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The Writers Block 2019
The Writers Block 2019 THE WRITERS’ BLOCK The Ada Long Creative Writing Workshop Anthology 2019 Student Staff Anita Cade Devyn Coar Max Coryell Tori Ellis Y’onna Hale Dalah Jones Zoe McCrear Christopher Woodry Faculty Advisor Student Media Advisors Emmett Christolear Jackie Alexander . The Writers’ Block Ada Long Creative Writing Workshop 215 Humanities Bldg 900 13th Street South Birmingham, Alabama, AL 35294 205 934-4250 Special thanks to the UAB Student Media office for assisting with the production of this issue and to UAB Printing and Mailing Services for their support with the printing. Colophon The Writers’ Block is a publication of the Ada Long Creative Writing Workshop at the University of Alabama at Birmingham. The Writers’ Block is printed by UAB Printing and Mailing Services in a quantity of 300 per issue. The editorial process in forming this issue was performed using Adobe In- Design CC running on a Dell PC with a Windows 10 operating system. Fonts used are Copperplate Gothic Bold, Copperplate Gothic Light and Bookman Old Style. Front cover: “Shattered” by Dalah Jones. Table of Contents 6 the crawfather Max Coryell 7 Beautiful Black Baby Boy Dalah Jones 8 Beatrice Jamiah Stroud 9 Cahaba Christopher Woodry 10 Jungle Fever Victoria Spear A Child Falling in Love Devyn Coar 11 Middle School Soup Anita Cade 12 Ole Southern Gumbo Tori Ellis 13 Soup of Gardendale High School Zoe McCrear 14 historical materialism of the liver Max Coryell To My Hands Y’onna Hale 15 “New Person, Same Old Mistakes”: Musical Memoir David Hester “Myself”: -
An Interview with Jon Foreman
December 2011 All things concerning MYC this month. CONNECT Get connected. “It's the simple, humble kid who's faithful and attentive to the Holy Spirit-- that's where it begins.” AN INTERVIEW WITH JON FOREMAN I recently read an article in Group more introspective-maybe the song possess, you know? That analogy plays out magazine that was an interview with Jon becomes a vehicle to discuss things you in other ways-a girl who's incredibly good- Foremen, the frontman for Switchfoot. I otherwise couldn't talk about. And that's looking will be cursed with that all her life thought you guys would enjoy reading some where I am at today,using the transcendence unless she learns there's more to her life. of it, so here it is: of music to be more honest than I would be When I look at culture, I see we have so in a conversation. I would say I write songs many gifts given to us that allow us to be Interviewer: What role has music had in about the things I don't understand, and the lazy. I've heard it said that any culture that forming your identity as a follower of Christ? biggest mysteries to me are probably makes ease its goal has already begun its Foreman: Music has been an integral part of women, deity, and politics. demise-I can't think of any nation where this my life ever since I can remember. When I would more relevant that my own. The Interviewer: In "Vice Verses" there's the lyric: was a kid I just loved the way that it felt to United States has become the culture of "Every blessing comes with a set of curses." listen to music. -
Through the Bible Study Song of Solomon 4-8
THROUGH THE BIBLE STUDY SONG OF SOLOMON 4-8 A son asked his father the inevitable question, “Dad, where do babies come from?” The father figured it was time for THE talk, so he explained the birds and the bees to his son. When the talk was over the little boy looks up at his father, and asked, “Dad, does God know about this?” Well, the Song of Solomon proves that “Yes, God knows about sex.” Sex is not Hollywood’s invention. It was God’s idea. Genesis 1:27 tells us that when God created the male and female, He instructed them to become “one flesh” – that’s a euphemism for sexual intercourse. And whatever God creates, He commands. He has guidelines for every area of life including sexual expression. Make a trip to the local bookstore and you’ll find countless sex manuals from so-called sex-perts. But there’s only one instruction manual from THE authority – from God, the Creator. God designed sexual expression, and He tells us how to experience maximum intimacy and enjoyment in the Song of Solomon. In chapters 2-3, Solomon’s bride, the Shulamite, had flashed back to her country courtship - to Solomon’s proposal - and their honeymoon. The king had come for her in his palanquin – a mobile honeymoon cottage. It was a covered couch, carried on !1 poles, by strong men. The couple made love from Lebanon all the way to Jerusalem. In chapter 4 we eavesdrop in on the lover’s intimate conversation… In verse 1 Solomon speaks to his bride, “Behold, you are fair, my love! Behold, you are fair! You have dove's eyes behind your veil.” Notice, Shula is wearing a veil - in other words, sexy lingerie. -
