Ziggy Marley & the Melody Makers
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Characteristics of Music in Jamaica and Bob Marley
CHARACTERISTICS OF MUSIC IN JAMAICA AND BOB MARLEY CHARACTERISTICS OF MUSIC IN JAMAICA ● The music of Jamaica Jamaican folk music encompasses as many genres of popular music, such as mento, ska, rocksteady, reggae, dub, dancehall, reggae and other styles associated fusion ● The Jamaican American musical culture mix musical elements, such as: -rhythm and blues - rock and roll -soul REGGAE Reggae is a music genre that was born in Jamaica in the mid-1960s It became really popular since 1970 The reggae music genre is characterized by slower than ska and rocksteady music The reggae guitar used to put emphasis on either the third pulse or to keep the line from the second to the fourth. Uses instruments like guitar, bass, drums, hammond organ guitar Bass Hammond organ drums BOB MARLEY Robert Nesta Marley Booker, better known as Bob Marley, was a musician, guitarist and composer Jamaican. Born on February 6, 1945, in Nine Mile (Saint Ann), Jamaica He died on 11 May 1981 to 36 years in Miami (Florida), United States He had 14 children: Damian Marley, Ziggy Marley, Stephen Marley, Ky-Mani Marley, Rohan Marley, Julian Marley, Cedella Marley, Isaac Marley, Stephanie Marley, Imani Carole Marley, Sharon Marley, Robbie Marley, Karen Marley, Makeda Marley Their record label was: Island Records, Tuff Gong, Beverley's, Studio One, Trojan Records, St. Claire, Universal His online page it´s: http://www.bobmarley.com You can watch this video, of Bob Marley, that it´s one of most famous songs: https://www.youtube.com/watch?v=2XiYUYcpsT4 Made by María Pajares . -
Wildcat Echo October 6 2017
Issue 6 October 6, 2017 A publication by the students of Maquoketa Valley High School TEL students share message about drunk driving TEL members put cups in the fence to remind students of the impact of impaired driving. MV TEL, Teens Eliminating Lies, group got together to cup the fence. They be involved in a drunk driving crash in our is off to a great start for the 2017/18 school put statistics up, twice per year, to bring life time. year. awareness of a tobacco, drug or alcohol Let’s work together to decrease There are 74 members. President related issue. The current cupping has the these statistics. Don’t drink and drive and Payton Ries, Vice President Norm Wilson, following meaning: Alcohol related traf- don’t let anyone you know get behind the Sophomore class rep. Shelby March and fic crashes don’t only affect the impaired. wheel when they are impaired. Freshman class rep. Ella Imler look to be Every 90 seconds a person is injured in a This message brought to you by great leadership for the group. drunk driving crash. Also, 1 in 3 of us will MV TEL. Last Friday morning, some of the Students learn of hazards of tobacco use High Five Friday Mrs. McDer- mott and Nurse Mary took Emmy Prindle, Ella Imler, Taya Tucker, Parker Sternhagen, Emerson Whittenbaugh, Andrew Holtz, Andrew Kloser and Shelby March to Camp EWALU Monday to train for TSN Last Friday students were greeted with (Teens Say No) high fives as they passed through the who work with cafeteria on the way to first hour class. -
Biography a Five-Time Grammy-Winning Musician, Actor
Biography A five-time Grammy-winning musician, actor, artist, activist and humanitarian, Ziggy Marley has established his presence on the public stage for over a quarter-century. His newest release, Ziggy Marley In Concert, is a collection of live recordings from his 2012 Wild and Free World Tour. The album, which will release digitally on iTunes December 18th before its worldwide physical release on January 15th of 2013, continues to convey Marley’s overall message of love, freedom, hope and challenge. The album features live tracks from his Grammy-nominated and critically acclaimed 2011 release Wild and Free, including the funky and fun-loving “Forward To Love,” the upbeat groove-driven “Reggae in My Head,” and the rock-fueled reggae anthem “Wild and Free.” Live versions of the Bob Marley classics “War” and “Is This Love” also appear on the album as well as Ziggy’s hits “Tomorrow People” and “True To Myself.” In recent years, Marley has been involved in a slew of projects including an extensive world tour that spanned most of 2011 and 2012. Among those dates was a group of themed tribute shows, “Tuff Gong Worldwide and Ziggy Marley Salute the Legends of Reggae,” which played at various Southern California venues in 2012, including a sell-out show at the Hollywood Bowl. Additional projects include serving as executive producer of the celebrated documentary MARLEY(Shangri-La Entertainment), hosting his own monthly radio show, Legends of Reggae, on SiriusXM’s The Joint, and launching a GMO-free food line called Ziggy Marley Organics. In April of 2011, Marley released his first ever comic book, Marijuanaman (Image Comics), which was published on the symbolically potent date of 4/20. -
