Audio-Visual Show Depicts Oppression Marley Headlines Weekend Interim
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Ziggy Marley & the Melody Makers
Ziggy Marley & The Melody Makers Hey World mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Hey World Country: US Released: 1986 MP3 version RAR size: 1211 mb FLAC version RAR size: 1712 mb WMA version RAR size: 1803 mb Rating: 4.4 Votes: 265 Other Formats: AAC DTS MOD MIDI VQF RA MMF Tracklist Hide Credits Give A Little Love A1 4:02 Written-By – Albert Hammond, Diane Warren A2 Get Up Jah Children 3:47 A3 Hey World 4:07 A4 Fight To Survive 4:15 A5 Freedom Road 4:31 B1 Say People 3:37 B2 '666' 5:35 B3 Police Brutality 4:55 B4 Lord We A Come 3:22 B5 Reggae Revolution 4:06 Credits Arranged By – Grub Cooper*, David Marley, Ricky Walters*, Tyrone Downie Backing Vocals – Cedella Marley, Sharon Marley Bass – Alvin Ewen, Robbie Shakespeare Drums – Sly Dunbar Drums, Piano – Grub Cooper* Executive-Producer – Rita Marley Guitar – Chinna Smith*, Jimmy Haynes, Ricky Walters*, Steve Golding Piano – Robbie Lyn, Tyrone Downie Producer – Grub Cooper* (tracks: A2 to B5), David Marley (tracks: A2 to B5), Dennis Lambert (tracks: A1), Ricky Walters* (tracks: A2 to B5), Tyrone Downie (tracks: A2 to B5) Saxophone – Andrew P. Richardson Trumpet – Charles E. Beasley Vocals, Backing Vocals – Stephen Marley Vocals, Guitar, Percussion, Synthesizer, Backing Vocals – David 'Ziggy' Marley* Notes Came with text inner sleeve Barcode and Other Identifiers Matrix / Runout (Mastered by EMI): ST-17234-P2 QB-25681-P2 "MM "Triangle 14613 Matrix / Runout (side 2, Mastered by EMI ): ST-17234-P1 QB-25681-P1 "MM" Triangle 14613- X Other versions Category Artist Title -
Characteristics of Music in Jamaica and Bob Marley
CHARACTERISTICS OF MUSIC IN JAMAICA AND BOB MARLEY CHARACTERISTICS OF MUSIC IN JAMAICA ● The music of Jamaica Jamaican folk music encompasses as many genres of popular music, such as mento, ska, rocksteady, reggae, dub, dancehall, reggae and other styles associated fusion ● The Jamaican American musical culture mix musical elements, such as: -rhythm and blues - rock and roll -soul REGGAE Reggae is a music genre that was born in Jamaica in the mid-1960s It became really popular since 1970 The reggae music genre is characterized by slower than ska and rocksteady music The reggae guitar used to put emphasis on either the third pulse or to keep the line from the second to the fourth. Uses instruments like guitar, bass, drums, hammond organ guitar Bass Hammond organ drums BOB MARLEY Robert Nesta Marley Booker, better known as Bob Marley, was a musician, guitarist and composer Jamaican. Born on February 6, 1945, in Nine Mile (Saint Ann), Jamaica He died on 11 May 1981 to 36 years in Miami (Florida), United States He had 14 children: Damian Marley, Ziggy Marley, Stephen Marley, Ky-Mani Marley, Rohan Marley, Julian Marley, Cedella Marley, Isaac Marley, Stephanie Marley, Imani Carole Marley, Sharon Marley, Robbie Marley, Karen Marley, Makeda Marley Their record label was: Island Records, Tuff Gong, Beverley's, Studio One, Trojan Records, St. Claire, Universal His online page it´s: http://www.bobmarley.com You can watch this video, of Bob Marley, that it´s one of most famous songs: https://www.youtube.com/watch?v=2XiYUYcpsT4 Made by María Pajares . -
Wildcat Echo October 6 2017
Issue 6 October 6, 2017 A publication by the students of Maquoketa Valley High School TEL students share message about drunk driving TEL members put cups in the fence to remind students of the impact of impaired driving. MV TEL, Teens Eliminating Lies, group got together to cup the fence. They be involved in a drunk driving crash in our is off to a great start for the 2017/18 school put statistics up, twice per year, to bring life time. year. awareness of a tobacco, drug or alcohol Let’s work together to decrease There are 74 members. President related issue. The current cupping has the these statistics. Don’t drink and drive and Payton Ries, Vice President Norm Wilson, following meaning: Alcohol related traf- don’t let anyone you know get behind the Sophomore class rep. Shelby March and fic crashes don’t only affect the impaired. wheel when they are impaired. Freshman class rep. Ella Imler look to be Every 90 seconds a person is injured in a This message brought to you by great leadership for the group. drunk driving crash. Also, 1 in 3 of us will MV TEL. Last Friday morning, some of the Students learn of hazards of tobacco use High Five Friday Mrs. McDer- mott and Nurse Mary took Emmy Prindle, Ella Imler, Taya Tucker, Parker Sternhagen, Emerson Whittenbaugh, Andrew Holtz, Andrew Kloser and Shelby March to Camp EWALU Monday to train for TSN Last Friday students were greeted with (Teens Say No) high fives as they passed through the who work with cafeteria on the way to first hour class. -
