A Naked Bone
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The Writers Block 2019
The Writers Block 2019 THE WRITERS’ BLOCK The Ada Long Creative Writing Workshop Anthology 2019 Student Staff Anita Cade Devyn Coar Max Coryell Tori Ellis Y’onna Hale Dalah Jones Zoe McCrear Christopher Woodry Faculty Advisor Student Media Advisors Emmett Christolear Jackie Alexander . The Writers’ Block Ada Long Creative Writing Workshop 215 Humanities Bldg 900 13th Street South Birmingham, Alabama, AL 35294 205 934-4250 Special thanks to the UAB Student Media office for assisting with the production of this issue and to UAB Printing and Mailing Services for their support with the printing. Colophon The Writers’ Block is a publication of the Ada Long Creative Writing Workshop at the University of Alabama at Birmingham. The Writers’ Block is printed by UAB Printing and Mailing Services in a quantity of 300 per issue. The editorial process in forming this issue was performed using Adobe In- Design CC running on a Dell PC with a Windows 10 operating system. Fonts used are Copperplate Gothic Bold, Copperplate Gothic Light and Bookman Old Style. Front cover: “Shattered” by Dalah Jones. Table of Contents 6 the crawfather Max Coryell 7 Beautiful Black Baby Boy Dalah Jones 8 Beatrice Jamiah Stroud 9 Cahaba Christopher Woodry 10 Jungle Fever Victoria Spear A Child Falling in Love Devyn Coar 11 Middle School Soup Anita Cade 12 Ole Southern Gumbo Tori Ellis 13 Soup of Gardendale High School Zoe McCrear 14 historical materialism of the liver Max Coryell To My Hands Y’onna Hale 15 “New Person, Same Old Mistakes”: Musical Memoir David Hester “Myself”: -
Through the Bible Study Song of Solomon 4-8
THROUGH THE BIBLE STUDY SONG OF SOLOMON 4-8 A son asked his father the inevitable question, “Dad, where do babies come from?” The father figured it was time for THE talk, so he explained the birds and the bees to his son. When the talk was over the little boy looks up at his father, and asked, “Dad, does God know about this?” Well, the Song of Solomon proves that “Yes, God knows about sex.” Sex is not Hollywood’s invention. It was God’s idea. Genesis 1:27 tells us that when God created the male and female, He instructed them to become “one flesh” – that’s a euphemism for sexual intercourse. And whatever God creates, He commands. He has guidelines for every area of life including sexual expression. Make a trip to the local bookstore and you’ll find countless sex manuals from so-called sex-perts. But there’s only one instruction manual from THE authority – from God, the Creator. God designed sexual expression, and He tells us how to experience maximum intimacy and enjoyment in the Song of Solomon. In chapters 2-3, Solomon’s bride, the Shulamite, had flashed back to her country courtship - to Solomon’s proposal - and their honeymoon. The king had come for her in his palanquin – a mobile honeymoon cottage. It was a covered couch, carried on !1 poles, by strong men. The couple made love from Lebanon all the way to Jerusalem. In chapter 4 we eavesdrop in on the lover’s intimate conversation… In verse 1 Solomon speaks to his bride, “Behold, you are fair, my love! Behold, you are fair! You have dove's eyes behind your veil.” Notice, Shula is wearing a veil - in other words, sexy lingerie. -
Sing! 1975 – 2014 Song Index
Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo .. -
Postcolonial Love Poem
