PLACES to VISIT E
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Constructing Excellence in Wales / / / Capital Programme – 2016/17-2019/20
Constructing Excellence in Wales / / / Capital Programme – 2016/17-2019/20 Constructing Excellence in Wales Welsh Local Authorities CAPITAL PROGRAMME: 2016/17 – 2019/20 MARCH 2017 Constructing Excellence in Wales / / / Capital Programme – 2016/17-2019/20 Contents Page No. Introduction 2 Overview Annual Summary 3 Sector Summary 3 Regional Sector Summary 3-4 Local Authority Summary 5 Sector/Local Authority Annual Summary 6-9 2016/17, 2017/18, 2018/19, 2019/20 Regional Capital Programmes North Wales 10-22 Anglesey, Conwy, Denbighshire, Flintshire, Gwynedd, Wrexham Mid Wales 23-27 Ceredigion, Powys South East Wales 28-46 Blaenau Gwent, Bridgend, Caerphilly, Cardiff, Merthyr Tydfil, Monmouthshire, Newport, Rhondda Cynon Taf, Torfaen, Vale of Glamorgan South West Wales 47-56 Carmarthen, Neath Port Talbot, Pembrokeshire, Swansea Introduction This forward programme provides visibility to £3.5bn of local authority capital investment in Wales over the four years to 2019/20. The importance of the visibility of the forward pipeline of work was emphasised in the CEW ‘No Turning Back’ report in 2010 and in its 2015 review. Much has been achieved since the CEW pilot exercise began in autumn 2011, with regular updates now produced of :- the Wales Infrastructure Investment Plan (WIIP) pipeline (WG) the Welsh local authorities’ 4-year capital programme (CEW) a sector-based programme for the WIIP local authority projects (CEW) a Wales extract of the UK pipeline ( non-devolved ) (CEW) We continue to liaise with industry representatives as to how to improve the visibility of the future pipeline of work. The responses from the industry have overwhelmingly supported the continuation and development of the programme. -
Two Boys with a Bladder by Joseph Wright of Derby
RCEWA – Two Boys with a Bladder by Joseph Wright of Derby Statement of the Expert Adviser to the Secretary of State that the painting meets Waverley criteria two and three. Further Information The ‘Applicant’s statement’ and the ‘Note of Case History’ are available on the Arts Council Website: www.artscouncil.org.uk/reviewing-committee-case-hearings Please note that images and appendices referenced are not reproduced. EXECUTIVE SUMMARY 1. Brief Description of item(s) • What is it? A painting by Joseph Wright of Derby representing two boys in fancy dress and illuminated by candlelight, one of the boys is blowing a bladder as the other watches. • What is it made of? Oil paint on canvas • What are its measurements? 927 x 730 mm • Who is the artist/maker and what are their dates? Joseph Wright of Derby (1734-1797) • What date is the item? Probably 1768-70 • What condition is it in? Based upon a viewing of the work by the advisors and conservators, the face and costumes of the two boys are in good condition. However, dark paint throughout the background exhibits widespread retouched drying cracking and there are additional areas of clumsy reconstruction indicating underlying paint losses. 2. Context • Provenance In private ownership by the 1890s; thence by descent The early ownership of the picture, prior to the 1890s, is speculative and requires further investigation. The applicant has suggested one possible line of provenance, as detailed below. It has been mooted that this may be the painting referred to under a list of sold candlelight pictures in Wright’s account book as ‘Boys with a Bladder and its Companion to Ld. -
Joseph Wright
Made in Derby 2018 Profile Joseph Wright Derby’s most celebrated artist is known the world over. Derby Museums is home to the world’s largest collection of works by the 18th century artist. Joseph Wright of Derby is acknowledged officially as an “English landscape and portrait painter”. But his fame lies in being acclaimed as "the first professional painter to express the spirit of the Industrial Revolution", by experts. Candlelight, the contrast of light and dark, known as the chiaroscuro effect, and the birth of science out of the previously held beliefs of alchemy all feature in his works. The inspiration for Wright’s work owes much to meetings of the Lunar Society, a group of scientists and industrialists living in the Midlands, which sought to reconcile science and religion during the Age of Enlightenment. Wright was born in Iron Gate – where a commemorative obelisk now stands –in 1734, the son of Derby’s town clerk John Wright. He headed to London in 1751 to study to become a painter under Thomas Hudson but returned in 1753 to Derby. Wright went back to London again for a further period of training before returning to set up his own business in 1757. He married, had six children – one of whom died in infancy, son John, died aged 17 but the others survived to live full lives. In 1773, he took a trip to Italy for almost two years and this became the inspiration for some of his work featuring Mount Vesuvius. Stopping off to work for a while in Bath as a portrait painter, he finally returned to Derby in 1777, where he remained until his death at 28 Queen Street in 1797. -
Managing Online Communications and Feedback Relating to the Welsh Visitor Attraction Experience: Apathy and Inflexibility in Tourism Marketing Practice?
