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World Clique

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GOOD BEAT POWER OF LOVE TRY ME ON, I'M VERY YOU SMILE ON you don't have to say no words depending on how you see a thing what's the real question in your mind mind mind * i'm inclined depending on how you see a thing and it comes in every language in the power of love • i believe • i believe in the power of love the ship is free or it is sinking to ask you all the time time time - do unto me as i want to you con see it in every nation depending on how you see it it helps communication the power of love • i believe in the power of love do to you • try me on i'm very you • i can't read your mind • you cage your mind or you free it it's like a shining sun depending on how you see the times so you got to let me know all the time ■ how it feels for it to up high in the sky the world divides or it closely binds fedmSmffi • let the people call me naive • i believe i believe i believe and when you blink your eyes but i just wanna hear a good beat be real * i can't read your mind - so you got to let me know it's like a nice suprize i jus wanna i jus wanna jyee aaaa • what is it that can make a lost soul found? • take your time i just wanna hear a good beat all the time • how it feels for it to be real • ooh you got me as long as you i jus wanna i jus wanna love • and wh$ ilMmmn make the coldest day seem warm? • love you got me you got me - ooh you got me you got me you * make the time oooahh depending on how you see a thing to be happy and what is it th# con king a smile thru to strangers? • love • love love love got me • i don't know what you do (i don't know i don't know) the ship is free or it is sinking pass it on depending on how you see it /Y~\ but i like it i like it * i like what you're doing to me ■ the sands i believe in the power of lovejj i believe in the power of love • the song is over or you keep it smile on depending on how you see the times of time fade into dark * feel your pulse it's groove o'clock - pass it on we're wasting time or in a moving lii i believe • i believe in the power of ft* • let them call me naive but i still do do dodo a message to madness "feel music that's realness" • i can't but i jus wanna hear a good bet do do do do dodo oh ah |f i|| believe • ayee ayee ah • break • power of %p$ver of • power of love • what is 0> read your mind * so you got to let me know all the time * you got to keep moving keep movin keep movin i jus wanna hear a good beat you got to keep moving keep movin jits piano and IjjyF it that can make a lost soul found? • love •l||j||yt is it that can make the how it feels for it to be real * i can't read your mind * so you it's a universal sign eh eh everyone can do it i oh got to let me know all the time - how it feels for it to be real * coldest day seem warm? • love • and what is it thalcon brtng a smile thru you can change people's minds ! afrite when you feel it tonite ooh you got me you got me you got me * tah-duh you got if you choose to use it zu zu zu wah zu wah to strangers? • give it everything cause what you gi 1 smile on i jus wanna me you got me you got me - i don't know what you do (i pass it on i jus wanna smile on hear a good beat everything • open your heart • i believe i believe • power of • power of • power don't know i don't know) * but i like it i like it * i like what i jus wanna pass it on hear a good beat ta of love • i believe i believe i belieeeeeeve ayee ayee ayee aaaa • love love love you're doing to me • i like it i like it i like it i like it give a little whistle WHAT IS LOVE? CLIQUE E.S.R GROOVE IS IN THE HEART what is love? the chills that you spill esp ouijee yeeyee • esp runs rite through me • sometimes too blind i think i know whot love is . i think i know what love is? to see • the mirror between you ond me • esp boomerang me • esp i think i know yhen we're done i think mind orgy • like a songbird melody • whose cage is really free satisfaction what is love? in esp hypnotize me • esp 3d stylee • i'd walk a milely for your smilely • of what's to come what is love? our i couldn't ask for another mmm how do you say... the woi because it's really recommended quite highly • won't you listen to i couldn't osk for another delicious? we don't your groove to make our what the dj's spinnin • he's tappin into just what you're feelin • delovely i do deeply dig delectable our clique is won't you listen to what the dj's spinnin • he's tappin into just what no walls only the bridge devine the world is our ♦ my supperdish how do you say... world clique you're feelin • supernatural perhaps • supernatural perhaps* psychic my succotash wish degorgeous? world clique i couldn't osk for another dewith it? world clique power • psychic power • esp mystery see • esp skips through time see i couldn't osk for another degroovy? world clique groove is in the heart freaky mystiquery • it's esp i dig highly • copper beat conducts our small clique is like a lip in line the depth of hula groove it happens all the time but it's limited feet * like a doodle beat skipping down the street * in 3d nyc * move us to the nth hoop world clique is like a skip through time you can hold the bird but the song she sings is really free * psychic we' m~'. soy delicious? it's fine and i'm digging it horten how do you say delovely? i don't have to squeeze power * psychic power * midi soul is really groovy * on a roll this dj i couldn't how do you say delectable? just to appease your dream dj soul my peace is the world how do you say devine? moves me • to some he is a guru • he pushes grooves that go rite was on a roll how do you soy degroovy? the world is a clique i been told thru you • won't you listen to what the dj's spinnin • he's tappin into dewith it? the world is our diqui he can't be sold how do you say deee-iite? the world is a clique just what you're feelin * won't you listen to what the dj's spinnin * not various or malicious we've been trying to find out, is there really such a thing? world clique just de-lovely and delicious world clique he's tappin into just what you're feelin prove is in the heart ^dru^ilt,Super JD.I Dmitry I * a/sc Known as 21 §wttt 0<3<%'® or£u$<?r£W)iW Thus, -the Holodnjphic Groove Sound was has \>m riding the new accurately created and introduced to dll. age. ?ower Seal Wave for Hello... It’S Groove O’clock! aaite Some time. i %s psychic mixes have joined, minds while . scratching ihe universal ' itch into i World Clique. fin tranced b the musical revolutions into the. 6arden of fxse-lsU the three Oroov-nicKs Three different Cultures unifying \n the. &(^e D were destined b of communication, zoomed them to the realm Uf holographic COS-groove . (st«r tuwd for ntxt chapttr)j s> WHO WAS THAT? DEEP ENDING TO ALL THE DJ'S WHO SCRATCHED THE UNIVERSAL ITCH: PLAY ON! > who was that • who was that • someone walked their feet SPECIAL THANKS FOR INSPIRATION: AFRIKA BAMBAATAA,AYODELLA,BABY GREGOR, backroom music PRODUCTIONS, BETH our game is over i know it's too late * but still we learn from each through my house * who was that - who was that * someone JACOBSON, BILL COLEMAN "THE POOPKE EROM POUGHKEEPSIE; BILLY ERB, BOBBY KONDERS, BOOTSY, BOOTY BULLOCK, BRANDON, and every mistake • a sweet simple love maybe we've overgrown • BRUCE GARFIELD & THE GARFIELD GROUP CAPT. WIZZO, CC, C.G. GEN, CRAIG KALLMAN & BIG BEAT, DAISY & THE DOODLEBEATS, DAVID sneaking quiet as a mouse * who was that * who was that * BITHER, DAVID "SAY CHEESE" STEEL, DAVID SEAMAN & DMC/MIX MAG, DE LA SOUL, D&D STUDIOS, DON MONROE, ED ECKSTINE, someone left their shoes on the stairs * who was that - who i'll be getting over on my own * our love is like our shower • it runs ELAINE VALENTINE, EVERYONE AT ELEKTRA ENTERTAINMENT WORLDWIDE, FACHTNA O'CEALLAIGH, FIDEL FIELD, FRANK OWEN, was that * laughing just like no one cares - someone in hot and cold hot and cold • it's getting colder i want to hold you • FRED JACKSON, FRED REED, FRED WESLEY, FUMMY, FUNKY KING, FUNKENKLEIN, GARY KURFIRST, ANDREA STARR & OVERLAND, my house - i declare ■ playing cards * solitaire - who was let me be your blanket when it's getting colder • i'm depending GREGORY HOMZ & DOLPHINA, HAJIME TACHIBANA, HIROYUKINAKONO, HOUSE OF MONDO, INA MEIBACH, JEAN-BAPTISTE MONDINO, playing in my house * someone in my kitchen * munching out JILL SELSMAN, JIMMY PAULETTE, JOHN SIDEL, JOSHUA JORDAN, JULES KURZ, JUNGLE BROTHERS, JUSTIN TIME, KEVIN depending depending on you • i'm deep-ending • i'm at the deep peanut butter * there's no doubt * who was eating in my house * MAGNIFIQUE, KRAZE & M00NF0U, KYOKO MASUDA, KYOKI YABUKI, LADY BUNNY, LA HOMA VAN ZANDT, LAMBERT, LARRY TEE, someone took a bath ♦ mr.
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  • The Intertextuality and Translations of Fine Art and Class in Hip-Hop Culture