POSTCOLONIAL LOVE POEM Natalie Diaz Graywolf Press I am singing a song that can only be born afer losing a country. Joy Harjo Postcolonial Love Poem I’ve been taught bloodstones can cure a snakebite, can stop the bleeding—most people forgot this when the war ended. Te war ended depending on which war you mean: those we started, before those, millennia ago and onward, those which started me, which I lost and won— these ever-blooming wounds. I was built by wage. So I wage love and worse— always another campaign to march across a desert night for the cannon fash of your pale skin settling in a silver lagoon of smoke at your breast. I dismount my dark horse, bend to you there, deliver you the hard pull of all my thirsts— I learned Drink in a country of drought. We pleasure to hurt, leave marks the size of stones—each a cabochon polished by our mouths. I, your lapidary, your lapidary wheel turning—green mottled red— the jaspers of our desires. Tere are wildfowers in my desert which take up to twenty years to bloom. Te seeds sleep like geodes beneath hot feldspar sand until a fash food bolts the arroyo, lifing them in its copper current, opens them with memory— they remember what their god whispered into their ribs: Wake up and ache for your life. Where your hands have been are diamonds on my shoulders, down my back, thighs— I am your culebra. I am in the dirt for you. Your hips are quartz-light and dangerous, two rose-horned rams ascending a sof desert wash before the November sky untethers a hundred-year food— the desert returned suddenly to its ancient sea. -
Pete Seeger, and M~ of the Songs Are from the Collection of Marjorie Guthrie
#44 THE NATIONAL TOPICAL SONG ~~GAZINE APRIL 30, 1964 PRICE -- 35~ Words & Music: ~) 1964, by author By PEI'ER LAFARGE :D!iUM5 used ty permission J;F'i' _&Phatieally~ f ,.... 04~ 011£13 H·I ad RCD ltll) <*;011 I:qp1fJJ T -'::c/ -r!T-u ~-e- 7r7.: T'" From the In-dian Reser- vatl0n to the Govern- mental School, Well they're going t ed-u- 4= _ y1 ~ ~ ( 0 'I G'ld u I F1J: i31;Jf='lJH'ti=12.1 Pll±$! D·I Ji!'lE ) I T -,: c::r ,- r =iF ~ -e- -,-T .".. -z:r IT ""T -,..,..,- cate me to the white man's Golden Rule; And I am learning quick-ly For I I ve learned to be a- dEC:! ~ &" I fl-t tJ·IQ' FJ 1 [ flati I I +- IT 7r.-7r -#- ".. shamed, And I come when they call "Billy" though I've 1;1: dUQ~j ri¥L-)@ I it X 1 Ii I -#- -o:.T· -,- got an Indian name. There are drums beyond the J$ =t=3 l':::t:: I: =I ~ ~ E3 I d J := ~ hbJ,; ;t;·I!J# ~ -,- 7:Y' .... mountain, There are drums you cannot hear, There are :tE ~ - ~ C:r :D'1 1=3: Jj 4'01 I J{t F 1 [J 2 I \ 7)1 -,- til' 7r"+- ~o T -#- drums beyond the mountain And they're getting mighty Fl II La (Photo by Dave Gahr) Also In This Issue, Songs By: NINA SIMONE, PErER SEEGER, ERIC ANDERSEN, TOM PAXTON, CARL WATANABE, WOODY GUTHRIE Words and Music by Moderately DRY BED WOODY GUTHRIE VERSE 00 2. -
The Bleeding Man
Sketch Volume 80, Number 1 2017 Article 6 The Bleeding Man Rachel Reyes∗ ∗ Copyright c 2017 by the authors. Sketch is produced by The Berkeley Electronic Press (bepress). https://lib.dr.iastate.edu/sketch The Bleeding Man Bv: R ACHEL R EYES Staring at the frozen December snowscape outside my bedroom window, "I told you. Everything's going to be fi.ne ." I trace spirals on the frosted glass with my fingernail. Shadows bleed slowly across the walls like spilled ink as I sit cross-legged on my bed, talking to David My mind leaps back to last July. David was acting just like this ... on the phone. Suddenly, I know exactly what he means. "What day is it?" David says to me, his voice small and far away. On his Panic rises like a tide in my throat. "David, you don't mean ... " side of the line, I hear a creaking mattress, and I picture him barefoot on his bed in flannel pajamas. "Wednesday?" " - Of course I do. I think about it all the damn time. I wouldn't do it if there was any other option." His voice is strangled, gripped by a dark current. I I reach for my sketchbook on my nightstand and open it to a new page, picture him, swallowed by the darker shadows of his bedroom. Alone. Running his glancing at the clock. "Thursday. No, wait, it's Friday now - two a.m." I pick up my fi.ngers over the scars on his arms. pencil and idly sketch a few snowflakes. I yawn. -
Disenchanted!
