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DAVID WILLIAMSON Is Australia's Best Known and Most Widely
DAVID WILLIAMSON is Australia’s best known and most widely performed playwright. His first full-length play The Coming of Stork was presented at La Mama Theatre in 1970 and was followed by The Removalists and Don’s Party in 1971. His prodigious output since then includes The Department, The Club, Travelling North, The Perfectionist, Sons of Cain, Emerald City, Top Silk, Money and Friends, Brilliant Lies, Sanctuary, Dead White Males, After the Ball, Corporate Vibes, Face to Face, The Great Man, Up For Grabs, A Conversation, Charitable Intent, Soulmates, Birthrights, Amigos, Flatfoot, Operator, Influence, Lotte’s Gift, Scarlet O’Hara at the Crimson Parrot, Let the Sunshine and Rhinestone Rex and Miss Monica, Nothing Personal and Don Parties On, a sequel to Don’s Party, When Dad Married Fury, At Any Cost?, co-written with Mohamed Khadra, Dream Home, Happiness, Cruise Control and Jack of Hearts. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington. Dead White Males completed a successful UK production in 1999. Up For Grabs went on to a West End production starring Madonna in the lead role. In 2008 Scarlet O’Hara at the Crimson Parrot premiered at the Melbourne Theatre Company starring Caroline O’Connor and directed by Simon Phillips. As a screenwriter, David has brought to the screen his own plays including The Removalists, Don’s Party, The Club, Travelling North and Emerald City along with his original screenplays for feature films including Libido, Petersen, Gallipoli, Phar Lap, The Year of Living Dangerously and Balibo. -
Qthe Bidding
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David Williamson's
WORLD PREMIERE DAVID WILLIAMSON’S 14 FEB – 9 APR 2020 WELCOME SYNOPSIS What a privilege and pleasure it is to direct David Williamson’s last ever play. His Steve is the typical Aussie bloke, self- work always has a finger on the pulse of contemporary issues and CRUNCH TIME assured, social and sports-mad. Recently sits right at the heart of the ongoing debate about the right to die with dignity. retired from a high-flying career, he’s But the main theme stems from within the family nucleus so CRUNCH TIME is passed the family business over to his son also about parents and children, husbands and wives, betrayal and ultimately Jimmy — a chip off the old block. But his love. It also happens to be very funny. eldest son Luke, an engineer with more of an interest in algebra than AFL, has never If there is a message in David’s amazing 50 year career in writing plays, it is this: quite seen eye-to-eye with his dad and be tolerant. Accept people with all their flaws, foibles and idiosyncrasies. Find a they haven’t spoken in seven years. When way to work together, and then you can move forward. I couldn’t think of a better Steve suddenly falls ill, time is running out message at this time in the world. Enjoy CRUNCH TIME and this wonderful cast to repair their broken relationship — and working with an incredible writer. Thank you David, it has been an honour. Luke and Jimmy will have to go to extreme Mark Kilmurry lengths to fulfil their father’s final wishes. -
The Complete List of Named Hostas in the Hostalibrary As of June 2018
The complete list of named Abiqua Kaleidoscope Academy Rivendell hostas in the HostaLibrary as of Abiqua Miniature Academy Shiny Vase June 2018. 7,540 Abiqua Moonbeam Academy Smiles Abiqua Pagoda Academy Speckled Caddy A 375 Abiqua Parasol Spoons 1 2 Adore Abiqua Recluse Academy Speckled Vase 1st and Ten Abiqua Solitude Academy Tousled Turkey A 1 4 The Money Abiqua Trumpet Academy Verdant Spades A 10 Hut Abiqua Zodiac Academy Verdant Verge A B-1 Bomber About Face Academy Weathertop A Dog of Flanders Abracadabra Academy Wonky Balderdash A Many-splendored Thing Abraham Lincoln Ace of Spades Aachen Abundant Love Achy Breaky Heart Aardvark Academy Ametrine Ada Reed Abana Academy Another Ada Robinson Abba Aloft Academy Aureate Piffle Admiral Halsey Abba Blue Dreams Academy Blue Funnel Adorable Abba Blue Jumbo Academy Blue Titan Adrian's Glory Abba Dabba Darling Academy Blushing Chartreuse Advance to Go Abba Dabba Do Academy Blushing Recluse Advocate Abba Dabba Don't Academy Bonfire Glade Aeon Abba Dabba Wow Academy Brobdingnagian aequinoctiiantha Abba Dew Viridity After Midnight Abba Diana Reeck Academy Celeborn Afterglow Abba Fit Academy Chetwood Afternoon Delight Abba Fragrant Centennial Academy Cockcrow Agawa Abba High Bidder Academy Cratered Blue Age Of Aquarius Abba Irresistible Academy Devon Moor Ahamo Gold Abba Showtime Academy Dimholt Ahhahabah Abba What Academy Fangorn Forest Ahhhs Abba Windows Academy Faux Sedge Ahwaneeh Abbey Pond Cascades Academy Fire Aidan Bryden Cleghorn Abby Academy Flaxen Spades Ainsley Aberdeen Mountain Academy -