NEWS RELEASE Umass Amherst Fine Arts Center
NEWS RELEASE UMass Amherst Fine Arts Center www.fineartscenter.com CONTACT: Jorge Luis González at 413-545-4482 or [email protected] FOR IMMEDIATE RELEASE: November 10, 2008 WHAT: Fine Arts Center Presents Soweto Gospel Choir Wednesday, December 3, 7:30 PM Fine Arts Center Concert Hall IMAGES: To download images relating to this press release please go online to http://www.umass.edu/fac/centerseries/pressreleases/photo.html Soweto Gospel Choir to Perform at the Fine Arts Center of the University of Massachusetts AMHERST – November 10, 2008 – When it comes to vocal talent, Africa, and more particularly South Africa, has spawned the most evocative sounds on earth and still produces the very best that the world has to offer in this art form. Soweto Gospel Choir is that very best. The Soweto Gospel Choir will be performing at the UMass Fine Arts Center Concert Hall on Wednesday, December 3 at 7:30 P.M. There will be a pre- performance discussion by Professor Olabode Omojola 6:45 – 7:15 PM in the University Gallery. In conjunction with the performance of the Soweto Gospel Choir, the Fine Arts Center is conducting its Arts Give Back program. In the spirit of the holiday season, patrons are asked to bring a new, unwrapped toy, game, winter clothing item, or non-perishable food item to donate to families through the Amherst and Northampton Survival Centers. Visit www.thensc.org and www.people.umass.edu/support/asc/ for a list of needed items. Expect earthy rhythms, rich harmonies, a cappella numbers as well as accompaniment by an exciting four-piece band and percussion section. -
By Mike Cooper
MUSK N O M By Mike Cooper Cede/la Marley Booker, the mother of the late Bob Marley, has been working Henry Rollins says his most important literary inspiration has been author Henry ou d third album al the Tuff Gong studios in Jamaica. The LP's called "My Altar," Miller. "I saw a real literary outlaw making books that moved me," Rollins says. "I reflecting its spiritual content, she says. "There are feelings for every mood," read the 'Tropics' and 'Black Spring' and I said, 'Wow!' I never realized how much Booker says. "When you listen to it, when you're up, it's there with you, and when literature could impact on life. I read Hemingway and Steinbeck, and they were you're down, it's there with you. It's just my personal feeling I put out there, that great. Then I read Miller, and I didn't want to sleep anymore, because he's so one can, you know, relax and overcome things just in a spiritual way and just sing inspiring and alive." Rollins says he thinks of himself as an outsider, as did Miller. them out. Sing them out when things come to you and when you feel the pressure "I am very much against a lot of what American culture and this civilization is and things, and it will mean so much joy and gladness to your heart. So that's about. But I'm not about to burn Bank of America or take people out. I put myself what I do. I want to share that to the world." The LP is being produced by her on the hero side of things. -
Carlton Barrett
! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures. -
2020'S BEST MUSIC MARKETING CAMPAIGNS
BROUGHT TO YOU COURTESY OF ™ AMP IN ASSOCIATION WITH sandbox DECEMBER 09 2020 | Music marketing for the digital era ISSUE 266 2020’s BEST MUSIC MARKETING CAMPAIGNS Songtrust has the world's largest and most accessible network of direct global publishing relationships. Our easy to use platform enables you, and our 300,000+ clients, to register and collect performance and mechanical royalties directly around the world, without giving up any rights or any other revenues. ACCESS WHAT YOU'RE DUE SPONSOR PAGE PANDORA STORIES With Pandora Stories, artists and creators can add their voices to playlists and mixtapes. It’s the newest addition to AMP, Pandora’s suite of free and powerful tools for creators. The ability to combine music and storytelling allows artists to give their music more context while forging an