The Writers Block 2019
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Big Poppa Eʼs Bio Quiz!
TABLE OF CONTENTS POETRY the wussy boy manifesto! ............................................................. 1 wallflower .................................................................................... 4 frat boy ......................................................................................... 6 worm boy ..................................................................................... 9 fly boy ........................................................................................ 10 jesus moshpit .............................................................................. 12 the lonesome ballad of josephus moshpit .................................. 13 receipt found in the parking lot of super walmart ...................... 16 just take another drink ................................................................ 19 potty is pee ................................................................................. 20 the miracle corner pocket luck shot ........................................... 22 JUVENALIA minuet ........................................................................................ 23 sexuality ..................................................................................... 24 routine ........................................................................................ 25 party boy .................................................................................... 26 love poem #9 .............................................................................. 28 PROSE how to dance like a wussy -
Through the Bible Study Song of Solomon 4-8
THROUGH THE BIBLE STUDY SONG OF SOLOMON 4-8 A son asked his father the inevitable question, “Dad, where do babies come from?” The father figured it was time for THE talk, so he explained the birds and the bees to his son. When the talk was over the little boy looks up at his father, and asked, “Dad, does God know about this?” Well, the Song of Solomon proves that “Yes, God knows about sex.” Sex is not Hollywood’s invention. It was God’s idea. Genesis 1:27 tells us that when God created the male and female, He instructed them to become “one flesh” – that’s a euphemism for sexual intercourse. And whatever God creates, He commands. He has guidelines for every area of life including sexual expression. Make a trip to the local bookstore and you’ll find countless sex manuals from so-called sex-perts. But there’s only one instruction manual from THE authority – from God, the Creator. God designed sexual expression, and He tells us how to experience maximum intimacy and enjoyment in the Song of Solomon. In chapters 2-3, Solomon’s bride, the Shulamite, had flashed back to her country courtship - to Solomon’s proposal - and their honeymoon. The king had come for her in his palanquin – a mobile honeymoon cottage. It was a covered couch, carried on !1 poles, by strong men. The couple made love from Lebanon all the way to Jerusalem. In chapter 4 we eavesdrop in on the lover’s intimate conversation… In verse 1 Solomon speaks to his bride, “Behold, you are fair, my love! Behold, you are fair! You have dove's eyes behind your veil.” Notice, Shula is wearing a veil - in other words, sexy lingerie. -
Poem for a Friend
the whole wide world (1980-2013) copyright © 2013 by big poppa e book design by big poppa e www.bigpoppae.com all rights reserved. except as permitted under the u.s. copyright act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of big poppa e or his official representatives. any work contained within this publication may be freely performed in front of live audiences without first obtaining permission from big poppa e. furthermore, video and audio recordings of these works by anyone other than big poppa e can be freely posted and distributed on the world wide web or by any other means as long as no profit is generated. video and audio recordings of big poppa e performing his own works, however, may not be reproduced or distributed without the prior written permission of big poppa e. in plain english, it’s totally okay for you to read anything in this book out loud any time you want without permission, and if you record yourself doing the work, no worries, share it with anyone you like. but you are not allowed to record big poppa e reading his work out loud, and you are not allowed to share or sell videos or mp3s of big poppa e doing his work. it’s not that big poppa e doesn’t… okay, you know what, this is me, big poppa e, and i am talking directly to you. -
2014 Butte County Spelling Bee