Ja Ck O F H E a R
David Williamson’s JACK OF HEARTS 29 JANUARY – 2 APRIL 2016 David Williamson’s JACK OF HEARTS PLAYWRIGHT AND DIRECTOR DAVID WILLIAMSON ASSISTANT DIRECTOR SUSANNA DOWLING CREW CAST DESIGNER EMMA ANNA GARDINER PAIGE GARDINER LIGHTING DESIGNER CARL MATTHEW MARSHALL PETER MOCHRIE SOUND DESIGNER KELLI ALISTAIR WALLACE CHRISTA NICOLA STAGE MANAGER STU DANI IRONSIDE CRAIG REUCASSEL WARDROBE COORDINATOR DENYS ALANA CANCERI BROOKE SATCHWELL ASSISTANT STAGE MANAGER (Secondment) NIKKI ERIN SHAW ISABELLA TANNOCK MAKEUP JACK PEGGY CARTER CHRIS TAYLOR RUNNING TIME: 2 HOURS 30 MINUTES INCLUDING INTERVAL DAVID WILLIAMSON – PLAYWRIGHT / DIRECTOR David Williamson has been and Washington (THE CLUB in 1979 and RUPERT in Australia’s best known and most 2013 at the Kennedy Center). UP FOR GRABS went widely performed playwright for on to a West End production starring Madonna in over forty years. His more than the lead role. David’s screen adaptations of his own fifty produced plays include THE REMOVALISTS, plays include THE REMOVALISTS, DON’S PARTY, DON’S PARTY, THE CLUB, TRAVELLING NORTH, THE CLUB, TRAVELLING NORTH, EMERALD CITY, THE PERFECTIONIST, SONS OF CAIN, EMERALD along with his original screenplays for feature films CITY, MONEY AND FRIENDS, BRILLIANT LIES, including LIBIDO, PETERSEN, GALLIPOLI, PHAR LAP, DEAD WHITE MALES, AFTER THE BALL, THE JACK THE YEAR OF LIVING DANGEROUSLY, and BALIBO MANNING TRILOGY, THE GREAT MAN, UP FOR (as co-writer) and for television he adapted ON THE GRABS, SOULMATES, SCARLETT O’HARA AT THE BEACH. David’s many awards include 12 Australian CRIMSON PARROT, NOTHING PERSONAL, WHEN Writers’ Guild Awards, 5 Australian Film Institutes’ DAD MARRIED FURY, MANAGING CARMEN, RUPERT, Award for Best Screenplay and, in 1996, the United CRUISE CONTROL and most recently DREAM Nations Association of Australia Media Peace Award. -
Odd Man out 19 January – 18 March 2017
DAVID WILLIAMSON’S ODD MAN OUT 19 JANUARY – 18 MARCH 2017 Odd Man Out - A5 Program v7.indd 1 20/12/16 2:22 pm DAVID WILLIAMSON’S ODD MAN OUT The action of the play takes place over a period of approximately 12 months. DIRECTOR ASSISTANT DIRECTOR MARK KILMURRY SAMANTHA YOUNG CAST CREW EMILY/POLLY ALICE DESIGNER GAEL BALLANTYNE LISA GORMLEY ANNA GARDINER RYAN EVAN/NEVILLE LIGHTING DESIGNER JUSTIN MATT MINTO CHRISTOPHER PAGE STEWART COTTA GARY/POLICE SOUND DESIGNER CARLA OFFICER ALISTAIR WALLACE RACHEL GORDON BILL YOUNG STAGE MANAGER DANI IRONSIDE WARDROBE COORDINATOR RENATA BESLIK SPECIAL THANKS: THOMAS KUZMA, TOM TUTTON AND JOSHUA DODD RUNNING TIME APPROX 2 HOURS INCLUDING INTERVAL THANK YOU FOR YOUR $2 DONATION, IT HELPS COVER THE PRODUCTION OF OUR PROGRAMS 02 9929 0644 • ensemble.com.au Odd Man Out - A5 Program v7.indd 2 20/12/16 2:22 pm DAVID WILLIAMSON – PLAYWRIGHT David Williamson is Australia’s best known and most widely performed playwright. Some of his more than forty-five produced plays include THE REMOVALISTS, DON’S PARTY, THE CLUB, TRAVELLING NORTH, THE PERFECTIONIST, SONS OF CAIN, EMERALD CITY, MONEY AND FRIENDS, BRILLIANT LIES, DEAD WHITE MALES, AFTER THE BALL, THE JACK MANNING TRILOGY, THE GREAT MAN, UP FOR GRABS, SOULMATES, SCARLETT O’HARA AT THE CRIMSON PARROTT, NOTHING PERSONAL, WHEN DAD MARRIED FURY, MANAGING CARMEN, CRUISE CONTROL, RUPERT, DREAM HOME and JACK OF HEARTS. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington (THE CLUB in 1979 and RUPERT in 2014 at the Kennedy Centre as well as a season at the Theatre Royal, Sydney). -
The BG News May 1, 1992
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 5-1-1992 The BG News May 1, 1992 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News May 1, 1992" (1992). BG News (Student Newspaper). 5381. https://scholarworks.bgsu.edu/bg-news/5381 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Colored Ink G The BG News Friday, May 1,1992 Bowling Green, Ohio Volume 74, Issue 144 Weather Nation reacts to King verdict Troops called in to halt Los Angeles riots —= Inside:— College students show concern by Jeff Wilson 60 miles to the east, where a gun Pays six: The Associated Press battle between a security guard -I Bush vows full investigation. about racism in King decision and a motorist that police said Q 300 arrested in Atlanta. was riot-related left one dead. PiB* nvtn: by Melissa Henry and Greg Watson stunk," he said. LOS ANGELES - Riots, arson Santa Monica, to the west, closed Q Ohioans express frustration. The BC News About 1,000 students gathered and looting raged throughout the its beaches, and vandals de- Q Squabbles start in Cleveland in a rally at Central State Univer- Los Angeles area Thursday and scended upon historic Hollywood Alto: sity. -
