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Fall 2003 Archipelago
archipelago An International Journal of Literature, the Arts, and Opinion www.archipelago.org Vol. 7, No. 3 Fall 2003 AN LEABHAR MÒR / THE GREAT BOOK OF GAELIC An Exhibiton : Twenty-two Irish and Scottish Gaelic Poems, Translations and Artworks, with Essays and Recitations Fiction: PATRICIA SARRAFIAN WARD “Alaine played soccer with the refugees, she traded bullets and shrapnel around the neighborhood . .” from THE BULLET COLLECTION Poem: ELEANOR ROSS TAYLOR Our Lives Are Rounded With A Sleep Reflection: ANANT KUMAR The Mosques on the Banks of the Ganges: Apart or Together? tr. from the German by Rajendra Prasad Jain Photojournalism: PETER TURNLEY Seeing Another War in Iraq in 2003 and The Unseen Gulf War : Photographs Audio report on-line by Peter Turnley Endnotes: KATHERINE McNAMARA The Only God Is the God of War : On BLOOD MERIDIAN, an American myth printed from our pdf edition archipelago www.archipelago.org CONTENTS AN LEABHAR MÒR / THE GREAT BOOK OF GAELIC 4 Introduction : Malcolm Maclean 5 On Contemporary Irish Poetry : Theo Dorgan 9 Is Scith Mo Chrob Ón Scríbainn ‘My hand is weary with writing’ 13 Claochló / Transfigured 15 Bean Dubh a’ Caoidh a Fir Chaidh a Mharbhadh / A Black Woman Mourns Her Husband Killed by the Police 17 M’anam do sgar riomsa a-raoir / On the Death of His Wife 21 Bean Torrach, fa Tuar Broide / A Child Born in Prison 25 An Tuagh / The Axe 30 Dan do Scátach / A Poem to Scátach 34 Èistibh a Luchd An Tighe-Se / Listen People Of This House 38 Maireann an t-Seanmhuintir / The Old Live On 40 Na thàinig anns a’ churach -
The Kent Family & Cork's Rising Experience
The Kent Family & Cork’s Rising Experience By Mark Duncan In the telling of the Easter 1916 story, Cork appears only the margins. The reasons for this are not too hard to comprehend. Here was a county that had thought about mounting insurrection, then thought better of it. This failure to mobilise left an unpleasant aftertaste, becoming, for some at least, a source of abiding regret which bordered on embarrassment. It left behind it, Liam de Roiste, the Gaelic scholar and then leading local Irish Volunteer, wistfully recalled, a trail of ‘heart burning, disappointments, and some bitter feelings. The hour had come and we, in Cork, had done nothing.’1 In the circumstances, the decision to remain inactive – encouraged by the intervention by local bishop Daniel Colohan and Cork City Lord Mayor W. T. Butterfield - was an understandable one, wise even in view of the failed landing of German arms on board the Aud and the confusion created by the countermanding order of Eoin Mac Neill which delayed for a day, and altered completely, the character of the Rising that eventually took place.2 In any case, with Dublin planned as the operational focus of the Rising, Cork was hardly alone in remaining remote from the fray. Yes, trouble flared in Galway, in Enniscorthy, Co. Wexford and in Ashbourne, Co. Meath, but so few were these locations and so limited was the fighting that it served only to underline the failure of the insurgents to ignite a wider rebellion across provincial Ireland. For much of the country, the Rising of 1916 was experienced only in the heavy-handed and occasionally brutal backlash to it. -
Contemporary Irish Women Poets and the National Tradition
Colby College Digital Commons @ Colby Senior Scholar Papers Student Research 1998 From Image to Image Maker: Contemporary Irish Women Poets and the National Tradition Rebecca Troeger Colby College Follow this and additional works at: https://digitalcommons.colby.edu/seniorscholars Colby College theses are protected by copyright. They may be viewed or downloaded from this site for the purposes of research and scholarship. Reproduction or distribution for commercial purposes is prohibited without written permission of the author. Recommended Citation Troeger, Rebecca, "From Image to Image Maker: Contemporary Irish Women Poets and the National Tradition" (1998). Senior Scholar Papers. Paper 548. https://digitalcommons.colby.edu/seniorscholars/548 This Senior Scholars Paper (Open Access) is brought to you for free and open access by the Student Research at Digital Commons @ Colby. It has been accepted for inclusion in Senior Scholar Papers by an authorized administrator of Digital Commons @ Colby. Rebecca Troeger From Image to Image Maker: Contemporary Irish Women Poets and the National Tradition • The Irish literary tradition has always been inextricably bound with the idea of image-making. Because of ueland's historical status as a colony, and of Irish people's status as dispossessed of their land, it has been a crucial necessity for Irish writers to establish a sense of unique national identity. Since the nationalist movement that lead to the formation of the Insh Free State in 1922 and the concurrent Celtic Literary Re\'ivaJ, in which writers like Yeats, O'Casey, and Synge shaped a nationalist consciousness based upon a mythology that was drawn only partially from actual historical documents, the image of Nation a. -