2014 BUTTE COUNTY SPELLING BEE Tim Taylor, Superintendent PRACTICE WORDLIST 1. abacus A calculating instrument for performing arithmetical processes by sliding counters by hand on rods or in grooves. “The grocer used an abacus instead of a modern cash register.” 2. acquaintance Familiarity, experience. “Ruth developed an acquaintance with Tibetan musical tradition.” 3. acre Any of various units of land area. "Miriam had to cross a 10-acre field to get to her favorite swimming hole.” 4. acrobat One who performs gymnastic feats or exercises. “Paul is developing the skills of a first-rate acrobat.” 5. activity Something somebody does; physical exercise “Which physical education activity did you like the best?” 6. acuate Having a sharp point: shaped like a needle: sharpened. “Cobb's beagle was distinctive because of its acuate tail.” 7. addition The act of adding something onto or into something else “Our next test in math will be on addition.” 8. adjacent Living nearby or sitting or standing relatively near or close together. “Citizens of Centerville and its adjacent communities banded together to form a volunteer fire department.” 9. adversaries Ones that contend with oppose or resist. “Cynthia’s adversaries in the tennis tournament were not easily defeated.” 10. aerobatics Spectacular flying feats and maneuvers (as rolls and dives). “Brian enjoyed the exhibition of aerobatics at the Labor Day festival.” 11. affliction A state of pain, distress, or grief. “John Addison wrote that some virtues are seen only in affliction.” 12. alphanumerical Consisting, of both letters and numbers and often other symbols as well. “Because she used two separate alphanumerical codes, Georgia made many mistakes.” 13. -
The Cure — Wikipédia
The Cure — Wikipédia https://fr.wikipedia.org/wiki/The_Cure The Cure 1 The Cure [ðə ˈkjʊə(ɹ)] est un groupe de rock britannique, originaire de Crawley, dans le Sussex The Cure de l'Ouest, en Angleterre. Formé en 1976, le groupe comprend actuellement Robert Smith, Roger O'Donnell aux claviers, Simon Gallup à la basse, Reeves Gabrels à la guitare et Jason Cooper à la batterie. Robert Smith est la figure emblématique du groupe. Il en est le chanteur et le guitariste (il joue également de la basse ou des claviers), le parolier et le principal compositeur. Par ailleurs, il est le seul membre présent depuis l'origine du groupe. The Cure, à Singapour le 1er août 2007. Associé au mouvement new wave, The Cure a Informations générales développé un son qui lui est propre, aux ambiances 2, 3 Pays d'origine Royaume-Uni tour à tour mélancoliques, rock, pop, gothiques Genre musical Cold wave, new wave, et psychédéliques, créant de forts contrastes, où la post-punk, rock alternatif, basse est mise en avant et n’est pas seulement un rock gothique instrument d’accompagnement. Elle est, Années actives Depuis 1976 notamment en raison du jeu particulier de Simon Gallup une composante essentielle de la musique de Labels Fiction Records, Geffen The Cure. L'utilisation conjointe d'une basse six Records cordes (souvent une Fender VI), au son Site officiel www.thecure.com caractéristique, très souvent utilisée dans les motifs (http://www.thecure.com) mélodiques, contribue pour beaucoup à la signature Composition du groupe sonore si singulière du groupe. Membres Robert Smith Cette identité musicale, ainsi qu'une identité Simon Gallup visuelle véhiculée par des clips, contribuent à la Roger O'Donnell popularité du groupe qui atteint son sommet dans Jason Cooper les années 1980. -
Text from the 1941 Mar-Ken Yearbook
Text from the 1941 Mar-Ken Yearbook: DEDICATION This book is respectfully dedicated to all Mar-Ken students, who, through their fine sportsmanship, loyalty, and untiring effort have made our last year a most successful and memorable one. • THE SENIORS • F O R W It has been our aim from the beginning to the end A of this year’s PREMIERE to publish a book of the R students, by the students, and for the students. D We have enjoyed the privilege of presenting this book and sincerely hope that we have give the students a fitting reminder of their past year at Mar-Ken. “P R E M I E R E” Released through Mar-Ken School PRODUCERS . Shirley Cooper ‘41 Charlotte Cooper ’41 Shirley Ann Chittendon ’42 Josephine Stern ’43 Iris Clements ‘44 SCRIPT . Pat Collin ’41 Marjorie Lee Hagunin ’42 Bobbie Allert ’43 Camille Chann ’44 Terry Kilburn ’44 ADAPTATION . William and Robert Mauch Charlotte and Shirley Cooper ART DIRECTORS . Louise Kessler ’41 Ginger Michael ’42 Martin Spellman ’43 Terry Killburn ’44 SPECIAL EFFECTS . Louise Kessler Richard Hedges PHOTOGRAPHY . Milton Douglas Richard Hedges Terry Milburn Robert Mauch William Mauch Martin Spellman Barbara Jean Wong DIRECTOR , , , , , , . James W. Foxx ASSISTANT DIRECTORS . Robert Mauch William Mauch Realizing that a school of limited attendance could not or should not offer work in many special fields but rather that it should justify itself by outstanding achievement in its own type of education, M. Ethel Bessire, has attempted first of all to develop a distinguished curriculum. Having a distinctive ideal – the cultivation of a mind competent in its own intelligence, and sure and sane in its judgment of life, M. -
BETTER BOY JMAYLAND 2NOV12.Fdx
