MARIUS CONSTANTINESCU Se Dedică Interviului
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Verdi's Rigoletto
Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered. -
Deutsche Nationalbibliografie
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2010 T 05 Stand: 19. Mai 2010 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main, Berlin) 2010 ISSN 1613-8945 urn:nbn:de:101-ReiheT05_2010-1 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie Katalogisierung, Regeln für Musikalien und Musikton-trä- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD -
DIMITRIS PAKSOGLOU – Tenor Born in Greece. Dimitris Paksoglou First Embarked on a Career As an Actor and Studied at the National Superior School of Drama
DIMITRIS PAKSOGLOU – Tenor Born in Greece. Dimitris Paksoglou first embarked on a career as an actor and studied at the National Superior School of Drama. As an actor he went on to appear in important Greek theatres, including the ancient theatre of Epidaurus, the Greek National Theatre and the Athens Megaron. He then decided to make a career change and studied singing at the Athens National Conservatory under the guidance of the famous baritone Kostas Paskalis and Marina Krilovici, graduating with distinction. He moved to France where he appeared with several opera companies and his success lead Greek National Opera to offer him a contract as a principal tenor. He continues to appear in leading roles with the company, which he combines with guest appearances abroad. Greek Dimitris Paksoglou does not sing Cavaradossi with the usual slightly emotional Mediterranean glow. His tenor is more powerfully virile, but also with beautiful splashes of tenderness. He makes his famous song for life with considerable intensity. AFTONBLADET – Lennart Bromander - Monday 10th February 2020 Dimitris Paksoglou who sang Cavaradossi is a real Italian tenor (although he is Greek) with plenty of power and clear tone up to the highest register. Capriccio - Lars-Erik Larsson – 23rd December 2019 Roles: AIDA: Radames ~ Stade de France UN BALLO IN MASCHERA: Gustavo III ~ Greek National Opera CARMEN: Don José ~ Odeon of Herodes Atticus CAVALLERIA RUSTICANA: Turiddu ~ Opéra de Saint-Étienne; Greek National Opera EDIPO RE: Creonte ~ Opera of Thessaloniki DIE FLEDERMAUS: Eisenstein ~ Greek National Opera INNO DELLE NAZIONE VERDI: Tenor Solo ~ Opera of Thessaloniki JENUFA: Števa ~ Greek National Opera APA Artists’ Management / Alexandra Mercer Mobile: +44 (0)7710 378719 - Tel: +44 (0)189 686 0276 Email: [email protected] - www.apaartistsmanagement.com Hillslap Tower - Langshaw - By Galashiels - Scotland TD1 2PA, United Kingdom Vat Registration No. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN SEPTEM BER-OCTOBER, 1967 COS NATIONAL CONFERENCE—APRIL 11-12, 1968, SAN ANTONIO, TEXAS Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plan • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 CENTRAL OPERA SERVICE COMMITTEE R. L. B. TOBIN, National Chairman The National Council JULIUS RUDEL, Co-Chairman New York City Opera National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN GEORGE HOWERTON E. H. CORRIGAN, JR. ELIHU M. HYNDMAN MRS. NORRIS DARRELL MRS. JOHN R. SAVAGE HOWARD J. HOOK, JR. JAMES SCHWABACHER, JR. Professional Committee MAURICE ABRAVANEL RICHARD KARP Salt Lake City Symphony Pittsburgh Opera KURT HERBERT ADLER PAUL KNOWLES San Francisco Opera University of Minnesota VICTOR ALESSANDRO GLADYS MATHEW San Antonio Symphony Community Opera ROBERT G. ANDERSON MRS. LOUDON MELLEN Tulsa Opera Opera Soc. of Wash., D.C. WILFRED C. BAIN ELEMER NAGY Indiana University Hartt College of Music ROBERT BAUSTIAN MME. ROSE PALMAI-TENSER Santa Fe Opera Mobile Opera Guild MORITZ BOMHARD RUSSELL D. PATTERSON Kentucky Opera Kansas City Lyric Theatre JOHN BROWNLEE MRS. JOHN DEWITT PELTZ Manhattan School of Music Metropolitan Opera PAUL CALLAWAY GEORGE SCHICK Opera Soc. of Wash., D.C. Metropolitan Opera STANLEY CHAPPLE MARK SCHUBART University of Washington Lincoln Center EUGENE CONLEY MRS. L. S. STEMMONS No. Texas State Univ. Dallas Civic Opera WALTER DUCLOUX LEONARD TREASH University of S. California Eastman School of Music PETER PAUL FUCHS LUCAS UNDERWOOD Louisiana State University College of the Pacific ROBERT GAY GID WALDROP Northwestern University Juilliard School of Music BORIS GOLDOVSKY MRS. J. P. WALLACE Goldovsky Opera Theatre Shreveport Civic Opera WALTER HERBERT MRS. -