3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (Guest Post)*
“3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (guest post)* De La Soul For hip-hop, the late 1980’s was a tinderbox of possibility. The music had already raised its voice over tensions stemming from the “crack epidemic,” from Reagan-era politics, and an inner city community hit hard by failing policies of policing and an underfunded education system--a general energy rife with tension and desperation. From coast to coast, groundbreaking albums from Public Enemy’s “It Takes a Nation of Millions to Hold Us Back” to N.W.A.’s “Straight Outta Compton” were expressing an unprecedented line of fire into American musical and political norms. The line was drawn and now the stage was set for an unparalleled time of creativity, righteousness and possibility in hip-hop. Enter De La Soul. De La Soul didn’t just open the door to the possibility of being different. They kicked it in. If the preceding generation took hip-hop from the park jams and revolutionary commentary to lay the foundation of a burgeoning hip-hop music industry, De La Soul was going to take that foundation and flip it. The kids on the outside who were a little different, dressed different and had a sense of humor and experimentation for days. In 1987, a trio from Long Island, NY--Kelvin “Posdnous” Mercer, Dave “Trugoy the Dove” Jolicoeur, and Vincent “Maseo, P.A. Pasemaster Mase and Plug Three” Mason—were classmates at Amityville Memorial High in the “black belt” enclave of Long Island were dusting off their parents’ record collections and digging into the possibilities of rhyming over breaks like the Honey Drippers’ “Impeach the President” all the while immersing themselves in the imperfections and dust-laden loops and interludes of early funk and soul albums. -
Article on Conscious Hip Hop
Article on Conscious Hip Hop Excerpt From De La Soul Article By Sheryl Garret, Sunday Times (London), July 1996 In 1989, De La Soul's debut album Three Feet High And Rising was hailed by New York's Village Voice as "the Sergeant Pepper of hip hop". The 24 short but sweet tracks rapped about everything from dandruff to their so-called Daisy Age philosophy, but the quirky humour and catchy hooks hid a more serious intent that may have got lost in the face of the album's massive commercial success. Along with the Jungle Brothers and A Tribe Called Quest, De La Soul were part of a loose organisation called Native Tongues, a hip hop collective based around zany humour, eclectic samples and, most of all, positive vibes. Hip hop meanwhile became dominated by the West Coast sound known as gangsta rap – a verbal cocktail of violence, sexism, guns, drugs and money. On the phone from the US, De La Soul's main spokesman Pos (Kelvin Mercer) says they're reluctant to be seen as a kind of "hip hop police", but admits they took a back-to-basics approach this time because "there are a lot of messages that we wanted to put across to the people, and if you want to teach something, you can't present eleventh- or twelfth-grade material to ninth-grade students". The problem, [Pos] points out, is that … one man's poetry is another's obscenity. If it were left to politicians, many would favour silencing all rap as an inconvenient articulation of black experience. -
NEWS RELEASE Umass Amherst Fine Arts Center
NEWS RELEASE UMass Amherst Fine Arts Center www.fineartscenter.com CONTACT: Jorge Luis González at 413-545-4482 or [email protected] FOR IMMEDIATE RELEASE: November 10, 2008 WHAT: Fine Arts Center Presents Soweto Gospel Choir Wednesday, December 3, 7:30 PM Fine Arts Center Concert Hall IMAGES: To download images relating to this press release please go online to http://www.umass.edu/fac/centerseries/pressreleases/photo.html Soweto Gospel Choir to Perform at the Fine Arts Center of the University of Massachusetts AMHERST – November 10, 2008 – When it comes to vocal talent, Africa, and more particularly South Africa, has spawned the most evocative sounds on earth and still produces the very best that the world has to offer in this art form. Soweto Gospel Choir is that very best. The Soweto Gospel Choir will be performing at the UMass Fine Arts Center Concert