BUILDING A BETTER BOY An original screenplay by Jason Mayland Anonymous Content RCR Pictures 3532 Hayden Avenue 8840 Wilshire Boulevard Culver City, CA 90232 Beverly Hills, CA 90211 November 2, 2012 WGAw Registered EXT. CIA HEADQUARTERS - ESTABLISHING A swooping overhead shot of the foreboding compound. An insistent drumbeat pummels our ears. SUPER A TITLE: CIA HEADQUARTERS: LANGLEY, VIRGINIA INT. CIA HQ HALLWAY - DAY DR. JAMES HARTLEY, an ambitious scientist, hustles to keep up with COLONEL RAYMOND McFEE, a pit bull of a bureaucrat. MCFEE I just got off the phone with the President. HARTLEY Was he...upset? MCFEE A three billion dollar weapon is missing, Dr. Hartley. He’s tickled. They pass an interrogation room where two agents wrestle an uncooperative suspect to the ground. MCFEE (CONT’D) The good news is we have the conspirators in custody. It’s only a matter of time before we extract the location of the prototype. HARTLEY If you could give me a minute alone with them-- MCFEE Absolutely not-- HARTLEY Please Colonel. This was my project. Five years of my life. They reach the LAST INTERROGATION ROOM. McFee sighs. MCFEE You can sit in -- but not a word. As far as I’m concerned, the most dangerous terrorists in America are behind that door. 2. INT. INTERROGATION ROOM - MINUTES LATER Hartley stands against the wall, arms crossed, along with two armed agents. McFee’s in interrogation mode now. He glares across a table at the UNSEEN SUSPECTS. MCFEE Let’s start from the beginning. How did you breach the network? No answer from the mysterious culprits. -
Sing! 1975 – 2014 Song Index
Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo .. -
Postcolonial Love Poem
POSTCOLONIAL LOVE POEM Natalie Diaz Graywolf Press I am singing a song that can only be born afer losing a country. Joy Harjo Postcolonial Love Poem I’ve been taught bloodstones can cure a snakebite, can stop the bleeding—most people forgot this when the war ended. Te war ended depending on which war you mean: those we started, before those, millennia ago and onward, those which started me, which I lost and won— these ever-blooming wounds. I was built by wage. So I wage love and worse— always another campaign to march across a desert night for the cannon fash of your pale skin settling in a silver lagoon of smoke at your breast. I dismount my dark horse, bend to you there, deliver you the hard pull of all my thirsts— I learned Drink in a country of drought. We pleasure to hurt, leave marks the size of stones—each a cabochon polished by our mouths. I, your lapidary, your lapidary wheel turning—green mottled red— the jaspers of our desires. Tere are wildfowers in my desert which take up to twenty years to bloom. Te seeds sleep like geodes beneath hot feldspar sand until a fash food bolts the arroyo, lifing them in its copper current, opens them with memory— they remember what their god whispered into their ribs: Wake up and ache for your life. Where your hands have been are diamonds on my shoulders, down my back, thighs— I am your culebra. I am in the dirt for you. Your hips are quartz-light and dangerous, two rose-horned rams ascending a sof desert wash before the November sky untethers a hundred-year food— the desert returned suddenly to its ancient sea. -
Pete Seeger, and M~ of the Songs Are from the Collection of Marjorie Guthrie
#44 THE NATIONAL TOPICAL SONG ~~GAZINE APRIL 30, 1964 PRICE -- 35~ Words & Music: ~) 1964, by author By PEI'ER LAFARGE :D!iUM5 used ty permission J;F'i' _&Phatieally~ f ,.... 04~ 011£13 H·I ad RCD ltll) <*;011 I:qp1fJJ T -'::c/ -r!T-u ~-e- 7r7.: T'" From the In-dian Reser- vatl0n to the Govern- mental School, Well they're going t ed-u- 4= _ y1 ~ ~ ( 0 'I G'ld u I F1J: i31;Jf='lJH'ti=12.1 Pll±$! D·I Ji!'lE ) I T -,: c::r ,- r =iF ~ -e- -,-T .".. -z:r IT ""T -,..,..,- cate me to the white man's Golden Rule; And I am learning quick-ly For I I ve learned to be a- dEC:! ~ &" I fl-t tJ·IQ' FJ 1 [ flati I I +- IT 7r.-7r -#- ".. shamed, And I come when they call "Billy" though I've 1;1: dUQ~j ri¥L-)@ I it X 1 Ii I -#- -o:.T· -,- got an Indian name. There are drums beyond the J$ =t=3 l':::t:: I: =I ~ ~ E3 I d J := ~ hbJ,; ;t;·I!J# ~ -,- 7:Y' .... mountain, There are drums you cannot hear, There are :tE ~ - ~ C:r :D'1 1=3: Jj 4'01 I J{t F 1 [J 2 I \ 7)1 -,- til' 7r"+- ~o T -#- drums beyond the mountain And they're getting mighty Fl II La (Photo by Dave Gahr) Also In This Issue, Songs By: NINA SIMONE, PErER SEEGER, ERIC ANDERSEN, TOM PAXTON, CARL WATANABE, WOODY GUTHRIE Words and Music by Moderately DRY BED WOODY GUTHRIE VERSE 00 2. -
The Bleeding Man
Sketch Volume 80, Number 1 2017 Article 6 The Bleeding Man Rachel Reyes∗ ∗ Copyright c 2017 by the authors. Sketch is produced by The Berkeley Electronic Press (bepress). https://lib.dr.iastate.edu/sketch The Bleeding Man Bv: R ACHEL R EYES Staring at the frozen December snowscape outside my bedroom window, "I told you. Everything's going to be fi.ne ." I trace spirals on the frosted glass with my fingernail. Shadows bleed slowly across the walls like spilled ink as I sit cross-legged on my bed, talking to David My mind leaps back to last July. David was acting just like this ... on the phone. Suddenly, I know exactly what he means. "What day is it?" David says to me, his voice small and far away. On his Panic rises like a tide in my throat. "David, you don't mean ... " side of the line, I hear a creaking mattress, and I picture him barefoot on his bed in flannel pajamas. "Wednesday?" " - Of course I do. I think about it all the damn time. I wouldn't do it if there was any other option." His voice is strangled, gripped by a dark current. I I reach for my sketchbook on my nightstand and open it to a new page, picture him, swallowed by the darker shadows of his bedroom. Alone. Running his glancing at the clock. "Thursday. No, wait, it's Friday now - two a.m." I pick up my fi.ngers over the scars on his arms. pencil and idly sketch a few snowflakes. I yawn. -
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