THIS DYING SUMMER by Evan Griffith Fiction Honors Thesis
THIS DYING SUMMER by Evan Griffith Fiction Honors Thesis Department of English University of North Carolina 2014 “On these magic shores children at play are for ever beaching their coracles. We too have been there; we can still hear the sound of the surf, though we shall land no more.” ― J.M. Barrie, Peter Pan 2 CONTENTS Tunnels 4 The Attic 17 Chlorine 22 Angels Ministry 34 Stars 45 Heroes 49 Curtain 61 Reunion 66 House of Cards 76 Break Point 79 3 TUNNELS Rob was the one who first suggested taking poetry down to the tunnels. “It’ll be like Dead Poet’s Society, or something. Did you see that movie?” “Rob, you’re a genius,” John had said, eyes glowing with inspiration. “We can read Whitman and shit.” He said shit a bit awkwardly, as if it didn’t quite fit his lilting voice, still caught in the throes of a pubescent flux. It was hopeful to Rob, though, all the same – shit was everything beyond Whitman. It was John’s promise of a world of novelty lurking there just below the ground, a world where Rob was a genius and John swore like he never gave a shit. They had found the tunnels in the woods behind school one afternoon while skipping math class – Rob anxiously consulting his watch, John forging ahead and feigning disinterest in school policies with mild success. John’s legs were still too gangly for any true display of confidence, but he was the undisputed leader all the same. He stood the tallest, and the veins in his forearms were near-cerulean blue. -
Sing! 1975 – 2014 Song Index
Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo .. -
Postcolonial Love Poem
POSTCOLONIAL LOVE POEM Natalie Diaz Graywolf Press I am singing a song that can only be born afer losing a country. Joy Harjo Postcolonial Love Poem I’ve been taught bloodstones can cure a snakebite, can stop the bleeding—most people forgot this when the war ended. Te war ended depending on which war you mean: those we started, before those, millennia ago and onward, those which started me, which I lost and won— these ever-blooming wounds. I was built by wage. So I wage love and worse— always another campaign to march across a desert night for the cannon fash of your pale skin settling in a silver lagoon of smoke at your breast. I dismount my dark horse, bend to you there, deliver you the hard pull of all my thirsts— I learned Drink in a country of drought. We pleasure to hurt, leave marks the size of stones—each a cabochon polished by our mouths. I, your lapidary, your lapidary wheel turning—green mottled red— the jaspers of our desires. Tere are wildfowers in my desert which take up to twenty years to bloom. Te seeds sleep like geodes beneath hot feldspar sand until a fash food bolts the arroyo, lifing them in its copper current, opens them with memory— they remember what their god whispered into their ribs: Wake up and ache for your life. Where your hands have been are diamonds on my shoulders, down my back, thighs— I am your culebra. I am in the dirt for you. Your hips are quartz-light and dangerous, two rose-horned rams ascending a sof desert wash before the November sky untethers a hundred-year food— the desert returned suddenly to its ancient sea. -
Pete Seeger, and M~ of the Songs Are from the Collection of Marjorie Guthrie