Irish History Links
Irish History topics pulled together by Dan Callaghan NC AOH Historian in 2014 Athenry Castle; http://www.irelandseye.com/aarticles/travel/attractions/castles/Galway/athenry.shtm Brehon Laws of Ireland; http://www.libraryireland.com/Brehon-Laws/Contents.php February 1, in ancient Celtic times, it was the beginning of Spring and later became the feast day for St. Bridget; http://www.chalicecentre.net/imbolc.htm May 1, Begins the Celtic celebration of Beltane, May Day; http://wicca.com/celtic/akasha/beltane.htm. ------------------------------------------------------------------------------------ February 14, 269, St. Valentine, buried in Dublin; http://homepage.eircom.net/~seanjmurphy/irhismys/valentine.htm March 17, 461, St. Patrick dies, many different reports as to the actual date exist; http://www.newadvent.org/cathen/11554a.htm Dec. 7, 521, St. Columcille is born, http://prayerfoundation.org/favoritemonks/favorite_monks_columcille_columba.htm January 23, 540 A.D., St. Ciarán, started Clonmacnoise Monastery; http://www.newadvent.org/cathen/04065a.htm May 16, 578, Feast Day of St. Brendan; http://parish.saintbrendan.org/church/story.php June 9th, 597, St. Columcille, dies at Iona; http://www.irishcultureandcustoms.com/ASaints/Columcille.html Nov. 23, 615, Irish born St. Columbanus dies, www.newadvent.org/cathen/04137a.htm July 8, 689, St. Killian is put to death; http://allsaintsbrookline.org/celtic_saints/killian.html October 13, 1012, Irish Monk and Bishop St. Colman dies; http://www.stcolman.com/ Nov. 14, 1180, first Irish born Bishop of Dublin, St. Laurence O'Toole, dies, www.newadvent.org/cathen/09091b.htm June 7, 1584, Arch Bishop Dermot O'Hurley is hung by the British for being Catholic; http://www.exclassics.com/foxe/dermot.htm 1600 Sept. -
De Búrca Rare Books
De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 141 Spring 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 141 Spring 2020 PLEASE NOTE 1. Please order by item number: Pennant is the code word for this catalogue which means: “Please forward from Catalogue 141: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our front and rear cover is illustrated from the magnificent item 331, Pennant's The British Zoology. -
BMH.WS1737.Pdf
ROINN COSANTA BUREAU OF MILITARY HISTORY, 1913-21 STATEMENT BY WITNESS. DOCUMENT NO. W.S. 1,757. Witness Seamus Fitzgerald, "Carrigbeg", Summerhill. CORK. Identity. T.D. in 1st Dáll Éireann; Chairman of Parish Court, Cobh; President of East Cork District Court.Court. Subject.District 'A' Company (Cobh), 4th Battn., Cork No. 1 Bgde., - I.R.A., 1913 1921. Conditions, if any, Stipulated by Witness. Nil. File No S. 3,039. Form BSM2 P 532 10006-57 3/4526 BUREAUOFMILITARYHISTORY1913-21 BURO STAIREMILEATA1913-21 No. W.S. ORIGINAL 1737 STATEMENT BY SEAMUS FITZGERALD, "Carrigbeg". Summerhill. Cork. On the inauguration of the Irish Volunteer movement in Dublin on November 25th 1913, I was one of a small group of Cobh Gaelic Leaguers who decided to form a unit. This was done early in l9l4, and at the outbreak of the 1914. War Cobh had over 500 Volunteers organised into six companies, and I became Assistant Secretary to the Cobh Volunteer Executive at the age of 17 years. When the split occurred in the Irish Volunteer movement after John Redmond's Woodenbridge recruiting speech for the British Army - on September 20th 1914. - I took my stand with Eoin MacNeill's Irish Volunteers and, with about twenty others, continued as a member of the Cobh unit. The great majority of the six companies elected, at a mass meeting in the Baths Hall, Cobh, to support John Redmond's Irish National Volunteers and give support to Britain's war effort. The political feelings of the people and their leaders at this tint, and the events which led to this position in Cobh, so simply expressed in the foregoing paragraphs, and which position was of a like pattern throughout the country, have been given in the writings of Stephen Gwynn, Colonel Maurice Moore, Bulmer Hobson, P.S. -
Teachers' Notes