Managing online communications and feedback relating to the Welsh visitor attraction experience: apathy and inflexibility in tourism marketing practice? David Huw Thomas, BA, PGCE, PGDIP, MPhil Supervised by: Prof Jill Venus, Dr Conny Matera-Rogers and Dr Nicola Palmer Submitted in partial fulfilment for the award of the degree of PhD University of Wales Trinity Saint David. 2018 i ii DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed (candidate) Date 15.02.2018 STATEMENT 1 This thesis is the result of my own investigations, except where otherwise stated. Where correction services have been used, the extent and nature of the correction is clearly marked in a footnote(s). Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed (candidate) Date 15.02.2018 STATEMENT 2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter- library loan, and for the title and summary to be made available to outside organisations. Signed (candidate) Date 15.02.2018 STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for deposit in the University’s digital repository. Signed (candidate) Date 15.02.2018 iii iv Abstract Understanding of what constitutes a tourism experience has been the focus of increasing attention in academic literature in recent years. For tourism businesses operating in an ever more competitive marketplace, identifying and responding to the needs and wants of their customers, and understanding how the product or consumer experience is created is arguably essential. -
Lichfield Visitor Guide
In this guide Top visitor attractions 1 Top visitor attractions 6 Eating, shopping, staying & a brief history 2 Well worth a visit 8 Lichfield District attractions map 3 Getting here 9 Events and festivals 4 Lichfield City attractions map Welcome to Lichfield, a vibrant city and district in the heart of England. Lichfield Cathedral Lichfield City Discover over 1,300 years of history in the only medieval three-spired cathedral in the UK. lichfield-cathedral.org Drayton Manor Park, home of Thomas Land Tamworth Experience over 100 rides and attractions for all the family, from mini thrill seeker rides to tot friendly attractions in Thomas Land, plus a 15-acre Zoo to explore. draytonmanor.co.uk The National Memorial Arboretum Alrewas The UK's year-round centre of Remembrance with 150 acres, over 380 memorials and an abundance of wildlife. thenma.org.uk The Samuel Johnson Birthplace Museum Lichfield City The family home of Samuel Johnson best known for his Dictionary of the English Language, now a museum to his life and times. samueljohnsonbirthplace.org.uk Beacon Park Lichfield City Set in more than 70 acres of beautiful gardens and open space, enjoy golf, trails, a large children’s play area, a programme of events and more. lichfieldhistoricparks.co.uk Erasmus Darwin House Lichfield City A museum that was once the family home of doctor, inventor and published poet, Erasmus Darwin. erasmusdarwin.org Coronavirus (Covid-19) This guide is correct at the time of publishing. However, due to changing national restrictions, we recommend contacting all venues directly before your visit for up to date information. -
Heritage Statement August 2020
BRYMBO PARK HERITAGE STATEMENT AUGUST 2020 Heritage Statement Land at former Brymbo Steelworks Brymbo Wrexham August 2020 Heritage Statement Land at former Brymbo Steelworks Brymbo Wrexham Project Ref: 27968/A5/P1/LK/SO 27968/A5/P1/LK/SO 27968/A5/P1/LK/SO Status: Draft Final Revised Final Issue/Rev: 02 02 03 Date: March 2019 July 2019 August 2020 Prepared by: Lorraine King Lorraine King Lorraine King Checked by: Anthony Harding Anthony Harding Joanna Burton Authorised by: Gareth Wilson Gareth Wilson Gareth Wilson Barton Willmore St Andrews House St Andrews Road Cambridge CB4 1WB Tel: 01223 345 555 Ref: 27968/A5/P1/LK/SO File Ref: 27968.P1.HS.LK Date: August 2020 COPYRIGHT The contents of this document must not be copied or reproduced in whole or in part without the written consent of Barton Willmore Planning LLP. All Barton Willmore stationery is produced using recycled or FSC paper and vegetable oil-based inks. CONTENTS 1.0 Introduction 2.0 Site Context 3.0 Heritage Decision Making Framework 4.0 Statement of Significance 5.0 Proposed Development 6.0 Heritage Impact Assessment 7.0 Conclusions APPENDICES Appendix 1: List Descriptions Appendix 2: Ordnance Survey Plans Introduction 1.0 INTRODUCTION 1.1 Barton Willmore has been instructed by Brymbo Developments Ltd (BDL) to prepare a Heritage Statement in support of an application for outline planning permission for up to 300 dwellings (Class C3 use), provision of primary school (2-form entry), small district centre comprising up to 1,395sqm of Class A1 Retail, up to 372sqm of Class A3 Restaurant/Public House, up to 465 sqm of Class D1 use, multi-functional green infrastructure, including informal open space, surface water attenuation, vehicle accesses, car parking, engineering works, public footpaths and hard and soft landscaping, underground services, and all ancillary and enabling works, with all matters reserved except for access at the land surrounding the former Brymbo Steelworks, Brymbo (the Site), which is located within the administrative area of Wrexham County Borough Council (WCBC). -