DISENCHANTED! BOOK, MUSIC & LYRICS BY DENNIS T. GIACINO DEVELOPED WITH FIELY MATIAS SHOW PERUSAL 02/18/20 Disenchanted! Copyright © 2006 - 2020 by Dennis T. Giacino ALL RIGHTS RESERVED Copyright Protection. This play (the “Play”) is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, and the Berne Convention. Reservation of Rights. All rights to this Play are strictly reserved, including, without limitation, professional and amateur stage performance rights; motion picture, recitation, lecturing, public reading, radio broadcasting, television, video, and sound recording rights; rights to all other forms of mechanical or electronic reproduction now known or yet to be invented, such as CD-ROM, CD-I, DVD, photocopying, and information storage and retrieval systems; and the rights of translation into non-English languages. Performance Licensing and Royalty Payments. Amateur and stock performance rights to this Play are controlled exclusively by Broadway Licensing. No amateur or stock production groups or individuals may perform this Play without obtaining advance written permission from Broadway Licensing. Such royalty fees may be subject to change without notice. Although this book may have been obtained for a particular licensed performance, such performance rights, if any, are not transferable. Required royalties must be paid every time the Play is performed before any audience, whether or not concerning amateur and stock performance rights should be addressed to Broadway Licensing (see contact information on opposite page). -
Volume I 4.0.Qxd
Cover Art Photo taken by Jennifer Nelms Kroft Continuing Education Illuminations logo created by Tia Coleman Desktop Publishing Conceptual Creator Shane Zephier Student Editorial Staff: Kellie Henson, Cyndi Lamm, Dusty Lehl, Zach Russell, Amelia Stoll, Shane Zephier Layout & Design: Tia Coleman, Pam Gilliam Faculty Advisors: Teresa Beacom, Sheri Blok, Linda Rotschafer Editorial Consultants: Amanda Baron, Dan Bruning Erin Koffler, Jon Ritz, Carolee Ritter Art & Photography Consultants: Nicolette Bonnstetter, Monte Koffler, Brad Yeager Project Assistants: Rita Anderson, Betti Lee, Rachel Mason, Jo Shimmin The content of this literary magazine does not necessarily reflect the views of the editorial staff, the Student Senate, the Humanities Department, or Southeast Community College. The contents reflect student work without censorship by the editorial staff. A magazine of creative expressions Volume 1–Fall 1999 Special thanks to the Humanities Department, the Student Senate, the Desktop Publishing Program, the SCC Writing Center, and to all of the students who submitted works for consideration. The Student Creative Works Publication of Southeast Community College–Lincoln Campus Sponsored by the Humanities Department and Student Senate Contents Poetry . 1 Stephanie Simons The Ride . 2 Denny Marshall The Countdown . 3 Nick Tarlowski Introspection . 7 Shane Zephier Year of the Impending Vine . 8 Connie Gregor When the Lights Went Out in Denver. 9 Steve Palensky Baja . 13 Cyndi Lamm Stop Top. 14 Connie Gregor Up and Down . 15 Shane Zephier Looking at Horizon . 19 Boris Prodanovic Moment of Clarity . 20 Victoria Olvera Through the Eyes of a Playa’ . 21 Jessica L. Colburn To Hide in Layers. 22 Denny Marshall No Where to Run. -
A Guarantee I Have an Itty-Bitty Part! It Always Works; to Welcome You from the Start! It’S Always True— Christmas Love 7
6. Itty-Bitty Welcome 1.A Guarantee I have an itty-bitty part! It always works; To welcome you from the start! It’s always true— Christmas love 7. Small Comes back to you. I’m small, that’s true, But I can say, Merry Christmas 2. IF To all of you! If I were only big enough, I’d like to pull the rope 8. Thanks for Jesus That rings the bells of Christmas Thanks for baby Jesus To tell the world of hope. And for His bed of hay. Thanks because He loves me And hears me when I pray. 3. More Important More important than a lighted 9. Joy, Joy, Joy tree; More important than gifts Joy, joy, joy I sing. meant for me, Christmas joy to you I bring. Is the story of Jesus and His Joy, joy, joy, I’m singing, wonderful birth, Christmas joy Jesus is bringing, And remembering the reason He Joy joy, joy is my song. came to earth. I sing of Christmas all day long. 4. Christmas is Love 10. Cannot Think Christmas is hope I cannot think of anything that I’d And Christmas is joy; rather say—than “thank you” for Christmas is wonder coming to our Christmas play! In a baby boy; Christmas is grace 11. Fun From Heaven above, Although Christmas is so much Christmas is God’s gift; fun, please leave room for the Christmas is love. Holy One! 5. Little 12. Celebrate His Birth I may be little and Baby Jesus asleep on the hay Big words I can’t say. -