Inventario Generale Delle Direzioni D'orchestra Di Bruno Amaducci
Inventario dell'attività operistica e sinfonica di BA (di Matteo Notari) – 19.02.1940; Lugano, Teatro Kursaal. Concerto della Piccola Accademia della Scuola di violino; Sonatina n.2 op.10 di M. Hauptmann, dir. Cesare Bertoni, violino Bruno Amaducci. – 3.03.1946; Lugano, auditorio Campo Marzio. Stagione d'opera alla RSI; La bella Elena di Jacques Offenbach, dir. Edwin Loehrer, tenore Simon Bermanis, tenore comico Bruno Amaducci, baritono Carlo Borioli, basso Fernando Corena, soprano Annelies Gamper e Annette Brun; Coro e Orchestra della RSI. [A-RTSI, CM 1690; FN, HR2573] – 20.02.1949; Lugano, auditorio Campo Marzio. Stagione d'opera alla RSI; Don Pasquale di Gaetano Donizetti; dir. Leopoldo Casella, basso buffo Vito De Taranto, baritono Gino Vanelli, tenore Amilcare Blaffard e Bruno Amaducci, soprano Tatjana Menotti; Orchestra e Coro della RSI; regista del suono C.F. Semini. – Aprile 1947; Lugano (?), Festival Arturo Honegger; operetta Le Roi Pausole di A. Honegger; dir. Edwin Loehrer e Arthur Honegger, solisti vocali Annelies Gamper, Margherita De Landi, Fernando Corena, Schlegel e Bruno Amaducci. – 10.04.1944, Bellinzona, Teatro Sociale. Società studentesca Adelfia. Romanticismo e Dinamismo, parata musicale in 4 tempi e 2 intermezzi; complesso artistico diretto da Bruno Amaducci; soprano Bruno Beretta, tenore Emilio Monza, canzonettisti Jolanda Ghezzi, Walter Scanavino e Adriano Beccarelli, pianista Gina Pasquini, violinista Eugenio Haupt e Francesco Antognini. Data Luogo/occasione Orchestra Opera / sinfonia / Eventuale compositore/... Registrazione Archivio RTSI (A- RTSI); no. commerciale (COMM.); Fonoteca nazionale svizzera (FN) 16.03.1951 Lugano, concerto Solisti, Coro e Requiem di W. A. Mozart. alla radio su invito Orchestra RSI. di E. -
Hector Lopez Tenor
HECTOR LOPEZ TENOR Hector Lopez began his musical studies in the national conservatory of music in Mexico City as cellist, with Sona Poshotian and saxophon with Joel David Katz, singing with Francisco Araiza, Irma Gonzalez. He also studied conducting in the conservatory. He received a scholarship from SIVAM International Society of Values of Mexican Art, which allowed him to work with Maestros as Renata Scotto, Enrique Patrón, Teresa Rodriguez, Nico Castel, Denise Massé, Joan Dornemann . He has sung in Mexico, USA, Spain, Italy, under the direction of such conductors as Maestros Placido Domingo, Enrique Patrón, Alfredo Silipigni, Enrique Ricci, Cristian Mandeal, Christian Badea. In 2003 he is winner in the national singing competition CARLO MORELLI, and receives a scholarship for study in POPI (Portland Opera Performance Institute) with Tito Capobianco, Justino Diaz, Shirley Verret, Daniel Orlando, David Lofton. He studied with Dante Mazzola, Enza Ferrari, Umberto Finazzi, Marco Gandini, from the Academia alla Scala, preparing repertoire,and staging. In 2004 Ludovic Spiess, famous romanian tenor, asked Mr Lopez for colaborate with the National Opera of Bucharest, and since that year he is part of the ensemble in that opera house, his european debut is with LA TRAVIATA by G. Verdi, at the same theatre. Also he colaborates with National Opera in Chisinau, Opera na Zamku in Szcecin Poland, Radio Bucharest Orchestra, Filarmonica George Enescu, and others ; In Bucarest He studied with Mr. Spiess, and Cornel Stavru, another great Romanian tenor, many master classeswith Profesors as Viorica Cortez, Ion Piso, Ionel Pantea, Eduard Tumagian, Nelly Miricioiu, Kaludi Kaludov and others, actually his vocal teacher is Sorina Munteanu. -
Eugène Onéguine