Willersley: an Adam Castle in Derbyshire’, the Georgian Group Journal, Vol
Max Craven, ‘Willersley: an Adam castle in Derbyshire’, The Georgian Group Journal, Vol. XXII, 2014, pp. 109–122 TEXT © THE AUTHORS 2014 WILLERSLEY: AN ADAM CASTLE IN DERBYSHIRE MAXWELL CRAVEN ichard Arkwright, the cotton pioneer, first came Another aspect was architectural. At first, Rto Derbyshire in , when he set up a cotton Arkwright had been obliged to reside in Wirksworth, spinning mill at Cromford, on a somewhat restricted four miles away and, apart from the leased land on site, over which his operations expanded for a which his mills stood, he did not at first own any decade. His investment repaid the risk handsomely, land at Cromford, although he later built up a and from the s he began to relish his success and landholding piecemeal over the ensuing years. started to adapt to his upwardly mobile situation. Indeed, the manor and much of the land had One aspect of this was dynastic, which saw his only originally been owned by a lead merchant, Adam daughter Susannah marry Charles Hurt of Soresby, from whose childless son it had come to his Wirksworth Hall, a member of an old gentry family two sons-in-law, of whom one was William Milnes of and a partner, with his elder brother Francis, in a Aldercar Hall. He, in turn, bought out the other son- major ironworks nearby at Alderwasley. in-law, a parson, in . It would seem that by Fig. : William Day ( ‒ ) ‘ A View of the mills at Cromford’ , (Derby Museums Trust ) THE GEORGIAN GROUP JOURNAL VOLUME XXII WILLERSLEY : AN ADAM CASTLE IN DERBYSHIRE Milnes had been living in a house on The Rock, a bluff overlooking the Derwent at Cromford, which had previously been the Soresbys’. -
The Crick ( Pitch 2 )
Date: 21.07.2018 Ground: 38 Match: 4 (61) Venue: The Crick ( Pitch 2 ) Teams: Brymbo FC V Vauxhall Motors Reserves FC Competition: Pre-Season Friendly Admission: Free Entry Final Score: 2-1 ( H/T 1-0 ) Referee: Not Known Attendance: 30 ( Head Count ) Mileage to venue and return: 105 Miles Programme: NA Key Ring: £2 Village of Brymbo Brymbo, possibly from the Welsh ‘Bryn Baw’ ( Mud Hill or Dirt Hill ) is a local government community, part of Wrexham County Borough in North Wales. The population of the community including Brymbo Village and the villages of, Tanyfron and Bwlchgwyn plus several rural Hamlets is, 4836. Brymbo first makes an appearance in written documents as early as 1339, although the area was clearly occupied long before (read on for the discovery of ‘The Brymbo Man’) at this stage the area was a township. In 1410, The Burgesses of the nearby settlement of, Holt were given the rights to dig for Coal in the areas of, Harwd and Coedpoeth. Harwd, was an early name used for what is now Brymbo – this was derived from the English name, Harwood (Harewood) and referred to a common in one part of the township. During the 15th Century, Landowner, Edward ap Morgan ap Madoc constructed what was later to become Brymbo Hall and subsequently the home of his decendents, The Griffith Family. Following the rights given to the area for coal mining in 1410, the industry continued on a small scale. This was until an expansion in activity during the late 18th Century. The industrialist, John “Iron Mad” Wilkinson purchased Brymbo Hall and developed the estate, the development meant that mining for Coal and Ironstone could begin. -
Derbyshire Family History Society Sep 2019 Issue
Derbyshire Family History Society See Page 2 Horns Bridge, Chesterfield From an old postcard Sep 2019 Issue 170 SOCIETY CONTACTS Website: www.dfhs.org.uk Email: [email protected] Secretary: Ruth Barber, 6 Field Lane, Alvaston, Derby DE24 0GP Email: [email protected] Membership: Catherine Allsop-Martin, 9 Barnstaple Close, Oakwood, Derby DE21 2PQ. Email: [email protected] Editor: Helen Betteridge, 16 Buxton Road, Chaddesden, Derby DE21 4JJ. Email: [email protected] Chairman: Professor S. Orchard, Old Dale House, The Dale, Bonsall DE21 2AY Treasurer: Mike Bagworth, 233 Ladybank Rd, Mickleover DE3 0RR Email: [email protected] Book Sales: Linda Bull, 17 Penrhyn Avenue, Littleover, Derby DE23 6LB. Trip Organiser: Helena Coney, Dale House, 11a Dale End Road, Hilton Dbys DE65 5FW,. Email: [email protected] SOCIETY REFERENCE LIBRARY Bridge Chapel House, St Mary’s Bridge, Sowter Rd, Derby DE1 3AT Opening Hours: 10 a.m.