#44 THE NATIONAL TOPICAL SONG ~~GAZINE APRIL 30, 1964 PRICE -- 35~ Words & Music: ~) 1964, by author By PEI'ER LAFARGE :D!iUM5 used ty permission J;F'i' _&Phatieally~ f ,.... 04~ 011£13 H·I ad RCD ltll) <*;011 I:qp1fJJ T -'::c/ -r!T-u ~-e- 7r7.: T'" From the In-dian Reser- vatl0n to the Govern- mental School, Well they're going t ed-u- 4= _ y1 ~ ~ ( 0 'I G'ld u I F1J: i31;Jf='lJH'ti=12.1 Pll±$! D·I Ji!'lE ) I T -,: c::r ,- r =iF ~ -e- -,-T .".. -z:r IT ""T -,..,..,- cate me to the white man's Golden Rule; And I am learning quick-ly For I I ve learned to be a- dEC:! ~ &" I fl-t tJ·IQ' FJ 1 [ flati I I +- IT 7r.-7r -#- ".. shamed, And I come when they call "Billy" though I've 1;1: dUQ~j ri¥L-)@ I it X 1 Ii I -#- -o:.T· -,- got an Indian name. There are drums beyond the J$ =t=3 l':::t:: I: =I ~ ~ E3 I d J := ~ hbJ,; ;t;·I!J# ~ -,- 7:Y' .... mountain, There are drums you cannot hear, There are :tE ~ - ~ C:r :D'1 1=3: Jj 4'01 I J{t F 1 [J 2 I \ 7)1 -,- til' 7r"+- ~o T -#- drums beyond the mountain And they're getting mighty Fl II La (Photo by Dave Gahr) Also In This Issue, Songs By: NINA SIMONE, PErER SEEGER, ERIC ANDERSEN, TOM PAXTON, CARL WATANABE, WOODY GUTHRIE Words and Music by Moderately DRY BED WOODY GUTHRIE VERSE 00 2. -
The Bleeding Man
Sketch Volume 80, Number 1 2017 Article 6 The Bleeding Man Rachel Reyes∗ ∗ Copyright c 2017 by the authors. Sketch is produced by The Berkeley Electronic Press (bepress). https://lib.dr.iastate.edu/sketch The Bleeding Man Bv: R ACHEL R EYES Staring at the frozen December snowscape outside my bedroom window, "I told you. Everything's going to be fi.ne ." I trace spirals on the frosted glass with my fingernail. Shadows bleed slowly across the walls like spilled ink as I sit cross-legged on my bed, talking to David My mind leaps back to last July. David was acting just like this ... on the phone. Suddenly, I know exactly what he means. "What day is it?" David says to me, his voice small and far away. On his Panic rises like a tide in my throat. "David, you don't mean ... " side of the line, I hear a creaking mattress, and I picture him barefoot on his bed in flannel pajamas. "Wednesday?" " - Of course I do. I think about it all the damn time. I wouldn't do it if there was any other option." His voice is strangled, gripped by a dark current. I I reach for my sketchbook on my nightstand and open it to a new page, picture him, swallowed by the darker shadows of his bedroom. Alone. Running his glancing at the clock. "Thursday. No, wait, it's Friday now - two a.m." I pick up my fi.ngers over the scars on his arms. pencil and idly sketch a few snowflakes. I yawn. -
Disenchanted!
DISENCHANTED! BOOK, MUSIC & LYRICS BY DENNIS T. GIACINO DEVELOPED WITH FIELY MATIAS SHOW PERUSAL 02/18/20 Disenchanted! Copyright © 2006 - 2020 by Dennis T. Giacino ALL RIGHTS RESERVED Copyright Protection. This play (the “Play”) is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, and the Berne Convention. Reservation of Rights. All rights to this Play are strictly reserved, including, without limitation, professional and amateur stage performance rights; motion picture, recitation, lecturing, public reading, radio broadcasting, television, video, and sound recording rights; rights to all other forms of mechanical or electronic reproduction now known or yet to be invented, such as CD-ROM, CD-I, DVD, photocopying, and information storage and retrieval systems; and the rights of translation into non-English languages. Performance Licensing and Royalty Payments. Amateur and stock performance rights to this Play are controlled exclusively by Broadway Licensing. No amateur or stock production groups or individuals may perform this Play without obtaining advance written permission from Broadway Licensing. Such royalty fees may be subject to change without notice. Although this book may have been obtained for a particular licensed performance, such performance rights, if any, are not transferable. Required royalties must be paid every time the Play is performed before any audience, whether or not concerning amateur and stock performance rights should be addressed to Broadway Licensing (see contact information on opposite page). -
Ecological Evaluation and Assessment of the Lakeside Land Management Unit