David Williamson's
DAVID WILLIAMSON’S 18 JANUARY – 16 MARCH 2019 WORLD PREMIERE WELCOME DIRECTOR’S NOTE It is always a pleasure working on a new David Williamson play and particularly one that deals with issues underlining the make it or break it world of entertainment. THE BIG TIME has at its core loneliness, desperation, jealousy, ambition and betrayal while creating a world of likable characters that make us laugh. Quite an achievement given the themes. The play also has a sense of hope, struggling to make itself heard over the noise of ego. David is very good at finding the heightened essence of the world, at once allowing us to laugh and sympathise while recognising the truths of who we are. I feel my job as director is to do two things; cast really well and secondly; let the words fly. David Williamson has, as ever, done the hard work already. I hope you enjoy THE BIG TIME and here’s to a wonderful 2019! Mark Kilmurry Artistic Director SYNOPSIS Celia and Vicki were best friends at drama school, but the game of life has dealt them very different hands. Celia is a high profile soap star earning ridiculous amounts of money and the requisite harbourside views. Meanwhile Vicki is scraping by in gritty, critically acclaimed roles in independent theatre. When Vicki proposes they collaborate on an ambitious new film project, it could be a big opportunity for both of them to prove their mettle in the industry. But are Vicki’s motives as well-intentioned as they seem, or will jealousy rear its ugly head? CAST CREATIVES VICKI FIELDING CLAUDIA BARRIE DIRECTOR MARK KILMURRY NELLI BROWNE ZOE CARIDES ASSISTANT DIRECTOR FELICITY NICOL CELIA CONSTANTI AILEEN HUYNH SET & COSTUME DESIGNER MELANIE LIERTZ NATE MACKLIN MATT MINTO LIGHTING DESIGNER NICHOLAS HIGGINS ROHAN BLACK JEREMY WATERS SOUND DESIGNER MARC Ee ROLLY PIERCE BEN WOOD STAGE MANAGER BRONTE SCHUFTAN COSTUME SUPERVISOR RENATA BESLIK SPECIAL THANKS TO GEOFF MORRELL RUNNING TIME APPROX 2HRS INCLUDING INTERVAL PROGRAMS: $2 which helps enormously with the cost of printing. -
MASQUERADE Kate Mulvany Was Born in 1978 in Geraldton, Western Australia, Australia
state ed By Kate Mulvany Based on the book by Kit Williams, with music by Pip Branson and Mikelangelo 2 Index .................................................................................................................................................................................................... 3 Cast and Creatives .......................................................................................................................................................................... 4 Synopsis ............................................................................................................................................................................................. 5 Playwright ......................................................................................................................................................................................... 6 Author ................................................................................................................................................................................................. 9 Directors ......................................................................................................................................................................................... 10 Characters ...................................................................................................................................................................................... 12 Themes ........................................................................................................................................................................................... -
David Williamson's