Hall on Wednesday, December 3 at 7:30 P.M. There will be a pre- performance discussion by Professor Olabode Omojola 6:45 – 7:15 PM in the University Gallery. In conjunction with the performance of the Soweto Gospel Choir, the Fine Arts Center is conducting its Arts Give Back program. In the spirit of the holiday season, patrons are asked to bring a new, unwrapped toy, game, winter clothing item, or non-perishable food item to donate to families through the Amherst and Northampton Survival Centers. Visit www.thensc.org and www.people.umass.edu/support/asc/ for a list of needed items. Expect earthy rhythms, rich harmonies, a cappella numbers as well as accompaniment by an exciting four-piece band and percussion section. -
By Mike Cooper
MUSK N O M By Mike Cooper Cede/la Marley Booker, the mother of the late Bob Marley, has been working Henry Rollins says his most important literary inspiration has been author Henry ou d third album al the Tuff Gong studios in Jamaica. The LP's called "My Altar," Miller. "I saw a real literary outlaw making books that moved me," Rollins says. "I reflecting its spiritual content, she says. "There are feelings for every mood," read the 'Tropics' and 'Black Spring' and I said, 'Wow!' I never realized how much Booker says. "When you listen to it, when you're up, it's there with you, and when literature could impact on life. I read Hemingway and Steinbeck, and they were you're down, it's there with you. It's just my personal feeling I put out there, that great. Then I read Miller, and I didn't want to sleep anymore, because he's so one can, you know, relax and overcome things just in a spiritual way and just sing inspiring and alive." Rollins says he thinks of himself as an outsider, as did Miller. them out. Sing them out when things come to you and when you feel the pressure "I am very much against a lot of what American culture and this civilization is and things, and it will mean so much joy and gladness to your heart. So that's about. But I'm not about to burn Bank of America or take people out. I put myself what I do. I want to share that to the world." The LP is being produced by her on the hero side of things. -
Carlton Barrett
! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures. -
Fascicule S4E5 Mai/Juin 2015 (Pdf, 7095Ko)
à découper et à mettre sur son frigo son sur à mettre et à découper AGENDA DE FRIGO AU DOS AU FRIGO DE AGENDA SOMMAIRE Agenda de Frigo................. 2 Edito.................................... 3 Le programme.................... 5 Le poster de Terreur Graphique............... 32 Les actions culturelles........ 34 Le centre ressource............ 37 Le coin des studios.................38 L’instant scientifique...............40 La fiche utile du Docteur Fred.................. 42 Rewind................................. 51 Chez les copains................; 63 Les infos très pratiques du Temps Machine................64 AGENDA DE FRIGO LE TEMPS MACHINE CooRdonnées EDITO Le Temps Machine Parvis Miles Davis BP 134 37301 JOUÉ-LÈS-TOURS CEDEX Tel : 02 47 48 90 60 Courriel : [email protected] www.letempsmachine.com www.facebook.com/letempsmachine DANS LES FAITS ! Horaires Les Bureaux Du lundi au vendredi : Le Temps Machine - l’Espace Musiques murs l’actualité musicale et l’avant-garde, nous 10h00 / 12h30 & 14h00 / 18h00 LE Centre Actuelles de l’Agglomération de Tours - s’inscrit changerons d’atmosphère. Du mardi au vendredi : 10h00 / 13h00 et 14h00 / 18h00 dans le réseau d’une ville, d’un territoire. Il Samedi (uniquement quand concert le soir) : 14h00 / 17h00 Dans les faits ! En juin. Place à un laboratoire ; est destiné au plus grand nombre, ouvert à Et les soirs de concerts de 20h30 à 21h30 à ciel ouvert. Quand les beaux jours arrivent, Les soirs de concerts tous, s’adresse à tous, se construit et s’alimente Ouverture du bar : 20h30 comme vous, Le Temps Machine a des envies Ouverture de la billetterie : 20h30 par l’action de tous. Nos missions d’intérêt d’évasion. -
2020'S BEST MUSIC MARKETING CAMPAIGNS