How to Use This Songfinder
as of 3.14.2014 How To Use This Songfinder: We’ve indexed all the songs from 23 volumes of Real Books. Simply find the song title you’d like to play, then cross-reference the numbers in parentheses with the Key. For instance, the song “Ac-cent-tchu-ate the Positive” can be found in both The Real Book Volume III and The Real Vocal Book Volume II. KEY Unless otherwise marked, books are for C instruments. For more product details, please visit www.halleonard.com/realbook. 01. The Real Book – Volume I 08. The Real Blues Book/00240264 C Instruments/00240221 09. Miles Davis Real Book/00240137 B Instruments/00240224 Eb Instruments/00240225 10. The Charlie Parker Real Book/00240358 BCb Instruments/00240226 11. The Duke Ellington Real Book/00240235 Mini C Instruments/00240292 12. The Bud Powell Real Book/00240331 Mini B Instruments/00240339 CD-ROMb C Instruments/00451087 13. The Real Christmas Book C Instruments with Play-Along Tracks C Instruments/00240306 Flash Drive/00110604 B Instruments/00240345 Eb Instruments/00240346 02. The Real Book – Volume II BCb Instruments/00240347 C Instruments/00240222 B Instruments/00240227 14. The Real Rock Book/00240313 Eb Instruments/00240228 15. The Real Rock Book – Volume II/00240323 BCb Instruments/00240229 16. The Real Tab Book – Volume I/00240359 Mini C Instruments/00240293 CD-ROM C Instruments/00451088 17. The Real Bluegrass Book/00310910 03. The Real Book – Volume III 18. The Real Dixieland Book/00240355 C Instruments/00240233 19. The Real Latin Book/00240348 B Instruments/00240284 20. The Real Worship Book/00240317 Eb Instruments/00240285 BCb Instruments/00240286 21. -
My Pappy's Hands by Xavier My Grandfather's Hands Always Have
My Pappy’s Hands My Hands By Xavier By Angelo My grandfather’s hands always have grease under 1. the fingernails. My hands hold many things. When he gets home from work, his hands are so They hold hand wraps. black, They hold my boxing gloves. Covered in grease and felt so hard, They also hold weights. Glazed over with years of hard work. 2. His hands are always occupied, My hands also create many things. Always working, They create combos. Either with his tools, They create blocks. Or plumbing the pipeworks. They also create many ideas for blocks and When his hands are finally clean, combos. You can see the wear and tear, 3. The peeling of the skin, They let go of hurtful things. The cuts that finally cleared. They let go of people. Fresh cuts take the place of the old ones. They let go of legs. Woodchips lay on the hair of his knuckles. They let go of things when I’m told. Varnish stains his skin. 4. His hands show you his rough childhood, My hands reach for people. Fighting for his family. They also reach for grappling. These hands are the reason why I am always My hands help me in Mixed Martial Arts. inspired to keep going. My hands help me defend myself. *** My Hands My hand holds the football on Friday nights, By Briana The basketball on Saturday, The baseball bat on Sunday, My hands, some fingers, tall and short, And the books on Monday. Have been through a lot. Sports, scars, and stories to be told. -
Mother Goose Sunshine Song Time Songs & Rhymes
Rhymes & Songs To Play With Your Child Mother Goose Sunshine Song Time Songs & Rhymes 1 Ackabaca Soda Cracker All small things that have no words. Ackabaca soda cracker, Ackabaca boo, (Chorus) Ackabacka soda cracker, up goes you The Ants Go Marching Ackabaca soda cracker, Ackabaca boo, The ants go marching one by one. Ackabaca soda cracker, I love you Hoorah! Hoorah! The ants go marching one by one. Alice the Camel Hoorah! Hoorah! Alice the camel has five humps; Alice the camel has five humps The ants go marching one by one, Alice the camel has five humps; So go, Alice, go. The little one stops to suck his thumb, Alice the camel has four humps; Alice the camel has four humps And they all go marching down underground Alice the camel has four humps, So go, Alice, go. To get out of the rain. Alice the camel has three humps; Alice the camel has three humps Boom, boom, boom… Alice the camel has three humps, So go, Alice, go. The ants go marching two by two. Alice the camel has two humps; Alice the camel has two humps Hoorah! Hoorah! Alice the camel has two humps, So go, Alice, go. The ants go marching two by two. Alice the camel has one hump; Alice the camel has one hump Hoorah! Hoorah! Alice the camel has one hump, So go, Alice, go. The ants go marching two by two, Alice the camel has no humps; Alice the camel has no humps. The little one stops to tie his shoe, Because Alice is a horse! And they all go marching down underground To get out of the rain.