Eugène Onéguine Piotr Ilyitch TCHAÏKOVSKI Scènes lyriques en 3 actes (7 tableaux) Livret de Constantin Chilovsky, d’après le roman éponyme d’Alexandre Pouchkine Créé à Moscou le 29 mars 1879 au Petit Théâtre du Collège Impérial de musique (Théâtre Maly) Orchestre national Montpellier Languedoc-Roussillon Chœur national Montpellier Languedoc-Roussillon Vendredi 17 janvier 20h00 Dimanche 19 janvier 15h00 Mardi 21 janvier 20h00 Opéra Berlioz / Le Corum Durée : 3h avec entracte Cahier pédagogique Saison 2013-2014 Réalisé par Bénédicte Auriol-Prunaret, professeur missionné au service éducatif Service Jeune Public et Actions Culturelles – 04 67 600 281 - www.opera-orchestre-montpellier.fr Eugène Onéguine Piotr Ilyitch Tchaïkovski Scènes lyriques en 3 actes (7 tableaux) Livret de Constantin Chilovsky, d’après le roman éponyme d’Alexandre Pouchkine Créé à Moscou le 29 mars 1879 au Petit Théâtre du Collège Impérial de musique (Théâtre Maly) Ari Rasilainen direction musicale Marie-Ève Signeyrole mise en scène et décors Lucas Meachem Eugène Onéguine Dina Kuznetsova Tatiana Anna Destraël Olga Dovlet Nurgeldiyev Lenski Mischa Schelomianski Le Prince Grémine Svetlana Lifar Madame Larina Olga Tichina Filippievna Loïc Félix Monsieur Triquet Yashi Tabassomi costumes Philippe Berthomé lumières Noëlle Gény chef des chœurs Nino Pavlenichvili chef de chant Marc Salmon assistant à la mise en scène Nouvelle production Chœur de l’Opéra national Montpellier LanguedocLanguedoc----RoussillonRoussillon Orchestre national Montpellier LanguedocLanguedoc----RoussillonRoussillon Des mots autour de l’œuvre « Eugène Onéguine est l’un des opéras les plus bouleversants du romantisme. L’indifférence du dandy Eugène, la fragilité de Tatiana, la douceur d’Olga et de Lenski n’ont jamais cessé d’émouvoir. -
Ópera Nacional Rumana : Génesis Y Desarrollo
This is the published version of the bachelor thesis: Pancu, Dorothea; Jorba, Manuel, dir. Ópera Nacional Rumana : génesis y desarrollo. 2008. This version is available at https://ddd.uab.cat/record/44618 under the terms of the license UNIVERSITAT AUTÒNOMA DE BARCELONA FACULTAT DE FILOSOFIA I LLETRES PROFESOR COORDINADOR: DR. MANUEL JORBA ÓPERA NACIONAL RUMANA. GÉNESIS Y DESARROLLO AUTORA: DOROTHEA PANCU JUNIO 2008 INDICE ARGUMENTO.............................................................................................................................1 CAPÍTULO I. LA ÓPERA EN EL TERRITORIO RUMANO ...................................................8 I.1. CUÁNDO Y CÓMO APARECE LA ÓPERA EN RUMANÍA; CÓMO SE DESARROLLA ........................................................................................................................8 I.1.1. Los primeros espectáculos de ópera ............................................................................8 I.1.2 Intentos de permanencia del género en los Países Rumanos.......................................9 I.1.3 Los espectáculos líricos de Bucarest ..........................................................................11 I.1.4 Grupos y espectáculos en las primeras décadas del siglo XX....................................15 I.1.5 Acciones precursores que favorecieron la aparición de la Ópera del Estado de Bucarest...............................................................................................................................19 I.2. LA ÓPERA RUMANA COMO INSTITUCIÓN ESTATAL..........................................21 -
Hector LOPEZ MEDOZA - Tenor
Hector LOPEZ MEDOZA - tenor Mr. Lopez began his musical studies in the National Conservatory of Music in Mexico City where he studied cello, saxophone, conducting and singing (with teachers Francisco Araiza, Irma Gonzalez). He received a scholarship from SIVAM International Society of Values of Mexican Art, which allowed him to work with Maestros as Renata Scotto, Enrique Patrón, Teresa Rodriguez, Nico Castel, Denise Massé, Joan Dornemann. He has sung in Mexico, USA, Spain, Italy, under the direction of such conductors as Maestros Placido Domingo, Enrique Patrón, Alfredo Silipigni, Enrique Ricci, Cristian Mandeal, Christian