THEATRE FOR EVERYONE DAVID WILLIAMSON’S 19 JANUARY – 17 MARCH 2018 DIRECTOR’S NOTE BY NADIA TASS ignore these issues like many of our politicians I have always loved David Williamson’s work, might do; he insists these characters act on the issues he concerns himself with, and the their responsibility. It is not until they are careful balance he creates between gravity forced to deal with the dilemmas they face, and humour. that they achieve perspective, growth, and enlightenment. Williamson insists that issues he presents, cannot be shelved or ignored, so he From the very first scene, we know the orchestrates situations that are strange, dominant issue in this play, and then we see uncomfortable and grittingly real. And it is what effect it has on each of Williamson’s within those situations our characters are beautifully drawn characters. It truly is a joy forced to confront the issues, even if they are to work with material that is at the same potentially detrimental to their personal lives. time both funny and poignant. This narrative is full of surprises, filled with similarities Each of the characters in SORTING OUT between what is happening on stage and the RACHEL is facing a mammoth personal Australian society at large. dilemma. And each of these dilemmas mirrors the prevailing social issues in Australian The question remains – how is our world society. One has too little money, another going to deal with these issues? Williamson too much; and the question is – how is that holds a clear mirror to our world, and tells money best used for the greater good of the us to look at who we are, and asks – are we community? going to take responsibility? What attracted me to SORTING OUT These are serious issues, serious questions, RACHEL, was the notion that it examines the but never at the expense of the primary human condition pitted against large and objective – to entertain. -
Brilliant Lies.Pdf
DAVID WILLIAMSON is Australia’s best known and most widely performed playwright. His first full-length playThe Coming of Stork was presented at La Mama Theatre in 1970 and was followed by The Removalists and Don’s Party in 1971. His prodigious output since then includes The Department, The Club, Travelling North, The Perfectionist, Sons of Cain, Emerald City, Top Silk, Money and Friends, Brilliant Lies, Sanctuary, Dead White Males, After the Ball, Corporate Vibes, Face to Face, The Great Man, Up For Grabs, A Conversation, Charitable Intent, Soulmates, Birthrights, Amigos, Flatfoot, Operator, Influence, Lotte’s Gift, Scarlet O’Hara at the Crimson Parrot, Let the Sunshine and Rhinestone Rex and Miss Monica, Nothing Personal and Don Parties On, a sequel to Don’s Party, When Dad Married Fury, At Any Cost? co-written with Mohamed Khadra, Dream Home, Happiness, Cruise Control and Jack of Hearts. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington. Dead White Males completed a successful UK Production in 1999. Up For Grabs went on to a West End production starring Madonna in the lead role. In 2008 Scarlet O’Hara at the Crimson Parrot premiered at the Melbourne Theatre Company starring Caroline O’Connor and directed by Simon Phillips. As a screenwriter, David has brought to the screen his own plays including The Removalists, Don’s Party, The Club, Travelling North and Emerald City along with his original screenplays for feature films including Libido, Petersen, Gallipoli, Phar Lap, The Year of Living Dangerously and Balibo. -
Press-Lane Access to Female Business Ideas and Stories
RIDE LIKE A GIRL TERESA PALMER SAM NEILL SULLIVAN STAPLETON STEVIE PAYNE GENEVIEVE MORRIS MAGDA SZUBANSKI Running Time 98 mins Sound Dolby 5.1 & Atmos Language English Origin Australian Year of Production 2018 Director Rachel Griffiths Writers Andrew Knight, Elise McCredie Producers Richard Keddie Susie Montague Rachel Griffiths Director of Photography Martin McGrath ACS Editors Maria Papoutsis, Jill Bilcock ACE ASE Production Designer Carrie Kennedy Composer David Hirschfelder Costume Designer Cappi Ireland Hair and Makeup Designer Chiara Tripodi AUSTRALIAN RELEASE DATE: 26 SEPTEMBER 2019 MEDIA ENQUIRIES: TM Publicity – [email protected] – Jillian Heggie – 02 8333 9070 SYNOPSIS As a little girl, Michelle Payne dreams of the impossible: winning the Melbourne Cup — horse racing's toughest two-mile race. The youngest of 10 children, Michelle is raised by single father Paddy. She leaves school at 15 to become a jockey and after early failures she finds her feet, but a family tragedy, followed by her own near fatal horse fall, all but ends the dream. But with the love of her dad and her brother Stevie, Michelle will not give up. Against all the medical advice, and the protests of her siblings, she rides on, and meets Prince of PenZance. Together they overcome impossible odds for a shot at the dream: a ride in the 2015 Melbourne Cup, at odds of 100 to 1. The rest is history. ABOUT MICHELLE PAYNE Michelle Payne is a sportswoman whose remarkable story has raised Australia’s spirits. The first ever female jockey to win the Melbourne Cup, she made “the race that stops a nation” a race that inspired one.