BROUGHT TO YOU COURTESY OF ™ AMP IN ASSOCIATION WITH sandbox DECEMBER 09 2020 | Music marketing for the digital era ISSUE 266 2020’s BEST MUSIC MARKETING CAMPAIGNS Songtrust has the world's largest and most accessible network of direct global publishing relationships. Our easy to use platform enables you, and our 300,000+ clients, to register and collect performance and mechanical royalties directly around the world, without giving up any rights or any other revenues. ACCESS WHAT YOU'RE DUE SPONSOR PAGE PANDORA STORIES With Pandora Stories, artists and creators can add their voices to playlists and mixtapes. It’s the newest addition to AMP, Pandora’s suite of free and powerful tools for creators. The ability to combine music and storytelling allows artists to give their music more context while forging an even deeper connection with their fans, new and old. Artists can: • Share the stories behind the making of their music – influences, recording process, etc. • Supplement a podcast with a companion playlist using their own voice tracks. • Create a virtual setlist, complete with between song banter. • Program and promote career retrospectives, or deep dives into single albums. • Share their current favorite music with their fans. • Offer custom exclusive Stories as a premium or special offering for supporters on crowdfunding platforms. SANDBOX CAMPAIGNS OF THE YEAR 2020 2020’s BEST MUSIC MARKETING CAMPAIGNS elcome to Sandbox’s shortlist we had a record number of entries, from labels of the best, most original, and of all sizes from around the world. W most impactful music marketing campaigns of 2020. It’s a celebration of We’re very grateful for everyone who submitted remarkably innovative and creative work across campaigns for consideration – and we hope that a vast array of genres, with many notable in these campaigns you find a wealth of brilliant achievements notched up along the way. -
Manor Primary School Music Year 1: in the Grove Overview of the Learning: All the Learning Is Focused Around One Song: in the Groove
Manor Primary School Music Year 1: In The Grove Overview of the Learning: All the learning is focused around one song: In The Groove. The material presents an integrated approach to music where games, the interrelated dimensions of music (pulse, rhythm, pitch etc.), singing and playing instruments are all linked. Core Aims Pupils should be taught How to listen to music. perform, listen to, review and evaluate music across a range of historical periods, genres, styles and To sing a range of songs song. traditions, including the works of the great composers and musicians To understand the geographical origin of the music and in which era it was composed. Learn to sing and to use their voices, to create and compose music on their own and with others, To experience and learn how to apply key musical concepts/elements, eg finding a pulse, clapping have the opportunity to learn a musical instrument, use technology appropriately and have the a rhythm, use of pitch. opportunity to progress to the next level of musical excellence To play the accompanying instrumental parts (optional). understand and explore how music is created, produced and communicated, including through the inter-related dimensions: pitch, duration, dynamics, tempo, timbre, texture, structure and To work together in a band/ensemble. appropriate musical notations. To develop creativity through improvising and composing within the song. To understand and use the first five notes of C Major scale while improvising and composing. To experience links to other areas of the curriculum To recognise the style of the music and to understand its main style indicators. -
Jamming As a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2015 Jamming as a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World Mike Czech Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Art Education Commons, and the Curriculum and Instruction Commons Recommended Citation Czech, Mike, "Jamming as a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World" (2015). Electronic Theses and Dissertations. 1270. https://digitalcommons.georgiasouthern.edu/etd/1270 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. JAMMING AS A CURRICULUM OF RESISTANCE: POPULAR MUSIC, SHARED INTUITIVE HEADSPACES, AND ROCKING IN THE “FREE” WORLD by MICHAEL R. CZECH (Under the Direction of John Weaver) ABSTRACT This project opens space for looking at the world in a musical way where “jamming” with music through playing and listening to it helps one resist a more standardized and dualistic way of seeing the world. Instead of having a traditional dissertation, this project is organized like a record album where each chapter is a Track that contains an original song that parallels and plays off the subject matter being discussed to make a more encompassing, multidimensional, holistic, improvisational, and critical statement as the songs and riffs move along together to tell why an arts-based musical way of being can be a choice and alternative in our lives.