Badea. In 2003 he was the winner in the National Singing Competition “Carlo Morelli”, and received a scholarship to the Portland Opera Performance Institute to study with Tito Capobianco, Justino Diaz, Shirley Verret, Daniel Orlando, David Lofton. At the Academia alla Scala he studied with Dante Mazzola, Enza Ferrari, Umberto Finazzi, Marco Gandini. In 2004 Ludovic Spiess, famous Romanian tenor, asked him to collaborate with the National Opera of Bucharest, and since that year he is part of the ensemble of the opera house, where he made his European debut with La Traviata. He also collaborates with National Opera in Chişinău (Republic of Moldova), Opera na Zamku in Szczecin (Poland), Radio Bucharest Orchestra, George Enescu Philharmonics and many others. In Bucarest he studied with Mr. Spiess, and Cornel Stavru another great Romanian tenor, many master classes with professors such as Viorica Cortez, Ion Piso, Ionel -
AUTOGRAPH AUCTION Sunday 27 November 2011 10:00
AUTOGRAPH AUCTION Sunday 27 November 2011 10:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (AUTOGRAPH AUCTION) Catalogue - Downloaded from UKAuctioneers.com Lot: 877 beneath the quotation. VG ELGAR EDWARD: (1857-1934) English Composer. A good Estimate: £80.00 - £100.00 printed score signed for The Dream of Gerontius (Op.38, 1900), First Edition published by Novello and Company Ltd., London, 1900. The tall 8vo edition has been specially bound in half blue Lot: 883 morocco with gilt title ('Nesta') to cover and gilt lettering to COATES ERIC: (1886-1957) English Composer, composed the spine. Signed by Elgar in dark fountain pen ink to the famous main title march of the film score to The Dam Busters preliminary blank with an A.M.Q.S. in his hand, two bars with (1954). Vintage signed and inscribed 4 x 6 photograph, a head words ('Praise etc.') beneath his signature. Dated Hereford, and shoulders study of Coates. Signed in dark fountain pen ink 1924, in his hand. Bearing two ownership signatures of N[esta]. to a light area of the image and dated February 1933 in his J. R. Clarke of Gloucester and Chester, one to the title page. hand. VG Rare in this form. Some light discoloration to the head of the Estimate: £100.00 - £120.00 covers and the spine faded, about VG Estimate: £400.00 - £600.00 Lot: 884 BRITTEN BENJAMIN: (1913-1976) English Composer. Vintage Lot: 878 signed postcard photograph of Britten in a head and shoulders SULLIVAN ARTHUR: (1842-1900) English Composer. -
Il Duca D'alba Donizetti
Il duca d'Alba Discographie Amelia d’Egmont : Caterina Mancini Marcello di Bruges : Amedeo Berdini Il Duca d’Alba : Giangiacomo Guelfi Sandoval : Dario Caselli Daniele : Nestore Catalani Carlos : Aldo Bertocci Coro e Orchestra Sinfonica di Roma della RAI Radiotelevisione Italiana Maestro Concertatore e Direttore : Fernando Previtali Roma, Auditorium della R.A.I., 29 11 1951 Bongiovanni Amelia d’Egmont : Ivana Tosini Marcello di Bruges : Renato Cioni Il Duca d’Alba : Luigi Quilico Sandoval : Wladimiro Ganzarolli Daniele : Franco Ventriglia Carlos : Enzo Tei Orchestra Filarmonica Triestina Coro del Teatro Verdi di Trieste Maestro Concertatore e Direttore : Thomas Schippers M°. del Coro : Adolfo Fanfani XXXV° Festival dei Due Mondi di Spoleto, Teatro Nuovo, 11 06 1959 Melodram MEL 27036 (2CD) Memories HR4579-80 / 1994 (2CD) Amelia d’Egmont : Marina Krilovici Marcello di Bruges : Ottavio Garaventa Il Duca d’Alba : Silvano Carroli Sandoval : Frangiskos [Andreas ?] Voutsinos Daniele : Pali Marinov Carlos : Pierre Lanni Orchestre et Chœurs du Théâtre Royal de La Monnaie de Bruxelles Chef des Chœurs : Guido Vermandere Direction musicale : Oliviero De Fabritiis Festivités en l’Honneur du Millénaire de la Ville de Bruxelles Bruxelles, Théâtre Royal de La Monnaie, 28 09 1979 M.R.F. 170 (3 LP) Les dossiers de Forum Opéra - www.forumopera.com - Il duca d'Alba © Yonel Buldrini - p. 1 Amelia d’Egmont : Ruth Falcon Marcello di Bruges : Renzo Casellato Il Duca d’Alba : RENATO BRUSON Sandoval : Ivo Ingram Daniele : Paolo Washington Carlos : Gianfranco