—4 p.m. TUESDAY and THURSDAY 10 a.m.-4 p.m. SATURDAY BY APPOINTMENT ONLY The Society will give advice on the telephone [01332 363876 OPENING HOURS ONLY] and also by e-mail. Research can be carried out by post or by e-mail, both in our own library and also at Derby Local Studies and Mat- lock County Record Office. We ask for a donation of £5 and if more exten- sive research is required we will advise you before carrying out the work. MAGAZINE CONTRIBUTIONS The Editor will accept contributions both by post and by email. Large arti- cles covering more than 4/5 pages will possibly appear over two issues. -
Soho Depicted: Prints, Drawings and Watercolours of Matthew Boulton, His Manufactory and Estate, 1760-1809
SOHO DEPICTED: PRINTS, DRAWINGS AND WATERCOLOURS OF MATTHEW BOULTON, HIS MANUFACTORY AND ESTATE, 1760-1809 by VALERIE ANN LOGGIE A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham January 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis explores the ways in which the industrialist Matthew Boulton (1728-1809) used images of his manufactory and of himself to help develop what would now be considered a ‘brand’. The argument draws heavily on archival research into the commissioning process, authorship and reception of these depictions. Such information is rarely available when studying prints and allows consideration of these images in a new light but also contributes to a wider debate on British eighteenth-century print culture. The first chapter argues that Boulton used images to convey messages about the output of his businesses, to draw together a diverse range of products and associate them with one site. Chapter two explores the setting of the manufactory and the surrounding estate, outlining Boulton’s motivation for creating the parkland and considering the ways in which it was depicted. -
Welsh National League 1965-66
THE DRUID IN THIS ISSUE MATCH REPORTS HISTORY OF THE CYMRU ALLIANCE PART 10 1999-2000 ACADEMY REPORTS / RESULTS LEAGUE TABLES WELSH NATIONAL LEAGUE 1965-66 ARE YOU GETTING VALUE FOR MONEY? The table below is part of a survey by the BBC and shows some of the costs you could pay if you watched your football at various levels in the UK. I have added the costs at Cefn Druids as they are not included in the survey. Top Price SEASON MATCH REPLICA CLUB LEAGUE TICKET TICKET PROGRAM TEA PIE SHIRT Bangor City WPL £111 £8 £2 £1 £2.30 £35 Port Talbot Town WPL £80 £6 £2 £1 £2 £25 Wrexham Vanarama £359 £15-£19 £3 £1.80 £2.40 £39.99 Arsenal Eng Prem £1,250 £27-£97 £3.50 £2.30 £3.70 £55 Crystal Palace Eng Prem £680 £23-£45 £3.50 £2.20 £4.00 £44.99 Derby County Champ £645 £10-£40.50 £3.00 £2.30 £3.60 £35 Celtic Scot Prem £559 £23-£34 £3.00 £2.20 £2.20 £53 Forfar Athletic Scot 1 £200 £12-£13 £2 £0.80 £1.90 £35 Cefn Druids HG Alliance £70 £5-£6 £2 £1 £2.00 £29.95 Glentoran Irish Premier £160 £10 £3 £2 £2 £40 Barcelona Spanish Prem £74-£615 £17-£275 - - - £89.50 You can view the full survey at :- http://www.bbc.co.uk/sport/0/football/34531731 DRUIDS ROCKED AGAIN CEFN DRUIDS 1 GUILSFIELD 2 In spite of having won all of their games away from the Rock, Druids inability to win at home showed again on Friday night as they slumped to their sixth home defeat of the season. -
Matthew Boutlon and Francis Eginton's Mechanical
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Birmingham Research Archive, E-theses Repository MATTHEW BOULTON AND FRANCIS EGINTON’S MECHANICAL PAINTINGS: PRODUCTION AND CONSUMPTION 1777 TO 1781 by BARBARA FOGARTY A thesis submitted to The University of Birmingham For the degree of MASTER OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham June 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The mechanical paintings of Matthew Boulton and Francis Eginton have been the subject of few scholarly publications since their invention in the 1770s. Such interest as there has been has focussed on the unknown process, and the lack of scientific material analysis has resulted in several confusing theories of production. This thesis’s use of the Archives of Soho, containing Boulton’s business papers, has cast light on the production and consumption of mechanical paintings, while collaboration with the British Museum, and their new scientific evidence, have both supported and challenged the archival evidence. This thesis seeks to prove various propositions about authenticity, the role of class and taste in the selection of artists and subjects for mechanical painting reproduction, and the role played by the reproductive process’s ingenuity in marketing the finished product.