    The Intertextuality and Translations of Fine Art and Class in Hip-Hop Culture

    arts Article The Intertextuality and Translations of Fine Art and Class in Hip-Hop Culture Adam de Paor-Evans Faculty of Culture and the Creative Industries, University of Central Lancashire, Lancashire PR1 2HE, UK; [email protected] Received: 24 October 2018; Accepted: 12 November 2018; Published: 16 November 2018 Abstract: Hip-hop culture is structured around key representational elements, each of which is underpinned by the holistic element of knowledge. Hip-hop emerged as a cultural counter position to the socio-politics of the urban condition in 1970s New York City, fuelled by destitution, contextual displacement, and the cultural values of non-white diaspora. Graffiti—as the primary form of hip-hop expression—began as a political act before morphing into an artform which visually supported the music and dance elements of hip-hop. The emerging synergies graffiti shared with the practices of DJing, rap, and B-boying (breakdancing) forged a new form of art which challenged the cultural capital of music and visual and sonic arts. This article explores moments of intertextuality between visual and sonic metaphors in hip-hop culture and the canon of fine art. The tropes of Michelangelo, Warhol, Monet, and O’Keefe are interrogated through the lyrics of Melle Mel, LL Cool J, Rakim, Felt, Action Bronson, Homeboy Sandman and Aesop Rock to reveal hip-hop’s multifarious intertextuality. In conclusion, the article contests the fallacy of hip-hop as mainstream and lowbrow culture and affirms that the use of fine art tropes in hip-hop narratives builds a critical relationship between the previously disparate cultural values of hip-hop and fine art, and challenges conventions of the class system.