TEACHERS’ NOTES PRIMARY VIRTUAL TOUR Introduction This set of Teachers’ Notes has been created by the Education Department of the National Museum of Ireland at Collins Barracks in order to aid the teaching and interpretation of the ‘Proclaiming a Republic: the 1916 Rising’ Virtual Tour. The virtual tour - Provide teachers and student with an engaging and thought-provoking learning resource based around the aims to: 1916 Easter Rising and the National Museum of Ireland’s expansive ‘Easter Week’ collection of artefacts and images. - Provoke discussion and reflection upon key themes reflected in the exhibition. These include the roles of ordinary people during the Rising, in particular children, young people and women – the choices they had to make and what motivated those choices. These Teachers’ - Provide further information about the key artefacts on each stop of the Notes aim to: Virtual Tour, as well as a brief historical context. - Suggest potential discussion points in order to aid classroom discussion, and to suggest possible solo and group activities for students to engage in, which will enhance their understanding of the material presented. - Provide teachers with the relevant curriculum links, highlighting why each section of the tour was chosen and to explain what we hope to achieve for students at each location. Themes 1. The theme of choices – what motivated those who took part in the Rising and why others did not participate? We also consider those who had no A number of themes choice but were impacted by, or caught up in the Rising. We ask students are highlighted and to think about what choices they might have made, and to consider the explored throughout complexities inherent in these choices. -
Code-Mixing in Biliterate and Multiliterate Irish Literary Texts
Estudios Irlandeses , Number 3, 2008, pp. 29-41 _______________________________________________________________________________________AEDEI Code-Mixing in Biliterate and Multiliterate Irish Literary Texts Tina Bennett-Kastor Wichita State University Copyright (c) 2008 by Tina Bennett-Kastor. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Abstract. Code-mixing and code-switching are common and well-documented processes in the speech of multilingual persons. Where multilingual persons are also literate in each language, code-mixing is also possible in writing. Despite conservative pressures which tend to deem only one of the languages in a linguistic repertoire the prestige variety, and therefore the primary choice for written expression, multiliterate authors who are able to assume a multiliterate readership may use two or more languages in their texts. Some theories of code-mixing are here summarized, along with a review of code-mixing in spoken Irish. Examination of code-mixing in modern and contemporary Irish literary texts shows that, structurally, written code-mixing is for the most part similar to what is observed in spoken language. Functionally, however, written mixing often has wider aims. Because writing is a planned and conscious form of language, multilingual writers utilize their greater linguistic repertoires strategically by imbuing different languages with different symbolic meanings. A full appreciation of such texts requires an understanding not just of the languages involved, but also of their functions in the cultural environment and the historical, political, and cultural associations with the other languages. Key words. -
Irish Studies Round the World ‐ 2011
Estudios Irlandeses, Number 7, 2012, pp. 170-200 ____________________________________________________________________________________________ AEDEI IRISH STUDIES ROUND THE WORLD ‐ 2011 Patricia A. Lynch (ed.) Copyright (c) 2012 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the authors and journal are properly cited and no fee is charged for access. Reflections on Irish Writing in 2011 by Patricia A. Lynch ...............................................................................................................172 New Collected Poems (2011) by Derek Mahon Eoin Flannery...........................................................................................................................176 Landscapes of Cult and Kingship (2011) by Roseanne Schot, Conor Newman and Edel Bhreathnach (eds) Colin Ireland ............................................................................................................................179 Colum McCann (2011) by Eóin Flannery William A Johnsen ..................................................................................................................182 Demented Particulars: The Annotated Murphy (2010) by C.J. Ackerley Obscure Locks, Simple Keys The Annotated Watt (2010) by C.J. Ackerley Sean Kennedy ..........................................................................................................................185 Between Two Shores: Idir Dhá Chladach—Writing the Aran Islands 1890-1980 (2011) by Mairéad Conneely -
From the Putumayo to Connemara Roger Casement's Amazonian