Ecological Evaluation and Assessment of the Lakeside Land Management Unit Aitkin County Land Department, Minnesota Scott C. Zager, Plant Ecologist Wildlands Ecological Services Ecological Evaluation and Assessment of the Lakeside Land Management Unit Aitkin County Land Department, Minnesota February 16, 2012 Aitkin County Land Department 209 2nd St. NW Room 206 Aitkin, Mn. 56431 218-927-7364 fax - 218-927-7249 email: [email protected] Submitted to: Rich Courtemanche Assistant Land Commissioner Aitkin County Land Department Submitted By: Scott C. Zager, Plant Ecologist Wildlands Ecological Services 2009 Maryknoll Avenue North Maplewood, MN 55109-3645 ph: 651-261-2398 email: [email protected] ACKNOWLEDGMENTS I wish to thank the staff of the Aitkin County Land Department (ACLD), specifically Rich Courtemanche, Bob Kangas and Tom Parkin for their assistance and advice. Aitkin County Land Department: Mark Jacobs, Land Commissioner Rich Courtemanche, Assistant Land Commissioner. Bob Kangas & Tom Parkin: ACLD Foresters. http://www.co.aitkin.mn.us/departments/land/landhome.html I especially wish to thank the people of Aitkin County for their outstanding conservation ethic and strong heart-felt desire for sustainable resource management. Mission Statement: The Aitkin County Land Department (ACLD) is responsible for managing the natural resources on approximately 222,000 acres of tax forfeited lands. ACLD strives to manage these lands so they contribute to the quality of life in terms of economic, ecological, and social benefits. Through good forest management, ACLD strives to conserve the natural environment, develop unique recreational experiences, preserve historical and scenic values, enhance essential habitat, protect rare and endangered species and plant communities, as well as forest soil and water quality. -
A Naked Bone
DEEP SOUTH BOOKS cont. mangaliso buzani DEEP SOUTH BOOKS Kobus Moolman Robert Berold To my family Light and After All the Days A Book of Rooms [ed.] Poetry 99: Today I will paint my house 20 South African poets in performance Isabella Motadinyane with warm colours Complete Poems I will paint the table mangaliso buzani Vonani Bila Bilakhulu! Seitlhamo Motsapi for six elbows earthstepper/the ocean is very shallow three chairs Ayanda Billie for three bums a naked bone KwaNobuhle Overcast Mxolisi Nyezwa you will get your bowls Malikhanye Nadine Botha your spoons ants moving the house millimetres Khulile Nxumalo I’ll paint my love for you ten flapping elbows, mama your faces before my face Angifi Dladla The girl who then feared to sleep Lesego Rampolokeng smiling because you never smiled for me Lament for Kofifi Macu whiteheart – prologue to hysteria a nakedbone Head on Fire always a sour sugar Alan Finlay Bird-Monk Seding always a sweet salt That kind of door a sadness I cannot tell Mxolisi Dolla Sapeta Denis Hirson [ed.] skeptical erections In the Heat of Shadows: South African poetry 1996–2013 Ari Sitas Slave Trades Mishka Hoosen Rough Music: Selected Poems Mangaliso Buzani grew up in New Brighton, Port Call it a difficult night Elizabeth, and later trained as a jeweller in Tshwane. 1989–2013 Haidee Kotze His first collection Ndisabhala Imibongo (Imbizo Arts, Scrim Kelwyn Sole 2014) written in isiXhosa, won the 2015 SALA award Walking, Falling for poetry. Buzani teaches poetry in English and Anton Krueger Rosamund Stanford isiXhosa in the MA in Creative Writing programme at Sunnyside Sal The Hurricurrent Rhodes University. -
A Guarantee I Have an Itty-Bitty Part! It Always Works; to Welcome You from the Start! It’S Always True— Christmas Love 7
6. Itty-Bitty Welcome 1.A Guarantee I have an itty-bitty part! It always works; To welcome you from the start! It’s always true— Christmas love 7. Small Comes back to you. I’m small, that’s true, But I can say, Merry Christmas 2. IF To all of you! If I were only big enough, I’d like to pull the rope 8. Thanks for Jesus That rings the bells of Christmas Thanks for baby Jesus To tell the world of hope. And for His bed of hay. Thanks because He loves me And hears me when I pray. 3. More Important More important than a lighted 9. Joy, Joy, Joy tree; More important than gifts Joy, joy, joy I sing. meant for me, Christmas joy to you I bring. Is the story of Jesus and His Joy, joy, joy, I’m singing, wonderful birth, Christmas joy Jesus is bringing, And remembering the reason He Joy joy, joy is my song. came to earth. I sing of Christmas all day long. 4. Christmas is Love 10. Cannot Think Christmas is hope I cannot think of anything that I’d And Christmas is joy; rather say—than “thank you” for Christmas is wonder coming to our Christmas play! In a baby boy; Christmas is grace 11. Fun From Heaven above, Although Christmas is so much Christmas is God’s gift; fun, please leave room for the Christmas is love. Holy One! 5. Little 12. Celebrate His Birth I may be little and Baby Jesus asleep on the hay Big words I can’t say.