even deeper connection with their fans, new and old. Artists can: • Share the stories behind the making of their music – influences, recording process, etc. • Supplement a podcast with a companion playlist using their own voice tracks. • Create a virtual setlist, complete with between song banter. • Program and promote career retrospectives, or deep dives into single albums. • Share their current favorite music with their fans. • Offer custom exclusive Stories as a premium or special offering for supporters on crowdfunding platforms. SANDBOX CAMPAIGNS OF THE YEAR 2020 2020’s BEST MUSIC MARKETING CAMPAIGNS elcome to Sandbox’s shortlist we had a record number of entries, from labels of the best, most original, and of all sizes from around the world. W most impactful music marketing campaigns of 2020. It’s a celebration of We’re very grateful for everyone who submitted remarkably innovative and creative work across campaigns for consideration – and we hope that a vast array of genres, with many notable in these campaigns you find a wealth of brilliant achievements notched up along the way. -
Manor Primary School Music Year 1: in the Grove Overview of the Learning: All the Learning Is Focused Around One Song: in the Groove
Manor Primary School Music Year 1: In The Grove Overview of the Learning: All the learning is focused around one song: In The Groove. The material presents an integrated approach to music where games, the interrelated dimensions of music (pulse, rhythm, pitch etc.), singing and playing instruments are all linked. Core Aims Pupils should be taught How to listen to music. perform, listen to, review and evaluate music across a range of historical periods, genres, styles and To sing a range of songs song. traditions, including the works of the great composers and musicians To understand the geographical origin of the music and in which era it was composed. Learn to sing and to use their voices, to create and compose music on their own and with others, To experience and learn how to apply key musical concepts/elements, eg finding a pulse, clapping have the opportunity to learn a musical instrument, use technology appropriately and have the a rhythm, use of pitch. opportunity to progress to the next level of musical excellence To play the accompanying instrumental parts (optional). understand and explore how music is created, produced and communicated, including through the inter-related dimensions: pitch, duration, dynamics, tempo, timbre, texture, structure and To work together in a band/ensemble. appropriate musical notations. To develop creativity through improvising and composing within the song. To understand and use the first five notes of C Major scale while improvising and composing. To experience links to other areas of the curriculum To recognise the style of the music and to understand its main style indicators. -
Jamming As a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2015 Jamming as a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World Mike Czech Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Art Education Commons, and the Curriculum and Instruction Commons Recommended Citation Czech, Mike, "Jamming as a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World" (2015). Electronic Theses and Dissertations. 1270. https://digitalcommons.georgiasouthern.edu/etd/1270 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. JAMMING AS A CURRICULUM OF RESISTANCE: POPULAR MUSIC, SHARED INTUITIVE HEADSPACES, AND ROCKING IN THE “FREE” WORLD by MICHAEL R. CZECH (Under the Direction of John Weaver) ABSTRACT This project opens space for looking at the world in a musical way where “jamming” with music through playing and listening to it helps one resist a more standardized and dualistic way of seeing the world. Instead of having a traditional dissertation, this project is organized like a record album where each chapter is a Track that contains an original song that parallels and plays off the subject matter being discussed to make a more encompassing, multidimensional, holistic, improvisational, and critical statement as the songs and riffs move along together to tell why an arts-based musical way of being can be a choice and alternative in our lives. -
Check out Our Retail Store!