Irish Migration Studies in Latin America Vol. 4, No. 3: July 2006 www.irlandeses.org From the Putumayo to Connemara Roger Casement’s Amazonian Voyage of Discovery * Peter James Harris University of São Paulo Roger Casement in his Brazilian Period (Pádraig Ó Cuanacháin Irish History) This article examines the evidence provided by Roger Casement’s accounts of his voyage to the Putu- mayo in the Amazon rain forest in 1910 in order to reveal the Odyssean complexity of his personality, and to suggest that, in a metaphorical sense at least, this journey represented the beginnings of an Irish homecoming for Casement, just as the wanderings of Homer’s hero led him to the recovery of his house and kingdom in Ithaca. The hanging of Roger Casement as a traitor at Pentonville prison, London, on 3 August 1916 placed him amongst the most prominent martyrs to the Irish nationalist cause. Yet just five years previously he had received a knighthood from the British government for his investigations into the methods of white rubber traders in the Peruvian jungle. The dichotomy in his character represented by these two moments has been charted as a life-long series of ambivalences and paradoxes in Roger Sawyer’s biography Casement: The Flawed Hero (1984), and was judged to be of paramount significance by the prosecution in his trial for treason. A compulsive journal-writer, Casement was to find his diaries used at the time of his trial to sully his reputation and to ensure that he was denied the chance of a reprieve. To this day, opinion continues to be divided between those who believe that his ‘Black’ diaries are a genuine, albeit clandestine, account of his homosexual activities, written at a time when such activities were a prisonable offence, and those who claim that they were the calumnious work of the British Secret Service. -
Visual Gender Separation During the Troubles
Irish Communication Review Volume 17 Issue 1 Article 6 July 2020 Posters, Handkerchiefs and Murals: Visual Gender Separation During the Troubles Bradley Rohlf Mount Aloysius College, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/icr Part of the Communication Commons, History of Gender Commons, Visual Studies Commons, and the Women's Studies Commons Recommended Citation Rohlf, Bradley (2020) "Posters, Handkerchiefs and Murals: Visual Gender Separation During the Troubles," Irish Communication Review: Vol. 17: Iss. 1, Article 6. Available at: https://arrow.tudublin.ie/icr/vol17/iss1/6 This Article is brought to you for free and open access by the Current Publications at ARROW@TU Dublin. It has been accepted for inclusion in Irish Communication Review by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Irish Communications Review vol 17 (2020) Posters, handkerchiefs and murals: Visual gender separation during the Troubles Bradley Rohlf, Mount Aloysius College (Pennsylvania) Abstract The Troubles in Northern Ireland provide a complex and intriguing topic for many scholars in various academic disciplines. Their violence, publicity and tragedy are common themes that elicit a plethora of emotional responses throughout the world. However, the very intimate nature of this conflict creates a much more complex system of friends, foes and experiences for those involved. While the very heart of the Irish nationalist movement is founded on liberal and progressive concepts such as socialism and equality, the media associated with it sometimes promote tradition and conservatism, especially regarding gender. -
A Poet's Rising
A POET’S RISING A POET’S RISING In 2015 the Irish Writers Centre answered the Arts Council’s Open Call for 2016 and A Poet’s Rising was born. Our idea was this: to commission six of Ireland’s most eminent poets to respond through poetry focusing on a key historical figure and a particular location associated with the Rising. The poets would then be filmed in each discreet location and made permanent by way of an app, freely available for download. The resulting poems are beautiful, important works that deserve to be at the forefront of the wealth of artistic responses generated during this significant year in Ireland’s history. We are particularly proud to be producing this exceptional oeuvre in the year of our own 25th anniversary since the opening of the Irish Writers Centre. • James Connolly at Liberty Hall poem by Eiléan Ní Chuilleanáin • Pádraig Pearse in the GPO poem by Paul Muldoon • Kathleen Lynn in City Hall poem by Jessica Traynor • The Ó Rathaille at O’Rahilly Parade poem by Nuala Ní Dhomhnaill • Elizabeth O’Farrell in Moore Lane poem by Theo Dorgan • The Fallen at the Garden of Remembrance poem by Thomas McCarthy We wish to thank Eiléan Ní Chuilleanáin, Paul Muldoon, Jessica Traynor, Nuala Ní Dhomhnaill, Theo Dorgan and Thomas McCarthy for agreeing to take part and for their resonant contributions, and to Conor Kostick for writing the historical context links between each poem featured on the app. A special thanks goes to Colm Mac Con Iomaire, who has composed a beautiful and emotive score, entitled ‘Solasta’, featured throughout the app.