at the NPWS Narooma Office, PO Box 282, Narooma, 2546 or by telephone on (02) 4476 0800. © Department of Environment, Climate Change and Water (NSW) 2011. Use permitted with appropriate acknowledgment. ISBN 978 1 74293 219 4 DECCW 2011/0246 FOREWORD Mimosa Rocks National Park covers 5,804 hectares between Tathra and Bermagui on the Far South Coast of NSW. It includes 20 kilometres coastline as well as areas of hinterland forest. The park conserves three endangered ecological communities, including an area of rainforest at Bunga Head, and provides habitat for three endangered bird species and for 19 vulnerable animals. It also contains fossils from the Devonian period and most of the catchment of Nelson Creek, which is the principal tributary of Nelson Lagoon. Mimosa Rocks National Park also contains places of cultural significance to local Aboriginal people, and evidence of past pastoral, timber harvesting, gold mining and recreational ventures.
    [Show full text]
  • Tocal - the Changing Moods of a Rural Estate", Provided Access to Her Historical Research Files and Offered Helpful Information
    T 0 C A L DRAFT CONSERVATION PLAN VOLUME 1 CONSERVATION PLAN JULY 1987 1111 PREPARED BY: Philip Cox, Richardson, Taylor & Partners FOR: C.B. Alexander Foundation N.S.W. Department of Agriculture T 0 C A L DRAFT CONSERVATION PLAN VOLUME 1 CONSERVATION PLAN JULY 1987 HI PREPARED BY: Philip Cox, Richardson, Taylor & Partners FOR: C.B. Alexander Foundation N.S.W. Department of Agriculture ACKNOWLEDGEHENTS The assistance in the preparation of this report has been greatly appreciated especially: Judy White - who permitted the direct use of her book "Tocal - The Changing Moods of a Rural Estate", provided access to her historical research files and offered helpful information. Dr John Drinan and Cameron Archer of the C.B. Alexander Agricultural College for advice on, and assistance in accessing information from College records. Nancy Reynolds for her recollections of Tocal from the 1920's. Bob Donaldson of the University of Newcastle who provided the measured drawings of many of the buildings and granted permission to use them in the report. CONTENTS 1.0 INTRODUCTION 1.1 Introduction 1.2 The Brief 1.3 The C.B. Alexander Foundation 1.4 The College 1.5 The Tocal Property 1.6 Status of Tocal 2.0 HISTORICAL DEVELOPMENT 2.1 History of Tocal 2.2 Outline History 2.3 A brief history of the Structures 2.4 Summary Table of Structures 2.5 Other elements '2.6 The People 2.7 Present Condition 3.0 ANALYSIS 3.1 Introduction 3.2 Comparative Study 3.3 The Property 3.4 The Structures 4.0 STATEMENT OF SIGNIFICANCE 4.1 Introduction 4.2 Assessment Table 4.3 Statement
    [Show full text]
  • Chapter Three
    Chapter Three On the brink of a new decade: 1967 – 1969 Introduction This chapter covers the period from 1967 to 1969 and investigates the impact of the rapid changes during these three critical years on Mildura, McCullough and Davis, thereby setting the scene for the 1970s. In response to the Commonwealth Government’s Martin Report and the Victorian Government’s Ramsay Report – both concerning developments in tertiary education in Australia – the Victorian Government established the Victorian Institute of Colleges (VIC) in 1965. By 1967, with federal and state funding, the VIC began the gradual process of separating vocational art training in the technical sector from the state Department of Education and transferring these courses, and institutions, to a new parallel tertiary system of colleges of advanced education. Into this turbulent period stepped John Davis with his first appointment as a part-time teacher of three- dimensional studies in the rapidly changing technical art school sector. The tensions and contradictions between his concept of an emerging professional identity and the resistance of the vocational technical sector to these changes are played out to critical effect during this period. In essence, these tensions are the result of the ‘struggle’ of sculptor/teachers (like Davis) ‘to conquer their autonomy’, where the wresting of control from the ‘hierarchised and controlled’ Department of Education and the movement towards an autonomous system of art schools within colleges of advanced education leads to the genesis of ‘a field of competition for the monopoly of artistic legitimacy’.195 195 Bourdieu, The Field of Cultural Production, op. cit., p.
    [Show full text]