Check Out Our HUGE Retail Store! ------------------------- Feature • Gizzae ------------------------ Q Guitars Q Keyboards Q Live Sound Q Drums & Percussion Roots Goes Reggae Q Recording Equipment Q Microphones & More! By Mark Hunter the bill with Dallol. After Dallol fizzled, members of the newly formed Gizzae asked Rocket to play drums Brian “Rocket” Rock didn’t take long to accli- and maybe sing. It didn’t take long for Rocket’s bass mate to life in the United States. Shortly after moving talents and singing voice to rise up. Today, Gizzae here from Dominica, the experienced bass player and consists of Asrat Selassie on drums, percussion and singer got a call from someone to play bass on a song. vocals; Ralph Mote on keys and vocals; Clem Julian Rocket said sure. The session went fine. on guitar and vocals; Ruphael W. Mariam on drums, “The song was already recorded, but they wanted keys and vocals; and Evans Atta-Fynn, also on drums, a different bass line” Rocket recalled during a phone keys and vocals. interview. “A while later I was watching television Selassie and Mariam came to the states from with some friends and I saw him. I said ‘there’s the Ethiopia and formed the core of Dallol. They also guy.’ Turned out it was Bruce Springsteen singing played with Ziggy Marley during Marley’s Grammy- ‘Born in the U.S.A.’ I didn’t know who he was.” winning days. Ziggy Marley and the Melody Makers Apparently the Boss knew who Rocket was. won Best Reggae in 1989 (Conscious Party) and 1990 The second time a fa- (One Bright Day). -
Best Ziggy Marley Album
Best ziggy marley album click here to download Just announced via the Grammy Awards Premiere Ceremony (pre-telecast live stream): The Grammy Award winner in the category BEST REGGAE ALBUM is Ziggy Marley for his self titled album. Congratulations! Marley accepted his 8th Grammy Award on stage in Los Angeles @ Staples Center. Shortly. Ziggy Marley wins Best Reggae Album GRAMMY. Watch exclusive videos from GRAMMY winners, nominees and artists on the rise at www.doorway.ru Like his father before him, Ziggy Marley is considered one of the best reggae artist. List of the best Ziggy Marley albums, including pictures of the album covers when available. This Ziggy Marley discography is ranked from best to worst, so the top Ziggy Marley albums can be found at the top of the list. To make it easy for you. Los Angeles, CA, February 14, – Ziggy Marley receives 8th Grammy Awards for Best Reggae Album featuring his self-titled album during the 59th Annual GRAMMY Awards that took place at Staples Center in Los Angeles, CA. Ziggy, the son of reggae legend Bob Marley, gave a special shoutout on. Tackling Life guest Ziggy Marley won his eighth GRAMMY Award last night, bringing home the golden gramophone for his self-titled album. You can watch his accep. (); Time Has Come: The Best of Ziggy Marley and the Melody Makers (); Conscious Party (); One Bright Day (); Jahmekya (); Joy and Blues (); Free Like We Want 2 B (); The Best of (–) (); Fallen Is Babylon (); Spirit of Music ()Live albums: 2. The Best of (–) is the second greatest hits album by Ziggy Marley and the Melody Makers. -
234 MOTION for Permanent Injunction.. Document Filed by Capitol
Arista Records LLC et al v. Lime Wire LLC et al Doc. 237 Att. 12 EXHIBIT 12 Dockets.Justia.com CRAVATH, SWAINE & MOORE LLP WORLDWIDE PLAZA ROBERT O. JOFFE JAMES C. VARDELL, ID WILLIAM J. WHELAN, ffl DAVIDS. FINKELSTEIN ALLEN FIN KELSON ROBERT H. BARON 825 EIGHTH AVENUE SCOTT A. BARSHAY DAVID GREENWALD RONALD S. ROLFE KEVIN J. GREHAN PHILIP J. BOECKMAN RACHEL G. SKAIST1S PAULC. SAUNOERS STEPHEN S. MADSEN NEW YORK, NY IOOI9-7475 ROGER G. BROOKS PAUL H. ZUMBRO DOUGLAS D. BROADWATER C. ALLEN PARKER WILLIAM V. FOGG JOEL F. HEROLD ALAN C. STEPHENSON MARC S. ROSENBERG TELEPHONE: (212)474-1000 FAIZA J. SAEED ERIC W. HILFERS MAX R. SHULMAN SUSAN WEBSTER FACSIMILE: (212)474-3700 RICHARD J. STARK GEORGE F. SCHOEN STUART W. GOLD TIMOTHY G. MASSAD THOMAS E. DUNN ERIK R. TAVZEL JOHN E. BEERBOWER DAVID MERCADO JULIE SPELLMAN SWEET CRAIG F. ARCELLA TEENA-ANN V, SANKOORIKAL EVAN R. CHESLER ROWAN D. WILSON CITYPOINT RONALD CAM I MICHAEL L. SCHLER PETER T. BARBUR ONE ROPEMAKER STREET MARK I. GREENE ANDREW R. THOMPSON RICHARD LEVIN SANDRA C. GOLDSTEIN LONDON EC2Y 9HR SARKIS JEBEJtAN DAMIEN R. ZOUBEK KRIS F. HEINZELMAN PAUL MICHALSKI JAMES C, WOOLERY LAUREN ANGELILLI TELEPHONE: 44-20-7453-1000 TATIANA LAPUSHCHIK B. ROBBINS Kl ESS LING THOMAS G. RAFFERTY FACSIMILE: 44-20-7860-1 IBO DAVID R. MARRIOTT ROGER D. TURNER MICHAELS. GOLDMAN MICHAEL A. PASKIN ERIC L. SCHIELE PHILIP A. GELSTON RICHARD HALL ANDREW J. PITTS RORYO. MILLSON ELIZABETH L. GRAYER WRITER'S DIRECT DIAL NUMBER MICHAEL T. REYNOLDS FRANCIS P. BARRON JULIE A.